PaleoSeti Magazine - No 04

Magazine Overview

Title: paleoseti
Issue: 4
Date: Winter 2014/2015
Publisher: EISENGRUBER PUBLISHING
Country: Canada
ISSN: 2292-8251
Price: US$1.50

This issue of PaleoSeti Magazine, themed "The enigmatic MEGALITHIC CULTURE of North America," explores ancient mysteries and research beyond conventional archaeology. It features articles on megalithic sites in North America, museum photography, and a case study from the Andes.

Letter from the Editor

Herbert Eisengruber, Editor-in-Chief, welcomes readers to the slightly delayed 4th issue of PaleoSeti Magazine, apologizing for the delay due to a personal health scare. He emphasizes the importance of family and pursuing dreams, stating that life is too short to waste. Eisengruber introduces the issue's focus on lesser-known archaeological sites in North and South America, encouraging readers to conduct their own research and potentially contribute to the magazine. He also highlights a new type of article offering research tips, starting with a photography crash course for museum visits. The magazine continues its donation-based model and looks forward to celebrating its first anniversary with the next issue.

Contents

• The issue's contents include:
• Letter from the Editor (Page 2)
• Masthead (Page 2)
• Contents (Page 3)
• The enigmatic Megalithic Culture of North America (Page 4)
• A guide to Museum Photography (Page 20)
• El Enladrilado - Remains from before the Flood in the Andes (Page 25)
• Book and Film recommendations (Page 38)
• Misunderstood Technology: Depictions of Personal Flight Technology (Page 39)
• Next Issue (Page 42)

The enigmatic Megalithic Culture of North America

Article by Herbert Eisengruber

Herbert Eisengruber recounts his decade-long quest to investigate megalithic structures in Eastern Canada, particularly Nova Scotia, which began after emigrating from Germany in 1998. He notes that North America, unlike Europe, has fewer visible ancient structures, and much of the indigenous cultural heritage was destroyed or not preserved in permanent forms. Eisengruber's interest was piqued by a mention of a Dolmen structure in Nova Scotia in a book titled "Tracking Treasure – in Search of East Coast Bounty." Initially skeptical, he embarked on research that led him to local researcher Donald Bird, an elderly gentleman who had collected numerous stories and sites from local informants over the years.

Bird's research, compiled in two binders, provided leads that Eisengruber followed. He describes the pre-Internet era research as slow and tedious, relying on trust and physical archives. Bird, though an amateur archaeologist, had a knack for identifying promising leads. One such lead was the "Sibley Dolmen," a structure that Bird had documented and which was featured in the aforementioned book.

Eisengruber visited the Sibley Dolmen site in the spring of 2002. The journey was arduous, involving navigating dense forests, swamps, and mud. The structure, named "Sibley Rock" by Bird, is approximately 2 meters high, 3 meters long, and 2 meters wide, with a large roof stone resting on three base stones. Crucially, the longest side of the roof stone points directly North. A carved block at the southern end with grooves provided further indication of its man-made nature. Eisengruber contrasts this with the typical archaeological response in North America, where such structures are often dismissed as natural formations due to a lack of recognized indigenous builders of such scale.

He includes a letter from a Curator of Special Places at the Nova Scotia Museum, dated January 17, 1989, addressed to Mr. Bird. The curator states that the feature shown in Bird's photographs is not likely to be of archaeological significance and therefore the permit requirement provision is not applicable. Eisengruber finds this response dismissive, interpreting it as a way to avoid acknowledging potential discoveries by hobbyists.

Eisengruber also notes the impressive platform supporting the Sibley Dolmen, composed of massive stones that appear deliberately placed. Aerial photos later confirmed its round shape and construction from separate blocks. He mentions that Mr. Bird's research also pointed to two other Dolmens near Halifax, which were easier to access. One, in a public park in Dartmouth, had been heavily vandalized. The other, closer to a housing development, required permission from the landowner.

This second Dolmen, later identified as the 'Kidston Lake Dolmen,' was located on land recently in dispute between developers and the Kidston family. Janet Kidston, the landowner, expressed her conviction that the Dolmen was man-made, though her brother, a geologist, believed it to be a natural formation. She was concerned about the potential threat to the Dolmen from housing development. Eisengruber notes that the Kidston Lake Dolmen, like the Sibley Dolmen, is impressive and aligned North-South, resting on three base stones, further challenging the notion of natural formation.

Eisengruber's story about the Dolmen was published on www.paleoseti.com and later in a German online magazine. It gained attention from the CBC, which produced a TV segment featuring Eisengruber and an opposing geologist (Ms. Kidston's brother). While the segment aimed for a clear "black and white" narrative, Eisengruber found the geologist open to his suggestions about the Dolmen's alignments. The TV show generated significant public feedback, both positive and negative, and led to contact with groups like NEARA (New England Antiquities Research Association), who explore sites that don't fit official archaeological models.

Through NEARA, Eisengruber learned of 'megalithic walls' and a Dolmen on a hill southwest of Halifax. The description and a low-resolution photo revealed walls made of megalithic stones reminiscent of structures in Peru. The site's location on a strategic hilltop, combined with the massive scale of the blocks, strongly suggested human construction, unlike anything typically attributed to Eastern Canada after the 1600s.

A guide to Museum Photography

This section offers practical advice on how to take better photographs within museums. It covers techniques and considerations for capturing images effectively in such environments.

El Enladrilado - Remains from before the Flood in the Andes

This article investigates "El Enladrilado," a site in the Andes of Chile, exploring its mysterious remains and connections to theories about a pre-flood civilization. The piece delves into the enigmatic nature of the site and its potential implications for understanding ancient history.

Book and Film recommendations

This section provides a curated list of recommended books and films related to the magazine's themes of ancient astronauts, lost civilizations, and related research.

Misunderstood Technology: Depictions of Personal Flight Technology

This article examines historical depictions and interpretations of technology related to personal flight, exploring how these concepts have been misunderstood or presented in various contexts.

Next Issue

This section provides a brief preview or announcement regarding the content of the upcoming issue of PaleoSeti Magazine.

Recurring Themes and Editorial Stance

The recurring themes in this issue of PaleoSeti Magazine revolve around challenging conventional archaeological narratives, exploring ancient mysteries, and promoting independent research. The magazine's stance is one of open inquiry into topics such as megalithic cultures, ancient technologies, and lost civilizations, encouraging readers to question established theories and conduct their own investigations. There is a clear emphasis on sites and artifacts that may not fit neatly into mainstream historical or archaeological frameworks, particularly in North America. The magazine also values practical research skills, as evidenced by the inclusion of a photography guide.

This issue of "paleoseti" (pages 11-20) focuses on ancient megalithic sites, primarily in Nova Scotia, Canada, and explores their potential connection to unknown ancient cultures. It also includes a practical guide to museum photography.

Megalithic Sites in Nova Scotia

The article begins by describing several megalithic sites in Nova Scotia, including the "Big Hill" site, the Kidston Dolmen, and the Sibley Dolmens. The author notes that these sites are often found perched on base stones and are sometimes aligned with astronomical phenomena. The "Big Hill" site is described as a giant rectangle occupying a hilltop, containing two Dolmens, each resting on three base stones. The author expresses surprise at these finds, considering them among the most significant in North America and important for understanding a past unknown to official archaeology.

Glacial Erratics vs. Megalithic Structures

A significant portion of the article addresses the debate between glacial erratics and man-made megalithic structures. The author argues that official archaeology often dismisses potential megalithic evidence by attributing it to natural glacial deposits. While acknowledging that Nova Scotia, like much of the world, has numerous glacial erratics (e.g., the "Rocking Stone" near Halifax), the author contends that the deliberate placement and arrangement of certain stones, particularly Dolmens, suggest intentional construction by ancient cultures.

Astronomical Alignments and Dating

The article emphasizes the strong connection between megalithic sites and astronomical alignments. The author uses computer software to simulate the night sky and solar positions at specific ancient dates. For the "Big Hill" Dolmen, it was found that in 3000 BC, on the winter solstice, the sun would have risen directly above the Dolmen when viewed from its longest side, and Sirius would have also risen in the same direction at night. Similar alignments were investigated at the Kidston Dolmen, where a perched rock was found to be aligned at 132 degrees SSW, mirroring the "Big Hill" Dolmen's alignment.

The Roachs Pond Site and the Big Dipper

Another site discussed is the Roachs Pond Dolmen, which is described as being perched on three base stones and surrounded by eight large megaliths. The arrangement of these megaliths, when viewed from above, was found to resemble the Big Dipper constellation. This finding is presented as significant, as the Big Dipper (also known as Ursa Major) has held importance in numerous ancient cultures worldwide, including examples in Belgium and China.

Other North American Megalithic Sites

The article broadens its scope to include other potential megalithic sites in North America. It references the work of Harvard Professor Barry Fell, who published books on ancient North American cultures and presented evidence for sites like the Dolmen of Lynn, Massachusetts, and the Cromlech in Martha's Vineyard. The controversial "America's Stonehenge" in New Hampshire is also mentioned, with the author noting that its man-made structures are often dismissed as a hoax by official archaeologists when they don't fit established Native American cultural narratives.

Challenges in Archaeological Research

The author expresses frustration with the limitations imposed by official archaeological channels, suggesting that a focus on pre-existing cultural contexts and political issues hinders the discovery of new evidence. The article posits that in North America, it is difficult to prove the existence of unknown megalithic cultures because archaeologists often require existing cultural evidence to classify structures as man-made, creating a circular logic.

Museum Photography Guide

In addition to the archaeological content, the issue includes an article by Herbert Eisengruber titled "A guide to Museum Photography." This section provides practical advice for photographers visiting museums. It highlights the challenges of low-light conditions in museums, the fragility of artifacts, and the damage that camera flashes and phone lights can cause. The article advises against using cell phone cameras for museum photography and offers basic camera settings (Shutter, Aperture, ISO) and tips for improving photo quality in museum environments.

Recurring Themes and Editorial Stance

The recurring theme throughout the megalithic site articles is the exploration of ancient North American history beyond the scope of official archaeological consensus. The author advocates for an open-minded approach to interpreting evidence, particularly megalithic structures and their potential astronomical alignments, suggesting that these sites point to a sophisticated and possibly unknown ancient culture. The editorial stance appears to be one of challenging conventional historical narratives and encouraging further research into these enigmatic sites. The magazine champions the idea that the history of the North American continent may be far more complex and ancient than currently accepted.

This issue of paleoseti, spanning pages 20-30, delves into two primary subjects: practical photography techniques for museum environments and the enigmatic archaeological site of El Enladrillado in the Andes, along with its associated discoveries.

Photography Tips for Museum Settings

The initial section provides a comprehensive guide to camera settings crucial for capturing images in museums. It explains the four fundamental settings: ISO, shutter speed, aperture (f-stop), and white balance.

ISO: This setting determines the camera sensor's sensitivity to light. While higher ISOs allow shooting in darker conditions, they also increase image noise. The article suggests that compact cameras can handle up to 800 ISO, DSLRs much higher, with high-end models reaching 6400 ISO or more. It advises capping ISO at 3200 for personal use unless necessary, and notes that shooting in RAW format can improve quality at higher ISOs.

Shutter Speed: Measured in fractions of a second, this is the duration the camera's shutter remains open. The article emphasizes that faster shutter speeds are generally better to avoid 'camera shake' and blurry images. Beginners are advised to stay above 1/60th of a second, with the author's personal cutoff at 1/30th of a second, beyond which 'camera blur counter measures' are needed.

Aperture (f-stop): Described as the pupil of the eye, the aperture controls the amount of light entering the lens and influences the depth of field (DOF). Smaller f-stop numbers (e.g., f1.4, f2) indicate a wider aperture, allowing more light but resulting in a shallower DOF. For museum photography, f2 is suggested as a 'sweet spot' for a 50mm lens, with caution advised for apertures below f2 due to extremely shallow DOF. The article highlights the importance of a 'fast lens' (aperture f2.8 or below) for gathering sufficient light.

White Balance: This setting corrects for the color temperature of the light source to ensure accurate colors in the photograph. While automatic white balance is often effective, mixed artificial lighting in museums can be challenging. Calibrating with a grey card or shooting in RAW and adjusting later is recommended.

Depth of Field (DOF): The article warns against excessively shallow DOF, which can occur with fast lenses, potentially leading to only parts of the subject being in focus. It suggests stepping back or adjusting aperture to manage DOF.

Noise Reduction: The issue of image noise (blueish/purple or green/red dots) at high ISOs is discussed. Modern cameras have advanced noise suppression, but it can sometimes lead to 'smearing' and loss of detail. Tips include minimizing in-camera noise reduction, shooting in RAW, downsizing images, or converting noisy images to black and white.

Tips and Tricks: For situations with very low light and maxed-out ISO, holding the camera steady is paramount. Using a tripod or bracing against a sturdy object is advised. The self-timer function is recommended to eliminate vibrations from pressing the shutter button, enabling sharper images even at slower shutter speeds like 1/8 or 1/4 of a second.

Counteracting 'No Photography Allowed' Rules: The author expresses a strong opinion against arbitrary photography bans in museums, arguing that it serves financial interests, restricts controversial information, or is an unfounded fear. Strategies for navigating these rules include talking to supervisors, explaining the non-damaging nature of flash-free photography, and if necessary, using a discreet second camera or even hidden cameras, while emphasizing that photography in public museums is not illegal.

El Enladrillado: A Mystery in the Andes

The second major part of the issue focuses on the archaeological site of El Enladrillado, located at an altitude of 2184 meters in the Altos de Vilches National Park, Chile.

Site Description: El Enladrillado is a plateau with a triangular shape, measuring approximately 330 x 170 x 249 meters, containing over 230 stone blocks. Scientific explanations attribute its formation to ice action over rocks, dating back 0.5 to 1.7 million years.

Interpretations and Discoveries: Since its discovery in 1968, El Enladrillado has been subject to various interpretations, including being the remnants of an advanced primitive civilization or a spaceship landing strip, fueled by numerous UFO sightings in the area. The site features square and rectangular stone blocks, alignments, and monoliths. Cristián Pérez de Arce reported a 'menhir' or 'obelisk' that later disappeared. Other findings include stone altars and eroded figures facing west, possibly related to sunset observations. Petroglyphs depicting a circle with a central point and a cross resembling the Southern Cross constellation have also been identified nearby.

The Stone Map: A significant discovery detailed is a stone block found in January 2005 between El Enladrillado and Laguna del Alto. This block features a low-relief map of the American continent with unique geographical representations, including a different depiction of Florida and the Gulf of Mexico, and the absence of Cuba as an island. The coastlines of South America are depicted with some differences, such as Patagonia without fjords or islands.

'Impossible Maps' and Ancient Knowledge: The article connects the El Enladrillado map to the concept of 'impossible maps' – maps that display geographical knowledge beyond their purported era. The Piri Reis map (1513) is cited as another example, showing Antarctica before its official discovery. The author discusses theories, such as Hanns Hörbiger's 'Glacial Cosmogony', suggesting that these maps might be based on knowledge from a pre-glacial civilization that understood Antarctica and other geographical features. The article questions the authors, purpose, and geographical knowledge of the creators of the El Enladrillado map.

Recurring Themes and Editorial Stance

The issue consistently advocates for the preservation and accessibility of historical and cultural heritage, particularly through photography. The author strongly opposes arbitrary restrictions on photography in museums, viewing them as detrimental to public access and understanding of heritage. The editorial stance supports the exploration of alternative historical theories and the investigation of unexplained phenomena, as evidenced by the detailed examination of El Enladrillado and the discussion of ancient maps and potential lost civilizations. The magazine promotes a critical yet open-minded approach to historical and scientific inquiry.

This issue of Paleoseti, spanning pages 31-39, delves into a range of topics related to ancient history, lost civilizations, and unexplained phenomena. The articles explore ancient cartography, potential evidence of advanced pre-historic cultures, catastrophic geological events, and the depiction of advanced technologies in ancient times.

Ancient Maps and Pre-Modern Knowledge of Antarctica

The issue begins by questioning the origin of knowledge about Antarctica, suggesting that ancient Greek philosophers were aware of a 'Terra Australis Incognita'. It highlights maps such as the Piri Reis map (1513) and the Orontius Finaeus map (1531), which purportedly show Antarctica with mountains, valleys, and rivers that align with modern geographical understanding, despite being covered by ice only discovered in the 1956's International Geophysical Year. The article also mentions other 'impossible maps' by cartographers like Philippe Buache, Francesco Rosselli, Lopo Homem, Gerard de Jode, and Matthias Quad, which depict the Antarctic landmass.

The Enigmatic El Enladrillado Stone Map

A significant focus is placed on the 'stone map of El Enladrillado', described as an 'impossible map' that stands out even among others of its kind due to its apparent anachronism. Archaeological evidence from sites like Altos de Vilches suggests a possible human presence during the late Pleistocene or Archaeological Paleolithic period, around 12,000 B.C. The map's characteristics, including its representation of the Americas and potential correspondence to Mollweide or Hammer Aitoff projections, suggest a pre-ice age antiquity. The article poses questions about its creator, purpose, and age, noting its triangular shape and potential connection to the Antupaiko deity.

Lost Civilizations and Catastrophic Events

The magazine explores the theory of a lost, advanced worldwide civilization, as proposed by Charles H. Hapgood, whose evidence of world map projections predates known cultures. It links this to catastrophic events, particularly the Younger Dryas Impact or Clovis Comet, which occurred around 12,900 B.P. This event is described as a mega-cataclysm that caused widespread destruction and climate change, potentially leading to the sinking of Atlantis. The article discusses the city of Tiahuanaco and its megalithic monuments, suggesting it was a seaport that succumbed to this catastrophe. It references Andean myths of the 'White Gods' and a high, advanced civilization that faced a major cosmic event.

Tiahuanaco and Prediluvial Civilizations

Further details are provided on Tiahuanaco, with archaeological and geological studies by Arthur Posnansky and Ralf Müller suggesting its early culture was founded around 14,000 B.C. The text describes intense telluric activity and the rise of the Andes. The destruction of Tiahuanaco is attributed to glacial meteorological phenomena, including floods and avalanches, possibly triggered by the melting of ice masses. The age of Tiahuanaco's monuments is estimated to be between 10,500 and 12,000 years old, aligning with the post-glacial period.

The article posits that survivors of such cataclysms, like those from Atlantis, were limited to transmitting their knowledge, becoming revered as gods. The sinking of Atlantis is linked to geological rather than astronomical causes, possibly occurring around 8780 B.C. The rise of the Andean highlands and the subsequent covering of this plateau by ice are also discussed.

Evidence of Ancient Technology and UFOs

In a section titled 'Signs from heaven: Today's photographs; petroglyphs from yesterday', the magazine presents photographic evidence of a UFO sighting over El Enladrillado on February 3, 2009, captured by two cameras. It notes that different petroglyphs found in nearby areas bear similar representations to the object captured. The article also touches upon the potential for ancient depictions of advanced technology, referencing a stele from ancient India found in the British Museum and the Metropolitan Museum of Art, which shows a figure in an apparatus resembling modern MMUs and jetpacks.

Personal Flight Technology: Jetpacks and MMUs

The article 'Missunderstood technology? Depictions of Personal Flight Technology' by Herbert Eisengruber discusses the history and potential of jetpacks and manned maneuvering units (MMUs). It recounts the author's childhood memory of seeing a man fly with a backpack during the 1984 Los Angeles Olympics opening ceremony. While jetpack technology has been largely a 'show effect' on Earth due to energy limitations, MMUs have become essential for manned spaceflight, allowing astronauts greater freedom during extravehicular activities. The article speculates on the possibility of increasing flight times for jetpacks on Earth and questions whether ancient depictions might represent similar technologies.

Further Reading and Recommendations

The issue concludes with extensive lists of 'Further Reading' and 'Book & Film Recommendations'. The 'Further Reading' section provides a comprehensive bibliography of books and articles related to Tiahuanaco, ancient civilizations, cataclysms, and archaeology. The 'Book & Film Recommendations' section reviews 'The Naked Archaeologist', a documentary series by Simcha Jacobovici, highlighting its engaging approach to biblical archaeology and its controversial theories, while noting it is not directly related to PaleoSeti or Lost Civilization Theories.

Recurring Themes and Editorial Stance

The recurring themes in this issue of Paleoseti revolve around the re-examination of history through the lens of ancient artifacts, maps, and myths. There is a consistent questioning of mainstream historical narratives, particularly concerning the origins of knowledge about distant lands like Antarctica and the existence of advanced pre-historic civilizations. The editorial stance appears to favor exploring alternative theories and evidence that challenge conventional understanding, encouraging readers to consider possibilities beyond established historical accounts. The inclusion of UFO sightings and ancient depictions of advanced technology suggests an open-minded approach to unexplained phenomena and their potential integration into historical narratives.

Title: PaleoSeti Magazine
Issue Date: Spring 2015
Volume: 16th online year
Publisher: EISENGRUBER PUBLISHING
Country: USA
Document Type: Magazine Issue

This issue of PaleoSeti Magazine delves into the fascinating intersection of ancient myths, advanced technology, and the possibility of ancient astronaut involvement.

Powered Flight: Ancient and Modern

The magazine opens with a discussion of modern powered flight technologies, specifically focusing on wingsuits and jetpacks. It highlights the development of wingsuits, which allow base jumpers and parachutists to glide for extended distances. A significant advancement discussed is the powered wingsuit, exemplified by Swiss pilot Yves Rossy, who has conducted numerous powered flights since 2004. Photo 7 illustrates a wingsuit in action, while Photo 11 shows a modern wingsuit belonging to Yves Rossy.

The article then draws parallels between these modern innovations and ancient concepts. It references the "weird and wonderful technological achievements" described in old Indian epics, such as Vimanas, which are described as mythological "flying palaces." The text poses the question of whether depictions of Shiva in a "strange contraption" could be a misunderstood representation of a jetpack or a similar device, noting the leg restraints and suggesting they might be for handling G-forces.

Further exploration into ancient technological understanding is presented through the discovery of an "amazing figurine" in a museum in Quito, Ecuador. This approximately 20cm wide, winged creature, described as having an Egyptian artifact style (shown in Photos 9 and 10), features wings that are "aerodynamically articulated." The ability to tilt the wings up and down is highlighted as evidence of a "clear technical understanding of manned flight," prompting speculation about what the artist might have witnessed – perhaps something akin to the jet-powered wingsuits being developed today.

Next Issue Preview

The magazine also provides a preview of its "Next Issue, Spring 2015," which will feature several key topics:

• Teotihuacan - Where men become Gods: An exploration of the ancient city and its potential connection to advanced beings.
• Mistunderstood technology? Biohazard suits in the past: Investigating whether certain ancient artifacts or depictions could represent advanced protective gear.
• The Case for Ancient Astronauts - Part 4: Continuing a series that examines evidence for extraterrestrial influence on human history.
• The Secret of Guadelupe: A new topic to be explored, available late April 2015.

Website and Contribution Information

PaleoSeti Magazine encourages reader feedback and contributions. It invites individuals to get in touch via email to propose articles related to archaeology, the Ancient Astronaut Theory, or Lost Civilization Theories. While currently unable to pay for submissions, the magazine notes that this may change in the future. Readers are also directed to the magazine's website, www.paleoseti.com, for more background information and research, noting that the website is in its 16th online year and is a prominent resource for the Ancient Astronaut Theory.

Recurring Themes and Editorial Stance

The recurring themes in this issue and the preview for the next revolve around the concept of ancient advanced technology, the interpretation of ancient myths and artifacts through the lens of the Ancient Astronaut Theory, and the idea that modern technological developments can shed new light on past civilizations. The editorial stance appears to be one of open inquiry, encouraging readers to "open our eyes and see!" to uncover hidden connections between the past and potential extraterrestrial influences or advanced ancient knowledge.