PaleoSeti Magazine - No 21

Magazine Overview

Title: PaleoSeti MAGAZINE
Issue: 21
Publication Year: 8th Publication Year
Date: December 2022
Publisher: Eisengruber Publishing
Country: Canada
ISSN: 2292-8251

This issue of PaleoSeti Magazine, dedicated to Ancient Astronaut and Lost Civilizations Research, features a prominent article on the Guadalupe Tilma, exploring new research and hypotheses about its origin. The magazine also includes sections on SoundStones, Ancient Tech Revival, a PaleoSeti FAQ, and an extraordinary discovery concerning a Giant's Ring from the Inca Era.

Letter from the Editor

Herbert Eisengruber, the Editor-in-Chief, addresses the recent surge in criticism towards alternative archaeology, particularly in response to Graham Hancock's Netflix documentary "Ancient Apocalypse." He notes that mainstream archaeologists and institutions are increasingly attempting to discredit theories about ancient astronauts and lost civilizations, now resorting to branding them as "right-wing" or "racist." Eisengruber highlights the coordinated social media efforts by young archaeologists, whom he describes as "scientists-on-demand," to counter these theories. Despite this, he asserts that the success of Hancock's show demonstrates a strong public interest in their work and that PaleoSeti Magazine will continue its research, acknowledging that they are not perfect but dare to explore new ideas. He also announces a change in the magazine's email address to [email protected].

Updates on the Guadalupe Tilma

Herbert Eisengruber details his ongoing research into the "Guadalupe Image" or "Tilma of Guadalupe," which first appeared in 1532 on the cape of Juan Diego. He recounts his initial article in PaleoSeti Magazine Issue 5, where he proposed that the image, which appeared without being painted, might be the result of a photographic process. His subsequent research, including a visit to Mexico City to examine the image's accessibility, led him to use specialized infrared equipment in 2015. This research revealed details in the clouds and, more significantly, a face with unusual eyes and a head covering on the edge of the image, similar to depictions found in ancient cultures worldwide.

Eisengruber hypothesizes that apparitions are technical phenomena, possibly extraterrestrial in origin, designed to influence societies. He suggests these projections occur near the visible light spectrum and that certain individuals, particularly children with superior eyesight, might perceive them in infrared or ultraviolet wavelengths. He posits that the Guadalupe image is a sophisticated, giant infrared polaroid, and the discovered face might be a photograph of a "god" in action.

Further technical analysis in 2019 involved using a full-spectrum converted Panasonic Lumix camera with 720nm and 850nm infrared filters. Due to the challenging lighting conditions in the church and the impracticality of using tripods, the process required strong image stabilization. The 850nm infrared filter revealed that the image's lighting was uneven, with the top half being darker, suggesting a light source behind the apparition. This technique, he explains, is similar to modern studio photography using synchronized flashes. The 850nm filter also showed that the image could not be a painting, as the lighting effects were not visible in normal light. Eisengruber distinguishes between the original infrared photograph and later additions, such as the gold paint on the "halo" and tassels, which he believes were added to fit religious iconography.

He notes that the Tilma itself, a fabric manufactured in the 1500s, has remarkably preserved the image, a feat that is incredible given the technology available at the time. He questions whether the technology used to create the image also produced the corona discharge effect, which might be the basis for apparitions and paintings throughout history.

Eisengruber also discusses Kirlian photography, a technique that captures electrical coronal discharges. He suggests that the Tilma's image might be an example of this phenomenon, with the "halo" or "aura" being a result of such discharges. He points out that similar halos are depicted in German iconography from around 1530, questioning whether these were artistic expressions or reflections of something real. He examines the "Hortus Delicarium" from around 1300 as an early example of stylized halos.

His research over the past seven years has broadened into investigating similar cases globally, leading him to believe that the Tilma's creation was an incredible technological feat, possibly involving a projection created with multiple infrared light sources on a life-sized scale.

SoundStones

This section is mentioned on the cover but not detailed in the provided pages.

Ancient Tech Revival

This section is mentioned on the cover but not detailed in the provided pages.

PaleoSeti FAQ

This section is mentioned on the cover but not detailed in the provided pages.

Extraordinary Discovery - A Giant's Ring of the Inca Era

This section is mentioned on the cover but not detailed in the provided pages.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around challenging conventional historical and archaeological narratives by exploring the possibility of advanced ancient technologies and extraterrestrial influence. The editorial stance, as expressed by Herbert Eisengruber, is one of persistent inquiry into alternative theories, a willingness to question established dogma, and a belief in the public's interest in these subjects, despite opposition from mainstream academia. The magazine champions independent research and encourages readers to investigate these topics themselves.

This issue of PaleoSeti Magazine, titled "Frequently Asked Questions PART 2", is an English-language publication from the USA, focusing on the controversial Ancient Astronaut Theory. Authored primarily by Herbert Eisengruber, it delves into various aspects of the theory through a question-and-answer format, aiming to provide clarity and address common criticisms.

The Guadalupe Apparition and 'Seers'

The issue begins by questioning whether religious depictions are solely artistic interpretations or if they stem from real events witnessed by 'seers' with natural abilities to perceive infrared spectrums. The author posits that these individuals reported their visions to artists, leading to the creation of artwork. The Tilma of Guadalupe is presented as a unique case, described as a "Photograph of what happened," making it a remarkable artifact that inspired iconographic art.

Archaeoacoustics: The Sound of Ancient Sites

A significant portion of the magazine is dedicated to archaeoacoustics, the study of sound in ancient structures. Herbert Eisengruber recounts an experience at the reconstructed Goseck site in Germany, where wind passing through wooden poles created unusual whistling and hissing sounds. More remarkably, a deep humming sound emerged, felt throughout the body, suggesting intentional design by ancient architects. This leads to a discussion of other sites known for their acoustic phenomena, such as the Hal Saflieni Hypogeum in Malta. Researchers detected strong double resonance frequencies (70Hz and 114Hz) within this Neolithic necropolis. A deep male voice tuned to these frequencies reportedly created bone-chilling effects, with sounds echoing for up to 8 seconds. Archaeologist Fernando Coimbra described feeling the sound crossing his body at high speed. The text notes that sound in the 70-130Hz range can naturally create large oscillations due to resonance, and laboratory testing indicates these frequencies can affect human brain activity.

Curious Monoliths and 'Sound Devices'

The article explores specific ancient artifacts with peculiar acoustic properties. A monolith in Puma Punku, Bolivia, features a shaped hole that alters the voice when spoken through, creating a "robot-like" effect. The author suggests this indicates advanced knowledge of carving granite. Another example is a Roman stele in the LVR Museum in Bonn, Germany, with a similar hole. This stele also exhibits sound alteration, though less dramatic than the Puma Punku monolith. The hole's purpose, possibly for an oil lamp or candle to illuminate a crescent moon carving, is questioned due to the lack of soot, leading to speculation about its function as a "sound device."

Mayan Pyramids and Hummingstones

Eisengruber also mentions the sound effects at the Mayan pyramids of Tikal, where clapping produces sharp, unnatural echoes, said to mimic the Quetzal bird's cry. The intentionality of these building techniques is highlighted as exceeding current archaeological understanding. The concept of "Summsteine" or "Humming Stones" is introduced, which are modern playground equipment designed to create resonance when a person hums into them. These stones, found in various forms globally, are presented as a part of resurrected ancient technology.

Frequently Asked Questions (FAQ)

The magazine then transitions into a FAQ section addressing common questions and criticisms of the Ancient Astronaut Theory:

• Repetitive Authors: The issue acknowledges that some authors repeatedly publish similar content, discrediting the theory. It calls for a return to grassroots research and a focus on new findings rather than commercial gain.
• Proof of the Theory: Key evidence cited includes worldwide similarities in ancient myths about sky-gods, consistent building techniques (especially the use of heavy stones in older sites), the Nazca lines, Puma Punku, Saqsayhuaman, and ancient Egyptian sites, along with astronomical alignments and cults.
• Researching the Theory: For those new to the theory, the advice is to start with books, particularly those in German, and to visit ancient sites personally. Erich von Daeniken's early works are recommended as a foundation.
• Time Discrepancies: The criticism that artifacts are from vastly different time periods (e.g., Egyptian Pyramids vs. Mayan counterparts) is addressed by comparing it to the timeless nature of memory, using Pythagoras as an example. The argument is that ancient memories and cultural transmissions persist, and time is not always a linear or strict chronological marker for these phenomena.
• Archaeology's Role: The statement that archaeology doesn't need the PaleoSeti Theory is deemed arrogant and ignorant. The magazine argues that archaeology is not an exact science, significant sites are still largely unexplored, and new discoveries are constantly being made. The focus should be on the theory's validity, not whether archaeology 'needs' it.
• Why History is Boring: The answer suggests that history becomes boring when people make it that way.

Further Reading and Recommendations

The issue provides a list of "Further reading" on the Guadalupe apparition and related topics. It also recommends books on the Ancient Astronaut Theory, including works by Erich von Daeniken, Johannes and Peter Fiebag, Gisela Ermel, Hartwig Hausdorf, and Josef Blumrich. The author advises choosing books wisely, avoiding those that seem to "cash in" on old ideas or cover unrelated new-age topics. Visiting ancient sites is strongly encouraged as the best way to understand the evidence.

Conclusion on Evidence and Archaeology

The magazine argues that circumstantial evidence is a valid form of proof, comparable to how we accept the Earth is round without seeing it from space. It criticizes the demand for "undeniable" physical proof as unscientific and unfair. The issue concludes by emphasizing that archaeology is an ongoing process, and while mainstream archaeology has its methods, it should remain open to alternative interpretations and discoveries. The magazine suggests that significant archaeological sites are only a small percentage excavated, and much remains to be discovered.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the exploration of ancient mysteries through the lens of the Ancient Astronaut Theory, the importance of critical thinking and direct research, and the critique of both overly skeptical scientific communities and sensationalist proponents of the theory. The editorial stance is one of advocating for open-mindedness, rigorous investigation, and a re-evaluation of ancient history based on a broader interpretation of evidence, including archaeoacoustics and cross-cultural similarities. The magazine promotes the idea that ancient civilizations possessed advanced knowledge and technology, possibly of extraterrestrial origin, which has been largely overlooked or dismissed by mainstream archaeology.

This issue of PaleoSeti Magazine, titled "EXTRAORDINARY DISCOVERY A GIANT'S RING OF THE INCA ERA," explores the persistent theme of giants in the Americas, drawing from ancient traditions, historical chronicles, and archaeological findings. The article, written by Rafael Videla Eissmann, presents a surprising account of a giant's tomb discovered in the Andean highlands and delves into the historical context of "giant" narratives across the continent.

A Surprising Account

The article begins with an account from engineer Celso García Vargas, who, while researching ancient civilizations in Bolivia and Peru, heard a remarkable story from a descendant of an indigenous man. This account describes a pilgrimage to a sacred mountain near Ollantaytambo, where a group of locals found a "a large tomb" containing "the body of a giant." The informant specifically mentioned a skull with "two protuberances" and a "ring" belonging to the giant. García Vargas confirmed the term used was "giant," and noted that the skull, if artificial, would represent an extreme tabular erect modification.

The Tradition of the Giants in the Americas

The magazine then broadens the scope to discuss the historical presence of "giant" narratives across the Americas. It notes that from the 15th century onwards, European chroniclers like Américo Vespucio, Bernal Díaz del Castillo, and Pedro Cieza de León, among others, elaborated stories of giants. The article questions whether these accounts were mere inventions or based on authentic observations, considering the scholarly affiliations of many chroniclers with the Catholic Church.

It highlights that pre-Hispanic traditions, from Tierra del Fuego to Alaska, also account for the existence of giants. Examples include the Selk'nam of Tierra del Fuego and Patagonian traditions of "giants" and their "Kingdom of the Giants."

Viracocha and the "Giants"

The term "Viracochas" is introduced as the fair-skinned Gods who spread civilization in the Americas. The article links them to the "Huarijochas" and suggests the etymological meaning relates to "smelter" or "metallurgist." The myths recorded by conquistadores, cronistas, and explorers refer to these inhabitants. Explorer Percy Henry Fawcett believed that cities like Tiahuanacu and Sacsaihuamán were built by a race of giants capable of manipulating cyclopean rocks.

Jesuit historian Bernabé Cobo suggested that Tiahuanaco's buildings predated the Flood, implying they were built by giants. The article also mentions the discovery of a tomb of giants in Puerto Deseado, Tierra del Fuego, containing skeletons of individuals 10 to 11 feet tall.

Historical Accounts and Myths

Fray Martín de Murúa reproduced Amauta descriptions of four eras, the last of which was destroyed by water, killing the giants that lived then. The article notes that the presence of giants was recorded by Europeans since the 15th century.

King Ayar Tacco Capac encountered people of great stature who populated the Llanos in Peru. These individuals, described as having great stature, arrived by rafts and canoes, populating the land and even moving into the sierras. They were known for their offensive and defensive weapons and governed by behetry. Those who settled in Pachacama built a temple to the Creator and controlled the land, causing the native population to flee due to their mistreatment and the use of their instruments.

The First Sun and Mesoamerican Giants

The pre-Hispanic tradition about the first Sun, according to the Códice Vaticano Latino 3738, describes an age of giants called Tzocuiliceque who lived during the "Head or White Hairs" era and were destroyed by water. This parallels the Andean giants known as Viracochas.

Fernando de Montesinos, in his "Memorias antiguas historiales y políticas del Perú," discusses the arrival of these tall men, who used iron instruments and were known for their advanced knowledge. He also mentions a divine punishment by fire from heaven that consumed them, suggesting it was a consequence of the "Clovis Comet Impact."

The "Clovis Comet Impact" and its Aftermath

The article posits that the fire from heaven described by Montesinos was the consequence of the "Clovis Comet Impact" (around 12,000 BC). This cosmic event not only affected megafauna but also led to a decrease in the original population, creating the so-called Paleo-Americans. The article speculates whether these were offspring of the giants, noting that species developed after this catastrophe were smaller than those that existed before.

The Ring Artifact

Pedro Cieza de León's "Crónica del Perú" describes Tici Viracocha, a fair-skinned man of grown body, who migrated north after a civilizing role. The article presents a unique ring artifact as striking archaeological evidence of giants. This ring, made of a gold, silver, and copper alloy (Champi), has an internal diameter of 2.7 cm, suggesting a projection of 2.30-2.50 meters for the individual who wore it. The ring features a condor with a three-feathered tail and broken legs of another condor, symbolizing Kuntur, the "Messenger of the Gods."

Iconography and Symbolism

The presence of the condor is significant in Andean tradition, representing Kuntur, the messenger of the gods, and associated with Hannan Pacha (World of Above). The article also references the Sun Gate of Tiahuanaco, depicting figures of men-condors and Huirajocha Tauapácac, who carries a staff with two condor heads. A Tiahuanaco censer is also shown, with a representation related to Hannan Pacha and Venus.

Fragmentary Evidence and Conclusion

The article concludes that the existence of "giants" is not a fable but a pre-Diluvial reality in the Americas, with descendants still present during the Inca reign. The ring artifact is presented as compelling archaeological evidence. The issue also includes a section inviting reader feedback and contributions, and promoting the PaleoSeti website and Twitter presence.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the historical and mythological presence of giants in the Americas, their connection to ancient civilizations and deities like Viracocha, and potential extraterrestrial or cosmic influences (such as the Clovis Comet Impact). The editorial stance appears to be one of open inquiry into these ancient mysteries, presenting evidence from historical texts and archaeology to support the possibility of giants as a real, albeit diminished, part of human history in the Americas, often viewed through the lens of the Ancient Astronaut Theory.