Misterios - No 142

Magazine Overview

This issue of MISTERIOS Y FENOMENOS INSOLITOS, directed by Fernando García, is dated January 2013 and is the 142nd issue of Volume XIII. It is a free monthly magazine published online at www.fernandogarcia.org.

Editorial: A Ver cómo empezamos

Fernando García opens the editorial with congratulations for the new year 2013, dismissing the Mayan calendar's end-of-the-world predictions. He acknowledges that a significant change is occurring in society, marked by crises in values and economics, but emphasizes that a deeper transformation is underway. García reflects on his intensely personal experiences in the past year, which led him to re-evaluate his perspectives and confront personal darkness. He speaks of overcoming misunderstandings and betrayals, learning who his true allies are. He emphasizes that life is a learning process without instructions, and while individuals have the right to justify themselves, true understanding requires looking beyond the surface. He expresses a personal crusade against deception, viewing himself as a 'warrior of light' aiming to illuminate consciousness despite moments of perceived madness. He concludes by stating his commitment to observing how the year begins and continues.

Articles and Features

Secciones Fijas (Fixed Sections):

• Editorial: 'A ver cómo empezamos' by Fernando García Rodríguez.
• Misterios: 'Pirámide de una sola pieza en roca' by Eulogio Soto Mahe.
• Nocturnia Serenitas: 'Miradas ajenas' by El Príncipe Contrahecho.
• Cuentos Fantásticos: 'La señal' by Mirta Rodríguez Corderí.

En este número (In this issue):

• Actividad Geomagnética: 'Tormenta Solar' by Gemma Mª Pluma Sánchez. This article discusses a recent C3 class solar flare that ejected a coronal mass ejection (CME) expected to impact Earth's magnetic field. It notes that while not expected to be severe, it is larger than usual and may cause auroras. The article highlights a study in New Scientist linking solar storms to human biological effects, suggesting that the same channels that direct Earth's climate also influence human biology through magnetic fields. It details how geomagnetic activity affects human thoughts, influencing the central nervous system, brain activity, behavior, and psycho-physiological responses. The article lists potential symptoms of solar flares, including nervousness, anxiety, dizziness, memory problems, and headaches. It also touches upon how photon energy can amplify cellular memory, leading to emotional release and a drive for change. The author notes that recent solar flares have caused people to feel agitated, restless, and that technology has been affected. It also describes new symptoms like distorted perceptions of time and space, difficulty finding words, sleep disturbances, strange dreams, and surges of energy followed by fatigue.

• Historia Ignorada: '¿Dónde está Mona Lisa?' by Nacho Ares Regueras. This piece explores the mystery surrounding Leonardo da Vinci's Mona Lisa. It posits that a second, virtually identical painting exists, which may be the authentic Gioconda. The article references historical documents and a sketch by Raphael that suggest the existence of multiple portraits of Lisa Gherardini, the wife of a Florentine merchant. It questions the common belief that the Mona Lisa is solely in the Louvre, citing art historian Giorgio Vasari and suggesting that the Louvre's painting might depict an unknown woman, noting the absence of eyebrows and eyelashes in the Louvre version, which Vasari's description implies were present.

• Simbolismo: 'Aspectos simbólicos del arte románico' by José Antonio Plaza Rincón.

• Creencias: 'Halloween, una fiesta cada vez más nuestra' by Marcos Ant Benítez Campillo.

• El Archivo del Crimen: 'El fraude de la médium Anne Germain desenmascarado en El Mundo' by Manuel Carballal Pazos.

• Antiguos Astronautas: 'Ezequiel revisado: rueda multidimensional' by César Reyes de Roa.

• Enigmas: 'El misterioso cráter de la Bahía de Cádiz' by José María Puya Braza.

• Crónica Subterránea: 'Sobre objetos extraños que se pasean por los cielos de Argentina' by Débora Goldstern. This article reports on sightings of strange objects in the skies over Argentina.

• Templarios: 'El secreto de Tomar' by José Luis Giménez Rodríguez.

• Conferencias: 'Cena-Conferencia: 21-12-12' by Fernando García Rodríguez. This notes a dinner-conference that took place on December 21, 2012.

• Historias Insólitas: 'Pánico a través de las ondas: la guerra de los mundos' by Ángel Rodríguez Álvarez. This likely discusses the panic caused by Orson Welles's radio broadcast of 'The War of the Worlds'.

Other Content:

• Book Review: The magazine features a review of 'De Tartessos a Marte: Guía de Enigmas y Misterios de la Provincia de Huelva' by Ignacio Garzón González, published by Romero Libros. The book contains 27 articles exploring provincial enigmas, from celestial phenomena to historical mysteries and cults.
• Book Review: A review of Javier Sierra's novel 'El Ángel Perdido' is also present, describing it as a thriller involving ancient stones, angels, and a race against time to rescue a kidnapped climatologist.
• Investigation Photos: Page 4 shows images from an investigation conducted in an abandoned house called 'Casa de Plus Ultra'.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of mystery, the unexplained, historical enigmas, paranormal phenomena, and alternative interpretations of history and science. The editorial stance, as expressed by Fernando García, is one of critical inquiry, personal reflection, and a belief in a deeper reality beyond conventional understanding. There's an emphasis on consciousness, personal transformation, and uncovering hidden truths, even in the face of societal challenges and personal difficulties. The magazine aims to be a platform for diverse perspectives on unexplained phenomena and historical curiosities.

This issue of "Misterios" (Mysteries) delves into a variety of enigmatic subjects, including art history mysteries surrounding the Mona Lisa, archaeological discoveries of ancient structures, and the cultural phenomenon of Halloween.

The Enigma of the Mona Lisa

The article "Historia Ignorada" (Ignored History) explores the enduring mysteries surrounding Leonardo da Vinci's Mona Lisa. It begins by discussing the painting's conservation status, noting that despite the passage of centuries, radiographic analysis of the Louvre version suggests excellent preservation. However, the text raises questions about the painting's identity and authenticity, particularly from around 1517 when its legend began to intertwine with its history. The existence of new documents and supposed copies attributed to Leonardo or his school further complicates the identification of the Louvre's Mona Lisa with Lisa del Giocondo.

Art historians like José Pijoan are cited, questioning how a portrait of such caliber could have been neglected. The possibility of two "Mona Lisas"—an unfinished Italian version and the one in the Louvre—is raised. Giovanni Paolo Lomazzo's 1584 book is mentioned, where he seemingly distinguishes between "la Gioconda" and "la Mona Lisa," suggesting two distinct works. While this could be an interpretive error, the dedication of Lomazzo's book to Don Carlos Emanuele, a supporter of Leonardo, implies that such an error would likely have been corrected.

Further evidence comes from a sketch by Raphael, made during a visit to Leonardo's workshop in Florence in 1504. This sketch, housed in the Louvre, depicts the Mona Lisa with two Greek columns, which are absent in the Louvre version. Another significant document is the testimony recorded by Antonio de Beatis in 1517. While visiting Leonardo at the Château d'Amboise, de Beatis noted three of Leonardo's favorite paintings, including a portrait of a "Florentine lady" commissioned by Giuliano de Médicis. Critics believe this could be the Mona Lisa, but suggest the lady might actually be Constanza d'Avalos, Giuliano's mistress, given her age compared to the presumed age of Lisa del Giocondo.

The article then introduces the "Isleworth Mona Lisa" in Great Britain, which is larger than the Louvre version and is considered unfinished, notably featuring eyebrows and eyelashes. Hugh Blaker, who discovered it, believed it more closely matched Giorgio Vasari's description. The Isleworth painting also includes two Greek columns in the background, aligning with Raphael's sketch.

The narrative also recounts the famous theft of the Mona Lisa from the Louvre by Vincenzo Perugia in 1911. The painting was missing for three years before being recovered. The incident led some art critics to speculate that the returned painting was merely a high-quality copy, with the original still in private hands.

The Prado Museum in Madrid also houses a copy of the Mona Lisa, possibly from the 16th century, which differs in the color of the sleeves and notably includes eyebrows and eyelashes, as described by Vasari. Despite these clues, the true identity and nature of the Mona Lisa remain subjects of debate, with some even suggesting it might be a self-portrait of Leonardo.

Pyramids and Ancient Civilizations

The article "Pirámide de una sola pieza en roca" (Pyramid of a single piece of rock) discusses a unique archaeological find in Victoria, Guanajuato, Mexico. This structure is described as a solid rock pyramid weighing twenty tons, carved from a single piece. The site features paintings with strange figures of humans and winged beings, which local legends attribute to extraterrestrial "Gods" who communicated with humans. The pyramid, approximately three meters high and two and a half meters in radius, is believed to have been hand-carved by ancient inhabitants and served as a magical site for shamans to communicate with deities.

The article also touches upon the interpretation of ancient myths and symbols, referencing figures like Quetzalcoatl, Venus, and the sun disk. It explores the idea that ancient stone circles might represent spacecraft. The text mentions the destruction of ancient records by rulers and the preservation of scientific knowledge in hieroglyphs. It references theories about ancient civilizations, including those from Atlantis and Mu, and the possibility of extraterrestrial visitors influencing early cultures in Central and South America.

William Niven's discovery of evidence of a highly civilized race predating the glacial period is also mentioned, with findings of buried cities and ancient stone tablets interpreted by Arthur Churchward as belonging to the lost continent of Mu.

Symbolism in Romanesque Art

"Aspectos simbólicas del arte románico" (Symbolic Aspects of Romanesque Art) by José Antonio Plaza Rincón examines the symbolism embedded in Romanesque architecture. Emerging in Europe during the 11th and 12th centuries, Romanesque art combined influences from various cultures. The article highlights the architectural elements like the rounded arch and barrel vault, and the characteristic thick walls and limited windows, creating a sense of stability and horizontal emphasis.

The text explains that symbols in Romanesque art served to transmit messages, often in a subtle or confusing manner, depending on context. The article discusses the symbolic meaning of the plant layout of churches, with the quadrangular or rectangular nave representing the Earth and the semicircular apse and dome symbolizing the heavens. The Tetramorphs (representation of the four evangelists) are discussed as doctrinal pillars. The Latin cross plan is linked to the crucifixion of Christ. The altar in the presbytery is presented as a sacred space accessible only to the initiated.

Furthermore, the article explores the use of animal figures (bestiaries) and geometric patterns in Romanesque decoration. Animals, whether real or imaginary, were used to convey virtues or vices, serving as a powerful means of teaching and moralizing to a largely illiterate population. Geometric motifs like zigzags and floral patterns are traced back to ancient cultures, including those in the East, Greece, Rome, and Egypt, often carrying celestial or symbolic meanings.

The Rise of Halloween

The article "HALLOWEEN: Una fiesta cada vez más nuestra" (Halloween: A party increasingly ours) by Marcos Ant. Benítez Campillo discusses the growing popularity of Halloween in Spain. It notes that the night before All Saints' Day, traditionally known as the night of the dead or witches' night, is now increasingly referred to as Halloween. The festival's spread in Spain is attributed to influences from cinema, television, the internet, and social media. The article suggests that the Celtic festival of Samhain is becoming more ingrained in Spanish culture.

The text highlights the characteristic orange and black decorations and costumes, as well as the "trick or treat" game, as elements contributing to the festival's appeal, particularly among children. However, it also points out that adults are increasingly participating in Halloween celebrations, decorating their homes and embracing the festive spirit. The article concludes by mentioning a couple from Algeciras who have decorated their home extensively, suggesting that Halloween could eventually rival traditional festivals like Carnival in popularity.

Recurring Themes and Editorial Stance

The recurring themes in this issue of "Misterios" revolve around uncovering hidden histories, questioning established narratives, and exploring the unexplained. The magazine adopts an investigative and speculative stance, presenting various theories and historical accounts to engage readers with subjects that challenge conventional understanding. The editorial stance appears to favor exploring the enigmatic aspects of history, art, and culture, encouraging readers to consider alternative interpretations and the possibility of phenomena beyond current scientific or historical consensus. The inclusion of topics ranging from Renaissance art to ancient civilizations and modern festivals suggests a broad interest in mysteries that span different eras and cultures.

This issue of Misterios, number 142, dated December 26, 2012, features a cover story titled "EL ENIGMA DEL DESIERTO" by Carlos Capella. The magazine also includes articles on alleged mediumship fraud and ancient astronaut theories.

El Enigma del Desierto

The cover prominently displays "EL ENIGMA DEL DESIERTO," a novel by Carlos Capella. The accompanying text describes it as the first part of Ricardo Caballero's journey in search of Atlantis. The author, Carlos Capella, is presented with his website and blog addresses.

Torre de l'Aire Podcast

A section of the magazine is dedicated to the "Torre de l'Aire" podcast, featuring "Programa_12_Ed._634_Dia_22-12-12." It indicates that there are no comments for this episode and that users must be logged in to post comments. A list of recent podcasts is also provided.

El fraude de la médium Anne Germain desenmascarado en El Mundo

This extensive article investigates the controversial British medium Anne Germain, who gained fame through the Tele5 program "Más Allá de la Vida" and public performances. The article alleges that Germain earns significant income through deceptive practices. It references previous investigations by "El Archivo del Crimen" and "Dimensión Limite," which infiltrated Germain's shows to expose her methods. A special edition of the magazine "EL OJO CRITICO" included a CD with recordings from "Dimensión Limite's" investigation, featuring conversations with those responsible for the production and censored fragments of the program.

An ex-component of Germain's team revealed that her techniques are similar to those used by other British and North American pseudo-mediums. He claims that attendees at her shows are often informants who provide her with information. The article highlights that "El Mundo" published a report confirming the investigation by "Dimensión Limite," detailing Germain's fraudulent techniques. A member of Germain's team allegedly provided the newspaper with copies of dossiers containing information about famous guests, which Germain used for her "visions."

Manuel Carballal Pazos is credited as a journalist for "El Archivo del Crimen," detailing how Germain allegedly receives information via an earpiece from a collaborator, which she then uses to 'connect' guests with deceased relatives. The article notes that Santiago Segura, the actor famous for playing 'Torrente,' declared that Germain was completely wrong during his session, suggesting that details about his life were not found, forcing her to improvise.

La denuncia de El Mundo

This section reiterates the controversy surrounding Anne Germain's powers, with "El Mundo" reporting that she allegedly defrauds her guests. An anonymous ex-worker from the program spoke to "Crónica" (from "El Mundo") to expose the reality behind the show. The ex-worker claims that Germain's team prepares dossiers on guests, detailing their deceased relatives, ages of death, professions, and hobbies. These dossiers also include information about the people accompanying the guest to the studio. The article cites the cases of Antonio Canales and Leandro Alfonso de Borbón as examples of positive reactions to Germain's alleged visions. The former worker states that after sessions, Germain retreats to a room with her assistant to study details for her next 'victim.'

Anne Germain's Response

Following "El Mundo's" report, Anne Germain published a statement on her official Facebook and Twitter accounts. She admitted to receiving profiles of guests, stating that her team prepares notes which are given to her shortly before the program. She clarified that this information is not secret or confidential and that she often leaves the papers behind as they are not important. Germain asserted that if the program relied solely on this brief information, it would be easier to memorize it at home rather than receiving it backstage. She also denied using an earpiece, either on the show or during her tours. She stated her intention is not to convince skeptics but to clearly convey messages from loved ones to those seeking her services.

Financial Aspects

The article estimates that after several seasons on Telecinco, with 26 programs, Germain could have earned approximately 400,000 euros if she charged 15,000 euros per program. Her country-wide tour, with shows costing 10,000 euros each, could generate an additional 500,000 euros, as she performs multiple times in each city. The modus operandi during live shows involves recording audience members beforehand to identify individuals for Germain to 'connect' with, despite her claim that she only perceives colors when in a trance.

Jordi González, the presenter of the program, has remained neutral regarding his belief in Germain's abilities, stating that his connection to the spiritual world is private. He described Germain as a "very cheerful lady, easy to deal with, and a phenomenon on set," noting that she is exhausted after each recording.

Ezequiel revisado: rueda multidireccional

This section explores the biblical prophet Ezekiel's vision in Chapter 1 of the Book of Ezekiel, focusing on the description of a "multi-directional wheel." The article posits that this description could be evidence of an ancient alien spacecraft.

Interpretation of Ezekiel's Vision

Erich von Däniken is credited with being the first to propose a "technological interpretation" of Ezekiel's vision, suggesting it might describe a spacecraft. The article contrasts this with more conventional explanations, such as the phenomenon of 'parahelio' (a mock sun or halo effect caused by atmospheric ice crystals), proposed by astronomer Donald H. Menzel. Menzel argued that Ezekiel's vision could be explained by this optical illusion, particularly in cold weather conditions.

However, the article strongly refutes Menzel's interpretation, emphasizing that Ezekiel described wheels appearing "on the earth," not in the sky, and that his description was detailed and consistent across multiple encounters over twenty years. The text highlights the specific details of the wheels: their structure like a wheel within a wheel, their ability to move in any direction without turning, their immense size, and being covered in eyes.

Joseph Blumrich's Technical Analysis

Aeronautical engineer Joseph Blumrich, who worked on the Saturn V rocket and received NASA awards, is presented as a key figure in supporting the ancient astronaut theory. Initially skeptical, Blumrich conducted an exhaustive investigation of Ezekiel's testimony. His findings were published in his book "The Spaceships of Ezequiel," where he translated Ezekiel's description into technical terms, proposing a spacecraft with a conical body, landing gear with helicopter-like blades, and wheels.

Blumrich's analysis suggests that the "wheels" described by Ezekiel were part of a multi-directional movement system, capable of rotating in multiple directions simultaneously. He explains this through a concept similar to advanced tire technology, where segments of the wheel allow for movement in any direction without the need for the entire wheel to turn. The article includes diagrams illustrating this concept and references a US patent (No. 3.789.947) for a multi-directional wheel, which Blumrich's interpretation is said to have inspired.

The "Eyes" on the Wheels

The article addresses Ezekiel's description of the wheels being covered in "eyes." Blumrich suggests these could be short, conical protuberances, like those on road construction machinery, possibly hollow with dark openings, which, when viewed from a distance, could resemble eyes.

Ancient Chinese Accounts

The article also draws parallels with ancient Chinese myths, mentioning heroes who traveled in "celestial dragons" or "flying chariots." It references the legend of the Chi-Kung people, who supposedly traveled in "flying chariots" and landed them in Yuchow, hiding them from the populace. The text further connects this to the idea of "Sons of Heaven" who ruled China for 18,000 years, arriving to found the Empire.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of the unexplained, paranormal phenomena, and alternative historical interpretations. The editorial stance appears to favor investigating controversial claims, such as mediumship fraud and ancient astronaut theories, by presenting evidence, expert opinions, and historical accounts, while also acknowledging skeptical viewpoints and scientific explanations. The articles encourage readers to critically examine these topics.

This issue of Misterios, number 142, delves into a variety of enigmatic subjects, including ancient astronaut theories, a mysterious underwater crater in Spain, the historical downfall of the Knights Templar, and unexplained aerial phenomena in Argentina.

Ancient Astronauts and Ancient Myths

The article "Antiguos Astronautas" explores parallels between ancient myths and potential extraterrestrial contact. It highlights the Shu-Chian, or Book of Testimonies, which describes emperors ascending to and descending from heaven, suggesting a lost communication between the divine and human realms. The text draws comparisons between these Chinese beliefs and Hebrew scriptures, noting similarities in concepts like the Tree of Life, the serpent, the fall of man, virgin births, and messianism. The author posits a connection between Ezekiel's vision of a 'wheel' and a 1700 BC Chinese illustration of the 'flying chariot' of the Chi-Kung people. This hypothesis is supported by the work of engineer J. F. Blumrich, who patented a multi-directional wheel design. The article suggests that these ancient accounts might reflect encounters with advanced beings or technologies.

The Mysterious Crater of Cádiz Bay

Another significant feature focuses on the "El misterioso cráter de la Bahía de Cádiz" (The mysterious crater of Cádiz Bay). This phenomenon, located in Spain, has been the subject of numerous investigations, including those by ufologists. Initially thought to be a single large crater, research by Jesús Borrego López revealed the existence of three distinct craters. The main crater, referred to as the 'mother crater,' is estimated to be 300 meters in diameter and 25 meters deep. The article notes that the crater is only visible at low tide and with minimal current. Divers have reported unusual currents and one incident in 2000 where a submariner claimed a metallic object collided with his oxygen tank, causing him to be ejected upwards. Theories suggest the crater might be a refuge for non-human spacecraft, citing eyewitness accounts of strange lights emerging from and entering the bay's waters, consistent with UFO phenomena. J. Borrego also discovered underwater traces resembling enormous machinery tracks about 500 meters from the crater.

Nocturnia Serenitas: Miradas Ajenas

This section presents a poetic piece titled "Miradas Ajenas" (Alien Gazes) by El Príncipe Contrahecho. The poem uses dark and evocative imagery, touching upon themes of terror, legends, sensations, and a vampiric persona. It describes a desolate urban landscape and a sense of profound solitude, with metaphors of light, silence, nostalgia, and tears.

La Señal: Dreams and Omens

"La Señal" (The Signal), written by Mirta Rodríguez Corderí, explores a woman's interpretation of omens and dreams. The protagonist, Mirna, is disturbed by the sight of vultures circling overhead, interpreting it as a bad omen. Her extensive knowledge of hermeticism leads her to ponder the symbolism of such occurrences. The narrative shifts to her personal life, including interactions with a butcher's delivery boy and a neighbor. Later, she experiences unsettling dreams involving a famous television producer and a former boyfriend, both of which leave her feeling anxious and disturbed. The story also touches upon her relationship with her dog and the local wildlife, noting how the birds seem to grow larger and more frequent visitors to her garden.

Two Minds, Idea and Media

This section continues the exploration of dreams and omens. The protagonist, after a night of unsettling dreams, wakes to find a dead vulture and a man's body in her room, covered in a dark red, viscous substance. She reflects on whether her melatonin sleep aid contributed to the disturbing experience. The text also includes excerpts from ancient texts, possibly biblical, discussing judgment, salvation, and the return of Zion. Another part of this section features book covers related to mysteries, ufology, and esoteric subjects.

The Secret of Tomar: The Last Refuge of the Knights Templar

"El secreto de Tomar: El último refugio de los caballeros templarios" (The Secret of Tomar: The Last Refuge of the Knights Templar) by José Luis Giménez Rodríguez recounts the events leading to the suppression of the Knights Templar. It details how King Philippe IV of France, deeply in debt to the Order, orchestrated their arrest on Friday, October 13, 1307. The article highlights that the Templars were aware of the king's intentions due to their intelligence network. It also mentions Jacques de Molay, the Grand Master, attending a funeral for Catherine de Coourtenay, the wife of Charles de Valois, shortly before the arrests. The Pope, Clemente V, is described as a pawn of the French king.

Strange Objects in the Skies of Argentina

Débora Goldstern's article, "Sobre objetos extraños que se pasean por los cielos de Argentina" (About strange objects that roam the skies of Argentina), discusses UFO phenomena in Argentina. The author suggests that these phenomena transcend mere ufology and verge on the spiritual. While UFO sightings have always occurred, the author notes a change in their manifestation, particularly since 2007, with "star-ships" being recorded in films and photographs. The article also references the Brazilian contactee José Trigueirinho Netto, who reported seeing these presences in the early 1990s during a period of political turmoil in Argentina. The author shares a personal experience of observing a bright 'star' that appeared at dusk, behaving in a way that suggested it could materialize at will, and which she felt offered lessons of love.

Crónica Subterránea: New Signals of Contact

This section features an excerpt from the book "Nuevas Señales de Contacto" (New Signals of Contact) by Trigueirinho. It describes the author's personal experiences and reflections on contact with non-physical realities. He recounts an encounter with a luminous 'star' that appeared low in the sky, feeling that it offered lessons of love and inner growth. Trigueirinho emphasizes that conscious contact with the supraphysical realm is possible without altered states or complex technology, suggesting that the ability to perceive and penetrate the immaterial world lies within the individual. He contrasts this direct knowledge with encyclopedic information and dogmatic explanations, which he views as mere reference points that can lead to materialist conclusions.

Recurring Themes and Editorial Stance

The issue consistently explores the intersection of the unexplained, the historical, and the spiritual. There's a recurring theme of ancient civilizations potentially interacting with advanced beings or technologies, as seen in the ancient astronaut theories and the interpretation of ancient myths. The magazine also highlights mysterious phenomena on Earth, such as the Cádiz Bay Crater, and unexplained aerial events, particularly in Argentina. The fall of the Knights Templar is presented as a historical event with elements of intrigue and conspiracy. The editorial stance appears to be open to exploring unconventional explanations for these phenomena, including spiritual and extraterrestrial interpretations, while also grounding some discussions in historical research and personal testimony.

This issue of Misterios magazine, number 142, focuses on historical mysteries and paranormal phenomena, with a significant portion dedicated to the Knights Templar and a historical account of the 'War of the Worlds' radio broadcast.

The Fall of the Knights Templar

The magazine details the downfall of the Knights Templar, initiated by King Philip IV of France and Pope Clement V. It recounts how Philip IV, burdened by debt to the Order, orchestrated their persecution under the guise of heresy. Pope Clement V, a French national and previously the Archbishop of Bordeaux, was pressured into issuing decrees against the Templars, despite initial instructions to protect them. The article highlights the torture and imprisonment of Templars, including Grand Master Jacques De Molay, who, along with Geoffroy de Carney, was burned at the stake on March 18, 1314, after publicly proclaiming the Order's innocence.

A prophecy attributed to De Molay is recounted, wherein he cursed King Philip IV and Pope Clement V to face divine judgment within 40 days (for the Pope) and a year (for the King). Pope Clement V died on April 19, 1314, reportedly from severe diarrhea, possibly exacerbated by his pyloric cancer, and his body was left abandoned and partially burned. King Philip IV died on September 29, 1314, from head injuries sustained in a hunting accident, fulfilling the prophecy.

The article also mentions the "Pergamino de Chinon" (Chinon Parchment), a document from August 17-20, 1308, where Pope Clement V allegedly absolved De Molay and other Templars, suggesting the suppression was politically motivated by Philip IV's desire for the Order's wealth and to cancel his debts.

The Templars in Portugal: Tomar

Despite the official dissolution of the Order, the Templars found refuge in Portugal, particularly in the town of Tomar. The city became a significant Templar stronghold, with the construction of the castle and the convent of the Holy Christ. The "La Charola," a circular temple within the convent, is described as being influenced by religious and architectural models from Jerusalem, particularly the Dome of the Rock.

The article notes the symbolic elements found within the Church of Santa María do Olival in Tomar, including the number 8 (associated with octagonal columns and infinity symbols), the Star of Solomon, and the possible representation of Mary Magdalene. It also touches upon the church's unique design, including an entrance below ground level and parallel doors that create an illusion of infinite space.

'The War of the Worlds' and Mass Hysteria

The magazine dedicates a significant section to the infamous 1938 radio broadcast of H.G. Wells' "The War of the Worlds" by Orson Welles. The broadcast, presented as a series of realistic news bulletins interrupting a music program, simulated a Martian invasion, causing widespread panic among listeners who believed it was real. The article describes people hiding, fleeing, and preparing for defense, highlighting the power of media to create mass hysteria.

It cites a New York Times correspondent, Dorothy Thompson, who called it "one of the most fascinating and important manifestations of all time," demonstrating how sound effects and voice could convince masses of something fantastic, leading to unjustified panic.

The article questions whether the panic was as widespread as reported, suggesting it might have been intense for some but not universally affecting the entire country. It draws parallels to modern media's ability to manipulate public opinion, citing political campaigns and advertising that create "false realities" to sell products or influence beliefs.

Further examples of similar radio hoaxes are provided, including a 1944 broadcast in Santiago, Chile, which reportedly caused even greater panic and deaths, and a 1949 broadcast in Quito, Ecuador, that resulted in riots, arson, and fatalities. The article concludes by noting that while direct re-enactments might be less effective today, the power of mass communication to influence and potentially incite panic remains potent.

Other Content

The issue also includes a report on a "Cena-Conferencia" (Dinner-Conference) held on December 21, 2012, in Isla Cristina (Huelva), organized by the research group Dimensión TCI. The event brought together researchers and enthusiasts of the mystery world to share experiences and discuss topics like the Maya calendar and the end of the world.

Recurring Themes and Editorial Stance

The recurring themes in this issue are historical conspiracies, the suppression of powerful orders like the Knights Templar, the influence of religion and symbolism in architecture, and the power of media to shape public perception and create mass hysteria. The editorial stance appears to be one of critical inquiry, questioning official narratives and exploring the hidden aspects of historical events and the psychological impact of media.