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PaleoSeti Magazine - No 08
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Title: paleoseti Issue: 8 Date: June 2016 Publisher: EISENGRUBER PUBLISHING Country: Canada ISSN: 2292-8251
Magazine Overview
Title: paleoseti
Issue: 8
Date: June 2016
Publisher: EISENGRUBER PUBLISHING
Country: Canada
ISSN: 2292-8251
This issue of PaleoSeti Magazine, the eighth in its series and marking the two-year anniversary, is entirely devoted to a single subject: the "Feathered Serpent" in ancient Central American mythology. Editor-in-Chief Herbert Eisengruber introduces the theme, highlighting its pervasive presence in Maya and Aztec cultures and suggesting that its enigma connects to broader worldwide phenomena.
Letter from the Editor
Herbert Eisengruber welcomes readers to Issue 8, emphasizing the magazine's two-year anniversary and the decision to dedicate a complete issue to the "Feathered Serpent." He describes this figure as a strange occurrence in ancient Central American mythology, appearing in various forms across cultures like the Maya and Aztecs. Eisengruber notes that many attempts to solve this enigma fail to grasp the bigger picture and its global connections. He believes that as technology evolves, more layers of this mystery will be revealed. He expresses uncertainty about the current state of investigation but stresses the need for modern, out-of-the-box thinking to understand the ancient past. While this issue focuses on the "Feathered Serpent," he promises to revisit the subject in future issues.
Contents
- The magazine's contents include:
- Letter from the Editor (Page 2)
- Masthead (Page 2)
- Contents (Page 3)
- Teotihuacan – Secrets Unlocked Part 2 (Page 4)
- What was the Feathered Serpent? (Page 12)
- Book and Film recommendations (Page 25)
- Mexico's Flying Men (Page 26)
- Next Issue (Page 30)
Teotihuacan – Secrets Unlocked Part 2
This article, by Herbert Eisengruber, continues the exploration of the archaeological site of Teotihuacan, building upon Part 1 from Issue 5. It highlights the site's integration with its landscape, particularly the Cerro Gordo Volcano, which lies in axis with the "Avenue of the Dead" and the "Pyramid of the Moon." Key findings discussed include:
- Architectural Features: The "Avenue of the Dead" exhibits optical illusions and astronomical alignments. A theory suggests it was once filled with water.
- Mica Usage: Enormous amounts of mica, a material with excellent insulating properties, were used in Teotihuacan, with some chambers completely insulated.
- Quetzalcoatl Connection: The site has strong connections to Quetzalcoatl, the feathered serpent, a common motif in Mesoamerican cultures.
The author hypothesizes that Teotihuacan was designed to commemorate a significant event that occurred on the Cerro Gordo mountain during the dawn of mankind. The article emphasizes the need to think outside the box to solve the riddle of Teotihuacan's design. The axis of the "Avenue of the Dead" directly points to the Cerro Gordo Volcano, which the author believes is key to understanding the site's purpose.
Further details from the article:
- Cerro Gordo Exploration: Eisengruber climbed the Cerro Gordo volcano and found evidence of a massive battle, including obsidian blades and atlatl points, with no mention in Mexican archaeological literature. He also discovered evidence of ancient rock work, possibly a reservoir, and a pre-Spanish aqueduct connecting to the Avenue of the Dead.
- Radar Station Encounter: While dehydrating on Cerro Gordo, Eisengruber encountered a deaf and dumb Native American goat herder who directed him to a radar station where engineers provided him with water and food.
- Ancient Aztec Pyramid: He also found an intact Aztec pyramid and temple on the rim of the crater, which the Spanish had never discovered.
- Macro-Approach to Archaeology: The article quotes Architect Richard Thronton, who advocates for a macro-approach, studying architecture and its relationship with the natural environment, which can lead to surprising information.
- Water Theory: The theory that the "Avenue of the Dead" was filled with water is revisited, with Engineer Hugh Harleston Jr.'s research suggesting it was an integral part of the design, possibly illustrating fluidity and motion.
- Feathered Serpent Event: The article proposes that the builders of Teotihuacan witnessed the landing of a technical air/spacecraft – the "Feathered Serpent" – on the Cerro Gordo Volcano. This event, occurring around 3114 BC (the start of the Mayan calendar), is believed to have triggered a cult that led to the settlement and construction of Teotihuacan as a memory of this event.
- Optical Illusion: The "Avenue of the Dead" is described as an ingenious optical illusion, appearing as a giant staircase leading towards the volcano when viewed from one end. The water-filled rectangles are interpreted as "reflection pools" or part of a system to illustrate controlled water flow.
- Palace of Quetzalpapalotl: This structure, located near the Pyramid of the Moon, features carvings of a feathered being, connecting it to flight and the sky. It is considered the first significant structure encountered when approaching from the north.
- Pyramid of the Sun: This is described as the most impressive structure of Teotihuacan, a major attraction for tourists.
What was the Feathered Serpent?
This section, presumably a continuation or related article, delves deeper into the "Feathered Serpent" motif. It is attributed to the Quetzal bird and associated with flight and the sky. The structure named "Palace of Quetzalpapalotl" is mentioned in relation to this, featuring carvings of a feathered being. The article suggests that the "Feathered Serpent" represents something that could use the "Avenue of the Dead" to "climb up" to the volcano or descend from it. The interpretation of the "Avenue of the Dead" as a pathway for this entity is reinforced by the optical illusions and the proposed water flow system.
Mexico's Flying Men
This article, located on page 26, is briefly mentioned on the cover. Its content is not detailed in the provided OCR text, but the title suggests a focus on unexplained aerial phenomena or ancient depictions of flying beings in Mexico, likely within the context of ancient astronaut theories.
Book and Film Recommendations
This section, on page 25, is not detailed in the OCR text but indicates the magazine provides recommendations for related media.
Recurring Themes and Editorial Stance
The recurring themes in this issue are ancient astronaut theories, lost civilizations, and the interpretation of ancient sites and myths through a modern, technologically informed lens. The editorial stance, as expressed by Herbert Eisengruber, is one of open-minded inquiry, encouraging readers to consider unconventional explanations and to think "outside the box" when examining ancient mysteries. The magazine aims to connect archaeological evidence with speculative theories about advanced ancient technologies and extraterrestrial influences.
This issue of Paleoseti Magazine, Volume 5, Issue 17, dated Spring 2015, titled 'WHAT WAS THE FEATHERED SERPENT?', delves into the widespread ancient myth of the Feathered Serpent. The magazine explores the possibility that this recurring symbol across various cultures might represent advanced aerial technology rather than a purely mythical deity, linking it to ancient astronaut theories.
The Teotihuacan Connection: Liquid Mercury
The article begins by discussing the "Apartment and Office Complex" at Teotihuacan, Mexico, and a more significant ceremonial center. It highlights the discovery of large quantities of liquid mercury beneath the Temple of Quetzalcoatl, as reported by The Guardian in April 2015. This finding is significant because liquid mercury has been associated with ancient flying machines, known as Vimanas, in Indian epics like the Mahabharata, and also found in the tomb of China's First Emperor, Qin Shi Huang, in quantities far exceeding natural levels. The author suggests that Teotihuacan might have been designed as a "time capsule" to preserve the story of the Feathered Serpent.
Global Presence of the Feathered Serpent
Herbert Eisengruber's article, "WHAT WAS THE FEATHERED SERPENT?", examines the global prevalence of this motif. In Mesoamerica, the deity was known as Kukulkan to the Maya, Ququmatz to the Kiche Maya, and Quetzalcoatl to the Aztecs. These cultures built temples dedicated to this deity, who, according to myths, descended from the sky in a "feathered serpent," imparted knowledge, and promised to return. The article notes that similar winged serpent depictions are found in ancient Egypt, the Far East (morphing into dragons), and Europe, suggesting a common origin or influence.
The White Horse of Uffington and Nazca Lines
The article draws parallels between the Feathered Serpent myth and ancient geoglyphs. In England, the White Horse of Uffington, visible only from the air, is presented as a potential ancient marker or communication with sky beings. Across the hill lies "Dragon Hill," connecting to the idea of flying serpents. The author suggests that these geoglyphs, including the famous Nazca Lines in Peru, might have been inspired by aerial phenomena.
The Serpent Mound and Contrails Theory
In North America, the Serpent Mound in Ohio, a massive serpentine earthwork visible from the air, is discussed. The author proposes a theory that the Feathered Serpent myth is rooted in the observation of aircraft contrails. Contrails, or condensation trails, are line-shaped clouds formed by aircraft exhaust at high altitudes. Under certain atmospheric conditions, these trails can evolve into wavy, snake-like shapes, which the ancients, lacking technological understanding, might have interpreted as divine "drawings" or "feathered serpents." This theory suggests that the Nazca Lines and other geoglyphs were attempts to replicate these sky phenomena.
Tikal and the Quetzal Bird
The magazine also explores the ancient Maya city of Tikal in Guatemala. The unique architecture of Tikal's pyramids, particularly "Temple I" and "Temple II," is noted. A striking phenomenon occurs when visitors clap their hands in the Great Plaza: the echo transforms into a high-pitched sound resembling the call of the Quetzal bird. This bird, with its long, flowing tail feathers that resemble a gliding serpent in flight, is strongly associated with Quetzalcoatl. The article posits that the Quetzal bird's appearance and flight may have reminded the ancient Maya of the "feathered serpent" they observed, reinforcing the myth.
Conclusion: A Shared Ancient Memory
The issue concludes by suggesting that the widespread "Feathered Serpent" motif across different cultures points to a shared ancient memory of beings or technology from the sky. The author encourages readers to use their own logic to interpret these phenomena, emphasizing that the common elements across these myths – a deity arriving from the sky, imparting knowledge, and leaving with a promise to return – are too consistent to be mere coincidence. The article posits that contrails and aircraft, even if primitive by modern standards, could be the source of these enduring legends.
Recurring Themes and Editorial Stance
The recurring themes in this issue are the interpretation of ancient myths through the lens of modern technology, particularly aviation and potential extraterrestrial contact. The editorial stance leans towards the Ancient Astronaut theory, suggesting that many ancient wonders and myths are misinterpretations of advanced technology observed by early humans. The magazine encourages critical thinking and an open mind to unconventional explanations for historical phenomena.
Title: PaleoSeti Magazine
Issue: 8
Publication Date: August 2016
Publisher: Eisengruber Publishing
This issue of PaleoSeti Magazine explores ancient mysteries, focusing on the "Flying Serpent" motif and its manifestations across different cultures, particularly in Mesoamerica. It features articles on the archaeological site of Tikal, the "Voladores" ritual in Mexico, and a review of a book on pre-history.
Tikal: Acoustics and the Feathered Serpent
The magazine highlights the archaeological site of Tikal in Guatemala, noting its connection to the "Feathered Serpent" myth. The article discusses the incredible feat of engineering involved in the structures surrounding Temples I and II, which create unique acoustic properties. While the optical illusion of the feathered serpent at Chichen Itza is mentioned, the focus shifts to Tikal's sound-triggered message. The text suggests that the acoustic properties of ancient structures are understudied and questions the technological sophistication required to plan such buildings and incorporate these acoustic features.
The "Quetzal" bird, the official symbol of Guatemala and depicted on its currency, is also linked to the "Feathered Serpent" architecture, raising the question of coincidence.
The Voladores: Mexico's Flying Men
Another significant article delves into the "Voladores" ritual, also known as the "Voladores of Papantla." This ancient ceremony, linked to the "Flying Serpent," involves five performers and a tall pole. Four "Voladores" (Fliers) descend from the pole while one plays a flute from the top. The ritual's origins are described as "foggy," but it is suggested that the flute player might not have been the central focus in the original ceremony. The ropes used by the Voladores are precisely calculated to allow them to circle the pole 13 times each during their descent, totaling 52 rotations, which corresponds to the Mayan calendar cycle.
The costumes of the Voladores, with their colorful textiles and feathered hats, are seen as memories of ancient times when real feathers, possibly from the Quetzal bird, were used, creating a "flying serpent effect." The ritual is interpreted as another way ancient people conveyed the message of the Feathered Serpent descending from the sky, connecting it to astronomical events and alignments. The article notes the ritual's inherent danger and the occurrence of accidents. It also mentions that the height of the pole can vary significantly.
Book Review: Pre-History's Chronology Enigma
Herbert Eisengruber reviews Terrance F. Johnson's second book, "Pre-History's Chronology Enigma." The book is praised for its in-depth research and hypothesis of a highly developed, early civilization in pre-history, which Eisengruber states is often ignored by official archaeology. Johnson's work is described as building a solid case by examining major continents and their civilizations. The review highlights Johnson's willingness to explore controversial sources and his focus on the "Mound Builder Culture" in North America as a potential key to understanding the past. The book is highly recommended for those interested in humankind's mysterious past.
Paleoseti Magazine and Future Issues
The magazine encourages reader feedback and contributions, emphasizing that articles should connect to archaeology, the Ancient Astronaut Theory, or Lost Civilization Theories. The website, www.paleoseti.com, is promoted as a resource for further research.
The "Next Issue" preview (Issue 9) announces topics such as "Sacret Knots - Ancient disk drives?", "PaleoSeti from 1877!", "Erich von Däniken - 50 Years of Chariots of the Gods," and "The Case for Ancient Astronauts - Part 6," with availability expected at the end of August 2016.
Recurring Themes and Editorial Stance
The recurring themes in this issue are the interconnectedness of ancient myths (particularly the "Flying Serpent"), astronomical cycles, sophisticated ancient technologies, and the exploration of alternative historical narratives that challenge mainstream archaeological consensus. The editorial stance appears to favor critical examination of historical accounts, openness to unconventional theories, and the search for evidence of advanced ancient civilizations and extraterrestrial influences. The magazine actively promotes research into these areas and encourages reader engagement and contribution.