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Overview

'Tracce d'eternità', Issue 3, published in July 2009, is an electronic magazine produced by Paleoseti.it. It is dedicated to users of the portal and covers a range of topics including ancient history, archaeology, mythology, esotericism, and ufology. The magazine is presented…

Magazine Overview

'Tracce d'eternità', Issue 3, published in July 2009, is an electronic magazine produced by Paleoseti.it. It is dedicated to users of the portal and covers a range of topics including ancient history, archaeology, mythology, esotericism, and ufology. The magazine is presented with a renewed graphic design and layout, aiming to be innovative and potentially set a trend for similar publications.

Key Features and Articles

This issue prominently features a tribute to Peter Kolosimo on the 25th anniversary of his death. Kolosimo is remembered as a pioneer in 'border archaeology,' and the magazine includes recollections and testimonies from his collaborators. The editorial highlights his ability to capture attention through simple, fluid, and engaging writing.

Interviews

A significant portion of the magazine is dedicated to interviews. A key interview is with researcher Corrado Malanga, curated by Gianluca Rampini. Malanga's work is described as cutting-edge, particularly concerning alien abductions and their connection to the human soul. The interview delves into the purpose of aliens' presence on Earth, suggesting their primary interest is in the human soul. Malanga's research, based on studies with abductees, posits that aliens view humans as 'cattle to be milked' and that their presence aims to control and manipulate human consciousness. The interview also touches upon the controversial nature of Malanga's views, which have led to his isolation from traditional ufological circles, but also granted him greater freedom of research. His work includes developing techniques to help abductees overcome alien control, particularly through hypnotic methods and the deactivation of implants.

Another interview features Yuri Leveratto presenting an interview with archaeologist Niède Guidon regarding the 'origin of the American man: the enigma of Pedra Furada.'

Thematic Studies

The magazine includes several thematic studies:

  • Archeologia di Confine (Border Archaeology): Features an interview with archaeologist Niède Guidon about the enigma of Pedra Furada, and an article by Roberto La Paglia titled 'Alien Sightings and Divine Visions.'
  • Storia (History): Enrico Baccarini explores 'The problem of stigmata: divine signs or earthly symbols?'
  • Urbis Historia: Simonetta Santandrea discusses 'The enigma of the eyes' and 'From where did the "celestial messengers" come?'
  • Egittologia (Egyptology): Gianluca Rampini presents 'A pyramid of common sense.'
  • Mitologia (Mythology): Simone Barcelli writes about 'The gods of creation (and not only).'

Columns and Sections

Several regular columns and sections are featured:

  • Note a Margine (Notes on the Margin): Simone Barcelli reflects on Kolosimo as a precursor.
  • Le Interviste di Gianluca Rampini (Gianluca Rampini's Interviews): Includes the interview with Corrado Malanga.
  • Editoria (Editorial): By Simone Barcelli.
  • Gli Anelli Mancanti (The Missing Rings): Ines Curzio discusses 'The golden pyramids of Teotihuacan.'
  • Dreamland: Gianluca Rampini explores 'Landing at Holloman, disclosure or debunking?'
  • Librarsi (Book Reviews): Coordinated by Simonetta Santandrea, featuring reviews by the editor and the portal administrator, Teodoro Di Stasi.
  • Confesso, Ho Viaggiato (I Confess, I Traveled): Stefano Panizza takes readers on a journey to discover 'Mysterious Campania: the Cumaean Sibyl,' and Noemi Stefani shares 'Return to Egypt.'
  • Angolo Privato (Private Corner): Giovanna Triolo presents science fiction stories, including 'The huntress' and 'Metamorphosis in a dream.'
  • Life After Life: Noemi Stefani writes about 'Messages from the Angels.'
  • Xaaraan: Antonella Beccaria discusses current events, including an incident involving Salvatore Florio and an article about 'The summer of Montebuio: when the fantastic crosses reality,' reviewing Danilo Arona's work.
  • Strange: eSQueL analyzes 'Shadow-life and the structure of the multiverse.'
  • Esoteric: Michael Seabrook writes about 'The ancient Americans.'

In Memory of Peter Kolosimo

This section includes several articles dedicated to Peter Kolosimo:

  • 'The great popularizer' by Simone Barcelli.
  • 'The man who studied mystery' by Simonetta Santandrea.
  • 'PK: Peter Kolosimo, metaphysical dreamer' by Massimo Pietroselli.
  • 'Peter Kolosimo, the timeless earth and mysterious archaeology' by Alessio Margutta.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of mystery, the unexplained, and alternative histories, often touching upon ufology, ancient civilizations, and esoteric phenomena. The editorial stance appears to be one of open inquiry, encouraging readers to explore unconventional ideas and research. The publication emphasizes the importance of individual contributions and community engagement through the Paleoseti.it portal. The disclaimer regarding its status as a non-periodical electronic magazine highlights its nature as a freely distributed platform for enthusiasts and researchers.

The issue also includes contact information for collaborators and authors, reinforcing the community-driven aspect of the publication. The overall tone is informative and investigative, aiming to provide readers with diverse perspectives on complex and often controversial subjects.

Title: PALEOSETI
Issue: 11
Publisher: Acacia Edizioni srl
Country: Italy
Language: Italian

This issue of PALEOSETI, published by Acacia Edizioni srl, delves into a variety of topics, including ufology, archaeology, and ancient human origins. The magazine features articles that explore controversial theories, scientific research, and interviews with experts in their respective fields.

Abductions and Alien Implants

The issue begins with an exploration of the phenomenon of 'abductees,' questioning the methodology of hypnotic research and the potential for patient influence. The author, drawing from reflections on the work of Mack and Hopkins, discusses the discovery of 'alien memories' within abductees, suggesting the presence of an implanted personality that was previously mistaken for schizophrenia or paranoia. This research has led to a comparison between alien abductions and phenomena of demonic possession, positing that aliens utilize technology to manipulate subjects and feed on subtle energies. The article also touches upon the idea that these 'possessions' are technologically driven, with instruments maintaining a 'communication' between alien dimensions and individuals.

The Origin of the American Man: The Enigma of Pedra Furada

A significant portion of the magazine is dedicated to an interview with archaeologist Niède Guidon, conducted by Yuri Leveratto. This section challenges the conventional scientific theory of human arrival in America via Beringia between 14,000 and 10,000 years ago. Guidon's research at the Pedra Furada archaeological site in Piauí, Brazil, presents evidence of human occupation dating back as far as 60,000 years ago. The article discusses the geological context of the region, the extinct megafauna that inhabited it, and the challenges of preserving ancient human remains in acidic soil. The findings suggest that early Homo Sapiens may have arrived in South America much earlier than previously thought, potentially through an Atlantic crossing, and that these archaic Sapiens were of Australoid-Negroid type, originating directly from Africa. The interview also addresses skepticism from some US archaeologists who suggest the ancient hearths found at Pedra Furada might be natural phenomena, a claim Guidon refutes by pointing to the controlled nature and surrounding artifacts of these fire sites.

The Work of Acacia Edizioni

The issue highlights the role of Acacia Edizioni as a leading Italian publisher in the niche sectors of ufology, archaeology, and esoteric subjects. The magazine showcases several of Acacia's periodicals, including 'Hera,' 'I Misteri di Hera,' 'Area di Confine,' 'Notiziario Ufo,' 'Cronos,' and 'Totem.' The editorial notes the commendable effort of the publisher in offering specialized content to a discerning audience, especially in the current challenging publishing landscape. It is mentioned that some of PALEOSETI's own collaborators contribute to 'Hera' and 'Area di Confine.'

Yuri Leveratto's Latest Book

A brief mention is made of Yuri Leveratto's book, "1542 I primi navigatori del Rio delle Amazzoni" (The First Navigators of the Amazon River). The book is described as a historical and contemporary work, detailing the adventure of Francisco de Orellana and Leveratto's own journey along the Amazon River. It is presented as a guide and analysis of a forgotten world of fundamental importance.

Alien Bible: Alien Sightings and Divine Visions

Another article, "Bibbia aliena: Avvistamenti alieni e visioni divine" by Roberto La Paglia, explores the intersection of faith, religion, and history. It posits that the incompatibility of these three elements often leads to misunderstanding. Faith is described as a personal, internal conviction, while religion is a social codification of faith. History, on the other hand, requires proof and documentation. The article suggests a different way of interpreting history, viewing ancient events through the lens of contemporary chroniclers, but with a distinct perspective influenced by the unknown.

Recurring Themes and Editorial Stance

This issue of PALEOSETI consistently explores themes of the unknown, ancient mysteries, and unconventional theories. The editorial stance appears to favor in-depth research and the presentation of alternative perspectives, particularly in the fields of archaeology and ufology. The magazine provides a platform for researchers and writers who challenge established narratives and delve into subjects often considered on the fringes of mainstream science and history. The emphasis on scientific methodology, even when discussing speculative topics, is evident, particularly in the interview with Niède Guidon and the review of Corrado Malanga's work.

This issue of PALEOSETI, published by Tracce d'eternità, delves into the complex relationship between UFO phenomena, religious beliefs, and historical accounts, with a particular focus on biblical narratives and the phenomenon of stigmata. The magazine aims to bridge the gap between ancient knowledge and modern understanding, suggesting that early accounts of divine encounters might be reinterpreted through the lens of contemporary ufology.

UFOs and Religion

The magazine posits that the existence of UFOs, aliens, and multidimensional civilizations is compatible with Christian doctrine. It argues that the human perspective, limited by the knowledge of a specific era, has historically filtered the interpretation of such phenomena. The article contrasts how a witness from 3000 years ago might describe an event versus how a modern witness would, highlighting the role of acquired knowledge and spiritual orientation.

It suggests that the concept of multiple inhabited worlds, mentioned in texts like the 'Genesis Rabbra' and attributed to San Paolo's letters to the Hebrews, aligns with the idea of a populated universe. The issue challenges the notion of humanity being the sole superior race in the cosmos.

Biblical UFO Accounts

The magazine identifies numerous biblical passages that can be interpreted as descriptions of UFOs and alien encounters. These include references to 'flying chariots,' 'columns of fire,' and 'luminous clouds,' which are compared to modern descriptions of UFOs such as flying discs, cigar-shaped craft, and spheres. The text questions whether these phenomena represented divine energies or alien realities interacting with Earth.

It draws parallels between ancient accounts and modern testimonies, suggesting that figures like angels might be understood as alien beings. The article posits a distinction between 'evil angels' (likened to the 'Grays') and 'good angels' (a race observing and mediating to prevent conflict). The 'hand of God' observed in the sky is reinterpreted as potentially technological, rather than purely divine.

Key Biblical Figures and Encounters

  • Ezekiel: The prophet Ezekiel is highlighted as a primary source for UFO-like encounters due to the richness of detail and frequency of episodes. His visions are described in terms that can be reinterpreted with modern terminology, including a 'modern abduction' scenario where he is transported to an unknown location and observes aerial vehicles surrounded by light and mist.
  • Enoch: The patriarch Enoch is mentioned for describing 'Angels' and 'Watchers' (Veglianti). The Watchers are depicted as a race that descended to Earth, taught humans advanced arts and sciences, and intermingled with human women, resulting in giant offspring called Nephilim. This narrative is linked to the idea of fallen angels and the potential origin of certain alien races.
  • Baruch: The apocryphal text concerning Baruch's journey into space is discussed. His experience involves being taken aboard a flying machine by an angel and observing various alien creatures and advanced technology, including a six-kilometer-long 'dragon' object and a 'guardian of the horizon' satellite.
  • Lot's Wife: The destruction of Sodom and Gomorrah is presented as an event involving non-terrestrial beings and advanced technology, possibly nuclear energy. The shockwave from the explosion is suggested as the cause of Lot's wife being covered in salt.
  • Elia: The prophet Elijah's experience of being abducted by a luminous spaceship is described, with effects analogous to a modern UFO landing.
  • Daniele: The prophet Daniel's account of being shown an immense spaceship with two disc-shaped vehicles is also cited.
  • Giona: Jonah's experience inside a 'sea monster' or amphibious vehicle is compared to a modern UFO encounter.

The Phenomenon of Stigmata

The second major theme of the issue is the phenomenon of stigmata, explored in an article by Enrico Baccarini. Stigmata are described as wounds appearing on the body that mirror those of Jesus Christ's crucifixion.

  • Historical Context: The phenomenon has a history spanning over eight hundred years, with interpretations varying between religious veneration and scientific skepticism. The Catholic Church has historically investigated such cases individually without making definitive pronouncements.
  • Scientific and Psychological Perspectives: Research from the late 19th century onwards has sought scientific explanations. The article discusses the concept of 'ideoplastia,' the mind's power to act on the body, and 'dermography,' where temporary marks appear on the skin due to suggestion. It suggests that stigmata might be psychosomatic or a manifestation of neuro-psychiatric conditions, particularly in women, who are statistically more prone to such phenomena.
  • Notable Stigmatics: Several individuals are detailed:
  • San Francesco d'Assisi: The first officially recognized stigmatic, whose wounds appeared on Monte La Verna.
  • Padre Pio da Pietralcina: His stigmata are discussed, with theories ranging from divine intervention to self-inflicted wounds and the use of chemical substances to maintain the wounds.
  • Domenica Lazzari: Noted for her blood defying gravity.
  • Suor Teresa Neumann: Received stigmata after a vision of the crucifixion and maintained them for 36 years, raising questions about survival on minimal sustenance.
  • Cloretta Robertson: A young stigmatic whose blood was observed to 'filter' through her skin, challenging scientific and religious assumptions.
  • Possible Explanations: The article explores the idea that stigmata might be 'responses' to God or to the concept of Christ's suffering, rather than necessarily divine miracles. It notes that the phenomenon, regardless of its origin, tends to intensify faith. The increase in documented cases after San Francesco is also noted as a point of interest.
  • Scientific Research: Modern scientific research, particularly in the last century, has begun to explore the biological bases of stigmata. The article mentions 'ematoidrosi' (bloody sweat) as a possible explanation for some cases, particularly in response to extreme emotional stress.

Recurring Themes and Editorial Stance

The magazine consistently explores the intersection of the unexplained, historical mysteries, and religious narratives. It adopts an investigative stance, encouraging readers to question traditional interpretations and consider alternative explanations, particularly those related to ancient astronauts and advanced technologies in ancient times. The editorial stance appears to be one of open-minded inquiry, seeking to reconcile scientific understanding with phenomena that have historically been attributed solely to the divine or supernatural. The recurring theme is the re-examination of ancient texts and events through a modern, often ufological, lens.

Title: Tracce d'eternità
Issue: 31
Publisher: PALEOSETI
Country: Italy
Language: Italian

This issue of Tracce d'eternità explores a range of intriguing topics, from the psychological and physiological underpinnings of phenomena like stigmata to the archaeological mysteries of ancient Sardinia.

The Phenomenon of Stigmata and the Power of the Mind

The issue begins by examining the phenomenon of stigmata, particularly in the context of Jesus's agony, suggesting a possible link to hematidrosis, a condition where individuals sweat blood due to extreme emotional stress. The article posits that the mind's potential to influence the body is vast, citing the effectiveness of certain cults and religious sects that leverage this principle. Modern psychology and psychiatry have begun to explore these mind-body connections, with studies investigating how the mind can create physical lesions. A key phenomenon discussed is 'vescicolazione ipnotica' (hypnotic vesiculation), where subjects under hypnosis develop skin manifestations, such as burns, that precisely mirror shapes or objects presented to them by the experimenter. This suggests that the mind, through unconscious or psychodynamic mechanisms, can manifest physical symptoms, potentially explaining some aspects of stigmata.

The article also challenges the traditional iconography of stigmata, particularly the depiction of wounds on the palms of the hands. It argues that historical and anatomical evidence, including the structure of the hand bones and the likely method of crucifixion, suggests wounds were more likely inflicted on the wrists, near the 'Destot' space between the ulna and radius. This re-evaluation suggests that the common depiction of stigmata might be a historical-iconographic error, perpetuated over centuries.

The text emphasizes that while science has made significant progress in understanding these phenomena, many aspects of stigmata remain unexplained, pointing to the fundamental role of physiology, biochemistry, and a powerful psyche in their manifestation.

The Enigma of the Eyes: The Monti Prama Giants

A significant portion of the magazine is dedicated to the discovery and analysis of the Monti Prama statues in Sardinia. Unearthed in 1974, these thirty monumental stone statues, standing between 2 and 2.6 meters tall, date back to at least 2700 BC. The statues, depicting warriors, archers, and pugilists, are described as unique with their stylized features, perfect circular eyes, and unusual proportions, including a size 52 foot.

The article highlights the mystery surrounding the statues' origin, purpose, and the culture that created them. Their discovery in a sacred area above nuraghe tombs suggests a connection to funerary rites. The statues bear similarities to the 'bronzetti' found at Abini and Serri, dating them to the 7th-8th centuries BC, a period when the seafaring Shardana people are believed to have been active. However, the dating of the Monti Prama statues is debated, with some estimates placing them as early as 2700 BC, predating even the Greek Kore and Kuroi sculptures.

The distinctive depiction of the eyes as concentric circles, resembling glasses, is a particular point of fascination, with no clear explanation offered in art history. The article also touches upon the materials used, suggesting the use of metal tools like chisels and possibly a compass for their creation.

Archaeological and Historical Insights into Sardinia

The magazine also provides a rich overview of Sardinian history and culture, focusing on various locations and their archaeological significance.

  • Cabras, the Kingdom of Fishermen: This section describes Cabras, a town known for its ancient fishing traditions, its proximity to a large freshwater lagoon, and its culinary specialties like 'sa merca' (mullet). It mentions the discovery of Neolithic tombs dating back to 4000 BC, with statuettes reflecting Mediterranean religious practices.
  • San Salvatore di Sinis: The article details the pilgrimage site of San Salvatore, featuring its unique cumbessias (pilgrim dwellings) and a church built over a pagan nuragic sanctuary. The hypogeum beneath the church, with its six chambers, contains ancient graffiti and inscriptions, including Latin letters RVF possibly meaning 'to heal, to save, to give health'.
  • San Giovanni di Sinis: This coastal area is noted for its historical significance, with the paleochristian church of San Giovanni, one of the oldest in Sardinia, dating back to the 6th-7th century AD. The nearby WWF Oasis Torre 'e Seu is mentioned for its natural beauty and rare palm species.
  • Oristano: The capital of the province, Oristano, has origins dating back to 1070 when its population migrated from the devastated city of Tharros. It played a significant role as the capital of the Giudicato of Arborea, guided by rulers like Mariano IV and Eleonora. The city boasts a Romanesque cathedral and the Antiquarium Arborense, housing artifacts from Tharros. The Sartiglia festival, a medieval equestrian joust held during Carnival, is highlighted as a unique tradition.
  • Torregrande: This seaside resort town is known for its summer charm, local artisan markets, and its long, palm-lined beach. It is home to Sa Turri Manna, a Spanish watchtower, and a well-equipped tourist port.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of mystery, ancient civilizations, unexplained phenomena, and the intersection of history, archaeology, and psychology. The editorial stance appears to be one of open inquiry, presenting scientific and historical findings while acknowledging the enduring enigmas that challenge conventional understanding. There is a clear interest in the potential of the human mind and the possibility of ancient cultures possessing knowledge or capabilities beyond our current comprehension. The publication encourages a rational yet curious approach to these subjects, emphasizing the importance of scientific research in demystifying historical and psychological phenomena.

Title: Tracce d'eternità
Issue: 41-50
Publisher: PALEOSETI
Country: Italy
Language: Italian

This issue of Tracce d'eternità explores ancient mysteries, focusing on megalithic sites in Sardinia and enigmatic constructions in Egypt and beyond, questioning conventional archaeological explanations and proposing alternative theories involving advanced ancient knowledge and potentially extraterrestrial influences.

Sorgono, Menhir di Biru e' Concas: Da qui partirono i "Messaggeri divini?"

The article "Sorgono, menhir di Biru e' Concas: Da qui partirono i 'Messaggeri divini?'" details the archaeological site of Biru e' Concas in Sardinia, Italy. The site is located near Sorgono and is characterized by a vast area dominated by a hillock where recent discoveries have revealed an extraordinary grouping of menhirs. Investigations indicate human presence dating back to the Recent Neolithic (3300-2700 BC) and the Eneolithic period (2700-1700 BC). The most significant findings are the numerous menhirs, found individually, in pairs, triades, in spectacular alignments of up to 20 stones, and in circles. Many menhirs are found overturned or in fragments, suggesting the original monumental scale was even greater. The discovery of anthropomorphic menhirs and statue-menhirs, carved in human form, alongside simpler protoanthropomorphic menhirs, allows for a connection between the site's sculptural tradition and that of the nearby territory of Laconi, which has yielded the largest number of statue-menhirs in Sardinia. The site is considered an important cult place of the Copper Age, possibly dedicated to deceased ancestors transformed into heroes.

Menhir protoantropomorfi

This section elaborates on the "protoanthropomorphic" menhirs found in Sardinia. These are described as large, sculpted, and smoothed stones forming an ogival shape, dating from the Recent Neolithic (3300-2700 BC). These menhirs are present at the Biru e' Concas site, arranged in various configurations: isolated, in pairs, triades, extensive alignments of up to 20 stones, and circles. A curious detail is that the site is located precisely at the center of Sardinia, both latitudinally and longitudinally.

Una piramide di buonsenso

This article, authored by Gianluca Rampini, critically examines the construction of the Great Pyramid of Giza. It begins by highlighting the lack of definitive knowledge about its construction, despite numerous articles and texts. The author presents a table calculating the time required to place blocks based on two hypotheses for the total number of blocks: approximately 2.3 million and 4 million. These calculations, based on the 22-year reign of Pharaoh Khufu, suggest that a block would need to be placed every 5 minutes (for 2.3 million blocks) or less than 3 minutes (for 4 million blocks). The author argues that this pace is incompatible with the precision and complexity of the structure, leading to two main hypotheses: either the Egyptians took much longer than 22 years, or they possessed unknown construction techniques. The article also references Graham Hancock's theory, building on Bauval's work, which suggests that the pyramids correspond to the Orion's Belt constellation and that other Egyptian structures mirror specific constellations. The author questions the traditional view of the pyramid as solely Khufu's tomb, noting the granite sarcophagus's immense weight and the absence of typical tomb artifacts, suggesting it might not have been a tomb at all.

The Sphinx and Ancient Astronomy

The article discusses the Sphinx and its enigmatic nature, referencing the theories of Schock and West. They propose that the Sphinx predates periods of heavy rainfall in Egypt, suggesting an age of at least 7000 years. Furthermore, its orientation indicates a construction date around 10500 BC, aligning with the constellation Leo. This astronomical connection suggests a grand architectural project far beyond the scope of a single pharaoh.

Ancient Technology and Magnetic Energy

Colonel Costantino Cattoi, a decorated aviator, is presented as a researcher who investigated ancient civilizations and their technologies. He believed that ancient peoples utilized rhythmic magnetic energy. Cattoi theorized that certain locations on Earth have stronger magnetic emissions, which ancient peoples identified and utilized. He proposed that menhirs were used to discharge this magnetic energy from the Earth, while dolmens, acting as solar magnetic energy collectors, helped regulate this process. Cattoi also discovered that the Earth is traversed by magnetic force lines, and ancient priests chose intersection points of these lines to construct sanctuaries. He hypothesized that these sanctuaries led to underground cities and temples, possibly connected across continents, and that these were remnants of an era preceding current geological epochs.

Cattoi's research also touched upon the possibility of a lost continent called Tirrenide, which he believed included Sardinia, Corsica, and the Balearic Islands. He discovered evidence suggesting Orbetello was part of this ancient landmass. His nickname, "hunter of giants," stemmed from his theories about Tirrenide being inhabited by Cyclops and Pelasgians, ancestors of the Etruscans.

Construction Theories and Challenges

The article examines various theories for constructing massive ancient structures, including the Great Pyramid. It dismisses the idea of simple ramps being sufficient for moving multi-ton blocks, especially at sharp angles. The author questions the logistics of moving such heavy stones without wheels or advanced machinery, estimating that hundreds of men would be needed for each large block. The theory of using wood's dilation properties is mentioned but deemed insufficient to explain the movement of granite blocks. Another theory suggests blocks were created in situ using a cement-like compound.

The Coral Castle and Leedskalnin's Technique

The article introduces the mysterious Coral Castle in Florida, built by Edward Leedskalnin between the 1920s and 1940s. Similar to the Great Pyramid, the construction of Coral Castle, involving multi-ton stone blocks, remains unexplained, particularly how Leedskalnin managed to build it alone. This is presented as another example of unexplained ancient or historical construction feats.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around challenging conventional archaeological narratives and exploring alternative explanations for ancient constructions and beliefs. The magazine posits that ancient civilizations possessed advanced knowledge, possibly including the manipulation of magnetic energy and astronomical understanding, far beyond what is commonly accepted. There is a consistent implication of external influences, potentially extraterrestrial, in the development of these ancient technologies and monumental structures. The editorial stance appears to favor speculative, yet researched, theories that question established historical timelines and attributions, encouraging readers to consider a broader, more mysterious past.

Title: Tracce d'eternità
Issue Date: December 2006
Publisher: PALEOSETI
Document Type: Magazine Issue

This issue of Tracce d'eternità, titled "Gli dèi della creazione (e non solo)" (The Gods of Creation (and Not Only)), delves into the complex world of comparative mythology, exploring creation myths, pantheons, and divine figures across various ancient civilizations.

Articles and Content

The Gods of Creation (and Not Only)

The lead article, "Gli dèi della creazione (e non solo)" by Simone Barcelli, examines the common archetypes of a "creator" god and a "civilizer" god found in global myths. It notes that these roles are often embodied by a single deity. The article discusses the prevalence of monotheistic religions like Christianity, Judaism, and Islam, contrasting them with earlier polytheistic systems. It highlights the Egyptian god Amon Ra, who evolved from Amon, and the historical shift towards monotheism initiated by Pharaoh Amenhotep IV. The text also touches upon the concept of lesser supernatural beings derived from a supreme deity, such as angels and saints.

The Pyramid Mystery

An article by Gianluca Rampini discusses the study of the pyramids, noting that theories often overlook the crucial aspect of time required for their construction. Rampini emphasizes the importance of using common sense and interdisciplinary approaches, rather than relying on unsubstantiated hypotheses like extraterrestrial intervention, to unravel such mysteries.

The Pantheon of the World

Simone Barcelli's exploration continues with a look at the diverse mythologies of the world.

#### Mesopotamian Mythology

The article begins with Mesopotamia, considered the cradle of civilization. It details the Sumerian pantheon, including An (sky god), Nammu (water and creation goddess), and their son Enki, credited with creating humans. The text mentions the Annunaki, deities created by An, and highlights the rise of Marduk, who became a major deity in Babylonian times, eventually transforming into Anu, Ea, Ellil, and Ishtar in Babylonian and Assyrian traditions.

#### Egyptian Mythology

Egyptian mythology is presented with its four distinct creation narratives. The focus is on the Heliopolitan tradition, featuring Amon (later Amon-Ra), who emerged from the primordial waters of Nun. Amon's children, Shu (air) and Tefnut (water), gave rise to Geb (earth) and Nut (sky). Their children, Osiris, Set, Isis, and Nephthys, formed the "Great Ennead of Heliopolis." The article also mentions other Egyptian deities like Ptah (Menfi), Thoth (Hermopolis), and Knufi (Esna), and the myth of Osiris's death and resurrection at the hands of his brother Set, with the help of Anubis and Horus.

#### Indian Mythology

Indian mythology is explored through the "Vedas," which narrate the deeds of the divine race led by Brahma (creator), Vishnu (preserver), and Shiva (destroyer), along with the goddess Devi. Vishnu's ability to incarnate in various forms is highlighted, as is the role of Ganesh and Narada. Other deities mentioned include Agni (fire), Indra (sky and rain), Ganga (river goddess), Vayu (wind), Surya (sun), and Kartikeya (war). The creation myth involving Vishnu floating in the Ocean of Creation is described.

#### Norse Mythology

The Norse myths feature Odin as the chief of the gods, with a pantheon including Tyr (war), Thor (thunder), Freyr (earth's fruits), Heimdall (guardian of Bifrost), and Balder. Odin resided in Valhalla, the palace for fallen warriors, transported by Valkyries. The myth of Ragnarok, the end of the world, is mentioned, along with the survival of a few gods and humans to rebuild.

#### Chinese Mythology

Chinese mythology is introduced with the figure of Panku, who emerged from a primordial egg and separated heaven and earth. His body parts transformed into various elements of the world. The civilization is also represented by the immortal Huang Ti, "the yellow emperor," credited with inventing the compass and currency. The text notes the existence of a divine imperial lineage.

#### Mesoamerican Mythology

The article touches upon Mesoamerican myths, including the Maya's "Popol Vuh," which describes the creation of the world and humanity. It mentions deities like Hunabku, Itzamnà, and Kinich Ahau. The Aztec pantheon is also discussed, with Tezcatlipoca (smoking mirror) and Huitzilopochtli (god of war) being prominent. The myth of the five suns and the creation of the current era (the Fifth Sun) is referenced, with Teotihuacan being a significant site.

The article also briefly mentions the Olmecs, their jaguar-like deities, and the concept of a "Il Signore dello specchio fumante" (The Lord of the smoking mirror), associated with Tezcatlipoca. The story of the creation of the Fourth Sun and the sacrifice of Nanauatzin and Tecuciztecatl to create the sun and moon is recounted. The myth of Viracocha, the creator god of the Andes, and his role in forming the world and establishing civilizations like Tiahuanaco and Machu Picchu, is also presented.

#### Other Mythologies

Brief mentions are made of Phoenician mythology, with Baal being a significant deity, and the dragon in Chinese culture, symbolizing positive attributes like joy and fortune.

Recurring Themes and Editorial Stance

This issue consistently emphasizes the comparative nature of mythology, highlighting common themes and archetypes across diverse cultures. The editorial stance appears to be one of scholarly inquiry, encouraging readers to explore these ancient narratives with an open mind and a critical approach, particularly in debunking unsubstantiated theories. The magazine aims to provide a broad overview of global mythologies, connecting them to ancient history and cultural development.

This issue of PALEOSETI, published by Tracce d'eternità, explores two main themes: the enigmatic ancient city of Teotihuacan and the controversial Holloman UFO landing incident. The magazine delves into historical accounts, archaeological findings, and witness testimonies, questioning established narratives and highlighting the complexities of ufological research.

The Golden Pyramids of Teotihuacan

The article "Le dorate piramidi di Teotihuacan" (The Golden Pyramids of Teotihuacan) begins by questioning the true identity of the builders of this ancient Mesoamerican city, which the Aztecs called the "city of the Gods" or "the place where men became Gods." The Spanish conquistadors found the Aztecs inhabiting the city, but the Aztecs themselves claimed it was already abandoned and in ruins centuries before their arrival, attributing its construction to the Toltecs. However, the Toltecs also preceded the Aztecs and were reportedly mystified by the city's immense structures.

The text suggests that the current names for the city's main structures, such as the Pyramid of the Sun, the Pyramid of the Moon, and the Avenue of the Dead, were given by the Aztecs. These names are linked to Aztec legends about the city's origins, which speak of a time before the sun illuminated the earth, when gods gathered to create the fifth sun after an era of darkness following a great flood.

The article highlights the advanced construction techniques and materials used in Teotihuacan. The pyramids, predating other structures in the city, share a similar base to the Great Pyramid of Giza and have smooth, sloping sides like Egyptian pyramids. A particularly intriguing aspect is the use of thin, golden mica sheets as a decorative and possibly functional element, covering the external limestone masonry. The origin of this mica, sourced from as far away as Brazil, and its properties – elasticity, transparency, and resistance to heat – are discussed, along with its potential uses in ancient technology.

The construction of Teotihuacan is described as mathematically planned, representing the solar system on a vast scale. The article poses several questions about how such an advanced civilization could possess astronomical knowledge to map stars without telescopes or understand complex technologies like mica processing, given the difficulties modern technology faces with it.

The Holloman UFO Landing Incident

The second major section, "Atterraggio a Holloman, disclosure o debunking?" (Holloman Landing, Disclosure or Debunking?), focuses on the alleged UFO landing at Holloman Air Force Base. The article traces the history of ufology, starting with Kenneth Arnold's 1947 sighting and the Roswell incident. It then details the Holloman event, which purportedly occurred on April 25, 1964.

According to the account, documentarists Robert Emenegger and Adam Sandler were commissioned by the U.S. Air Force to create a documentary about UFOs. They were allegedly shown authentic government footage of UFOs, alien beings, and autopsies. The core of this footage was said to depict three disc-shaped UFOs landing at Holloman, with aliens emerging to meet with the base commander and intelligence officers. Emenegger described the aliens as approximately 1.60 meters tall, with grey-blue skin, large oriental-shaped eyes, and pear-shaped heads.

However, the article notes that the project faced obstacles. General George Weinbrenner, commander of ATIC, suddenly withdrew permission to use the original footage, citing public shock from other events like the MIG 25 incident and Watergate. Instead, a substitute documentary, "UFOs: Past, Presence and Future," was produced, which included a brief seven-second segment of the original footage.

The article explores various testimonies and sources that corroborate the Holloman incident, including those of William L. Moore, Richard Doty (an AFOSI official whose reliability is questioned), and Linda Multon Howe. It highlights the role of Richard Doty in disseminating information, often mixed with fabrications, to various researchers. The existence of a government program called "Project Sigma," initiated in 1954 to establish contact with extraterrestrials, is also mentioned, with a purported successful contact in 1959 and another encounter on April 25, 1964.

Further corroboration comes from Ward Kimball, an animator who claimed Disney was involved in creating UFO documentaries for the government to prepare the public for future revelations. The article also mentions the supposed involvement of Clark Mc Clelland, a former NASA flight engineer, who described an encounter between President Eisenhower and aliens, possibly at Muroc Air Force Base (later Holloman AFB).

Recurring Themes and Editorial Stance

The issue consistently questions the official scientific narrative, pointing out apparent anachronisms and technological impossibilities in ancient civilizations and UFO phenomena. The editorial stance appears to favor exploring alternative explanations and acknowledging the possibility of advanced ancient technologies and extraterrestrial contact, while also cautioning about disinformation within the UFO community. The magazine encourages readers to broaden their minds and consider possibilities beyond conventional understanding, emphasizing the need for critical analysis of available evidence.

This issue of "Tracce d'eternità" (Traces of Eternity) delves into two primary areas: a significant UFO sighting at Holloman Air Force Base in 1955 and a comprehensive exploration of historical revisionism concerning the discovery of America.

Holloman UFO Incident (February 1955)

The magazine recounts an extraordinary event at Holloman Air Force Base in February 1955. Two round, unidentified objects appeared and landed near the presidential aircraft, 'Air Force One'. The personnel at the tower were astonished by the objects' lack of conventional features like tails, wings, or engines. One object landed approximately 300 feet from 'Air Force One', and a man, widely believed to be President Eisenhower, emerged from the aircraft, approached the landed object, shook hands with someone inside, and entered it for about 45 minutes. He then returned to 'Air Force One'. Initially, some speculated the objects might be advanced Russian or German technology, but the event remains a significant unexplained encounter.

Historical Revisionism: The Discovery of America

A substantial portion of the issue is dedicated to challenging the conventional historical narrative of Christopher Columbus and the discovery of America. This section features interviews and analyses that suggest a "pre-discovery" and a deliberate manipulation of history.

The Duchess of Medina Sidonia's Archive

The Duchess of Medina Sidonia, Luisa Isabel Ávarez de Toledo, is presented as a key figure in this revisionist effort. Her extensive private archive in Spain contains documents that allegedly reveal prior knowledge of the Americas by various groups long before Columbus. A document from 1463 describes navigable and fish-filled rivers between the Canary Islands and Cape Bojador, suggesting the presence of Arab-Berber sailors who were retracing ancient Phoenician routes. The Duchess argues that these "Muslims" (a term used to identify Arab, Berber, and Islamized populations) were the true early explorers, and their contributions have been deliberately obscured to glorify the Spanish conquest.

Arab-Berber Navigation and Pre-Columbian Voyages

The articles highlight the seafaring capabilities of Arab-Berber populations, particularly during the Muslim rule in Spain. It's suggested that navigators from the Emirate of Cordoba established routes across the Atlantic, possibly from ports like Alcácer do Sal. The term "Berberia Ultramarina" is used to describe the African territory facing the Mediterranean and Atlantic coasts. The navigator Khashkhash Ibn Saeed Ibn Aswad is mentioned as having sailed the Atlantic from Palos in 889, predating Columbus's voyage. His experience, transmitted to cartographers like Al-Masubi, included maps of lands beyond the Atlantic covered in "darkness and fog."

Questioning Columbus's Role

The issue questions the traditional accounts of Columbus's voyages. It is suggested that he may have been aware he had not reached the Indies but rather a new continent, and that his 'discovery' was facilitated by information from Arab navigators and Spanish armateurs who had learned navigation techniques from the ruling Marinide dynasty in Morocco. The text also points to the possibility that the Pope had already divided the newly discovered lands between Spain and Portugal in 1430, and that Columbus's voyages were part of a larger geopolitical strategy.

Book Reviews and Related Research

Several books are reviewed, contributing to the theme of historical mysteries and alternative interpretations:

  • "Misteri sconosciuti d'Italia" (Unknown Mysteries of Italy) by Roberto La Paglia: This book is presented as a guide to unusual enigmas across Italy, encouraging readers to explore lesser-known historical and curious facts.
  • "Giza: le Piramidi Satellite ed il Codice Segreto" (Giza: The Satellite Pyramids and the Secret Code) by Armando Mei and Nico Moretto: This work offers a theory that contributes to archaeological research by proposing new scenarios for the origins of our species, reinterpreting historical chronologies and astronomical data.
  • "Cristoforo Colombo e il Papa tradito" (Christopher Columbus and the Betrayed Pope) by Ruggero Marino: This book revisits the life and voyages of Columbus, suggesting a complex historical-political-theological conspiracy involving the Church and questioning the accepted narrative of his achievements. Marino's research, spanning over 15 years, posits that Columbus knew he was reaching a new world, not Asia, and that his journey was influenced by an ancient Alexandrian code.

The "Goodbye Heroes" Videoclip

Antonello Lupino, an Italian researcher, is mentioned as having received recognition from NASA for his videoclip titled "Goodbye Heroes." This film was created to commemorate 50 years of space exploration and honor the heroes who contributed to it. The article notes the complexity of Lupino's association with NASA, given that Clark C. McClelland, who was involved in the videoclip, had previously been dismissed by NASA.

Jacque Vallee and Emenegger

Jacque Vallee's interpretation of the Holloman incident as "the stick and the carrot" is mentioned. The article also references a situation in 1985 involving Emenegger and Linda Multon Howe, where Hynek was also involved, but they withdrew due to suspicion of a trap.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around challenging established historical narratives, particularly concerning the discovery of America and the role of ancient civilizations and navigators. The magazine also maintains a strong interest in unexplained phenomena, exemplified by the detailed account of the Holloman UFO incident. The editorial stance appears to favor critical inquiry, encouraging readers to question official accounts and explore alternative interpretations of history and unexplained events. The articles suggest that historical records have been manipulated or incomplete, and that a deeper understanding requires examining less conventional sources and perspectives. The emphasis on the "insider" information, even with its potential contradictions, highlights a belief that such information, when carefully analyzed, can reveal truths otherwise inaccessible to mainstream researchers.

This issue of "Tracce d'eternità" (Traces of Eternity) spans pages 81 to 89 and is dated 2009. It features a cover story titled "Il complotto Stargate" (The Stargate Conspiracy) by Lynn Picknett and Clive Prince, questioning the return of the gods. The magazine includes reviews of books, travelogues, and articles on ancient mysteries and paranormal phenomena.

Book Reviews

"Il complotto Stargate" by Lynn Picknett and Clive Prince

Reviewed by Teodoro Di Stasi, this book is described as provocative and iconoclastic. The authors, with Picknett being a writer and screenwriter expert in the paranormal and secret societies, and Prince an independent researcher of history and politics, present a collection of evidence challenging "New Egyptology." They critique theories by authors like Graham Hancock, Robert Bauval, Robert Temple, Colin Wilson, and Andrew Collins, which have become widely accepted. The review highlights that the book's investigation into the "Stargate Conspiracy" reveals surprising connections for established figures in Egyptology, such as Mark Lehner and Zahi Hawass, suggesting they benefit from organizations like the A.R.E. (Association for Research and Enlightenment), founded by psychic Edgar Cayce. The authors propose that a grand, orchestrated "Mass Experiment" is underway, orchestrated by powerful, hidden entities threatening the planet's equilibrium and survival. While acknowledging that some aspects of the book may be debatable, the review praises its analysis for shedding light on inaccuracies in commonly accepted theories. The book also explores new theories linking Mars's structures in the Cydonia region to Egyptian civilization. The reviewer finds the book captivating and chilling, stimulating renewed interest and prompting new questions, bordering on paranoia.

"Watermark" by Joseph Christy-Vitale

Reviewed by Simone Barcelli, this book is described as having a "ferruginous" writing style that initially makes the reader struggle. Christy-Vitale, a comparative literature graduate from the University of San Diego, is noted for his extensive travels and study of myths, religions, and science. Barcelli eventually finds the book worth continuing but realizes towards the end that the author's claims lack specific foundation. The translation is criticized as approximate, with numerous grammatical errors, leading Barcelli to express his dissatisfaction to the publisher, Macro Edizioni. The conclusions are deemed "rambling," and the reviewer considers the content heretical and unworthy of consideration. Barcelli contrasts Christy-Vitale unfavorably with Peter Kolosimo, who could write and captivate readers. The review concludes by urging readers to buy "Watermark" to understand publishing strategies that promote foreign authors with questionable merit, often focusing on catastrofism.

Travelogues and Site Explorations

"Viaggio alla scoperta della Campania misteriosa: la Sibilla Cumana" by Stefano Panizza

Stefano Panizza recounts a visit to the mysterious Sibyl's Cave in Cumae, Campania, Italy. He highlights Campania's appeal with its climate, sea, cuisine, and rich archaeological heritage, especially for those interested in "mysteries." The Sibyl's Cave, located beneath Monte Cuma, is described as the oldest Greek colony in Southern Italy, dating back to the 9th-8th century BC, and a site of oracular temples. The area is near the Campi Flegrei, known for its volcanic activity and solfatara. The cave is accessed through a rough tuff tunnel, leading to a passage with two options: a Roman crypt and the Sibyl's antre. Panizza notes the possibility of an underground city connected to the nearby Lake Averno, traditionally considered an entrance to the underworld. The antre itself is described as dark and atmospheric, with a trapezoidal entrance that strikingly resembles the tomb of Pacal in Palenque, Mexico. Panizza speculates about a possible energetic interference between the photographic equipment, his body, and the environment, causing two photos to be blurred. He also mentions the possibility of psychic energy being recorded by the stone. The article touches upon the historical significance of the Sibyl, her prophecies, and the Sibylline Books, which contained the future history of Rome. The text also discusses the Christian persecution of the Sibyl's cult and the eventual destruction of the books. Panizza concludes that the site, rich in archaeological vestiges, deserved more time for exploration.

"Ritorno in Egitto" by Noemi Stefani

Noemi Stefani shares her return to Egypt, feeling drawn to explore its origins and history. She describes the chaotic yet vibrant atmosphere of Hurghada on the Red Sea, with its "red and black taxis" and "minibuses" acting as collective transport. She notes the suffocating heat and the constant hustle of vendors selling various goods, from counterfeit perfumes to fake designer bags. Despite the challenging conditions, she finds the sea marvelous, reflecting on the Exodus and the possible routes of the Hebrews. The landscape is described as beautiful with white sand, transparent water, and dolphins. She recounts chasing schools of fish and swimming in a marine aquarium teeming with colorful fauna. The article touches upon the harsh realities of survival in such environments, where people invent trades to make a living.

"La cacciatrice" by Giovanna Triolo

This is a fictional narrative about two survivors of a spaceship crash on an alien satellite. The female protagonist, described as tall and slender with large black eyes, searches for food and water, driven by her "moral code." The male survivor, massive and covered in greenish scales, engages in destructive behavior, digging holes and blocking the wind. The female protagonist initially believes he has gone mad and feels pity for him, building a shelter. However, he remains a constant threat, always ready to exploit her smallest mistake. The story highlights their struggle for survival and the psychological toll it takes.

Recurring Themes and Editorial Stance

The magazine "Tracce d'eternità" consistently explores themes of ancient mysteries, alternative history, ufology, and paranormal phenomena. The editorial stance appears to favor critical examination of established narratives, particularly in archaeology and history, and presents theories that challenge conventional wisdom. There is a clear interest in ancient civilizations, their possible connections to extraterrestrial influences, and unexplained phenomena. The reviews often engage with controversial or fringe theories, encouraging readers to question and investigate further. The travelogues blend personal experiences with historical and mystical interpretations of locations, suggesting a broader search for meaning beyond the mundane.

PALEOSETI is a magazine that explores a wide range of topics, including the paranormal, spirituality, art, literature, and unexplained phenomena. This issue, spanning pages 91-100, features a diverse collection of articles, stories, and reviews.

Metamorfosi nel sogno (Metamorphosis in a Dream)

This section presents a narrative that begins with a character rebuilding a refuge, only to find it destroyed again. This leads to a decision to pursue someone, described as a hunter. The narrative then shifts to a dreamlike sequence involving a series of rooms with unusual physics, a red carpet, and individuals sleeping in beds. There are mentions of screams and individuals walking around, observing through a large window. A recurring prayer is heard: "Pull him out, he can't take it anymore."

The second part of this narrative describes individuals covered in white shrouds emerging from the rooms and bringing the sleepers back to life, allowing them to fly out of windows. In the sky, a voice says, "I'm sorry, I'll try again." Those who had spent long periods in dark rooms, sleeping through unlived lives, respond, "It's not necessary."

Another scene depicts an individual with hands pressed against a glass, supporting a dreamt life. This person is sweating and lamenting, their mind populated by a world where souls crawl on the earth. The dreamer cries, laughs, and embraces the void, calling out names of non-existent people. A companion repeatedly tries to call them back to life but hesitates, observing the dreamer's expression. The companion watches with love as the dreamer's hands are scratched and arms are wounded from dream battles, noting the strong heartbeat and determination. The companion recalls the dreamer's last words before entering the dream: "I want to grow from there, to be like you, now." The companion waits by the glass, hands outstretched, for the dreamer to naturally awaken as the white butterfly they always wanted to be.

David Sabiu: "In the depths of the universe I seek the divine imprint..."

This section introduces David Sabiu, a 47-year-old drummer and double bass player who graduated from the Conservatory of Pesaro. He worked at the Piccolo Teatro di Milano as a percussionist under Giorgio Strehler. Since 1986, he has composed music and worked in recording studios with numerous artists, including Jovanotti, Fiorello, and Nek. He directed the orchestra at Sanremo twice and composed two soundtracks. Sabiu also works for Mediaset, producing background music and commercials. He is a self-taught painter who won the critics' prize at the 2003 Rome Biennale and participated in the 2005 Florence Biennale. His exhibitions are accompanied by his cosmic music.

Images of his artworks are displayed: "SINAPSI COSMICA" (2005), "SPIRITUALITA' DELL'UNIVERSO" (2005), "SPIRITUALITA' Smalti e marmo su tela" (2006), and "SPIRITUALITA' DELL'UNIVERSO" (2006).

LIFE AFTER LIFE: Noemi Stefani

Noemi Stefani is described as a sensitive researcher of religious history who has investigated the paranormal for over 20 years, receiving numerous confirmations of her theories. Her experiences have led her to visit mysterious and spiritual places worldwide. She has participated in conferences on "life after life" and acted as a medium for people seeking answers from the afterlife. She has also given lectures and appeared on radio and television.

I messaggi degli Angeli (The Messages of Angels)

This article features a message attributed to a Seraphim. The message emphasizes that everything is presented to help us understand. It suggests that if life were just a walk, we would learn little. Without challenges and sorrows, we would take things for granted. The message highlights that every thought and action, especially with bad intentions, can have catastrophic outcomes. It poses the question: "Will I be able to be better?" or "Would my future have been better?" The answer is that if the response is 'yes,' then we have taken a step towards understanding.

The message continues by stating that the angels cannot descend to the material world because matter is too heavy for them. Therefore, it is up to us to elevate ourselves by preparing our hearts and spirits to perceive these subtle essences. It encourages freeing the mind from rationality for a moment, suggesting that it will be beneficial.

The Seraphim's message states: "Know that everything comes when you have reached self-awareness, and then everything we bring you will be known. Keep all that I bring you, and you will see how easy it will be to lift yourself to the greater things that will come. Everything serves if you want it to. Everything leads you to be better. AMEN."

N.B. on Understanding

This note emphasizes the importance of understanding. It acknowledges that some events are difficult to accept due to their unexpected and painful nature. The mind then resorts to logical and rational reasoning, and if it cannot find explanations, it refuses to accept realities different from its own. The text reiterates that everything serves a purpose, and at the end of our experience, the sum of it all will be tallied.

XAARAAN: Antonella Beccaria

Antonella Beccaria is presented as an author who writes and publishes with Stampa Alternativa/Nuovi Equilibri and Socialmente Edizioni. Her books include "Il programma di Licio Gelli" (2009), "Pentiti di niente - Il sequestro Saronio..." (2008), "Uno bianca e trame nere..." (2007), "Bambini di Satana..." (2006), and "NoSCOpyright..." (2004). She also curated the anthology "Creative Commons in Noir" (2008) and collaborates with "MilanoNera" and "Thriller Magazine." She works as an editor and translator and maintains a blog called Xaaraan, where she recounts various stories. Her contact information and website are provided.

Salvatore Florio and an incident provoked by "unaccounted causes"

This article investigates the death of Salvatore Florio, a colonel in the Guardia di Finanza, who died in a road accident on July 26, 1978. The official reports stated "unaccounted causes," but his wife, Miriam Florio, suspected foul play. The article mentions that the case was discussed by ex-radical Massimo Teodori and the P2 commission. It also notes that "Avvenimenti Italiani" and writer Giuseppe Genna have covered the story. Florio was involved in significant investigations, including those related to the P2 lodge, the oil scandal, and a project involving Mario Foligni and Muammar Gheddafi. The article also points to the work of Mino Pecorelli's agency, OP.

Florio had reportedly clashed with General Raffaele Giudice and resisted attempts to join the P2 lodge, similar to General Carlo Alberto Dalla Chiesa. His career faced repercussions, including transfers and difficulties with superiors. A month before his death, Florio told Giudice he would reveal what he knew about him.

The accident occurred at the Carpi toll booth under perfect weather conditions. The driver was rested, and the car's movement suggested it was not a traffic-induced skid. Witnesses reported the vehicle swerving twice before hitting the guardrail. Despite the police investigation, the Guardia di Finanza did not push for a deeper inquiry into the possibility of sabotage.

Four years later, radicals Mauro Mellini, Maria Adelaide Aglietta, Emma Bonino, and Roberto Cicciomessere filed an inquiry regarding threats Florio allegedly received from Licio Gelli. Miriam Florio stated that the confidential file her husband carried on the day of his death had been reduced from many pages to only a few.

The article then connects this to the suicide of Captain Luciano Rossi of the Guardia di Finanza on June 5, 1981. A report Rossi had prepared in 1974, ordered by Florio, was found at Gelli's residence. Rossi was scheduled to be interrogated in Milan regarding the P2 investigation on the day he died. His lawyer had confided Rossi's suspicions about Florio's death not being accidental.

The investigation into the P2 lodge was eventually transferred from Milan to Rome, resulting in diluted consequences for those involved.

Links are provided for further information on Salvatore Florio, his mysterious death, the P2 lodge, and related books.

L'estate di Montebuio: when the fantastic crosses reality

This section reviews Danilo Arona's novel "L'estate di Montebuio." The article notes that words can wound, and in the novel, the evil that wounds and kills is centered around a typewriter. This connects the summer of 1962 (described as a cursed year for Arona) with the present day, featuring a child fascinated by the typewriter's mechanisms and a writer choosing suicide as a way to confront memories and errors. The novel also involves a carabiniere and a forensic pathologist investigating the discovery of a young girl's body, missing for over forty years, and a mountain community.

The article highlights that "L'estate di Montebuio" intersects several recurring themes of the author, who is described as a researcher rather than just a writer. These themes include the music of rock (a staple in Arona's books), superstition, the contamination of beliefs, a Satan who is not a Christian symbol but a filter for more complex evil, and everyday violence. The author's stories are compared to "Twilight Zone" by Rod Serling, Richard Matheson, and Ray Bradbury, as they start from reality.

Other stories by Arona mentioned include a musician who wants to play like Jimi Hendrix and suffers a fatal accident due to a demon's envy, and an unknown hitchhiker who is hit and killed on the Bologna-Padova highway and never claimed, reappearing and vanishing like an urban legend.

The concept of the urban legend is central to Arona's work, representing a social boundary between the real and the imagined, a concrete fear shared with a fantastic element that distances it from daily life. The article quotes Ira Levin on the idea of meeting a monster that looks like a monster, relating it to Nazism rather than the paranormal.

Details about the book "L'estate di Montebuio" are provided, including its length (538 pages), ISBN, publisher (Gargoyle Books, 2009), and a link to its book trailer.

Vita-ombra e struttura del multiverso (Shadow-life and the structure of the multiverse)

This article is inspired by a discussion on a newsgroup (it.discussioni.misteri) and a "Le Scienze" article from February 2008 titled "Are aliens among us?" The article discusses the possible existence of life forms on Earth that are profoundly different from those we know, perhaps based on sinistrorse DNA or different amino acids (e.g., arsenic instead of phosphorus). These forms, due to their deep diversity, would not immediately compete with known life.

The "shadow-life" concept describes an organic life form that is very difficult to detect due to its inherent characteristics. The article suggests that shadow-life exists (or could exist) around us without us being able to see it.

The definition of shadow-life arises from the observation of cells too small to host ribosomes. It specifically cites the work of Robert Folk (University of Texas) from 1990, who identified minuscule spherical and ovoid objects in sedimentary rocks. The article explains that a ribosome is a cellular device for synthesizing proteins from messenger RNA (mRNA).

Recurring Themes and Editorial Stance

This issue of PALEOSETI consistently explores themes of the unexplained, the spiritual, and the mysterious. The magazine seems to have an interest in investigating controversial events, personal experiences with the paranormal, and the intersection of art, music, and the supernatural. The editorial stance appears to be one of open inquiry, presenting different perspectives and encouraging readers to consider possibilities beyond conventional understanding. There is a strong focus on personal journeys, both spiritual and artistic, as well as a deep dive into historical mysteries and potential conspiracies.

This issue of PALEOSETI, identified by page numbers 101-110, delves into speculative theories about the nature of reality, consciousness, and the Multiverse. It features discussions on 'life-ombra,' dimensional physics, and pays tribute to the influential writer Peter Kolosimo.

Life-Ombra and Dimensionality

The issue begins by exploring the concept of 'life-ombra,' referencing theories about fossilized nanobacteria and structures found in deep-sea rocks. The controversy surrounding whether these structures are biological is noted. The text posits that 'life-ombra' could be an 'empathetic reflection' of dormant dimensions, influenced by the 'pressure' of contiguous universes. This 'psycho-gravitational effect' suggests that life, as we know it, might be constructed from elements of the periodic table, but in an 'inappropriate' manner due to its origin in dormant dimensions.

Jasmine raises a pertinent question: if dormant dimensions influence organic life, why not other phenomena? This leads to the consideration of whether psychic life itself could be an effect of these dimensions. The article then introduces the IM-Theory, which views the Multiverse through its psychic dimension, dividing it into four psychic domains: IP (Psychic Identity), IC (Collective Consciousness), IU (Universal Unconscious), and IM (Multiversal Unconscious).

The text discusses the finite nature of the Multiverse, suggesting that even though it is immensely large, it is not infinite. This finiteness implies a finite number of creations within it. The concept of 'creations' is linked to combinations of dimensions. The article proposes that if other creations exist, they must be based on different dimensional combinations than our familiar four. Using combinatorial calculations based on 11 dimensions (4 known and 7 unknown), the article suggests a finite number of possible creations.

A table illustrates the number of possible creations for different dimensional hierarchies, ranging from 11 dimensions (1 creation) down to 1 dimension (11 creations). The total number of possible creations is calculated to be 2047. The creation with 11 dimensions is hypothesized to be a 'container' for all others, potentially representing a concept akin to 'God.' The article notes that adding a 'zero dimension' creation brings the total to 2048, a number considered significant.

The issue includes a mandala-like image representing the Multiverse, with the central black dot symbolizing the zero-dimensional creation and the outer circle representing the 11-dimensional creation ('Dio'). The image is described as a visual aid to understand the potential psychic communication between different dimensional hierarchies, forming a 'psycho-network.'

The concept of 'psycho-gravitational' force is further explored, linking it to psychic power. It is suggested that if matter in higher dimensions becomes purely psychic, then even in our universe, bodies might possess a psychic component. The article draws parallels to quantum physics, where particles can behave as both matter and waves, and references Monadology, where a 'monad' is a substantial form of being.

Tribute to Peter Kolosimo

A significant portion of the magazine is dedicated to Peter Kolosimo, an Italian writer and journalist known for his work in 'mysterious archaeology' or 'pseudoarchaeology.' Kolosimo (born Pier Domenico Colosimo in 1922, died 1984) is credited with popularizing theories about ancient astronauts and mysterious ancient civilizations.

The article highlights Kolosimo's background, including his trilingualism and his studies in German Philology. It mentions his early work in 1959 and his eventual success, including winning the Premio Bancarella. His wife and daughter are also mentioned as being involved in archaeology.

Kolosimo's approach is described as simple, calm, and linear, making complex theories accessible to a wide audience. His work often explored themes of space archaeology, ancient mysteries, and the occult. He is noted for his extensive research, drawing from libraries across Europe to support his theories, which often pointed towards Atlantis and extraterrestrial influences on ancient civilizations.

His book "Non è terrestre" (It is not terrestrial), published in 1968, is highlighted as a key work that brought him wider recognition and challenged the academic establishment. He corresponded with international scholars and scientists.

The article emphasizes Kolosimo's role as a bridge between cultures, having lived in both Germany and Italy. His writings are seen as a departure from academic discourse, introducing a new 'literary vein' of scientific popularization. His work is characterized by an open-ended approach, often concluding with a question mark, encouraging readers to think freely.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of the unknown, mystery, and speculative science, particularly concerning ufology, ancient civilizations, and the nature of reality beyond conventional understanding. The editorial stance appears to favor a rational, yet open-minded, approach to these subjects, encouraging critical thinking and the exploration of possibilities without succumbing to dogma or rigid ideologies. The tribute to Peter Kolosimo underscores the magazine's appreciation for accessible scientific popularization and the pursuit of knowledge outside mainstream academic circles. The issue advocates for a dispassionate and rational approach to understanding the universe and its potential mysteries, urging readers to overcome fear and embrace intellectual curiosity.

This issue of PALEOSETI, titled "PK: Peter Kolosimo, sognatore patafisico," is a tribute to the influential Italian writer and researcher Peter Kolosimo, authored by Massimo Pietroselli. Published in 2004, the magazine delves into Kolosimo's unique contributions to the fields of fantarcheology, ufology, and esoteric studies.

Peter Kolosimo: The Patafisical Dreamer

The article portrays Kolosimo as a 'patafisical dreamer,' akin to Don Quixote, who built a unique library and developed seemingly illogical theories about ancient history. His work, often presented in best-selling books, is characterized by a logical yet implausible approach to fantarcheology, reinterpreting humanity's past. He is described as a great dreamer, almost a science fiction writer.

Influences and Comparisons

Kolosimo's approach is compared to that of Robert Charroux, an explorer and archaeologist with unconventional ideas. The text quotes Charroux discussing ancient myths of a sunless world and a great flood, suggesting that these might be distorted memories of ancient space travel. Kolosimo's commentary on this suggests that such memories, however deformed, could be remnants of ancient space voyages.

The article also contrasts Kolosimo with Erich Von Daniken, noting that while Daniken's books were often accused of plagiarism, Kolosimo's work is seen as original, driven by passion and a love for mystery, fantasy, and science fiction. Kolosimo himself was critical of Von Daniken's lack of scruples, which he felt damaged the credibility of space archaeology.

Kolosimo's Method and Style

Kolosimo's books are described as 'saggio-romanzo' (essay-novels) that are entertaining, interesting, and even exciting. His method involves presenting a hook—a myth, legend, or mystery—and then demonstrating its truth by drawing parallels with other legends, archaeological findings, and even extreme scientific theories. This iterative process, where each concept resembles another, allows for a continuous 'translation' towards the unknown.

His writing style is characterized by a simple, rhythmic, and hypnotic cadence, consisting of demonstration and translation. The texts often open with verses by poets like Pablo Neruda, setting a tone that blends reality with imagination.

Themes and Topics Explored

Kolosimo's work spans a wide range of topics, including:

  • Space Archaeology and Ufology: Investigating ancient civilizations, extraterrestrial influences, and unexplained aerial phenomena.
  • Esotericism and Mythology: Exploring ancient myths, legends, and esoteric knowledge.
  • Alchemy and Science: Examining the boundaries between science and what might be considered 'magical' or 'secret science.'
  • Exobiology and Psychoanalysis: Delving into the possibilities of extraterrestrial life and the human psyche.
  • Lost Civilizations: Discussing theories about Atlantis, Mu, and other submerged continents.
  • The Bizarre and Extreme: Seeking out the monstrous or extreme aspects of disciplines, akin to Renaissance scientists who balanced reason and magic.

Specific Book References

The article mentions several of Kolosimo's key works:

  • Terra senza tempo (Earth Without Time): Explores themes of ancient mysteries, space archaeology, and the possibility of extraterrestrial life.
  • Fiori di Luna (Flowers of the Moon): Discusses ancient memories and potential space travel.
  • Fratelli dell'Infinito (Brothers of the Infinite): Introduces exobiology and the exploration of the solar system and beyond.
  • I Misteri dell'Universo (The Mysteries of the Universe): A revised and updated version of "Fratelli dell'Infinito."
  • Odissea stellare (Stellar Odyssey): A work that blends science fiction and clipeology, reinterpreting Homer's Odyssey through an extraterrestrial lens.
  • Polvere d'inferno (Powder of Hell): Described as a dark fantasy essay exploring alchemy and legendary biographies.

Kolosimo's Legacy

Kolosimo is presented as a precursor to contemporary authors who explore the intersection of science, myth, and the New Age. His work is seen as a unique form of 'patafisical literature,' offering a fantastical yet thought-provoking perspective on history and the universe. The magazine concludes by emphasizing the enduring appeal of Kolosimo's 'dreaming' approach to understanding the world.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around Peter Kolosimo's pioneering work in fantarcheology and his unique 'patafisical' approach to exploring mysteries. The editorial stance is one of admiration for Kolosimo's imaginative and unconventional research, positioning him as a significant figure who challenged academic orthodoxy and inspired a generation of readers interested in alternative histories and unexplained phenomena. The magazine celebrates his ability to weave together diverse sources—myths, scientific speculation, and science fiction—into compelling narratives that encourage critical thinking and a sense of wonder.

This issue of 'ESOTERIC' magazine, published by PALEOSETI and dated 2009, focuses on the enigmatic technological achievements of ancient Americans. The cover headline, 'The ancient Americans,' sets the stage for an exploration of theories that challenge conventional historical understanding.

The Ancient Americans: Advanced Technology and Mysteries

The articles delve into several intriguing aspects of ancient American civilizations, primarily focusing on their construction methods and material manipulation.

Lifting Devices and Megalithic Construction

Peter Kolosimo is quoted as stating that ancient Americans must have possessed lifting devices of efficiency comparable to modern technology, posing the question of how massive stones were moved into place. This is further supported by references to David Hatcher Childress's book, 'Technology of the Gods,' and Hiram Bingham's work on Machu Picchu. Bingham reportedly wrote about a plant whose juices could soften rock, enabling it to be worked into precisely fitted masonry.

Stone-Softening Liquids

Colonel Fawcett is cited for his accounts of stones being fitted together using a liquid that softened them to a clay-like consistency. A specific anecdote involves a friend of Fawcett's who discovered a jar in an Incan or pre-Incan grave. Upon accidentally spilling the liquid onto a rock at 14,000 feet in Cerro di Pasco, Peru, the rock softened, resembling wet cement. The text speculates that the liquid, when kept in a sealed clay vase, reacted with air, causing it to solidify, drawing a parallel to modern super glue.

Raymond Drake also mentions an incident where two men attempted to make Indians drink such a liquid, but they refused even under threat.

Ancient Gold Plating Technique

In 1965, a Dr. Bergrose is said to have rediscovered a lost gold plating technique. This method involved covering an object with a copper and gold alloy, then hammering and heating it. A vegetable acid, specifically the sap of Oxalis pubescens, was used to dissolve the copper oxide, leaving the gold layer intact. The article suggests this technique might have also been applicable to fusing stones, noting its simplicity compared to amalgamation or electrolysis.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around ancient mysteries, lost technologies, and alternative historical interpretations. The editorial stance appears to favor exploring possibilities beyond mainstream archaeology, highlighting accounts and theories that suggest advanced knowledge and capabilities in ancient civilizations. The magazine positions itself as a platform for esoteric and fringe theories concerning the past.