PaleoSeti Magazine - No 14

Magazine Overview

Title: PaleoSeti
Issue: 14
Volume: 5th Publication Year
Date: Published March 2019
Publisher: Eisengruber Publishing
Country: Canada
ISSN: 2292-8251

This issue of PaleoSeti Magazine, the 14th in its 5th publication year, marks significant anniversaries: 20 years of the PaleoSeti.com website and 5 years of the magazine itself. Editor-in-Chief Herbert Eisengruber expresses gratitude to readers and highlights the reliance on private funding for research in the field of Ancient Astronaut and Lost Civilizations studies. The magazine aims to illuminate human history and mentions the "Erich von Daniken foundation" as an effort to bring cutting-edge research to a university level. It also introduces Dr. Hermann Burgard, a scholar specializing in ancient Sumerian texts, whose research findings are featured in this issue.

The Tools of the Masters

This article, authored by Herbert Eisengruber, delves into the interpretation of ancient artifacts as evidence of advanced technology. Eisengruber revisits the Palenque Sarcophagus lid, depicting "Pakal" operating a technical "capsule" or "rocket," and a related stele. He argues that these depictions, along with other ancient carvings, are not mere artistic representations but show actual technical artifacts that influenced ancient cultures. The article emphasizes the importance of understanding technology to interpret these ancient images, suggesting that if something is beyond our current standards, our understanding is limited.

Eisengruber discusses how tools can reveal the complexity of the technology they serve. He presents examples of ancient Egyptian medical tools that remain similar to modern ones, illustrating how technology influences tool design. The article then focuses on a peculiar obsidian object from the Museum of Anthropology in Mexico City, described as a "ceremonial cutting tool." Eisengruber, along with his wife, suggests it might be a copy of a "Multi-tool," similar to modern specialized tools with no moving parts, which are durable and versatile. He posits that the original tool might have been made of hardened steel and that the ancient Mayan carving, while brittle in obsidian form, could be a representation of such an advanced tool.

The article further explores the concept of "Atlanteans of Tula" statues, which appear to hold tools or weapons. Eisengruber suggests that if high-technology impressed ancient people, more depictions of similar objects should exist. He also examines the widespread symbol of the scepter, often topped with a roundish "orb," which in ancient Egypt and Sumeria was associated with lightning. A notable example is a scepter from the Anthropology Museum in Mexico City, made of polished stone, which creates an illusion of glowing, possibly simulating a "cat's eye" effect. Eisengruber questions whether these scepters, or the tools depicted with the "Atlanteans of Tula," are copies of advanced tools from a technologically superior society, possibly extraterrestrial.

The Temple Hymns of Enheduanna

This section, referencing pages 11-19, focuses on "The Temple Hymns" of Enheduanna. The article suggests a connection to "memory of an occupation force descending from an orbital vehicle." This implies a narrative involving advanced technology and possibly extraterrestrial or highly advanced human visitors interacting with ancient civilizations.

El Enladrillado - Update on the Mystery of the Andes

Covering pages 20 onwards, this article provides an update on the "Mystery of the Andes," specifically related to "El Enladrillado." While details are not fully elaborated in the provided text, it indicates ongoing research into unexplained phenomena or artifacts in the Andean region, likely connected to ancient mysteries and advanced civilizations.

Paleo Seti Research Project

Mentioned on page 26, this section likely details ongoing research projects within the PaleoSeti framework, possibly including efforts to verify the "Erich von Daniken foundation" and its activities.

Recurring Themes and Editorial Stance

The recurring themes in this issue of PaleoSeti Magazine are the interpretation of ancient artifacts as evidence of advanced technology, the influence of highly technological societies (potentially extraterrestrial) on ancient cultures, and the ongoing mystery surrounding ancient civilizations and their achievements. The editorial stance, as expressed by Herbert Eisengruber, is one of open-minded inquiry, encouraging readers to "open our eyes and look" for evidence of these advanced influences in the archaeological record. The magazine promotes a critical re-examination of conventional archaeological interpretations, advocating for the possibility of ancient astronauts and lost advanced civilizations.

This issue of Paleoseti, Volume 11, Issue 5, focuses on the "Temple Hymns" of Enheduanna, as translated and interpreted by Dr. Hermann Burgard. The magazine presents a radical reinterpretation of these ancient Sumerian texts, proposing they are not religious hymns but rather coded reports detailing an occupation force descending from an orbital vehicle.

The "Temple Hymns" of Enheduanna

The article begins by introducing the "Temple Hymns" as a summary of a new and complete translation of all 520 lines, revealing the contents of the Sumerian/Akkadian State-cult and memory of an occupation force from an orbital vehicle. The author, Dr. Hermann Burgard, is a German Sumerologist.

Enheduanna: The Author

Enheduanna, whose name is transcribed as En-he2-du-an-na, was the daughter of Sargon the Great, founder of the Akkadian kingdom. She served as the double High Priestess of the royal temples in Ur and Uruk for over 50 years. Her sacral title means "She who is consecrated to the Lord of perfect gifts from Heaven." She is identified as the first author of world history known by name.

The Source of the Texts

The texts originate from Nippur, a city in present-day Iraq. The cuneiform library discovered there in the second half of the 19th century, written on clay tablets, was brought to the University of Pennsylvania Museum. One tablet, CBS 19767, was copied by Hugo Radau and studied by Heinrich Zimmern. Zimmern noted the "peculiar content" of the texts, which he began to examine in the late 1920s.

Translation History and Challenges

Previous translations of the "Temple Hymns" are discussed, highlighting their shortcomings. Heinrich Zimmern published a partial translation in 1930. Later attempts by individual authors often failed at key points or resorted to speculative interpretations. Sjöberg and Bergmann's 1969 publication provided a transcription and translation but left many passages incoherent and contained invented text to fill gaps. Krecher and Jagersma's more recent translation is described as striving pathologically for a sacral/ritual meaning, resulting in a slippery text that distorts the original. Betty De Shong Meador's study, while presented as not a new translation, is criticized for inventing flowery stories that deviate from the original and for aligning with the sacral-ritualistic interpretation, missing the ancient reports' true meaning.

Dr. Burgard's New Translation

Dr. Hermann Burgard's new translation, published in two books, proposes that Enheduanna used a code to conceal the true content of the texts. What superficially appears as "temple hymns" is, in fact, a spoken/heard text revealing factual reports about places, buildings, and events from a distant past. Burgard's translation is complete, with all lines matching their context, offering a coherent overall result.

Reinterpreting "Dingir"

A significant reinterpretation concerns the term "Dingir," conventionally translated as "God/Goddess/Gods." Burgard argues that this term, along with "DI.IN.GIR" and "DI.BUR," refers to "Decision-makers / Masters who move with / in flying devices" or "Decision-makers with the judgment scales." The "scorpions" mentioned in the text are interpreted as flying machines that "flash" through the air and "cut through" it.

Key Statements from the Reports

The reports suggest that in prehistoric times, intelligent humanoid beings landed before a "destructive flood" in the Middle East. These beings, called "Dingir" by the Sumerians, used "devices" in space and smaller "devices" for descending and ascending traffic to a space station called "Heaven." They established a network of bases on earth, referred to as "temples," and received active help from "heaven" in their early days. Their buildings were described as ascending stepwise or having round cross-sections, some with platforms and metal domes. They utilized quarried stones, polished stones, and "shiny metal," including "blue metal."

The "decision-makers" considered the cosmos inhospitable for raising children and established a central nursery in Nippur. Their social structure involved major and minor wives, changing partners, and a succession law favoring half-siblings. The text also mentions that "life" was brought down from "Heaven" to earth.

Air traffic was managed by the "Light" and "Heaven," along with other aircraft types. These aircraft were sometimes described as fuming and stinking, resembling scorpions. Some bases served the construction, maintenance, or repair of aircraft. Takeoffs and landings occurred from buildings, platforms, or ramps. Radio connections existed between earth bases and the "hovering device above."

Subordinates, later called a-nun-na, calculated celestial trajectories. One base served as a flight control center, equipped with radar and a "monitoring network." Carbide gas (acetylene) was generated for fuel, with a complex production process described. Instruments of knowledge and power, referred to as ME/me, were delivered from "Heaven," including computers, intercoms, scanning rays, control radar, laser guns, and heat generators. The Dingir are portrayed as an occupying power, deterring enemies with arms and enforcing obedience.

Technology and Operations

The "Light" was used for propulsion and as a "crusher of enemy countries." The highest class of Sumerians served as "priests" in the government buildings of the occupiers. Human "specialists" co-worked in aircraft maintenance. People were enslaved for the dangerous production of carbide gas, leading to huge explosions in various locations, remembered as "hell." Eventually, the inhabitants of Sumer were freed from this service, with "prisoners" deported elsewhere for hazardous production.

A court convened in Nippur to convict culpable people, with penalties including being rendered to a "crushing river." The "devastating flood" may have been caused deliberately by the "decision-makers" or its approach was kept secret. The Dingir used emergency measures to escape the flood. A shiny metallic underwater vehicle is reported from Lagash, invented by En.ki, who also built an "under-water haven."

These underwater structures and vehicles survived the flood. After the flood, the Dingir returned to the Tigris-Euphrates region. Settlements like Eridu, Bad-tibira, Sippar, and Shuruppak are mentioned as existing before and after the flood.

Eridu was a site of a successful first landing, involving an "AB.GAL" (somebody living in water) who gave instructions to humans. Lagash had a "speaking sacred chest" and an intercom. A power plant in Lagash generated electricity from waves. A petroleum refinery in Lagash served as a distribution center for fuel for the "Light" spacecraft.

Gold was processed and delivered to "Heaven" for purity checks. "Gifts of Heaven" were stored in Umma for consumption. "Bounties, boons," or "beneficial" items were processed further.

Some temple buildings had basement parts for carbide production and ore smelting. The term "Nergal" is reinterpreted not as an underworld god but as a smelting technician. The "hell furnaces" and "underworld gods" of Roman mythology are seen as fictional adornments of faith, with no reference to such in the temple reports.

Aircraft of the Dingir could land on water. The later capital of Akkad, Agade, was named after a "building waiting for the arrival" of the "Light." Uruk and Kulaba are identified as locations related to the "Light." The initial Temple Hymns suggest takeoffs of the "Light" from walled brick pans or metal arc-like ramps. Occupants were "strapped" before takeoff to survive acceleration.

A "big factory" was built in Iran for Sumer, employing "slaves." In Sumer, the Dingir "freed" a place from the "burden of glowing," creating a relaxation zone. Ziusudra and Henoch are mentioned as leaders among helpers. The translation of Henoch's name suggests he was the "master of the cleaning at the ramp to 'Heaven'."

El Enladrillado - Mystery in the Andes

The article also features a section on "El Enladrillado - Mystery in Andes of Chile." This plateau in the Maule Region of Chile is characterized by perfectly 90-degree angle shaped stone blocks and their symmetric disposition at 2200m above sea level. The discovery raises questions about its builders, technology, and antiquity, as it is not mentioned in major studies of Pre-Hispanic Chile. The site's characteristics suggest an antiquity that implies a significant shift in the mainstream view of settlement chronology and the people who lived in the Americas. Archeologists have linked the possible human presence in Vilches to the Pleistocene time, potentially connecting El Enladrillado to the Paleoamericans.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around ancient astronaut theories, the reinterpretation of ancient texts through a technological lens, and the questioning of established historical narratives. The magazine presents Dr. Hermann Burgard's controversial translation of the "Temple Hymns" as a primary focus, suggesting that ancient Sumerian civilization had contact with an advanced extraterrestrial or technologically superior civilization. The editorial stance appears to favor this unconventional interpretation, presenting it as a significant revelation that challenges conventional archaeology and history. The inclusion of the El Enladrillado site further supports the theme of unexplained ancient structures and potential early human presence beyond current academic understanding.

This issue of "paleoseti" (Issue 21) delves into the enigmatic archaeological site of El Enladrillado in Chile, exploring its unique geological formations, potential connections to ancient civilizations, and the intersection of scientific hypotheses with indigenous myths. The magazine also features information on the Paleo Seti Research Project and related initiatives.

El Enladrillado: A Mysterious Archaeological Site

The primary focus of this issue is the El Enladrillado site, located in the Altos de Vilches area of Chile. The site features three distinct platforms: El Enladrillado I (E-I), El Enladrillado II (E-II), and El Enladrillado III (E-III). El Enladrillado I is described as having a triangular form, composed of pale orange and burly brown rocks, measuring approximately 183x340x287 meters. El Enladrillado II is rectangular, measuring 247 x 189 meters, while El Enladrillado III is ovoid-like, approximately 241 meters in length. The stone blocks forming these platforms exhibit right angles and symmetric disposition, raising questions about their natural origin.

Archaeological studies suggest the possibility of human presence in the area around 12,000 B.P. (±10,000 B.C.), corresponding to the Archeological Paleolithic. The article discusses two indigenous groups: the dolichocephalic 'Indios Blancos' or White Indians, and the brachycephalic, copper-skinned groups who arrived from Asia. The study of El Enladrillado is presented as controversial, potentially challenging mainstream Pre-History in the Americas.

Theories and Hypotheses

The issue explores several hypotheses regarding the nature and origin of El Enladrillado. The symmetrical arrangement of stone blocks and their right angles lead to speculation about a lost civilization. The lack of utilitarian or domestic artifacts, however, poses a challenge to this theory. The possibility of El Enladrillado being a sacred ritual site for Paleo-Americans is also considered.

Furthermore, the article connects the site to ancient myths of cataclysms. It references the "Great Catastrophe" known as Tripalafquen among the ancient Araucanos and draws parallels with the contemporary scientific Younger Dryas Impact Hypothesis (also known as the Clovis Comet Hypothesis). This hypothesis suggests that a large aerial explosion or Earth impact around 12,900 BC initiated the Younger Dryas cold period, causing widespread fires, mega-fauna extinction in North America, and the demise of the Clovis Culture.

The text highlights myths from the Selk'nam and Araucanos, such as the struggle between the 'Sun' and 'Moon' deities and tales of a great Universal Flood, which are seen as echoes of real past events and keys to understanding mankind's origins and ancient sites that do not fit current historical narratives.

The Builders and Their Fate

If a catastrophic event is accepted as the cause of devastation, the question arises about the destiny of the builders of El Enladrillado. Were they able to survive or did they disappear? This could explain why the site might have been a taboo for later indigenous groups, leading to a lack of indigenous objects found there. The article notes the closeness of El Enladrillado to the archaeological site of Altos de Vilches, which was occupied by both Paleoamericans and indigenous groups, suggesting that the platforms were likely known.

Paleo Seti Research Project and Related Initiatives

The issue also includes information about the Paleo Seti Research Project, encouraging reader participation and feedback. It promotes the project's webpage (www.paleoseti.com) as a source for background information on Paleo Seti research and the Ancient Astronaut Theory. Additionally, it highlights the "Scientific Research Project NAZCA III" by the Erich von Däniken Foundation, focusing on anomalies in the Nazca/Palpa desert in Peru, and provides links to its webpage and video promotion.

Bibliography

A comprehensive bibliography is provided, listing numerous works on religion, shamanism, mythology, indigenous cultures of Chile and Tierra del Fuego, and theories related to ancient catastrophes and extraterrestrial influences. Authors cited include Jorge Dowling D., Martín Gusinde, Alberto Medina Rojas, Ruperto Vargas Díaz, Ciro Vergara Duplaquet, Carlos Keller, and Rafael Videla Eissmann.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around ancient mysteries, the interpretation of archaeological evidence in light of indigenous myths, and the exploration of alternative historical narratives, particularly those related to ancient astronauts and lost civilizations. The editorial stance appears to be open to unconventional theories and encourages critical thinking about established historical timelines and interpretations, as evidenced by the call for contributions and feedback from readers.