GEPO No 05 - Siecle Inconnu - No 5 (7) (Special Cinema Fantastique et SF) - mars 1977 (GEPI)

Magazine Overview

This issue of SIECLE, identified as Bulletin N°5 (1) and dated March 1973, is a special edition dedicated to fantastic cinema and UFO phenomena. The cover features a drawing with elements of science fiction, including a space station, alien plants, and a film reel promoting "SPECIAL CINEMA FANTASTIC SCIENCE-FICTION." The magazine is published by Cercle Incomay.

Editorial

The editorial apologizes for the delay in publishing the UFO investigation, stating it was not yet complete. This issue instead opens with a focus on fantastic cinema. It is divided into two parts: the first is a comprehensive article on "The Planet of the Apes," written by vice-president Carole Dupuis. The second part reviews films from the Fantastic Avoriaz Film Festival and new releases. A detachable document in the center is the last in a series, dedicated to "entre-terrestres et des hommes" (between-terrestrials and men), focusing on Inaccio de Souza and his dramatic encounter with extraterrestrials.

The editorial team invites "CRITIQUES, SUGGESTIONS, INFORMATIONS, DEMANDES" to be sent to Carole Dupuis or delegated representatives.

DANS CE NUMERO (In This Issue)

• "Si la planète des singes m'était contée" (If the Planet of the Apes were told to me)
• "DES EXTRA-TERRESTRES ET DES HOMMES INACCIO DE SOUZA, UN MORT ??" (Extraterrestrials and Men: Inaccio de Souza, A Dead Man??)
• "GODZILLA 1980 (MINI AFFICHE)" (Godzilla 1980 - Mini Poster)
• "CARRIE AU BAL DU DIABLE (MINI AFFICHE)" (Carrie at the Devil's Ball - Mini Poster)
• "FESTIVAL FANTASTIQUE D'AVORIAZ" (Fantastic Avoriaz Festival)

SI LA PLANETE DES SINGES M'ETAIT CONTEE (If the Planet of the Apes Were Told to Me)

This extensive article recounts the plot of the film "Planet of the Apes." It begins with the crash-landing of an American spaceship in 3978 on a planet in the Orion constellation, inhabited by intelligent apes and primitive humans. The cosmonauts Taylor, Dodge, and Randon discover this mysterious world. Dodge is killed by apes, and Taylor is captured. Scientists Zira and Cornelius believe Taylor is a missing link in evolution, but Dr. Zaius, representing the ape society's wisdom and law, sees Taylor as a threat. Taylor, with the help of Zira and Cornelius, escapes with Nova, a mute "female," and heads towards a forbidden zone. They discover that Nova is a manipulated doll, and a shocking truth is revealed: apes descended from humans. Taylor captures Zaius, who finally admits his conviction. Taylor then departs for the unknown, only to discover that this planet is Earth in the future (year 3978), ruined and desolate.

The article details the subsequent films in the series: "Beneath the Planet of the Apes" (1970) and "Escape from the Planet of the Apes" (1971), noting that these films, while using the established masks and costumes, deviate from Pierre Boulle's original novel, focusing more on action and spectacle than philosophical depth. The narrative continues with Brent's arrival on the ape planet, his search for Taylor, and his encounters with Zira and Cornelius. They uncover evidence of past human civilization, including subway rails and license plates, suggesting the planet is indeed Earth. They also witness a bizarre religious ceremony where a bomb is worshipped as a deity.

Brent and Taylor eventually reunite in prison. They are manipulated by the ape society to fight each other. Nova intervenes, saving Brent. The ape army, led by Ursus, prepares to destroy the territory. During a confrontation, Nova is killed, intensifying Taylor's hatred for the apes. Taylor and Brent fight back, but both are mortally wounded. In his final moments, Taylor reaches the Bomb and activates it, leading to the planet's destruction.

The article concludes by stating that no one survives the planet's destruction, not even Ursus or Zaius. However, three beings—Zira, Cornelius, and Dr. Milo—escape in Brent's spaceship and travel back to Earth in the 20th century (1970s). They are initially met with disbelief but eventually gain acceptance and even celebrity status. They share their story with American military and civilians, impressing many. They befriend Dr. Dixon and Dr. Stephanie Branton. Meanwhile, Dr. Otto Hasslein analyzes their explanations and report, becoming convinced of the threat they represent. The narrative then shifts to Zira's pregnancy and her subsequent medical experiences, including anatomical studies on humans and attempts to alter human brains. Hasslein is determined to prevent the creation of any offspring that could perpetuate this new hierarchy. Zira and Cornelius flee a clinic and, after a difficult birth, their child, Milo, is born in a menagerie. Dr. Dixon and Armando, the circus director, help them. Hasslein, however, is relentless in his pursuit, seeking to apprehend Zira and Cornelius for voluntary homicide, forcing them to flee once again.

LA LELICENTE D'INACCIO MEUTRE?? (Inaccio's Tragic Death: Murder??)

This article details the encounter of Inaccio de Souza and his wife Maria on August 13, 1967, near Crixas, Brazil. They observed a strange, saucer-like aircraft and three bald, silent figures. When the figures approached, Inaccio fired his rifle. A green ray emanated from the craft, striking Inaccio in the left shoulder. He fell, and his wife grabbed the rifle. The three beings re-entered their craft and departed vertically at high speed.

Notes indicate that Inaccio, despite being illiterate and unfamiliar with UFOs, provided a detailed description matching typical sightings. He was immobilized by a mysterious green ray, similar to another case (i. Delvide), suggesting an entity might be covering up such events.

In Crixas, the same entity emitted a beam of intense energy. Involuntarily, it seems, this led to tragic consequences for Inaccio. The next day, he experienced nausea, tingling, and general numbness. His hands trembled. His wife took him to a doctor, who discovered a circular burn on his chest. After four days of observation, Inaccio was sent home. His employer consulted the doctor, who delivered a grim diagnosis: Inaccio was condemned, suffering from fulminant leukemia, with only two months to live.

Inaccio's condition rapidly worsened, with pale, yellowish spots appearing on his skin, significant weight loss, and intense pain. He died on October 11th.

The investigation suggests that Inaccio was exposed to a high dose of ionizing radiation. The symptoms—nausea, tingling, numbness, and tremors—are consistent with radiation exposure. The conclusion is that Inaccio was a victim of fulminant leukemia, and while the cause cannot be definitively proven, the facts are presented as real and evident.

Upcoming

"PROCHAIN BULLETIN: premier volet d'une nouvelle grande serie UNE ANNEE... UN EVENEMENT EXCLUSIF! 1973 L'OBSERVATION DU CONCORDE" (Next Bulletin: First installment of a new major series: ONE YEAR... ONE EXCLUSIVE EVENT! 1973 The Concorde Observation)

GODZILLA 1980

This section features a poster for the film "Godzilla 1980," presented by HOLLYWOOD BOULEVARD & RENÉ CHATEAU. It is described as a WIDESCREEN film in color, directed by Jun Fukuda and produced by TOHO INTERNATIONAL LIMITED.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of science fiction, extraterrestrial encounters, and the cinematic representation of these phenomena. The editorial stance appears to be one of open inquiry into UFOs and related mysteries, while also engaging critically with science fiction films, analyzing their narratives and their potential to reflect societal anxieties or philosophical ideas. The detailed recounting of "Planet of the Apes" and the Inaccio de Souza case suggests a commitment to in-depth reporting on significant events within these genres.

This document is a special edition of the magazine "AVORIAZ" from 1977, focusing on film reviews and science fiction topics. The cover prominently features "CARRIE au bal du diable" by Brian De Palma, which won the Grand Prix. The magazine is published by GEPI and is in French.

Film Reviews and Festival Coverage

The issue provides extensive coverage of the Avoriaz film festival, reviewing several films that were presented.

"Carrie au bal du diable"

This film, directed by Brian De Palma, is highlighted as the Grand Prix winner. It is described as a fantastic film that pushes the boundaries of the possible. The story centers on a young girl named Carrie who possesses strange powers over objects. The review notes that she endures mockery from her classmates after her first period and lacks support from her mother, who is described as old, deranged, and fanatical. Carrie subsequently develops surprising powers, enabling her to move objects at will, from an ashtray to a car, and even to wield knives that will kill for her.

"Les Révoltés de l'an 2000" (Los Ninos)

Directed by Narcisso Serrador, this film received the Grand Prix de la Critique at Avoriaz. The film begins with archival footage depicting disasters caused by humans, with children bearing the brunt of the consequences. The narrative then shifts to a future where children, fed up with adults constantly lecturing and bothering them, decide to eliminate them. The assassins, dressed in short tunics, kill everyone. They even organize a "game of death" on an island off the coast of Spain. The review suggests that "Los Ninos" will keep viewers on the edge of their seats for two hours, posing important questions about progress.

"Dieu ne l'a ordonné" (God Told Me To)

Larry Cohen's film won the special prize from the Avoriaz jury. The film explores a story where God, not known for his kindness and miracles, decides to strike humans with fear and murder. The spectator is placed on a fine line between the natural and madness, prompting questions about whether it is a critique of religion or something else.

"The Big Bus"

James Frawley's film won the JURY ENFANTS prize and is considered well-deserved by the reviewer. However, the children felt the subjects were not diverse enough, which is seen as a pity. For "commercial reasons," the plot is not revealed, though the title suggests its theme.

Other Films Reviewed:

• "Une fille pour le diable" by Peter Sykes: Described as a film filled with repulsive and bloody childbirths, questioning if the character is the devil's daughter, mother, or wife.
• "La nourriture des dieux" by Bert Horton: Features giant rats thirsty for hemoglobin and heroes who throw themselves into the "wolf's" jaws.
• "Les sorciers de la guerre" by Ralph Bakshi: An amusing animated film depicting a post-atomic world with monstrous universes.
• "Centre Terre: 7ème continent" by Kevin Connor: A banal but amusing film about the discovery of a fantastic underground world inhabited by mutants and humanoids struggling to survive.
• "Squiem" by Jeff Lieberman: A disgusting depiction of earthworms gone mad, with the sole purpose of making the viewer sick.
• "Alice" by Claude Chabrol: Considered a vulgar copy of "Alice in Wonderland" transposed to the present day. Despite the artists like Kristel and Ledoux, the film did not last long at Avoriaz, which is seen as a pity for Chabrol and France.
• "Les rescapés du futur" by Richard Heffron: This film, a sequel to "Mond West," suggests that the veins of ideas are inexhaustible, with robots attacking or returning to the assault.
• "Godzilla 1980" by Jun Suguda: A monster film from Japan that resembles "King Kong" and is considered very good for young audiences.

Science Fiction and UFOs

The magazine also delves into science fiction and UFO phenomena.

"La Planète des Singes" (Planet of the Apes)

A continuation of a story related to "La Planète des Singes" is presented. It details the emotional departure of two doctor friends, Zira and Cornelius, from Armando. Armando is entrusted with a baby chimpanzee. The story recounts a tragic event where Dr. Hasslein, in a fit of madness, shoots Zira and her baby. Cornelius retaliates, killing Hasslein before succumbing to his own wounds. Zira, with her dying breaths, throws her baby into the river. The story concludes with Armando finding the baby chimpanzee, who wears a medal, and speaking prophetic words about the child's future nobility and intelligence.

UFOs and Parapsychology

There is a dedicated section for UFO information, including posters, postcards, a library catalog, and a comprehensive dossier on UFOs from GEPI, covering history, facts, and evidence. A giant UFO sticker, "LUMIÈRES DANS LA NUIT" (Lights in the Night), with a diameter of 14.50 cm, is also available for sale. The magazine announces that Evelyn Cote will soon be discussing parapsychology monthly.

Library and Book Information

Information is provided about new library additions, including "Science-fiction Magazine n°4," unpublished SF stories, and books like "La vallée Magique Hamilton" and "La main de Zei IS de Camp." A new catalog for the library, "CATALOGUE 77," is available for purchase. Information on subscriptions and past issues is also included.

Upcoming Bulletin

The "PROCHAIN BULLETIN" (Next Bulletin) will feature topics such as astronomy, a special segment titled "Le saviez vous?", UFO news including the Concorde 1973 observation, SF cinema, new books, and festivals in France. It also mentions a survey for 1977 and the "SIECLE INCONNU" (Unknown Century) starting from April 10th.

Editorial Stance and Reader Engagement

The magazine emphasizes reader participation with the slogan "N'OUBLIEZ - PAS ! C'EST VOUS QUI FAITES LA REVUE !" (Don't forget - NO! It is YOU who make the magazine!). It also calls for information to be communicated to their delegates or central office and requests help in elaborating on the "SIECLE INCONNU."

Recurring Themes and Editorial Stance

The recurring themes in this issue are film reviews, particularly those presented at the Avoriaz festival, with a focus on science fiction and fantasy genres. There is also a significant emphasis on UFO phenomena and parapsychology. The editorial stance appears to be one of promoting and discussing speculative and genre cinema, while also engaging readers in contributing to the magazine's content and research efforts, particularly in the area of unexplained phenomena.