PaleoSeti Magazine - No 07

Magazine Overview

Title: paleoseti
Issue Date: January 2016
Issue Number: 7
Publisher: EISENGRUBER PUBLISHING
Country of Publication: Canada
Editor-in-Chief: Herbert Eisengruber

This issue of PaleoSeti Magazine, published in January 2016, addresses a delay in publication and announces upcoming structural and funding changes for the magazine and its website in 2016. It also mentions the development of a commercial database of images related to Archaeology and Lost Civilization Theories.

The Phenomenon of the Deformed Skulls

The lead article, "The Phenomenon of the Deformed Skulls" by Herbert Eisengruber, explores the widespread practice of cranial deformation across ancient cultures. The author begins by discussing the principle of "form follows function" in ancient artifacts, noting how similar designs for everyday items and even complex structures like pyramids can be explained by practical necessity. However, the article pivots to "oddities" found in museums worldwide that challenge this explanation, particularly the practice of artificially deforming skulls.

This practice, also known as cranial deformation, involved shaping the skulls of infants and children using various methods to achieve an elongated, egg-like shape. The article highlights that this barbaric ritual caused significant pain and suffering throughout an individual's life, suggesting that the perceived importance of this practice must have been immense for mothers to endure their children's agony.

The phenomenon is presented as a worldwide occurrence, found in South America (Peru, Ecuador, Bolivia, Tiwanacu culture), Central America (Maya, Aztec, Olmec), North America (native tribes), and even in Europe (huns, "Turmschaedel von Mannersdorf" in Austria) and ancient Egypt, where royalty and pharaohs often had deformed heads. The oldest known example dates back to 7000BC in ancient Iran. The practice is also noted in Africa, Australia, and Asia.

Depictions of figures with elongated heads are often associated with royalty and intelligence across cultures. While scientific texts can explain the 'how' of skull deformation, the 'why' remains a mystery. The most accepted hypothesis is the "beauty argument," suggesting elongated heads were considered more beautiful. However, the article questions if this alone explains the trigger for such a widespread and painful practice.

The Amazing Visions of Ezekiel

This issue features an article on Ezekiel, the biblical prophet, described as an "evergreen" topic that has stirred controversy for decades. The article promises a closer look at a reconstruction from the 1970s inspired by Ezekiel, comparing it with modern technology available today.

Traces of the World's Southernmost Calendar

A third major article by contributor Rafael Videla Eissmann takes readers on a tour of the mythology of the ancient Mapuche in Chile, South America, highlighting his groundbreaking research in the region.

Cargo Cults and Technological Gaps

The article on deformed skulls also touches upon the concept of "cargo cults" as a potential explanation for the 'why' behind the practice. A cargo cult develops when a culture with a lower technological development encounters a more advanced one, leading to the misinterpretation of technology as divine or miraculous. Examples include the Tuka Movement in Fiji (1885), the Taro Cult and Vailala Madness in Papua New Guinea (1919-1922), and the John Frum cult on Tanna Island, Vanuatu, which emerged during and after World War II. These cults often involved mimicking the practices of technologically advanced visitors, such as performing military drills or building replica airstrips, in the hope of receiving 'cargo' (goods) from their ancestors or deities.

Editorial Stance and Future Plans

Herbert Eisengruber, Editor-in-Chief, apologizes for the publication delay and expresses enthusiasm for the content of this issue. He reiterates the plans for PaleoSeti.com and the magazine to evolve in 2016, focusing on providing high-quality content. The magazine welcomes feedback and contributions for a future "Letters to the Editor" section. The articles in this issue do not necessarily reflect the publisher's opinion.

Recurring Themes and Editorial Stance

PaleoSeti Magazine consistently explores themes related to ancient civilizations, lost technologies, alternative historical interpretations, and unexplained phenomena. This issue continues that tradition by examining cranial deformation, biblical prophecies, ancient mythologies, and the socio-cultural impact of technological disparities through the lens of cargo cults. The editorial stance appears to be one of open inquiry into these subjects, encouraging readers to question conventional explanations and consider unconventional theories, particularly those related to ancient astronauts and lost civilizations.

This issue of Paleoseti Magazine, identified by its issue number '11', features a cover headline focused on 'The Amazing Visions of Ezekiel'. The magazine is published by Eisengruber Publishing and promotes its stock photography site, DelMundo Images, which specializes in travel and archaeological photography.

The PaleoSeti Theory and Ezekiel's Vision

The central theme of this issue revolves around the PaleoSeti Theory, particularly focusing on the biblical prophet Ezekiel's visions. The article 'The Amazing Visions of Ezekiel' by Herbert Eisengruber re-examines Ezekiel's accounts, suggesting that what was described as a divine vision could be interpreted through modern technical knowledge, akin to a 'helicopter landing'. Erich von Däniken is credited with popularizing this interpretation.

Josef Blumrich, an aerospace engineer formerly with NASA, is highlighted for his detailed analysis of Ezekiel's text. Blumrich reconstructed what he termed a 'Spaceship of Ezekiel,' a design that he argued was aerodynamically sound and feasible. The article discusses the criticism Blumrich faced, particularly regarding his lack of formal biblical scholarship, and defends his approach by drawing parallels to how scientific theories are understood without needing to be an expert in every related field.

The Temple of Ezekiel and Potential Landing Sites

Complementing Blumrich's work, Hans Herbert Beier, a German engineer with a background in civil engineering and architecture, analyzed Ezekiel's detailed descriptions of a temple. Beier reconstructed this temple, proposing it might have served as a 'docking station' or maintenance port for the aircraft described by Ezekiel. The article notes the unique inverse-cone shape of Beier's reconstruction and mentions that Blumrich's aircraft design fit perfectly within it. The authors speculate that such structures might not be limited to the Middle East, pointing to the temple complex of Vijayanagara in India as a potential similar site, given its cone-shaped structures.

Ancient Practices and Cultural Lore

Beyond the Ezekiel narrative, the magazine explores other aspects of ancient history and culture. One section discusses the practice of skull deformation found worldwide and its potential connection to ancient beliefs, including 'cargo cults' observed in regions like Papua New Guinea and Vanuatu. The article contrasts two theories for the origin of these practices: one suggesting independent cultural development for aesthetic reasons, and another positing influence from extraterrestrial visitors perceived as gods.

The issue also features an article titled 'Traces of the World's Southernmost Calendar' by Rafael Videla Eismann, which delves into the ancient lore and traditions of the Mapuche people of South America. It highlights the work of ethnologist Bertha Ilg de Kössler and other researchers who documented Mapuche myths, cosmogony, and religious practices, including the significance of the 'Magic Pifülka' (a stone flute instrument).

Modern Technology and PaleoSeti Parallels

Interestingly, the magazine draws a parallel between Blumrich's ancient 'Ezekiel Aircraft' reconstruction and modern drone technology. It notes that contemporary drones, available for around $500, share remarkable similarities in design and functionality with Blumrich's concept, suggesting that what was once considered fantastical is now a reality. The article points out the increasing use of drones for aerial photography and potential parcel delivery, highlighting their sophisticated computer control systems and autonomous capabilities.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the reinterpretation of ancient texts and artifacts through a technological and potentially extraterrestrial lens (PaleoSeti Theory), the exploration of ancient cultures and their practices, and the surprising parallels between ancient descriptions and modern technological advancements. The editorial stance appears to be one that encourages open-minded inquiry and challenges conventional interpretations of history and religious texts, embracing speculative thought as a valuable tool for discovery.

Title: Paleoseti
Issue: 21
Date: January 2015 (estimated based on content and bibliography dates)
Document Type: Magazine Issue

This issue of Paleoseti delves into the rich and complex mythology, cosmology, and historical traditions of the Mapuche and Araucano peoples of Chile. The central theme revolves around the 'Pifülka', a magical flute, and its significance in their culture, alongside explorations of their spiritual beliefs, chronological systems, and encounters with external influences.

The Magic Flute of the Araucanos

The issue begins by narrating the story of the 'Pifülka mágica' (magical flute). According to the narration, during ancient times when the ancestors referred to the region as 'Chilli' instead of 'Chile', powerful enemies enslaved the Mapuche people, stole their women, and murdered their children. The invaders subjected the Mapuche to brutal forced labor, often chaining them together and even chopping off the heads of exhausted workers to maintain the chain. Those accused of crimes were hanged from trees, referred to by the foreigners as 'mature fruits of the trees'.

Amidst this suffering, the Mapuche were unable to perform offerings and animal sacrifices to their God in Heaven, as recommended by the 'good God of blue sky'. They were left to mourn in loneliness.

One day, the foreigners attempted to abduct the daughter of an elder. The elder was beaten severely, left for dead, and pushed against rocks. At this critical moment, an extremely old man, described as coming 'from another world', appeared. He healed the slave with refreshing plant sap and gave him a strange drink that relieved his pain and thirst.

This stranger then presented the slave with the Pifülka, stating it was magical and could fulfill all wishes, grant power over enemies, animals, and plants, and ensure obedience from everyone. He instructed the slave to use it to gather all the Indios and make them free again, with or without their will. After this, the stranger vanished.

The Pifülka then fulfilled the slave's wishes. When asked how to gather the people and gain freedom, the flute instructed him. One night, all the Araucanos fought against the invaders and killed them. During the battle, the Pifülka's voice, sometimes sweet, sometimes demanding, guided the invaders into ambushes, leading to their defeat.

With the foreigners gone, the people wondered how to approach their God in Heaven, fearing He might be angry due to the lack of offerings. The Pifülka's voice, heard worldwide, instructed them that only 'with the soul of a pure animal' could they reach God. Consequently, they honored and sacrificed a young, unstained guanaco. The 'Lord of the Word' (Nguenpin) explained to the guanaco its role as a representative to God. The animal was killed, its heart cut into pieces and shared as a sign of love for God. The blood was poured into the skull of an enemy leader and given as a drink to those present.

The owner of the Pifülka had the honor of sharing the heart and blood of the sacrificed animal, becoming a representative of his people. The flute's song helped the natives return to their God, bringing peace and joy.

In return for their offerings, God protected the Mapuche. Enemies stayed away, eclipses, earthquakes, and plagues ceased, and the land prospered. However, in their opulence, they forgot the Great One, the Lord of the Blue Sky. When well-armed enemies arrived again, the Araucanos were conquered.

They sought the magic flute's help, but it had become silent. Its old owner had passed away, and no one could awaken its voice. The prophecy states that the Pifülka will sound again, announcing the world's destruction every seventy thousand years, after which the world will resurrect with new people. In the meantime, the Mapuche are instructed to sacrifice a young, pure guanaco annually.

God?

The article discusses the concept of 'God' within the Araucanian belief system. The 'Great One' is consistently referred to as being 'in Heaven' or 'high above', requiring offerings and sacrifices. Historical accounts from Conquistadors and Missionaries present differing views. Some describe a Spiritual God, the Supreme Creator (Chau Ngnechén), who does not need human or animal sacrifices. This God is also known as 'Mapu-Rei' ('King of the Land') and has four personifications: Fucha-Huentro-Ngenechén (God-Old-Man), Kushe-Domo-Ngnechén (Goddess-Old-Woman), Hueche-Ngnechén (God-Young-Man), and Ilcha-Domo-Ngnechén (Goddess-Young-Woman).

Other accounts, however, describe a God who needs offerings and sacrifices, becoming 'angry' and leaving his children to enemies. The author distinguishes between a Spiritual Power (Chau Ngnechén) and a 'Demiurge' or 'demonic-like figure' that demands blood and suffering, a concept found in various ancient cultures.

The Magic Flute of the Araucanos (Continued)

The Pifülka is described as a powerful instrument, comparable to those in Hindu scriptures like the Bhagavad Gita or Ramâyana. It is said to project hypnotic waves, granting power over enemies, animals, and plants, and ensuring obedience. The flute was given by a strange old man from 'another world' who then vanished.

Similar figures appear in Araucanian lore, such as two angels who warned people of their wrongdoings and the bearded Trome, who also warned of a deluge. The article questions whether these are mere myths or records of past realities.

Quinturray Raypán, an Araucanian music and dance expert, explains that historians often dismiss indigenous myths as 'fables' due to a lack of understanding. She emphasizes that perception and knowledge shape reality.

Traces of the World's Southernmost Calendar

The article explores the Araucanian understanding of time and their calendar systems. It mentions that their cultural manifestations are often magical and spiritual, understood only by initiates. The Araucanos are said to have had a secret language for communication with the spiritual realm.

Despite claims by some scholars that the Araucanos lacked an alphabet, the text points to hieroglyphic alphabet or grapheme-like forms in their textiles and 'Kipus' (talking knots), similar to those of the Incas. The meaning of these signs remains unknown.

The long-term war process experienced by the Araucanos, from the Inca expansion to the Spanish conquest, may have led to the sacred traditions being preserved secretly, with relics protected from destruction. This could explain why certain knowledge, like time series, might be missing or not fully understood by outsiders.

The original Kultrún, a sacred drum, was made of a single stone, unlike the more common ones made of wood and skin. These stone Kultrún are now mostly disappeared.

The Kultrún is described as a record of the 'Suns' or 'Great Ages' and symbolizes Earth. Its design expresses the seasonal calendar and the annual cycle of the Sun and Moon.

Araucanian Chronology and Cosmology

The Araucanos believed in four Suns, with the current Sun being born after a great catastrophe that destroyed the land and even the Sun itself. Those who survived the catastrophe found shelter in underground cities, deserts, or volcanoes.

Regarding timekeeping, the Araucanos had a calendar with 13 months of 28 days each, totaling a 364-day year known as Tripantü. This year was divided into four non-symmetrical seasons. The time recording structure is called Rakintripantü.

Alexander von Humboldt noted that the Araucanian year (Sipantu) had more analogies with the Egyptian year than the Aztec one, with 370 days divided into twelve months and five epagomenic days.

The Araucanos understood the Earth's round shape (Chünküz) and the Earth's cycle around the Sun (Wültey).

More complex chronological accounts include cycles of 64, 81, and 144 years, related to rituals and the decline of knowledge into a 'Dark Age'. A third system is based on the alignment of the Sun and planets, with cycles of 1000 years indicating changes in Earth. The Machis perform rituals to harmonize the four elements.

According to Juan Ñanculef Huaiquinao, there are records in textiles and vessels of 12,000-year cycles known as Marri Epu Warranka Tripantü.

A myth recorded by Jorge Dowling refers to a 70,000-year cycle of renewal for the Earth, men, and animals.

The 'White Gods' and Origins

The article discusses the Araucanian myth of the 'White Gods', which bears resemblance to the Selk'nam myth of Cran and Cra. It also mentions the colloquial description by Indios of Pre-Columbian white people in Chile, characterized by 'long faces', possibly referring to dolicoid skulls.

Similar accounts of white-skinned people appear in historical records from Peru, where indigenous women were described as white and their children as 'children of the Idols'.

The existence of 'White Gods' is noted throughout the Americas, with various names such as Trome, Viracocha, Bochica, and Quetzalcoatl.

The Viracocha Trome is said to have warned the Araucanos of an impending catastrophe.

Chronological Accounts and Knowledge Transmission

The chronological accounts discussed go beyond the typical boundaries considered by archaeologists and historians for the Araucanos. These accounts speak of an age that does not fit with the peopling of the Americas or its evolutionary patterns. The prophecy of the Pifülka sounding again to announce a destruction every seventy thousand years is highlighted.

The article questions how the Araucanos could possess knowledge of such long-term cycles and how this information was transmitted across vast time periods. It suggests that these accounts are traces of the world's southernmost calendar.

Recurring Themes and Editorial Stance

The recurring themes in this issue include the power of myth and legend to preserve historical and spiritual knowledge, the complex relationship between indigenous cultures and their deities, the cyclical nature of time and cosmic events, and the enduring mystery of ancient civilizations and their origins. The editorial stance appears to be one of deep respect for indigenous traditions, aiming to present these narratives and beliefs as significant records of human history and consciousness, rather than mere folklore.

This issue of PaleoSeti Magazine, identified as Volume 2 and Issue 8, is dated April 2016. It is the '2 Year Anniversary Issue!' and includes a call for reader feedback. The magazine focuses on topics related to the PaleoSeti or Lost Civilization Theories, ancient technologies, cultures, and adventure.

Book & Film Recommendations: Myth Hunters - aka Raiders of the Lost Past

The magazine features a review of the TV series "Myth Hunters," also known as "Raiders of the Lost Past" in Great Britain. The reviewer, initially skeptical due to the proliferation of similar shows, finds "Myth Hunters" to be different and engaging. Each episode skillfully narrates true stories, many of which are treasure hunting narratives. The series uses a mix of available real footage and well-executed re-enactments, covering a variety of subjects that keep the episodes from becoming boring.

The first two seasons were successful enough to warrant a third year. While the series does not have direct connections to PaleoSeti or Lost Civilization Theories, it delves into solved and unsolved archaeological mysteries. Examples cited include Hiram Bingham's expeditions to Machu Picchu, Fredrick Catherwood's drawings of the Mayan World, the search for Noah's Ark, Heinrich Schliemann's hunt for Troy, and the hunt for the Ark of the Covenant. Modern treasure hunt stories are also covered, such as Mel Fisher's search for the Spanish Treasure Ship Atocha, the "Thomas Biel" treasure in the USA, Thomas Krueger's treasure in South Africa, and the Shogun's lost treasure in the Philippines.

The reviewer notes that the show presents each "myth" in a relatively balanced and sufficiently detailed manner. However, there is a slight tendency to dismiss myths that remain unsolved or lead nowhere, which the reviewer attributes to the participation of archaeologists and scholars who might otherwise not be involved. The reviewer acknowledges that many shows today tend to take an extreme stance, but "Myth Hunters" is praised for managing a somewhat balanced, non-polarized look at the examined myths.

The show is recommended for anyone interested in history, offering both ancient content and more recent stories. The reviewer expresses personal surprise at some of the "lost treasures" in North America, finding them fascinating and believing that most myths have a true core that needs to be uncovered.

"Myth Hunters" was produced by the History Channel and is available on Netflix, Amazon.com, and iTunes.

Contribute

The magazine invites readers to contribute articles. Potential contributors are asked to get in touch via email with a short overview of their proposed article. Currently, no fees are paid for submitted articles, but this may change in the future. Submitted articles must have a clear connection to archaeology, the Ancient Astronaut Theory, or Lost Civilization Theories.

Webpage

Readers are directed to the website www.paleoseti.com for more background information and extensive PaleoSeti research. The website is noted as being in its 15th online year and is described as one of the longest-running websites dealing with the Ancient Astronaut Theory.

Next Issue 8

The "Next Issue 8" preview announces that the spotlight will be on the mythology of the feathered serpent. The issue will include "What was the Feathered Serpent?", "Teotihuacan - Secrets unlocked Part 2", and "Mexico's Flying Men," among other topics. It is scheduled to be "Available early 2016."

Recurring Themes and Editorial Stance

The magazine consistently focuses on archaeology, lost civilizations, and the Ancient Astronaut Theory. The editorial stance, as evidenced by the review of "Myth Hunters," favors a balanced and non-polarized approach to examining historical mysteries and myths, while still acknowledging the potential for underlying truths in these narratives. The invitation for reader contributions reinforces a community-driven and research-oriented ethos.