PaleoSeti Magazine - No 10

Magazine Overview

Title: paleoseti
Issue: 10
Date: December 2016
Publisher: EISENGRUBER PUBLISHING
Country: Canada
ISSN: 2292-8251

This issue of PaleoSeti Magazine, themed "The Colors of the Ancients: History's Best Kept Secret," explores the intersection of ancient civilizations, advanced technologies, and perception, particularly through the lens of light and color.

Letter from the Editor

Herbert Eisengruber, Editor-in-Chief, welcomes readers to Issue 10, highlighting the magazine's focus on strange colors in the ancient world and their potential connection to phenomena beyond regular human perception. He poses questions about the origin and properties of these ancient colors and whether they relate to modern research into light beyond normal sight. The issue features a journey to South America with contributor Rafael Videla-Eissman, an examination of the scientific research community's methods, and an exploration of misunderstood ancient technology. Eisengruber thanks readers for their feedback and wishes them a Merry Christmas and a Happy New Year 2017.

Contents

• Letter from the Editor (Page 2)
• Masthead (Page 2)
• Contents (Page 3)
• The Colors of the Ancients - History's best kept Secret (Page 4)
• The Gods of Terra del Fuego - Echos of the Selk'nam's Tradition (Page 12)
• Representations of ancient High Tech Weapons? (Page 24)
• Book and Film recommendations (Page 28)
• What is Science? (Page 29)
• Next Issue (Page 34)

The Colors of the Ancients - History's Best Kept Secret

Article by Herbert Eisengruber

This article delves into the nature of reality and perception, referencing Stanislav Lem's 1957 thought experiment from "The Matrix" about controlled reality. It draws parallels to the natural world, where insects like bees perceive reality differently due to heightened senses, such as seeing in the Ultra-Violet (UV) spectrum. Flowers are "color-coded" for bees, and UV light reveals patterns invisible to humans. The article discusses the scientific applications of UV light, from detecting counterfeit money and skin cancer to its use in water testing and even treating mood disorders. It also notes the dangers of excessive UV exposure.

UV light is defined as electromagnetic radiation with wavelengths shorter than visible light but longer than X-rays. While it lacks the energy to ionize atoms, it can cause chemical reactions and make substances fluoresce. The article explores the possibility that advanced extraterrestrial intelligences might have used UV and infrared light to convey messages, referencing a previous article about the Virgin of Guadalupe potentially being an infrared image. It notes that some children and young adults, or individuals without lenses, can perceive UV wavelengths, describing the experience as "whitish blue" or "whitish violet."

Tekhelet: The "Color of the Gods"?

Colors have always played a significant role in ancient cultures, often denoting status. The article focuses on "Tekhelet," a blue-violet dye from ancient Jewish culture, mentioned 49 times in the Hebrew Bible. This dye was produced exclusively from a marine creature called the Dillazon (or Chilazon), identified as the Murex Trunculus sea snail. The knowledge of producing Tekhelet was guarded and eventually lost after the destruction of the Temple in Jerusalem around 70 AD.

Despite efforts to replicate it, the original Tekhelet remained elusive for centuries. In 1913, Rabbi Herzog identified the source creature but struggled to consistently reproduce the specific midnight blue with a purple hue described in texts. A breakthrough occurred in 1960 when a piece of blue fabric from the Masada fortress was analyzed, confirming the dye was from the Murex snail. The mystery was further solved in 1980 when chemist Otto Elsner discovered that exposing the dye solution to ultraviolet rays produced a consistent blue color, rather than purple. This led to the hypothesis that Tekhelet might have been a UV-activated dye, potentially used as a "secret code" within the sacred knots (Tsitsit) of Jewish prayer garments.

"Stunning Metallurgical Advances of Ancient China"

The article then shifts to ancient China, discussing the discovery of the Terracotta Army, buried with the first Qin Emperor. The weapons unearthed, including bronze swords, spears, and crossbows, were remarkably free of rust, appearing as new as when they were buried over 2000 years ago. This preservation is attributed to chemical chrome plating, a technique believed to have been developed by ancient Qin workmen. Analysis revealed that the bronze was coated with about 10 to 15 microns of chromium salt oxide, improving corrosion resistance and luster.

Furthermore, in 2007, analysis of the paint on the Terracotta figurines revealed a unique blue pigment, known as "Chinese purple." This pigment, composed of barium copper silicate and lead, is hypothesized to be a byproduct of ancient Chinese alchemists attempting to synthesize jade. Both Chinese glass and Chinese purple disappeared from history around 1500 years ago, adding to their mystique.

The Gods of Terra del Fuego - Echos of the Selk'nam's Tradition

(This section is mentioned on the cover and in the table of contents but not detailed in the provided text excerpts. It likely discusses the traditions and beliefs of the Selk'nam people of Tierra del Fuego, possibly in relation to ancient astronaut theories.)

Representations of ancient High Tech Weapons?

(This section is mentioned on the cover and in the table of contents but not detailed in the provided text excerpts. It likely explores ancient depictions or descriptions that suggest the existence of advanced weaponry.)

What is Science?

(This section is mentioned on the cover and in the table of contents but not detailed in the provided text excerpts. It likely discusses the definition and methodology of science, possibly in contrast to or in relation to the topics of ancient mysteries and alternative theories.)

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the idea that ancient civilizations possessed knowledge and technologies far beyond what is commonly accepted by mainstream archaeology. The magazine explores the potential for advanced understanding of physics (light, UV spectrum), chemistry (dyes, pigments), and metallurgy in ancient times. There is a consistent implication that these advanced capabilities might be linked to external influences, such as ancient astronauts, or represent a "lost knowledge" that has been rediscovered. The editorial stance appears to be one of questioning conventional historical narratives and exploring alternative interpretations of ancient artifacts and texts, encouraging readers to consider possibilities beyond established scientific paradigms. The magazine welcomes feedback and contributions related to Ancient Astronaut and Lost Civilization Theories.

Title: Paleoseti
Issue: 11
Date: Not specified
Publisher: Paleoseti

This issue of Paleoseti explores a confluence of ancient myths, indigenous traditions, and modern scientific discoveries. It features a cover story on the Selk'nam people of Tierra del Fuego, their rich mythology, and the "Terra del Fuego" tradition, alongside discussions on the potential Antarctic origin of humankind and the scientific study of ancient materials using advanced magnetic technology.

The Blue Paint and the 45T Hybrid Magnet System

The issue begins by detailing the discovery of a unique blue pigment, "Chinese Purple," which was taken to Florida State University's National High Magnetic Field Laboratory. There, the 45T Hybrid Magnet System, the world's strongest magnet, was used to study the material. A quote from the 2010 documentary "China's Ghost Army" describes how, within the magnet's core, the molecules of Chinese Purple behaved uniquely, losing their third dimension and separating into two-dimensional planes. Physicist Neil Harrison expressed amazement, calling it a "totally new type of discovery" that could revolutionize superconductors, leading to more efficient trains, lower electricity bills, and faster computers.

The magnet itself is capable of producing 45 Teslas of force and requires specially trained personnel due to its intensity. The process involves cooling the material in the magnet's core with liquid helium to extremely low temperatures. The article suggests that ancient colors might hold secrets encoded for cultures with the technology to understand them, opening new fields of study.

The Gods of Echoes of the Selk'nam's Tradition: Terra del Fuego

The main body of the magazine is dedicated to the Selk'nam people, an indigenous group from Tierra del Fuego. The article, written by Rafael Videla Eissman, draws heavily on the research of Martin Gusinde, an ethnologist and Jesuit missionary who studied the Selk'nam in the early 20th century.

Ancient Cultures of Tierra del Fuego

Gusinde's research, documented in books like "Feuerland Indianer," recorded the myths and traditions of the last living Selk'nam. The article highlights the myth of Cran (Sun) and Cra (Moon), which speaks of a reversal of societal order established by the creator god Quenós. Quenós, who created humans from mud, also sent the Hóhuen, or Immortal Beings, from whom the Selk'nam descended.

The Myth of the Sun and the Moon: Cran and Cra

This myth details how women, guided by Cra, usurped men's power, leading to a matriarchate. This led to the emergence of a female monster, Jálpen, from the underworld, requiring men to appease her. This trick was discovered by Cran, who then became the Sun and Cra the Moon, in eternal pursuit. The myth also describes the establishment of the Háin, a ceremonial hut, built with seven stone pillars representing the cosmos.

The Háin Ceremony

The Háin ceremony was a significant ritual for the Selk'nam, serving as an initiation for young men into manhood. During the ceremony, participants were taught about the origin of the world, the Sun, the Moon, Nature, hunting, and moral conduct. The structure of the Háin hut, with its eastward-facing entrance, symbolized a remote precept. The ceremony involved representations of "underworld spirits" like Hó-krek and Koshménk.

The "Spirits"

The article questions the interpretation of Selk'nam deities and spirits by Christian missionaries and later anthropologists. It suggests that entities like Jálpen, Tanu, and Olum, who emerged from the underworld or "high above," might represent extraterrestrial beings who imparted knowledge to early humans. The conical masks and body paintings used in ceremonies are seen as symbolic representations of these beings and their origins.

Myth as the Hieroi Logoi

The issue challenges the view of myths as mere irrational explanations of primitive peoples. It posits that myths, or "Mythoi," are "Logos," the "True Word," carrying sacred narration and transmitting knowledge of ancient facts. These myths are considered "Hieroi Logoi," the Sacred Word, containing real people and events that became deified over time. The struggle between matriarchate and patriarchate is presented as a recurring theme in the Selk'nam tradition and other indigenous cultures.

The Mystery of Antarctica

Another significant section explores the theory of an Antarctic origin for humankind. Professor Rengifo, in his 1921 essay "Los chiles," suggested that humankind originated in Antarctica. This idea is supported by researchers like Francisco P. Moreno and archaeologist Arthur Posnansky, who found archaeological and cultural evidence contradicting mainstream history. They proposed that a primeval race originated in Antarctica, surviving a great catastrophe (the Deluge) and spreading civilization northward, eventually reaching Patagonia and then North America.

The Heritage of the Antarctic Civilization

The survivors of the Deluge are referred to as the Viracochas, or White Gods, of Ancient America. Their continental starting point is suggested to be Chiloé. They are believed to have founded a magical-religious center at Tiahuanaco. The article connects these ideas to ancient maps that depict Antarctica as a large landmass before its "discovery" in the 19th century. The theory suggests that the knowledge recorded in these maps and the traditions of indigenous groups like the Selk'nam are fragments from this ancient Antarctic civilization.

Recurring Themes and Editorial Stance

The issue consistently promotes the idea that ancient myths and traditions hold profound, often overlooked, truths about human origins and history. It critiques the limitations of rationalist and evolutionist interpretations, advocating for a re-evaluation of myths as repositories of genuine historical knowledge, potentially linked to extraterrestrial influences or lost ancient civilizations. The editorial stance appears to favor a more open-minded approach to understanding ancient cultures and their cosmologies, bridging the gap between scientific discovery and ancestral wisdom.

This issue of PaleoSeti Magazine, Volume 4, Issue 28, published in 2016, focuses on the intriguing concept of 'Missunderstood technology Representations of ancient HIGH-TECH WEAPONS?'. The cover features images of Vajra objects and highlights articles exploring ancient artifacts, mythology, and the nature of scientific inquiry.

Article: Missunderstood technology Representations of ancient HIGH-TECH WEAPONS?

Authored by Herbert Eisengruber, this article posits that civilizations throughout history have developed weapons, and if extraterrestrial visitors were present in Earth's past, they likely possessed advanced weaponry. The piece centers on the 'Vajra' (or 'Dorje'), an ancient object from India, Tibet, and Japan. Its earliest mention is in the Rigveda, where it's described as the weapon of Indra, the god of heaven, used to slay the serpent-like asura Vritra. The article notes that while the Rigveda describes it purely as a weapon, later Buddhist traditions imbue it with symbolic meaning related to reality and consciousness.

The Vajra is depicted in various shapes and sizes, some weighing as much as a small car, and possesses a distinct technical look unlike common ancient weapons. Eisengruber draws parallels between the Vajra and the 'thunderbolts' wielded by Zeus in ancient Greek mythology. He suggests that these depictions, found thousands of kilometers apart, might represent real technological instruments or weapons, questioning whether ancient cultures saw the same 'gods' using similar technology. The article points to a Maya stele in Guatemala as another example of curious, technical-looking equipment reminiscent of the Asian Vajras, suggesting a shared memory of high-tech weapon technology across cultures.

Article: WHAT IS SCIENCE?

Also by Herbert Eisengruber, this article examines the definition of science and the role of scientists in the modern world. It contrasts the perceived clarity and objectivity of 'hard sciences' like Math and Physics with 'soft sciences' such as Archaeology and Anthropology, where a single conflicting discovery can challenge established models. The author discusses the historical suppression of science by the Church during the Middle Ages and its eventual triumph. He then delves into the complexities of modern scientific research, highlighting the influence of funding, particularly from universities, governments, and private entities. Eisengruber expresses concern that the pursuit of profit can compromise scientific integrity, citing examples like the denial of global warming. He argues that the specialization in archaeology has led to a fragmentation of the field, making it difficult for young students to pursue broader interests and for the discipline to secure funding due to its perceived lack of direct profit potential.

The article uses Albert Einstein as an example of a genius whose groundbreaking work might not be recognized or published in today's highly specialized and competitive academic environment, lamenting that such an individual might not stand a chance in the current scientific and academic world.

Book & Film Recommendations: Arrival

This section reviews the 2016 film 'Arrival', directed by Denis Villeneuve. The reviewer, Herbert Eisengruber, praises the movie as a rare example of thoughtful science fiction that makes the audience think. The film is described as being about an extraterrestrial race landing on Earth, with a focus on the challenges scientists face in communicating with them due to their fundamentally different culture and way of thinking. The acting, particularly by Amy Adams, is highlighted as brilliant and emotional. The film is recommended for anyone interested in science fiction and first contact scenarios with alien intelligences.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of ancient mysteries, extraterrestrial influences, and alternative interpretations of historical artifacts and myths. The editorial stance appears to favor a critical examination of established scientific and historical narratives, encouraging readers to consider unconventional possibilities and to question conventional wisdom. The articles often bridge the gap between ancient lore and modern technological concepts, suggesting that ancient civilizations may have possessed knowledge or technology far beyond what is commonly accepted.

Bibliography

The issue includes an extensive bibliography citing numerous works on archaeology, anthropology, mythology, and history, primarily in Spanish and some in German and English. Authors like Arthur Posnansky, Francisco P. Moreno, R. Rengifo, Martin Gusinde, and Pedro De Angelis are frequently referenced, indicating a focus on South American and Patagonian prehistory, as well as indigenous cultures of Tierra del Fuego.

Advertisement

An advertisement for DelMundo Images, a stock photography site from Eisengruber Publishing, is featured. It promotes a vast database of archaeological and travel photography, offering images for research, gifts, posters, and web projects. Photographers are invited to submit their work for commission.

PaleoSeti Magazine, Issue 11, published in February 2017, is dedicated to research in Ancient Astronaut and Lost Civilizations theories. The magazine's 15th online year, it features articles that delve into the intersection of archaeology, science, politics, and the role of amateur contributions.

The Influence of Politics and 'Social Networking' in Science

The issue highlights the challenges faced by archaeologists, particularly the scarcity of funding which forces many to rely on teaching or take on any available assignment. It argues that in modern science, 'social networking' and knowing the right people have become more important than actual knowledge. The concept of 'superstars' in each scientific branch controls funding and research direction, influencing who gets opportunities and who is published. The magazine uses the example of Dr. Zahi Hawass, a prominent archaeologist in Egypt, to illustrate how politics and personal influence can dominate archaeological work, controlling excavations and media access on the Giza Plateau.

The article suggests that Hawass's diminished public presence after the 'Arab Spring' in Egypt indicates a return to more grassroots fundraising, similar to his colleagues. The magazine also points to the complex political landscape in Israel/Palestine and the Middle East as extreme examples of politics influencing archaeology, urging readers to watch Simcha Jacobovici's program "The Naked Archaeologist" for insights.

The Roles of Amateurs in Research

The magazine questions whether an amateur can be considered a scientist, exploring the etymology of 'science' from Latin 'Scientia' (knowledge) and German 'Wissenschaft' (knowledge-creating). It argues that the definition of a scientist should not be limited by academic degrees, as many professionals struggle with the definition themselves. The article posits that the quality of work, not the educational background, should be the primary criterion. It draws parallels with the art world, where works by amateurs like Van Gogh and Monet are highly valued. The magazine suggests that the scientific community, particularly in archaeology, has retained a medieval 'cast of priests' mentality, stifling new ideas and expelling those who question established theories.

Heinrich Schliemann is presented as a prime example of a successful amateur archaeologist who, despite initial ridicule, discovered the ancient city of Troy by following Homer's epic poem. The magazine criticizes the academic world for dismissing archaeological finds not made by official teams and for prioritizing degrees over genuine inquiry. It mentions the 'Star Disk of Nebra' and the 'James Oshuary' as examples of important finds made by amateurs that faced challenges in acceptance.

The Future of Scientific Education

The magazine contrasts the knowledge of indigenous tribes about medicinal plants and spear-throwing with the theoretical knowledge of a physics professor, arguing that practical, experiential knowledge developed over millennia should not be dismissed. It advocates for opening up science to include the experience and intuition of individuals outside conventional academic structures, including those from disadvantaged backgrounds. The article suggests that concepts like 'ghosts' and 'spirits' mentioned by ancient peoples might represent aspects of science not yet understood by modern Western society.

Looking ahead, the magazine expresses hope that the 'Open source movement,' exemplified by Wikipedia, will push academics to be more open. It anticipates a revolution in education through free online platforms like edX.org, which will provide accessible courses and degrees globally. This shift, it predicts, will empower individuals worldwide and lead to a new 'Quantum Leap' in scientific advancement.

Next Issue

The magazine previews its next issue (Issue 11), which will feature "Jade - The Stone of Kings," "Antikythera - out of place, out of time," and "The Case for Ancient Astronauts - Part 7," available at the end of February 2017.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the critical examination of established scientific practices, the significant impact of politics and funding on research, the value of non-traditional knowledge and amateur contributions, and a forward-looking perspective on the democratization of education and scientific discovery. The editorial stance is one of advocating for a more open, inclusive, and less dogmatic approach to science and archaeology, challenging the current academic establishment and embracing new ideas from diverse sources.