UFO-Nytt - 2001 No 1

Magazine Overview

This issue of "UFO'ENES GUDFAR" (The UFOs' God Father) focuses extensively on the work of Wendelle C. Stevens, a veteran UFO researcher with nearly 40 years of experience. The magazine highlights his vast private collection of UFO photographs, estimated to be the largest in the world, and his investigations into numerous cases of human-alien contact. The publication is presented as an exclusive article from "Magasinet Alien Encounters" and translated into Norwegian by Signe H. Einseth.

Wendelle Stevens: A Pioneer in UFO Research

The article begins by detailing a tribute to Wendelle Stevens at a UFO conference in Laughlin, Nevada, in January 1998. Stevens is recognized for his extensive work, particularly for possessing over 3000 UFO photographs that are frequently used in films and TV programs, forming the core of the world's largest visual UFO database. His research often delves into the controversial area of human/alien contact, a subject many mainstream researchers avoid.

Stevens has investigated approximately 115 individual contact cases, insisting on substantial supporting evidence and photographic proof for each. He notes that contacts often occur over extended periods, sometimes years. Stevens believes that information from contactees offers unique insights into the origins and agendas of extraterrestrials.

The Billy Meier Case and Photographic Evidence

A significant part of Stevens' career involved investigating the Eduard "Billy" Meier case in Switzerland, starting in 1976. Meier, a seemingly poor, one-armed farmer, claimed ongoing contact with extraterrestrials from the Pleiades system, backing his claims with around 500 dramatic daylight photographs of their craft. Stevens, along with collaborators Lee and Brit Elders, spent considerable time investigating this case, including sending four of Meier's photos for extensive analysis. While acknowledging that photographs can be faked, Stevens asserts that rigorous analysis can eliminate most forgery methods, though proving a photo is of an extraterrestrial craft remains challenging.

Nazi UFO Technology

During his time with the Air Technical Intelligence Center, Stevens studied advanced aviation technology from various countries, including Germany's technological advancements during WWII. He claims to have seen a map of Germany marked with Saturn symbols, which he later learned indicated Nazi research centers for advanced technology. Stevens suggests that the Nazis developed two types of flying discs, the smaller "Vril" and the larger "Haunebu," powered by a "null-gravity field." These craft allegedly achieved extreme altitudes and speeds, far surpassing Allied aircraft. He posits that despite Nazi efforts to destroy evidence, both the Russians and Americans captured technology and scientists to develop their own flying disc programs.

Terrestrial vs. Extraterrestrial UFOs

The article explores the question of how many UFO sightings are truly extraterrestrial versus human-made. Stevens references Stan Deyo, a consultant on gravity-based propulsion systems, who claims that approximately 40% of UFO observations can be attributed to terrestrial craft. Deyo suggests that governments have been secretly developing and testing such technology, possibly incorporating captured Nazi designs, and that the incentives and job security for those involved are immense.

Area 51 and Reverse Engineering

Stevens discusses the US military's efforts to reverse-engineer extraterrestrial technology, citing a friend who worked as a flight simulator engineer at Area 51. This engineer trained pilots for advanced craft, including disc-shaped vehicles that fly within the atmosphere using advanced technology adapted from extraterrestrial sources. However, replicating extraterrestrial technology is hampered by the fundamental differences in materials and the complex mental control required to operate these craft, which humans have not yet mastered.

Contact Cases: William Herrman and Eduard "Billy" Meier

Stevens details his investigation into the William Herrman case, where Herrman reported repeated UFO sightings and abduction by extraterrestrials from the Reticulum system. Herrman received telepathic communication and was shown advanced technology. The extraterrestrials reportedly explained their rapid maneuvers were to avoid radar detection, referencing a past incident where three of their ships crashed due to experimental radar. They claimed their purpose was scientific observation and study of Earth's life, collecting biological samples and mapping the planet, expressing concern about pollution and nuclear power. Herrman faced ostracism and the destruction of his home after going public.

The article also revisits the Billy Meier case, noting its complexity and the division within the UFO community regarding its authenticity. Stevens spent significant time with Meier, concluding that Meier, being poor, lacked the resources to fake such an elaborate contact scenario. Analysis of a metal fragment from Meier's craft indicated a rare, crystalline metallic mixture created through a cold fusion process.

UFOs and the Apollo Program

This section discusses the possibility that the Moon might be used as a base for extraterrestrials, citing recently released photos from the Apollo program. While the official stance was secrecy regarding any potential UFO observations, speculation has grown, particularly with the rise of the internet. Some astronauts, like Edgar Mitchell, have publicly spoken about their belief in UFOs and extraterrestrials, drawing on their experiences and high-level contacts.

UFOs in Mexico

Mexico is presented as a hotspot for UFO activity. The article notes that the first known UFO photograph was taken in Mexico in 1883. Jaime Maussan, a leading Mexican UFO researcher, possesses one of the world's largest private collections of UFO photographs and video footage. The article highlights the clarity and quality of photographic evidence emerging from Mexico, often captured by professional photographers. UFOs are frequently observed near volcanoes, sometimes flying into active eruptions, which is described as inexplicable unless the craft are partially materialized. Examples include a fast-moving object near Popocatepetl and a large, cigar-shaped UFO over Mexico City. The article suggests that UFOs are becoming less shy, appearing closer to urban areas and even construction sites.

Further Evidence and Conclusion

The final pages present more images of UFOs in Mexico, including multiple objects in one frame near mountains, with a cave in the mountains possibly serving as an extraterrestrial base. The article notes that UFO sightings have become so common in Mexico that people often don't bother to photograph them. However, the military is mentioned as the only authority that partially censors UFO phenomena, having canceled parades due to UFO interference. The article concludes by suggesting that the "man in the moon" might indeed be a reality, based on an analysis of a photograph taken by Neil Armstrong.

Recurring Themes and Editorial Stance

The magazine consistently emphasizes the importance of photographic evidence in UFO research, particularly the extensive collection of Wendelle Stevens and the high-quality images emerging from Mexico. The theme of extraterrestrial visitation and advanced technology, both alien and potentially human-derived (from Nazi origins), is central. The publication also touches upon the controversial nature of contactee experiences and the challenges of investigating such phenomena. The editorial stance appears to be one that takes UFO reports and evidence seriously, presenting detailed investigations and photographic proof as compelling, even if definitive conclusions remain elusive.

This issue of "DET USYNLIGE NÆRVÆR" (The Invisible Presence) explores phenomena related to unidentified flying objects (UFOs) and potential extraterrestrial life. The cover headline boldly announces the topic, suggesting a hidden reality.

The Invisible Presence: A New Phenomenon

The main article introduces a phenomenon possibly representing a new form of life, discovered by Canadian Martyn Stubbs. This phenomenon, described as 'light beings,' can move at incredible speeds, barely detectable by the naked eye but visible on camera. Stubbs' work began as a hypothesis: if these light beings exist outside Earth's atmosphere, could they also be within it? His investigation focused on UFO footage, particularly that of Billy Euard Meier from the 1970s, examining whether similar phenomena were present in his films.

Billy Meier: The Man Behind the Films

The article then delves into the controversial figure of Billy Meier, a Swiss individual known for his UFO films and photographs. Meier's background is described as restless, having traveled extensively before settling back in Switzerland. He claims lifelong UFO experiences and contact with extraterrestrials. A photograph taken by Meier in Israel in 1963 is presented as potential evidence. Meier gained wider recognition in the early 1970s by filming and photographing UFOs during his travels, submitting the material to local photo labs. Despite skepticism, his films and photographs are described as undeniably mysterious, with experts finding it difficult to explain how he could have faked such a large volume of material. Investigations by groups, including an American-led team and a Japanese team, visited Meier, interviewed him, and examined his filming locations.

Initially, Meier only provided films and photographs, not details about his contacts. However, it was revealed that these UFOs allegedly came from a planet in the Pleiades star system. Meier claimed these beings looked more human-like than humans and that his contact, named Semjase, visited Earth in 'beam ships' to enlighten humanity and warn them about the future if they didn't change their ways. The contact material from Meier and Semjase reportedly amounts to nearly 1000 pages of transcripts.

Meier's extensive contact material includes information on technology, philosophy, cosmogony, the history of Earth, the universe, and the home planet of the Semjase beings, Erra, as well as prophecies. The article notes that this material is similar in quality and type to that of George Adamski and Howard Menger, raising questions about its authenticity and origin. Skeptics' arguments about how Meier could have faked the material are challenged by neutral experts who state that the material on the films and photographs is genuine and not tampered with, and that Meier's equipment was not sophisticated enough for such forgeries.

Martyn Stubbs: The Man Behind the Discovery of the New Phenomenon

Martyn Stubbs, a Canadian with a background in managing a large cable TV company, had access to satellite communications. His personal interest in space travel, particularly NASA's space shuttle missions, led him to record approximately 4,500 hours of video footage from 'take off' to 'stand still' of the shuttle missions. During this extensive viewing, Stubbs noticed something more intriguing than the astronauts' activities: strange streaks moving across the screen at high speeds. He identified two phenomena: UFOs similar to those filmed on Earth, but seen from the space shuttle, and a more baffling phenomenon of transparent, luminous 'beings' of various sizes that could move both quickly and slowly. These 'light beings' sometimes caught the attention of astronauts, who were then reprimanded by ground control to focus on their work.

Stubbs sought expert opinions to validate his discovery. This led to a division, similar to the reactions to Meier, Adamski, and Menger, with one skeptical camp dismissing the findings and attributing them to equipment malfunctions, ice crystals, reflections, or cosmic waves. The other camp was more positive and continued investigations.

The Author's Possible Discovery: Earthly Light Beings

The article's author presents their own possible discovery of similar phenomena. Using a video machine to analyze individual frames of 8mm film (5mm wide, 16 frames per second), the author examined the details within each frame. They focused on irregularities that appeared consistently across multiple frames (two or three) and in the same location on the film. The author found patterns similar to those reported by Meier and Stubbs: fast-moving lights forming regular and irregular patterns. These light beings seemed to react to electrical or magnetic fields, suggesting they might be stimulated by them, possibly even living off them. The author notes that more study is needed for certainty.

One particularly strange image shows the outline of a figure on two frames, leading the author to question if it could be one of the Pleiadian visitors. The author plans to contact Billy Meier to present their findings and seek his opinion, possibly gaining access to original film for further examination.

John Glenn: The Man with the Cosmic Fireflies

John Glenn, the first American in space in 1962, reported seeing what appeared to be 'electric sparks' and 'fireflies' outside his Mercury capsule. Frustrated by ground control's disbelief, he used his personal camera to capture images of these phenomena, one of which is shown in the article. NASA later referred to this phenomenon as 'John Glenn's fireflies.'

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around unexplained aerial phenomena, the possibility of extraterrestrial life, and the evidence presented by individuals who claim contact or sightings. The editorial stance appears to be one of open inquiry, presenting controversial figures like Billy Meier and their claims alongside scientific investigations and observations, such as those by Martyn Stubbs and John Glenn. The magazine seems to encourage readers to consider the evidence and the possibility of phenomena beyond conventional understanding, while acknowledging the skepticism and debate surrounding these topics.