BREVCIRKELN.

Magazine Overview

This issue of BREVCIRKELN., identified as Serie B, letter nr 5, and volume B-5, focuses on the concept of 'THE IMAGE OF THE DIVINE BEING' and 'VIBRATIONS'. The content is primarily in Swedish and explores spiritual and extraterrestrial themes.

The Image of the Divine Being

The issue begins by quoting a Venusian who states that imagining the Divine Being as aged contradicts its eternal nature. The author reflects on the human tendency to associate time with aging, contrasting it with a timeless divine existence. Adamski's account from 'Ombord på rymdskepp' is presented, describing his encounter with a portrait of a Divine Being that appears to be between eighteen and twenty-five years old, radiating a perfect balance of masculine and feminine qualities, and possessing eyes full of wisdom and compassion. This 'symbol of eternal youth' is said to be kept in homes and spaceships, contributing to the absence of aging among these beings.

Venusians are mentioned as having lifespans of up to a thousand years, a concept initially met with skepticism by the author. The text suggests that other writings also support the idea of exceptionally long lifespans for highly developed beings, possibly achieved through methods similar to those described by Adamski.

While Adamski did not provide a mechanical explanation for the image of the Divine Being, the author hypothesizes that his descriptions of space intelligences and their craft are true, including the depiction of the Divine Being. The article intends to examine details of this depiction against comparative material.

A Transformer for Divine Energy?

This section references a previous circular, 'Skaparens verktyg' (Creator's Tools), which discussed the definition of God as an 'eternally regular, high-frequency vibration in an eternal and original substance'. This vibration is said to undergo a gradual down-transformation, changing its character until it becomes perceivable by human senses.

Compared to Earth, the vibrational frequency on Venus is higher. Earth is described as being bound to a low-frequency range, to which human senses are adapted. A comparison is made to the 'common biological oscillation rate' of humans and animals being 666, with higher developed beings possessing double or quadruple this frequency. The author finds it unlikely that humans could easily perceive beings from a higher frequency planet.

Adamski's description of a 'wonderful radiance' from the Divine Being's image suggests a mass-produced artifact. The author notes the vast cultural differences between modern Swedes and their ancestors, and then draws a parallel to the perceived gap between humans and inhabitants of other planets in terms of development.

The central question posed is whether more advanced intelligences could have found a way to mechanically down-transform the high-frequency vibrations of divine love into the vibrational level of human emotions. It is suggested that such a down-transformation, even without apparatus, has occurred whenever a 'heavenly' being incarnated or entered earthly conditions.

The biblical passage 'In the beginning was the Word...' is cited as an example of this, where the Word became flesh and dwelt among humans. Another example is drawn from Steiner's lectures, concerning Abraham being the first to possess the physical organ for the 'Yahweh consciousness'. It is explained that this divine being had to manifest in a limited way, as Abraham could only perceive him in a specific manner.

Steiner is said to have identified the 'great Atlantean Solar Initiate' (Christ or the Messiah) with the being who appeared to Abraham. This initiate assumed the etheric body of Shem to make himself comprehensible. This encounter is equated with Abraham's meeting with the king and high priest Melchizedek in the Old Testament, described as a meeting of immense universal significance.

A Journey Through the Planes of Existence (Vibrational Zones)

The author discusses receiving 'strange writings' purportedly inspired by Archangel Michael. While hesitant to vouch for their authenticity, the author finds them plausible and notes surprising consistencies with other similar sources.

These writings, along with Steiner's works, challenge the conventional view of the sun as a ball of fire, instead describing it as a powerful, high-frequency vibrational center. Steiner places the plane where 'God manifests through an eternally regular, high-frequency vibration' on the sun. The sun's light and warmth are seen as the physical clothing of high spiritual beings. The being who later became known as Christ is identified as the one who guides other beings in sending their beneficial energies to Earth.

In pre-Christian times, this being was not sought on Earth but on the sun. Zarathustra correctly identified this being as Ahura Mazdao, placing his dwelling on the sun and stating that while we walk the Earth, we do not see this 'Spirit of Light', but by looking at the sun, we see the outer fabric in which Ahura Mazdao lives and moves.

Archangel Michael corroborates this, stating that God and the divine hierarchy manifest on the sun at an extremely high vibrational frequency, specifically the 128th in the Silver Light frequency range. Michael, belonging to the divine hierarchy, operates at a slightly lower frequency.

Michael's process of interacting with low-frequency Earthlings involves a journey through space on 'sunbeams' at light speed and a down-transformation of his vibration as he passes through existence planes of decreasing frequency. He describes reaching Earth's twelfth astral plane, slowing down, and eventually adopting earthly forms. These earthly 'suits' are left behind when returning to the sun.

Michael outlines twelve planes surrounding Earth: six ethereal and six astral, with the twelfth being the outermost. He explains that they travel on sunbeams and, upon reaching the twelfth astral plane, they 'brake', slowing down further as they approach the dense physical plane. In the physical plane, they must 'hack' their way through, similar to passing through a brick wall. Upon reaching the twelfth astral plane, they assume their earthly forms, which are then left behind on Earth when they depart.

Mannequin Display

This section highlights a description from a 'flying saucer book' of an encounter with a 'freed son of God'. The being is described as having large, dark, expressive eyes and a noble countenance radiating warmth and kindness. He wears a blue, perfectly tailored uniform that occasionally shifts and varies in color, resembling looking through a veil of running water.

In this account, the author also perceives themselves and the 'freed sons of God' as humans with lighter, more beautiful bodies than those on Earth, having left their physical bodies behind. A being from the space community explains that names have little significance among them and that they individualize differently in higher octaves of light. They present a 'mannequin display' to allow the 'lost brother' to perceive them in their true, eternal aspect.

As a 'pendent' to the description of the Divine Being's portrait, a quote from the same book discusses flying saucers. When asked why their craft visit Earth if humans are destined for destruction, Orion explains that love is stronger than life and deeper than the boundaries of time and space. He states they cannot forget their brothers on Earth who, lost in a hell of unreality, implore the heavens. They constantly pray for the liberation of Earth's people, and every bound soul on Earth has the inner possibility to break their chains through the power of Christ's Spirit.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the nature of the Divine, spiritual evolution, and extraterrestrial contact. The magazine presents a perspective that integrates spiritual concepts with alleged extraterrestrial communications and teachings, particularly those attributed to Adamski, Steiner, and Archangel Michael. The editorial stance appears to be one of exploring these unconventional ideas, presenting them as plausible hypotheses, and encouraging readers to consider alternative views on reality, consciousness, and the divine. There is a clear emphasis on vibrational frequencies as a fundamental aspect of existence and a means of communication and transformation across different planes of reality.