PaleoSeti Magazine - No 05

Magazine Overview

Title: Paleoseti
Issue: 5
Date: Spring 2015
Publisher: EisenGruber Publishing
Editor-in-Chief: Herbert Eisengruber

Paleoseti Magazine, in its one-year anniversary issue, presents a deep dive into the ancient Mexican archaeological site of Teotihuacan, exploring its mysteries and potential connections to ancient astronaut theories. The magazine emphasizes its global readership and commitment to exploring ancient technologies, cultures, and lost civilizations.

Letter from the Editor

Herbert Eisengruber welcomes readers to the anniversary edition, noting the magazine's reach of 18,265 readers from 65 countries. He addresses requests for printed copies and different languages, explaining that while logistically challenging, the future of publishing is seen as electronic and digital. This issue's feature stories are set in Mexico, focusing on Teotihuacan and the enigmatic Tilma of Guadalupe, suggesting a possible extraterrestrial connection to the latter.

Masthead and Contact Information

The masthead details Herbert Eisengruber as Editor-in-Chief and Designer, with additional editing by Beth and Michaela Eisengruber. The magazine's website is www.paleoseti.com, and its ISSN is 2292-8251. All photos and texts are copyright by Herbert Eisengruber unless otherwise noted. Contact information includes a mailing address in Calgary, Alberta, Canada, and an email address: [email protected]. The magazine welcomes feedback and article contributions, with a planned "Letters to the Editor" section for the next issue.

Contents

The table of contents lists the following articles:

• Letter from the Editor (Page 2)
• Masthead (Page 2)
• Contents (Page 3)
• Teotihuacan: Where Men become Gods - Part 1 (Page 4)
• The Case for Ancient Astronauts - Part 4 (Page 16)
• The Secret of Guadalupe (Page 21)
• Book and Film recommendations (Page 33)
• Misunderstood Technology? Biohazard Suits in the Past (Page 34)
• Next Issue (Page 40)

An accompanying image depicts a statue of Quetzalcoatl, described as "The god who came from the stars in a feathered Serpent."

Teotihuacan: Where Men become Gods - Part 1

This article, authored by Herbert Eisengruber, begins an exploration of Teotihuacan, located about 45 minutes north of Mexico City. It is one of the largest archaeological complexes in the Americas, famous for the "Pyramid of the Sun." The site is a source of mystery and controversy, particularly for researchers of Lost Civilization and Ancient Astronaut theories.

A key misconception is that Teotihuacan is an Aztec site; it is much older and was abandoned centuries before the Aztecs arrived. The Aztecs gave many of the structures their names, such as "Pyramid of the Sun," but the original builders' names are unknown. Archaeologists date its earliest beginnings to around 500-100 BC, though these dates are subject to revision due to new discoveries. The identity of its founders is uncertain; while colonial texts attributed it to the Toltecs, the Nahuatl word "Toltec" means "craftsman of the highest level" and the Toltec civilization flourished centuries after Teotihuacan.

The article emphasizes the importance of observing the site and its features rather than relying solely on interpretations. It notes that Teotihuacan's layout is oriented astronomically, with the "Pyramid of the Sun" aligned with the setting sun on August 12 and April 29, dates significant for the Maya long-count calendar and agricultural cycles.

The site's scale is immense, and visiting early is recommended to avoid heat and crowds. The author suggests starting at the Southwest entrance, near the Pyramid of Quetzalcoatl. Four major features are highlighted: the "Pyramid of the Sun," the "Pyramid of the Moon," the "Avenue of the Dead" (a 3km long axis), and the Pyramid of Quetzalcoatl.

The "Avenue of the Dead" is described as an architectural masterpiece. An optical illusion is noted: when viewed from the south, steps lead up to the "Pyramid of the Moon," while from the north, it appears as a flat road. This illusion is best observed from the second platform of the "Pyramid of the Moon."

Alfred E. Schlemmer's theory that the "Avenue of the Dead" may have once been filled with water to create a series of "reflecting pools" is mentioned. The axis of the "Avenue of the Dead" is aligned 15.5 degrees NW, with the entire site's layout following this orientation. The "Pyramid of the Moon" is considered more enigmatic and key to understanding the "Avenue of the Dead."

The article also critiques archaeological "reconstructions," citing the erroneous reconstruction of the "Pyramid of the Sun" by Leopoldo Batres in the early 20th century. Batres added a fifth step, and Graham Hancock called this "grotesque vandalism," arguing that such reconstructions can destroy evidence and obscure original meanings.

The author is convinced that the original builders left messages for future generations. Key known facts about Teotihuacan include:

1. The site's layout and the relationship between buildings.
2. The type of construction (not megalithic, making it less prone to major reconstruction errors).
3. How the site is embedded in the landscape.
4. Four outstanding elements: Pyramid of the Sun (base length similar to the Great Pyramid of Giza), Pyramid of the Moon, Avenue of the Dead, and the Quetzalcoatl temple complex.

The Case for Ancient Astronauts - Part 4

(This section is mentioned in the table of contents but not detailed in the provided pages.)

The Secret of Guadalupe

(This section is mentioned in the table of contents but not detailed in the provided pages.)

Book and Film Recommendations

(This section is mentioned in the table of contents but not detailed in the provided pages.)

Misunderstood Technology? Biohazard Suits in the Past

(This section is mentioned in the table of contents but not detailed in the provided pages.)

Recurring Themes and Editorial Stance

This issue of Paleoseti Magazine strongly leans into the exploration of ancient mysteries, particularly through the lens of the Ancient Astronaut theory. The magazine is dedicated to researching and presenting alternative interpretations of archaeological sites and historical events that challenge conventional explanations. The editorial stance, as expressed by Herbert Eisengruber, is open to theories that suggest extraterrestrial influence or advanced ancient technologies, encouraging readers to consider possibilities beyond mainstream archaeology. The magazine aims to foster critical thinking and discussion on topics related to lost civilizations and ancient enigmas.

Title: Paleoseti
Issue: 11
Date: July 2015 (inferred from article dates)
Focus: This issue of Paleoseti delves into archaeological mysteries, particularly those at Teotihuacan, Mexico, and explores theoretical concepts related to space colonization and ancient civilizations.

The Pyramids of Teotihuacan and the Mystery of Mica

The article begins by discussing the "Pyramid of the Moon" and its relationship to the "Pyramid of the Sun" at Teotihuacan, noting how the site is integrated into the landscape. The author suggests the "Pyramid of the Moon" mimics the natural mountain "Cerro Gordo" behind it, creating a "mega-pyramid" effect along the "Avenue of Dead".

The main focus then shifts to the "Mica Chambers" in Teotihuacan, a topic often discussed in Ancient Astronaut and Lost Civilization theories. During excavations, an unusually high amount of mica was found, with layers up to 30cm thick in the "Pyramid of the Sun" alone. The article quotes Wikipedia to describe mica as a sheet silicate mineral with nearly perfect basal cleavage, derived from the Latin word 'mica' meaning 'crumb' and 'micare' meaning 'to glitter'.

Mica's properties are highlighted: it is stable when exposed to electricity, extreme temperatures, light, and moisture. It possesses superior electrical properties as an insulator and dielectric, can support an electrostatic field, and dissipates minimal energy. It can be split into very thin sheets (0.025 to 0.125 mm) while retaining its electrical properties, has a high dielectric breakdown, is thermally stable up to 500°C (932°F), and is resistant to corona discharge. Muscovite, a principal mica used in the electrical industry, is ideal for capacitors in high frequency and radio frequency applications. Phlogopite mica remains stable at higher temperatures (up to 900°C / 1,650°F) and is used where high-heat stability and electrical properties are required. Both are used in sheet and ground forms.

The author finds mica's properties intriguing, suggesting that its use in ancient structures might indicate advanced technology. The article questions whether the ancients used mica because it was pretty or if they understood its insulating properties, potentially to shield the pyramids from external influences or vice versa.

The article details the author's personal visit to Teotihuacan in 2005 and again in January 2015. He describes encountering "mysterious chambers" filled with mica layers, as described by Erich von Däniken in his book "Der Tag, an dem die Götter kamen". Despite asking guides and guards, he found no information about these chambers. During his second visit, he stumbled upon heavy metal doors, locked with padlocks, which he recognized from Däniken's book. He notes that officials seemed reluctant to discuss them, and a guard closely monitored his movements. The author speculates that the "vendors" present might be hired guards, as they became more forthcoming after he purchased a jewelry item. He was told the doors were installed five years prior to prevent school children from destroying the chambers, a story the author dismisses as a lie, stating the doors have been in place since 1984.

The author notes the presence of underground tunnels surrounding the Mica Chambers, with entrances visible in photos. He had the opportunity to enter some of these tunnels in 2015, observing massive restorations with concrete columns. He laments the lack of official information about the mica chambers, questioning why they are considered important enough for secure doors but not for public information. He also points out that the mica used in Teotihuacan comes from Brazil, over 4000km away, raising questions about ancient trade or resource acquisition.

The Temple Complex of the Feathered Serpent and Liquid Mercury

The issue also covers the "Temple of the Feathered Serpent", the fourth largest complex in Teotihuacan, embedded within the "Ciudadela". This complex is described as the largest feature in Teotihuacan by area and was dedicated to the "Feathered Serpent", a deity known to the Aztecs as "Quetzalcoatl" and to the Maya as "Kukulkan".

In April 2015, significant news emerged: substantial amounts of liquid mercury were discovered in a tunnel underneath the "Temple of the Feathered Serpent". This discovery is linked to other underground caves and tunnels found under pyramids in Teotihuacan in recent years. The article ends with a cliffhanger, promising more details in future issues.

The Case for Ancient Astronauts: Part 4

This section, authored by Herbert Eisengruber, continues a series on the "Case for Ancient Astronauts". The article begins with a disclaimer acknowledging the speculative nature of the thoughts expressed.

It revisits the discussion of Generation Spaceships, referencing recent movies and TV programs that have brought the theme into popular culture. The author reminds readers of previous discussions on basic medical requirements for such societies, emphasizing the need for advanced genetics knowledge for disease cure and agriculture.

The article then tackles the complex issues of Politics, Ethics, and Religion within a confined, long-duration space society. The author acknowledges that these are often cited as humanity's biggest weaknesses, citing examples of conflict like the beheadings in Libya and unrest in Jerusalem.

However, the author contrasts these with observations of harmonious interaction among diverse people in Calgary, Canada. He argues that despite historical conflicts, societies can function, and that news agencies often focus on negative aspects, neglecting success stories.

The author poses a thought experiment: how would a society on an epic journey, lasting centuries, present itself? He considers different forms of government.

• Military Dictatorship: Dismissed as short-lived and failing to meet social needs.
• Monarchy: Acknowledged for historical success but dependent on the monarch's quality, making it potentially unstable.
• Democracy: The author questions the current state of democracy, suggesting that what people often mean by "democracy" is "true equality". He believes that a form of democracy featuring true equality is necessary for a Generation Spaceship society.

Religion and Ethics: The author discusses the role of religion in defining species and ethics, noting that integrating different religions requires boiling down rules to a "common denominator", or "Ethics". He assumes a spacefaring society would abide by basic rules like "don't steal, don't kill". He suggests that such a society would likely start with a "moderate" crew, avoiding religious fanatics, and would raise children with open-minded views.

Critics of Generation Spaceships often highlight politics, world views, religion, and ethics as major stumbling blocks. The author concedes that numerous scenarios could lead to failure, including self-destruction of the inhabitants and the ship.

Optimistic Outlook: The author expresses an optimistic view, seeing humanity as still here despite wars, pestilence, and religious differences. He engages the reader in a thought experiment about the attributes a society would need to build a Generation Spaceship.

• Medicine: Advanced medical knowledge, including DNA manipulation, would be crucial for curing diseases, managing aging, and extending lifespan.
• Science and Technology: The ability to build a Generation Spaceship itself demonstrates a high level of technological sophistication. This technology would be advanced but understandable, not 'magic'.
• Society of Explorers: A common goal of exploration or colonization would create a unique bond. Such a society might face and make "tough decisions" that could be considered "hard" or "unethical" by current standards.

The article is continued in a later issue of Paleoseti Magazine.

Recurring Themes and Editorial Stance

The magazine consistently questions mainstream archaeological narratives, suggesting that ancient civilizations possessed advanced knowledge and technology, often aligning with Ancient Astronaut theories. There is a critical stance towards the "official archaeological community," which the magazine perceives as dismissive of alternative interpretations. The editorial stance favors exploring unconventional theories and highlighting unexplained phenomena or discoveries that challenge conventional understanding of the past. The magazine also engages in speculative discussions about future possibilities, such as long-term space colonization, and the societal structures required for such endeavors.

This issue of PaleoSeti Magazine features an article titled "The Secret of Guadalupe: A Technological Artifact?" by Herbert Eisengruber. The article delves into the mystery surrounding the Tilma of Guadalupe, an artifact believed to date back to 1531, and explores the possibility that it is a technological creation rather than a purely divine one.

The Story of Juan Diego and the Apparition

The narrative begins in 1531 in what is now Mexico City, then inhabited by the Aztec people and increasingly influenced by Spanish rule and Christianity. The story centers on Juan Diego, a simple, faithful man who, according to his account, heard strange music and a voice on a hill called Tepeyac. He encountered a vision of the Virgin Mary, described as "brilliant" and "heavenly," who instructed him to deliver a message to the Bishop of Mexico City: a request for a church to be built on that spot.

Juan Diego, initially reluctant due to his humble background, eventually conveyed the message to the Bishop. The Bishop, skeptical, demanded a sign or miracle to believe the story. On the second day, the Apparition reappeared, instructing Juan Diego to collect a bunch of flowers from Tepeyac, a place where no flowers were known to grow. He was told not to open his Tilma until he was before the Bishop.

To his surprise, Juan Diego found wonderful flowers on the hill. He collected them in his Tilma and presented them to the Bishop. Upon opening his Tilma, the flowers fell out, and a miraculous image of the Virgin Mary appeared on the fabric, which is still visible today and is housed in the National Basilica de Santa Maria de Guadalupe.

The Tilma as a Technological Artifact

The article then shifts focus to the physical aspects of the Tilma, presenting it as a tangible artifact for scientific examination, unlike many other reported apparitions that rely solely on eyewitness accounts. The author highlights several key findings:

1. Fabric Durability: The Tilma is made from a rough fabric derived from the Agave plant, which typically lasts only 30-40 years. However, the Tilma, dating from at least 1531, shows no sign of decay after almost 500 years. It has survived centuries of admiration, physical protection, accidental acid spills, fire, and even a bomb attack, all while the colors on the image remain bright and lively.

2. Image Origin: The image is said to have appeared "out of thin air" without being painted. Examinations for brush strokes have consistently found none, except for later repairs and additions. The original image, including the face, shows no paint residues or brush strokes.

3. Photographic Characteristics: Analyses conducted in the 1960s by specialists from Kodak suggested that the image had the "characteristic of a photograph than a painting." Infrared photography also revealed no hidden paint, brush, or pencil strokes.

4. Microscopic Details: In 1979, Dr. Aste Tonsmann, working at IBM, enlarged the face of the image and found detailed reflections in the eyes. These reflections, too tiny to be drawn by hand on such a fabric, showed anatomically correct images of people and scenes present at the moment the image appeared.

The Author's Hypothesis: Near Infrared Projection

Eisengruber, a photographer with extensive experience in image editing, finds the photographic nature of the image particularly compelling. He proposes a speculative theory involving extraterrestrial intervention aimed at influencing human society. His hypothesis suggests:

• Targeted Technology: An extraterrestrial group seeks to create a "miracle" understandable to locals but beyond their technical expertise, using "low tech" methods.
• Chemical Treatment: The Tilma was treated with a compound that made it susceptible to near-infrared light, triggered by a chemical present in the "flowers" Juan Diego collected.
• Infrared Projection: An infrared projector, operating in the 700-800nm range, was used to project an image. The operator was shielded to remain unseen.
• 'Polaroid' Development: The projected near-infrared image was captured by the chemically activated Tilma, developing like a Polaroid instant image. This process would explain the detailed, photograph-like quality and the absence of brush strokes.

This theory posits that the image is essentially an advanced infrared photograph, explaining the fine details and the lack of traditional artistic execution.

Infrared Vision and Sight

The article touches upon the concept of infrared vision. The author notes that while some people can see apparitions while others cannot, critics dismiss this as hallucination. However, he suggests that some individuals might possess a slightly extended visual spectrum, capable of perceiving wavelengths beyond the normal human range, potentially including near-infrared. He draws an analogy to hearing, where children can often hear higher frequencies than adults. He hypothesizes that this "physical abnormality" might be why certain individuals are chosen as "seers."

Personal Experience and Further Research

Eisengruber recounts his visit to the Tilma in 2005 and his subsequent attempts to capture infrared images of it. He mentions that the Tilma is displayed in the new National Basilica de Santa Maria de Guadalupe, a modern building designed to accommodate millions of visitors. He also discusses the challenges of photographing the artifact, such as subdued lighting and restrictions on tripods.

He notes that the Tepeyac hill itself was a sacred site for the Aztecs before 1531, suggesting that holy places often become sites of worship across different cultures. He also briefly mentions the phenomenon of skull deformations in ancient Mexican cultures, hinting at a connection to elongated heads and eyes, which he plans to explore in a future issue.

Recurring Themes and Editorial Stance

The article consistently frames the Guadalupe event as a potential technological phenomenon rather than solely a religious miracle. It emphasizes the scientific and physical evidence, such as the Tilma's durability and the image's photographic qualities, as grounds for investigation. The author's stance is one of open-minded inquiry, bridging the gap between scientific skepticism and religious belief by seeking rational explanations for extraordinary events. The use of infrared photography and the hypothesis of advanced, ancient technology are central to this perspective. The magazine appears to focus on fringe science, alternative archaeology, and unexplained phenomena.

PaleoSeti Magazine, Summer 2015 issue, presents a collection of articles exploring theories of ancient astronauts and misunderstood technology. The issue features a cover asking for reader feedback, with a striking image of a hot air balloon over Teotihuacan.

The Tilma of Guadalupe and Ancient Technology

The first article delves into the Tilma of Guadalupe, suggesting that infrared photography reveals hidden technology and an 'operator' outside the painting. The author posits that this artifact, dating back to 1531, might be an ingenious creation by 'ancient astronauts' designed to protect a significant secret by embedding it within religious beliefs, making the site a pilgrimage destination and thus safeguarding it from scientific scrutiny. The author guarantees the authenticity of the infrared images and provides technical data about the equipment used.

The 'Cult of the Obese' and Biohazard Suits

Herbert Eisengruber's article, "Misunderstood technology? Biohazard suits in the past," explores the theory that ancient figurines and depictions of 'gods' might represent extraterrestrials wearing bio-hazard suits. The article begins by examining the 'Venus of Willendorf' figurines, dating back over 25,000 years, which depict obese, nude females with featureless faces. Eisengruber questions why obesity would be considered ideal in hunter-gatherer societies and proposes that these figures, along with similar artifacts from Ecuador and Japan (Dogu figurines), are misinterpretations of advanced technology, specifically bio-hazard suits worn by extraterrestrial visitors.

He draws parallels between these ancient depictions and modern Level 4 containment suits, noting the inflated appearance of the suits around the shoulders and arms. The author argues that extraterrestrials visiting Earth would need such suits to protect themselves from microorganisms, and that ancient cultures, witnessing these beings from afar, might have developed a 'cult of the obese' based on their bulky appearance, or attempted to replicate their technology.

Further examples include a Maya stele from Guatemala, which depicts a figure wearing a helmet connected to a backpack, strikingly similar to modern air-purifying respirators. The article also touches upon the 'Bep Kororoti' cult from Brazil, suggesting that its depictions might also be related to misinterpreted bio-hazard suits.

Book Recommendation

This issue includes a "Book & Film Recommendations" section, highlighting Erich von Däniken's older, out-of-print book, "The Stones of Kiribati - Pathways to the Gods?" The author praises the book for its adventurous research and honest portrayal of setbacks, calling it a "kick start" to von Däniken's 'golden years'. The book focuses on two storylines: a trip to Kiribati following leads about ancient astronauts and a vehicle-based expedition to India and Kashmir. It is recommended for those interested in the Ancient Astronaut theory, travel, and adventure.

Next Issue Preview

The magazine previews its "Next Issue, Summer 2015," which will feature articles on Chichen Itza, Crystal Skulls, the case for Ancient Astronauts (Part 5), and the Sun Stone on the Coast of Chile, available in late July 2015.

Feedback and Webpage Information

PaleoSeti Magazine solicits constructive criticism and contributions from its readers. Information on how to contribute and details about the magazine's website, www.paleoseti.com, which is in its 15th online year, are provided.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the interpretation of ancient artifacts and art as evidence of extraterrestrial contact and misunderstood advanced technology. The editorial stance consistently supports the exploration of alternative theories related to archaeology and ancient civilizations, particularly the Ancient Astronaut theory, encouraging readers to consider unconventional explanations for historical phenomena. The magazine emphasizes the importance of critical analysis and the presentation of evidence, even if it challenges conventional scientific understanding.