UFO Researcher - 2005 Extra

Magazine Overview

Title: THE UFO RESEARCHER
Issue: Extra 2005
Date: September 8, 2005
Publisher: Not specified
Country: Japan
Language: English

This issue of The UFO RESEARCHER, dated Extra 2005, delves into various UFO phenomena, with a particular focus on a sighting that occurred shortly before the Niigata Chubu earthquake. The magazine features contributions from Kiyoshi Amamiya, a UFO researcher with 40 years of experience, and presents a range of historical accounts and modern observations.

Niigata Chubu Earthquake and UFO Sighting

The lead story investigates a potential connection between a UFO sighting and the Niigata Chubu earthquake, which occurred on October 23, 2004. Kiyoshi Amamiya, a UFO researcher from Tenri City, Nara, claims to have filmed an unidentified flying object (UFO) with red and orange lights in the sky approximately 30 minutes before the earthquake. The UFO was observed near a Japan Airlines (JAL) passenger jet, creating a 'near miss' situation. Amamiya, who has been researching UFOs for 40 years, describes the object as unlike any known aircraft, with features such as splitting lights and changing colors. The article includes reactions from a JAL pilot who, after viewing the footage, stated, "This can't be anything other than a UFO." The possibility that the UFO's appearance served as a warning for the impending natural disaster is explored, with references to similar alleged pre-disaster UFO sightings in other major earthquakes.

Historical UFO Records

The magazine presents a compilation of historical UFO sightings and phenomena from Japan, spanning centuries:

• 612 A.D.: A bright object resembling a human form was seen over the Gamo River in central Japan.
• 671 A.D.: A flaming object flying north was observed from multiple districts in Japan, a year before the Jinshin War.
• 679 A.D.: Cotton-like matter, about 5 to 6 feet long, fell over Naniwa (former name of Osaka) and drifted.
• 858 A.D.: A mysterious flaming 'red star,' several hundred feet in length, was sighted, described as distinct from astronomical or atmospheric phenomena.
• 1271 A.D.: Priest Nichiren was reportedly saved from execution by a shiny, moon-like object descending from the heavens.
• 1576 A.D.: A wheel-like luminous object was observed over Mt. Kasuga castle for an hour.
• Ancient Japanese Records: The issue also references older accounts, including a 'purple cloud' in 596 AD, a 'dragon-like figure' in 655 AD, and a 'cloud-shaped cover' with music in 670 AD, all interpreted as potential early UFO sightings.

UFOs in Art and Literature

Several articles explore how UFOs and related phenomena have been depicted in Japanese art and literature:

• 'The God of Hitokoto-nushi' Illustration: An illustration from a 1911 book, 'Pictorial Story Book of Kojiki,' depicts the god Hitokoto-nushi wearing a suit inspired by ancient Japanese clay dolls (Dogu). The article notes the unique choice of Dogu as a suit for a deity and its depiction as a flying being.
• 'Iron Fire Wheel' from Zegaido Ekotoba: A painting from the 10th century depicts a winged monster, Zegaibo, from China, in a lost fight with a Japanese priest. The 'iron fire wheel' in the sky is interpreted as a potential depiction of a UFO.
• 'Kurumaso' (Wheel Boat): A depiction from the Edo period shows a circular vessel in the sky, referred to as a 'wheel boat,' suggesting early artistic representations of aerial phenomena.
• Hosokawa Tadatoshi's Letter: A letter from the Edo period mentions a large luminous object seen flying in the sky over Edo and Kyoto, indicating public interest and discussion of such phenomena.

Editorial and Staff

The magazine lists its editorial team, including Editor Kiyoshi Amamiya, Managing Editor Yuki Amamiya, and Associate Editors Osamu Sato, Taira Fuzi, Fumi Kohara, and Mari Saito. It also acknowledges representatives and correspondents from around the world, highlighting an international network of UFO researchers.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the potential connection between UFO sightings and natural disasters, the historical presence of unexplained aerial phenomena in Japan, and the interpretation of ancient texts and artwork as evidence of early UFO encounters. The editorial stance appears to be one of open inquiry into UFO phenomena, presenting both eyewitness accounts and historical research to support the ongoing investigation into the subject.

This issue of "UFO Phenomena" (UFO現象) focuses on various aspects of UFO sightings, detailing their shapes, movements, and reported characteristics. The content is primarily in Japanese, with some English and Chinese translations provided for key sections and captions. The magazine presents a collection of witness accounts, photographs, and drawings, aiming to document and analyze these unexplained aerial phenomena.

UFO Shapes and Types

The issue categorizes UFOs based on their observed shapes and forms. Several types are discussed:

• Convex Lens Section Type / Cigar Type: These are often confused, but the convex lens type is described as having different shapes at each end and being long and slender, while the cigar type is similar. The text notes that the convex lens type is presumed to be seen from the side, making the whole object long and slender.
• Needle-shaped UFOs: An example from Komatsu Base shows these flying in pairs.
• Luminous Bodies / Spheres / Globes: These are described as bright, sometimes appearing as giant oranges or white/black globes. One account mentions a luminous body that was twice the size of a full moon.
• Black Disks / Round Objects: Several sightings describe black disks or round objects, some of which were observed to spin.

UFO Movements and Behaviors

A significant portion of the magazine is dedicated to describing the diverse and often perplexing movements of UFOs:

• Appearing and Disappearing: UFOs are noted to appear and disappear, with interpretations varying on whether they vanish from space or become invisible to the visible light spectrum. One witness described a UFO that left an outline before assimilating with the blue sky, suggesting a 'part not seen' phenomenon.
• Zigzag Movement: This is a recurring theme, with descriptions of objects moving in a zigzag pattern. The text highlights that this type of movement has not yet been captured on film or video, making it a potential key piece of evidence if documented.
• Spinning Flight: Described as a flight form possible for light aircraft, the spin flight's track is said to represent a 'spiral,' which is linked to the movement of celestial bodies.
• Rocking / Seesaw Movement: This is characterized as a 'mysterious' or 'useless' movement that doesn't seem related to the ability to fly. Legends of 'cradles in the air' are associated with this type of movement.
• Horizontal Flight / Movement: UFOs are described as moving horizontally, sometimes in pairs, and maintaining their shape while moving.
• Other Behaviors: This includes objects that keep their shape, hide behind clouds, move independently of clouds, shake, drift, move both ends up and down, and appear/disappear within a short time frame (e.g., within a 3-hour period).

Witness Accounts and Photographic Evidence

The magazine presents several specific incidents with dates, locations, and descriptions:

• Kyushu Aso, Japan (October 20, 1960): A formation of 'Mother ships' was photographed.
• Holloman Air Force Base, New Mexico, USA (October 16, 1957): A nurse photographed an anomalous object brighter than ordinary clouds.
• Komatsu Base, Ishikawa Prefecture, Japan (March 9, 1990): Needle-shaped UFOs flying in pairs were photographed.
• Tokyo, Japan (January 4, 1962): A luminous body approached in a zigzag motion and disappeared quickly.
• Tokyo, Japan (September 1, 1961): A zigzag movement of lights was observed.
• Japan (May 18 & 21, 1975): Black disks were observed spinning.
• Ciurel Lake, București, Romania (January 5, 1988): A luminous phenomenon was observed for an extended period.
• Expo Park, Senri-Chuo, Osaka Prefecture, Japan (November 5, 1989): White globes were observed, some disappearing and reappearing.
• Matsubara City, Japan (September 29, 1991): Black globes were witnessed by many people, including school children.
• Nerima Ward, Tokyo, Japan (April 17, 2004): A black globe with red and purple hues was photographed.
• Sakura City, Chiba Prefecture, Japan (September 3, 1996): A black, round object was observed by a driver.

UFOs and the Sky

Some accounts describe UFOs interacting with or resembling natural phenomena. For instance, one type of UFO is described as resembling fragments of clouds but moving independently in space. Another mentions that UFOs can hide behind clouds. The text also notes that some UFOs are brighter than clouds.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the diverse shapes and movements of UFOs, the challenges in documenting them (especially their movements), and the presentation of photographic and witness evidence. The editorial stance appears to be one of serious investigation and documentation of UFO phenomena, presenting observations and data without overt skepticism, and encouraging further study, particularly of elusive movements like the zigzag phenomenon. The magazine aims to provide a platform for sharing such sightings and fostering a deeper understanding of these unexplained aerial events.

This issue of "UFO Phenomena" (UFO現象) focuses on historical sightings and ancient artifacts that may relate to extraterrestrial encounters.

UFO Sighting: October 1, 1993

The first documented event features Yuki Amamiya, who observed a black round object at a window on the second floor of her workplace around 12:40 PM on October 1, 1993. The object later changed into a white object while rising vertically.

UFO Sighting: June 14, 1997

On June 14, 1997, Mr. Emirio Granados videoed a large group of white and black globes in Mexico. The accompanying text notes this as a large group of white and black spheres.

Historical Sightings and Depictions

The magazine presents several historical accounts and artistic representations of aerial phenomena:

• August 7, 1566, Basel, Switzerland: A drawing by a priest depicts people observing numerous black and white ball-shaped objects in the sky. The text notes that the objects were moving at high speed towards the sun, colliding with each other, and many turned red and ignited before disappearing.
• April 14, 1561, Nuremberg, Germany: An illustration from a broadsheet shows red, blue, and black globes and rod-shaped objects witnessed in the sky. The description mentions that a large group of men and women witnessed these objects near the morning sun, and the event lasted for an hour, appearing as if everything burned up and fell to the ground amidst vast smoke.

Ancient Artifacts and Potential Space Suits

"Pressure Suits" in 6000-Year-Old Rock Paintings

The article "Ancient Japan also had PRESSURE SUIT?" discusses rock paintings found in the Cefar Rock Groups in the Sahara Desert, investigated by Colonel Branan and Professor Henri Rhote. Rhote named these "The Art of Round Head Age," estimating them to be 6000-8000 years old. He noted figures with round heads and helmets, which Soviet pilot Mr. Akratov compared to modern pressure suits. The article suggests that similar rock paintings and clay dolls exist worldwide.

DOGU: Ancient Japanese Clay Dolls

This section focuses on the "dogu" (ancient Japanese clay dolls), exploring their potential connection to extraterrestrial concepts. It references the views of Alexandar Kasantev, Y. J. Matsumura, Kurt Zeissig, and Teruya Kawasaki.

• Alexandar Kasantev's Interpretation: Kasantev's work suggests that elements of the dogu, such as the goggles, breathing apparatus, and suits, resemble modern space suits and flying machines.
• Visual Comparisons: The article includes diagrams comparing dogu features to modern goggles, breathing filters, and even experimental space suits, highlighting similarities in helmets, masks, and protective gear.
• Specific Dogu Examples: Several dogu figures are shown, including those from Miyagi Prefecture (36 cm tall) and Hokkaido (19 cm tall), described as wearing armor-like forms and helmets. A bearded dogu from Aomori Prefecture is also shown.

The "Turtle-Shaped Goggle-Eyed Figure"

This figure, found in Aomori Prefecture, is discussed in relation to its resemblance to a "turtle" or "insect." UFO researcher Osamu Sato proposes that these figures might represent ancient people's depictions of space suits and flying craft.

Cultural Heroes and Mythology

The Cultural Hero Okikurumi-Kamui Story

British scholar W.J. Perry's book "The Children of the Sun" is mentioned, which posits that many cultural heroes descended from the sky and taught early civilizations various skills like stone use, farming, and architecture. Examples include Osiris in Egypt, Viracocha in Peru, and Quetzalcoatl in Mexico.

• Japanese Cultural Heroes: The article notes Okuni-nushi in Japan, who developed farming. The Ainu people, indigenous to Hokkaido, have Okikurumi-Kamui as their cultural hero.
• Okikurumi-Kamui's Legend: According to Ainu sacred texts, Okikurumi-Kamui lived near the Saru River at Haiopira. His mountain castle had shining round signs that emitted light. He is described as a hero who fought demons, rescued a princess, provided food aid, treated illness, controlled flying machines, and visited heaven. He is characterized as an "Inventor," "Soldier," "Pilot," "Artist," and "Teacher."
• Connection to Flying Saucers: A study by the CBA Scientific Research Division, led by Mr. Matsumura, found that "Sun Marks" in ancient Kyushu tombs were symbols of flying saucers. The Ainu legend states that Okikurumi-kamui descended from the heavens in a shining "Shinta" (an Ainu cradle), which is interpreted as a flying saucer. He is considered a "Space Brother" who educated the Ainu people. Monuments, including a flying saucer model, were planned to honor him.

Ainu Mythology: World of Ainu Gods

This section details Ainu mythology, focusing on deities and their roles:

• Kanto-moshiri - Rikun-moshiri: Refers to the "Land of Gods" and "Land of Heaven."
• Kane-chise: Golden House: The dwelling of gods in the "Golden Palace" in the land of heaven, where Okikurumi pursued a goddess.
• Sun God's Boat (太阳神的船): A "cloud boat" used by Okikurumi to rescue the sun god. It signifies the "Sun Boat" and is distinct from an eclipse.
• Golden Boat (黄金的船): A vessel carrying grains and sake, capable of flying through the sky, creating a "cloud bridge."
• Kamui-oma-nish: Cloud Ascending: Refers to the clouds where gods ride, or the "white clouds" from which a goddess flies.
• Kamuikar-shinta: God-Made Transport: A cradle-like vehicle used by gods, also called "Kani-shinta" or "Golden Shinta." It can hover and fly long distances.
• Kamuikat-chashi: God-Made Mountain Castle (HAIOPIRA): The residence of Okikurumi-Kamui and his foster sister, featuring workshops and storage spaces.
• Inau: A tool used by the Ainu to convey wishes and messages to the gods.

Okikurumi-Kamui's Life and Teachings

Okikurumi-Kamui is described as a cultural hero and god of the Ainu people, known by names like Ainu Rakur ("Man God") and Aioina Kamui ("Long-Lasting God"). Linguist Kyosuke Kindaichi studied Ainu language and folklore. Okikurumi taught the Ainu people about agriculture, hunting techniques (like making bows), rituals, discipline, and wisdom. He also provided food aid during famines and punished evil gods. His daily life involved carving, serving as a model for human life, and his carvings are sold as folk art.

He is said to have ridden a flying machine called "SHINTA" to rescue a captive woman.

UFOs and Ancient Clothing

This section reiterates the idea that Okikurumi-Kamui, the Ainu cultural hero, is associated with flying machines and flying clothes. The text mentions that Okikurumi-Kamui, along with his sister goddess, lived in Haiopira. They used a "bear sending" ritual, and the concentric circle symbol was placed on the altar. Okikurumi taught the Ainu people about crop cultivation, hunting, rituals, and wisdom. He also provided food during times of scarcity and punished evil gods. His carvings are sold as folk art.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the potential connections between ancient myths, artifacts, and modern UFO phenomena. The magazine presents evidence from historical sightings, ancient art, and indigenous legends to suggest that ancient cultures may have had contact with or knowledge of advanced technology, possibly extraterrestrial in origin. The editorial stance appears to be one of open inquiry, exploring these possibilities without definitive conclusions, but presenting them as plausible interpretations of historical and cultural data.

This issue of 'UFO' magazine, identified by its page number '31' and publisher 'A.F.U.' from Sweden, focuses on the intersection of Ainu mythology, ancient artifacts, and modern UFO phenomena. The primary theme revolves around the concept of 'SHINTA,' a mythical flying vehicle described in Ainu oral traditions, and its potential connection to ancient astronauts and extraterrestrial visitation.

SHINTA: The Ainu Flying Vehicle

The article begins by exploring the characteristics of SHINTA as described in the Ainu epic 'OINA.' These characteristics include the ability to fly in the sky, carry multiple people, require special fuel, emit roaring sounds, create ripples on water, fly with light and wind, penetrate cloud layers, and reach the abode of stars. Those who ride SHINTA are said to wear special armor. The description also notes that SHINTA is sometimes depicted as a 'rocking cage' or a 'boat.'

The text draws parallels between these features and ancient Japanese depictions, particularly a 'sun boat' motif found in tomb murals, which is interpreted as a divine vehicle or a craft for the deceased. The presence of circles on these depictions is linked to stars, and the sacredness of the 'boat' in Ainu culture is noted, suggesting a universal concept of sky gods traveling in vessels.

CHASHI: Bases for SHINTA?

The article introduces 'CHASHI,' a term in the Ainu language for the mountain where the culture god OKIKURUMI resides. According to oral traditions, OKIKURUMI enters CHASHI in SHINTA. This leads to the hypothesis that CHASHI, often resembling small pyramids, might have served as bases for these flying machines. Numerous CHASHI sites are said to exist in Hokkaido, and they are associated with the concept of 'light descending from the sky' and 'gods descending with a roar.'

The Appearance of OKIKURUMI God

When OKIKURUMI boards the flying machine, he wears special clothing, described not as being worn but 'installed.' This attire features embroidery with a 'creeping grass flower' pattern on a chest plate, similar to patterns found on a clay figurine unearthed in Muroran.

An archaeological site in Fugoppe, 130 km northwest of the Ainu sacred site Haiopira, contains carvings depicting figures flying in the sky. These are interpreted as representations of Ainu mythology, possibly illustrating the story of people flying to the ancient world. The oral tradition of 'OINA' is again cited, reinforcing the idea that CHASHI might be bases for flying machines.

Distribution Map of Kameoka Culture

A map illustrates the distribution of the Kameoka culture, highlighting its influence and related cultures. Labeled locations include Fugoppe, Haiopira, Muroran, Kamegaoka, and Ebisuda. The map also categorizes the influence of Kameoka culture as 'weak' and identifies 'Kameoka culture other than' specific areas.

The Enigmatic Clay Figurines

The article discusses clay figurines found in ancient sites worldwide, often interpreted as 'mother goddesses' or symbols of fertility. Japanese sites have yielded similar figurines, notably the 'shades-wearing figurines' (遮光器土偶). These are distinguished by their large, goggle-like eyes, air-filled bodies, mechanical limbs, and intricate patterns, suggesting advanced craftsmanship and a unique aesthetic.

The Kamegaoka site in Aomori is central to the 'Kamegaoka type' of these figurines, with a cultural sphere extending to Hokkaido and the Tohoku region. The 'shades-wearing figurines' are compared to modern astronaut suits, with design elements discussed in relation to potential extraterrestrial influences. Connections are also drawn to South American archaeological finds, suggesting a possible global link.

Modern HAIOPIRA

The UFO research group CBA INTERNATIONAL investigated Ainu oral traditions and concluded that OKIKURUMI was an ancient visitor from space. In gratitude for his civilizing influence, the group initiated a project to build a memorial monument at the sacred site of Haiopira.

The author participated in this project, which culminated in a dedication ceremony on June 24, 1965. During the ceremony, a green, oval luminous object was observed descending onto the memorial OBELISK, evoking strong emotions among the witnesses. Local residents in Haiopira have also reported witnessing unusual phenomena, including a large circular light at a place called 'the landing ground of the descending god,' associated with the OKIKURUMI myth.

Furthermore, the author's wife, Amamiya Yuki, reported witnessing a large cylinder-shaped luminous object flying at low altitude near the reconstructed Sun Pyramid in 1966.

UFOs: A Continuing Phenomenon

The article asserts that UFO phenomena are not new, originating thousands of years ago, and that humanity has simply forgotten them over generations. It emphasizes the need to collect and organize fragmented records to reconstruct this past.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the interpretation of ancient myths and artifacts as evidence of extraterrestrial visitation, particularly focusing on the Ainu culture. The magazine promotes the idea that ancient civilizations had contact with advanced beings, possibly from other planets, and that these encounters have been preserved in oral traditions and archaeological remains. The editorial stance appears to be one of open inquiry into these possibilities, encouraging readers to consider unconventional explanations for historical phenomena and to actively seek out and preserve evidence of past encounters.