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Overview

This issue of "Les grands cas mondiaux" (The Great World Cases), issue number 3, published by Le Dauphin with an ISSN of 0750-1168, is dated August 21, 1980, and priced at 15 French Francs. The cover headline focuses on "L'enlèvement d'Aveley: une rencontre du 3ème type (3)"…

Magazine Overview

This issue of "Les grands cas mondiaux" (The Great World Cases), issue number 3, published by Le Dauphin with an ISSN of 0750-1168, is dated August 21, 1980, and priced at 15 French Francs. The cover headline focuses on "L'enlèvement d'Aveley: une rencontre du 3ème type (3)" (The Aveley Abduction: a 3rd Type Encounter (3)), suggesting a continuation of a detailed case study. The magazine is in French and covers UFO phenomena.

Article: L'enlèvement d'Aveley: une rencontre du 3ème type (3)

This section delves into the Aveley abduction case, featuring the testimonies of John and Elaine Avis. The narrative begins with their recollection of initial doubts about being teleported, stemming from 'dreams' during the first interview. The second interview with Elaine yielded more details, including her ability to draw the entities she saw. John's memories were further unlocked through hypnosis, revealing a wealth of information. The article emphasizes that new details have continuously been added to the account by John and Elaine, suggesting a comprehensive record of the events.

Detailed Account from the Witnesses Inside the Craft

Elaine notes that discussing the event helps unlock more memories, likening it to opening floodgates. The article explains this process by analogy, suggesting that recalling specific details becomes easier when prompted with related information, such as names of correspondents for letters sent in a particular year.

The recollection of the encounter follows a similar pattern. Elaine recalls a 'great hall' after seeing a television program in 1977 depicting a large metallic wall with supports, which then triggered her memory of the 'great hall with supports in the hangar area inside the craft'.

The narrative then shifts to the moment the fog enveloped the car. John describes a column of white light, about 3-4 feet in diameter, emerging from the green fog and advancing towards the car. This light increased in diameter until it completely surrounded the vehicle, inducing an 'ascension' sensation and a 'black out'.

John then recounts finding himself on a balcony overlooking a large blue Vauxhall Victor Estate car. Inside, he saw figures, including himself and his family, apparently unconscious. He estimates he was about 15 feet above the car, which was inside a large hangar. He observed the car at a 25° angle, about 50-60 feet away, as a panel or ramp closed in front of it.

Beside him on the balcony were Elaine and possibly Kevin. Behind John stood a tall entity, about 6 feet 8 inches. He also saw the column of air that seemed to have caused his ascension. He describes this column as a cylindrical luminosity connecting the floor and the balcony, with a hexagonal base.

John and the tall entity moved towards a wall, where a hole appeared, leading him into a room. He estimates he moved up only a few feet. Inside, he saw a table with lamps. The tall entity touched his left shoulder, and he lost consciousness.

Upon regaining consciousness, John found himself on a table, with a bar and screen above him, about 18 inches away. The screen was rectangular, about 30-36 inches long and 1.5 inches thick, with a faint glow and a honeycomb-like background. This apparatus was attached to a motor and cables.

The Examiner

John describes the 'examiner' as a short, stocky being, about 4 feet tall, wearing a white apron and long sleeves. The examiner had thick brown hair, triangular eyes, a light brown beak-like nose, a slit for a mouth, and pointed ears. They had large, hairy hands with four fingers and claws. The examiner occasionally emitted a guttural sound.

The Table

The examination table was about 6 feet long and 2 feet 6 inches wide, about 3 feet 6 inches from the floor. It had a soft surface with small bulbs. The table rested on a rotating hemispherical support. A control panel with a pen-like instrument was located to the left.

John was unable to move any limb during the examination. He believes other instruments were used on him.

The Great Entities

John observed three 'great entities' who were approximately 6 feet 6 inches tall, with one, the 'leader', being slightly taller. They wore seamless, dark red-brown suits made of a material like lurex or synthetic felt, covering their hands and feet, with hoods. Their faces had large, rose-irised eyes, no apparent nose or mouth, and they seemed to wear masks. They had three-fingered hands and pale skin. Their movements were graceful, and they did not take large strides.

Interaction with the Leader

When John asked what they did outside their vessels, the leader replied, "We use a mask (or visor)." The leader, who had a visor, explained that they found the use of masks unfortunate because they often saw through the occupants' eyes. When suitable eyes were not available, they used the mask to modify light to be compatible with their optic nerve.

The Craft's Interior

John was shown a room about 20 feet long, 12 feet wide, and 7-8 feet high, oval in shape. There were no visible seams, and the interior was rounded like a sphere. The only equipment mentioned was the table and lamps.

The Examination Process

John was placed on the table, and a pen-like instrument with a white light was held about half an inch above his skin. He felt tingling and heat. The examiner used this instrument on various parts of his body.

The Laboratory

John was taken to another room, which he compared to a laboratory. He saw a large apparatus with a central console and translucent square panels. A liquid in a vial was placed on one panel, and a bluish light appeared between two panels within the vial. This apparatus was described as functioning like a microscope but with superior performance.

The Dormitory

Another room contained four sets of bunks arranged in a quadrilateral, with three bunks stacked above each other. Each bunk had a mattress made of bulbs and a 6x6 inch box with four buttons. John believed these were for sleeping during rest periods or travel.

The Control Room

John entered what he identified as the control room, where four other great entities were seated, facing away from him. He saw control panels and observed them manipulating them with their hands. He also noticed seats around the wall that could pivot.

Information Display

John was placed on a comfortable chaise-longue-like bunk. An object above his head projected images onto a screen, showing hundreds of plans, maps, and drawings at high speed. He recognized a map of our solar system and one with a photo of Saturn. He also saw cross-sections of the craft and celestial maps. He recalls the word "Phobos" being mentioned.

Holographic Presentation

In a darker area of the control room, a holographic scene was presented. The leader stated that their own planet resembled this in its final years, having been destroyed by pollution and natural problems, losing two suns and a moon due to misuse. The hologram depicted a city with metallic cones, mountains, and a dense sky with varied colors.

The Sphere and the Earth

John was asked to touch a sphere, which he did, feeling a strange sensation. He felt it meant their planet's energy had been taken. He believed he was privileged to see this, as the place seemed sacred.

Departure

The leader indicated it was time to leave. John felt a jolt, and the car began to move. He found himself back in the car, feeling a jolt, and the car moved. He sensed a jolt and the car moved.

The Narrative of Elaine

Elaine's memories of the white light and green fog are identical to John's. She also experienced the sensation of ascension and being thrown back into her seat. She lost consciousness and recalled being on the balcony with John, looking down at the hangar and the blue car.

She remembers being taken down a short slope, holding Kevin. A hole appeared in the wall, revealing two 'examiners'. Kevin was taken from her, despite her resistance, by a great entity and an examiner.

The Examination Room

Elaine saw two tables, one concave and one horizontal, with instruments including a lamp on a rolling cart. The tables were supported by a large vertical column. She was led to the horizontal table and saw a console with instruments and vials. She was strapped to the table.

The Examiners and the Entities

Elaine describes the examiners moving over her body with a purple-glowing instrument. She heard them making mumbling or chanting sounds. They paid particular attention to her left side, near the kidney area.

When Elaine struggled, a great entity approached, and the examiners retreated. The leader placed a finger on her forehead and thumbs on the corners of her eyes, causing her to lose consciousness.

Upon waking, Elaine was on the table, no longer restrained, but unable to move. She was given a tight-fitting tunic with a hood, similar to the entities' suits, made of a cellophane-like material that was opaque yet transparent.

Movement Within the Craft

Elaine walked through corridors and rooms, including a dormitory with bunks and a laboratory. She saw John briefly in a room with two other entities, but they did not acknowledge each other.

The Control Room and Conversations

She entered the control room and identified it by the activity. She was seated next to the leader, who asked her if it wasn't "so bad." She realized they were not speaking audibly but communicating mentally.

The Music and the Message

Elaine was presented with a tray of disc-shaped objects. The leader asked one of the beings to "make music." This being produced soothing harp-like sounds, which Elaine believed were generated mentally. The leader stated that this being was a musician and that "everyone has a talent." He then told Elaine, "We do not reproduce ourselves, we do not have children. We reproduce through you, you are our children."

The Journey Home

After the music stopped, Elaine felt relaxed. She was shown a control panel with colored squares, and an entity indicated one that would steer the craft. She was shown an opening that revealed stars, and then an image of Earth, identifying Great Britain and the Thames Estuary. She was then taken to a darker area and instructed to lie on a bunk and look at the screen.

Information Overload

Similar to John, Elaine saw hundreds of plans, maps, and drawings at high speed, which she described as pumping the content of an encyclopedia into her head. She recalled seeing 11 planets in the solar system, instead of the usual nine.

The Hologram and the Message

She then saw the hologram of the destroyed planet and heard the message: "This is the seed of life, our past and your future, our entire existence. Accept this from us for yourselves, your children, and your well-being."

Departure from the Craft

Elaine, John, and Kevin were instructed to touch the sphere. Elaine then experienced what she described as being in a "bitumen and bare place." She put on clothes and drank a liquid from a round jar. She found herself in a hangar, near the car, on an elevated platform. The car was at the bottom of a ramp, facing the opposite direction. She saw the leader and the musician entity, who addressed each other as Lyra and Ceres.

Elaine saw the car leave the hangar before she did. She remembers getting into the car, which then 'grésilla' (dematerialized) through the wall. She felt a jolt and the adventure was over.

Comparison of the Accounts

The article highlights significant similarities between John and Elaine's accounts, particularly regarding the descriptions of the great entities and examiners, and the general layout of the UFO. However, there are notable differences, such as John's recollection of occupants inside the car on the balcony, while Elaine remembers seeing John, herself, and Kevin outside.

Both witnesses recall the control room and the holographic presentation. John perceived his 'leader' as being taller and not wearing a belt, while Elaine felt her 'leader' commanded more respect. The article notes that John's account ends after the hologram, while Elaine's continues until her return to the car.

Article: Jean Sider's Critique of 'Aigure' Theory

This section presents a critique by Jean Sider of a theory proposed by J. and J. d'« Aigure » regarding 'airships' from 1896-1897. Sider dismisses their theory as lacking concrete evidence and relying on a patchwork of examples and 'tricks'. He argues that their attempt to demonstrate the presence of advanced craft, beyond the capabilities of the era, is intellectually dishonest. Sider asserts that while contesting the value of the 1896-1897 sightings is their right, rewriting history is not. He concludes that their approach discredits them among their colleagues, quoting A. Lagarde: "When one does not want to hear mass, one does not enter the church."

Recurring Themes and Editorial Stance

The magazine consistently focuses on detailed case studies of alleged UFO encounters and abductions, presenting witness testimonies and attempting to reconstruct events. The editorial stance appears to be one of serious investigation into these phenomena, providing a platform for detailed accounts and analyses. The critique of the 'Aigure' theory suggests an editorial preference for evidence-based reasoning and a rejection of unsubstantiated claims within the field of ufology. The recurring theme is the exploration of the unknown, particularly concerning extraterrestrial contact and the nature of UFOs and their occupants.

This issue of 'OVNI' (UFO), identified as issue number 3 and volume 5, published by UFO Investigators Network, focuses on a detailed study of UFO phenomena. The cover headline announces 'Etude de différents aspects du phénomène OVNI (3)', highlighting Case No. 5 from Charlton, Wiltshire, Great Britain, dated July 16, 1963. The magazine is in French, and the content is primarily based on witness testimonies, particularly from individuals named John and Elaine, and includes an analysis of physical evidence.

Case No. 5: Charlton, Wiltshire (GB), 16-07-1963

Récit (Account)

An agricultural worker discovered a crater and reported it to his employer, farmer Blanchard. This incident forms the basis of the case study.

Traces (Traces)

The site presented several distinct physical traces. An irregular circle, approximately 7 to 7.50 meters in diameter, was found straddling a potato field. Within this circle, all vegetation, including roots, had disappeared. Concentrically, inside this denuded circle, there was a depression 2.50 meters in diameter and 8 to 10 cm deep. At the center of the depression was a vertical well, 13 cm in diameter and 90 cm deep. Between the large depression and the edge of the denuded circle, four marks were observed, each 1.25 meters long and 30 cm wide, with their furthest ends about 3 meters from the center. Notably, there were no signs of burning or scorching. A mine detector became completely agitated when passed over the traces. Digging deeply, a piece of 'iron stone' (magnetite), weighing 200 to 250 grams, was found. This stone, common in the area, was significantly more magnetized than usual.

Commentaires (Commentaries)

The commentary emphasizes that since the UFO itself was not seen, the credibility of the witnesses is paramount, as the existing traces are the domain of investigators. The traces suggest the object's base landed on the ground, with the external imprints being from 'crutches' used to prevent the object from tilting. The sheer weight required to create such a crater (estimated at over 100 tons) makes fraud unlikely. Questions are raised about whether the earth was compressed or if material was removed, particularly concerning the central well, which appears to be a core sample hole.

The complete disappearance of vegetation, including roots, within the large circle and crater suggests it was either removed or disintegrated by an unknown energy, implying a sophisticated technology whose purpose is not fully understood. The commentary dismisses the idea of simple burning or scorching.

It is noted that the object did not emit any electromagnetic radiation that could be detected by standard equipment. However, a mine detector, likely sensitive to magnetic fields, reacted strongly. A piece of magnetized iron stone found at the site is presented as evidence of a magnetic field. The article also mentions a report from Selwood of Perth, Australia, about a similar phenomenon observed on July 16, 1963, involving an object at an altitude of about 450 meters, suggesting a possible connection.

Interior of the Craft and Entities

Configuration of the Craft

John describes the interior of the craft, which he viewed via screen and was explained to him. The craft had three distinct levels. The upper level was the control room, an oval space about 40 feet long and 30 feet wide, equipped with seats and panels but no visible buttons or flashing lights. It was described as being made of a material between plastic and metal, possibly a synthetic material. The consoles and instruments appeared molded into the floor. Although the exterior was not seen, John was shown a drawing of it, described as a flattened oval, perfectly regular, with an external protrusion possibly an exhaust and a grille around the horizontal perimeter, likely used for water intake and expulsion when submerged, and for direction in the atmosphere.

The level above the control room contained examination rooms, leisure rooms, a laboratory, and rest rooms. John recalls four such rooms on a cutaway view. Each room was oval, and they communicated via instant-opening doors and tunnels. Between this level and the outer shell was the propulsion module, with a directional 'cannon' or 'converter' at the rear and ion propulsion systems on the flanks.

The lowest level, the third, was a large hangar with parallel supports on the walls, also oval in shape. The oval shape of the rooms is attributed to blow-molded construction for simplicity.

The entire craft was illuminated by a grayish-white light emanating from the walls. The only visible lamps were two in John's examination room, described as having a pleasant brightness. No windows were observed, except for a panel that opened when Elaine requested to see where she lived.

Object Characteristics

The walls and interior materials were described as between plastic and metal, possibly synthetic. All consoles and instruments seemed molded into the floor. The craft's external shape was a flattened oval. A possible exhaust and a grille around the horizontal perimeter were noted. The grille might be used for water intake/expulsion when submerged and for atmospheric direction. The color of the craft was unknown.

Interior Environment

There was no variation in colors inside the craft; most surfaces were a whitish-gray. The only other colors mentioned were a reddish viewfinder, the blue luminosity of two 'microscope' panels, the brown skin and 'fur' of the examiners, and the light brown nose of the examiners. The entities' optical system differs from ours, preventing them from perceiving our full spectrum and vice versa.

Welcome of the Entities

When John approached an entity, he felt overwhelmed by confused thoughts. The entities acknowledged this, stating he was not yet ready for 'multi-contacts,' meaning communication with entities other than the 'leader.' When another entity greeted John, the leader would turn to John and say, 'He greets you with... (something he couldn't recall) and benevolence.'

Computer

When John asked about a computer, the entities seemed amused and explained they had an 'organic computer' that controlled the craft. They also stated that their spirits could connect directly to this organic computer, bypassing manual control. This method, requiring a specific thought code, was not prone to accidents.

Communication

The entities did not use their own communication system but adopted human words from memory, returning them as questions, answers, or affirmations. They lacked a specific language or vocabulary, communicating on an emotional level through telepathy, capable of conveying vast amounts of information rapidly. During initial contact, human brains are scanned for emotional acceptance, and then an image is projected, adapted to the individual's emotional level, which must then be adhered to. Primitive communication forms like prayer, meditation, yoga, and psychic communication were part of their evolution but are no longer used.

The Examiners

These entities were previously described in John's account. No direct contact occurred between John, Elaine, and the examiners. John was told it would be futile to try to communicate as they lacked telepathic abilities. Elaine had the impression their collective name was SeØtine or EsØtine or CseØtine. She also felt that in response to her fear, they conveyed, 'Don't worry, they are more afraid of you than you are of them.' John believes he asked what they were and why they were different, receiving the answer that they were from 'another period of time.' John speculated they were students or apprentices studying medicine and research from a different planet.

Spare Parts

If a spare part or object was needed, the entities would send an emotional message, and the item would appear from the floor, originating from a storage area between the rooms.

Odors

An ozone-like odor was detected only once, when John was on the examination table, as a 'bar' or 'screen' passed over his body.

Vibration

Shortly after viewing a hologram, John felt the entire craft vibrate for a few seconds. At this moment, the 'leader' said, 'It is time.'

Propulsion System

John observed a propulsion system through a window: a large ball with an outer covering like skin, featuring two arms that met at the front. This skin was mobile, like an eyelid. The ball was dark blue, thick-skinned, with brown arms that moved together. It was about 6 feet high and remained stationary. This was explained as part of the ion propulsion module. The 'eyelids' opened and closed at different speeds, emitting jets of ions that created a vortex, causing particles to swirl, resulting in an 'explosion' that moved the craft. This sequence was repeated for propulsion. The central core produced this thrust, and a directional system, described as a 'cannon' or 'activator,' controlled direction and speed. Sharp turns and sudden stops were achieved by temporarily halting the thrust and diffusing it through external directional exhausts. Gravitational forces were counteracted by modifying the atmosphere inside the craft, controlled by the organic computer.

John states this theory was explained in detail but he cannot fully explain it, acknowledging it might sound like a joke to those familiar with ion propulsion systems.

Magnetic Propulsion and Magnetic Field

It was also stated that a magnetic propulsion system is used in Earth's atmosphere because ion propulsion is too dangerous, though the specific reason was not given. Magnetic propulsion is associated with ion propulsion and is the primary system for the entities. It works by taking particles from outside the craft and converting them into a similar polarity as particles inside the hull, creating a thrust towards the exterior particles. This process, when repeated, gives the impression that the craft is distorted when viewed from the outside. The entities can also use a strong magnetic field to make things invisible, projecting a hologram of the background in front of the craft to create a false impression. They can also project images of backgrounds from one side to another, or the craft's image anywhere.

The magnetic field can also be directed as a weapon, used previously to destroy missiles. In the early days, the magnetic field caused many involuntary accidents, but it is now much weaker, resulting only in a slight tingling sensation when in proximity.

Coordinates

According to John, 'coordinates' or 'lines of sight' played a role in navigation and cartography, serving as directional aids in Earth's atmosphere. Magnetic impulses between lines of force were used for supplementary thrust to leave Earth's atmosphere. The method and purpose were not fully explained. It was mentioned that Earth and other planets are covered by a network of interconnected lines. The entities provided a diagram of a 'lock's functioning' but stated, 'You have the key, but you don't have the key,' implying that while the lines of force are known, their use is not understood.

Submarine Bases?

During a third hypnosis session, John was asked about the entities' origin. His response was, 'They are always here.' He indicated they have bases in Earth's seas and oceans, in areas called 'triangles.' These bases are underwater for protection, and their movements are mostly submerged, returning to the surface only near land.

Superior Beings or Not?

Despite the entities' claims of being peaceful and benevolent, John sensed they could be capable of violence, though they seemed to possess more pity than humans. He felt they presented themselves as superior to humans, like gods. They stated they do not die but live much longer than humans, and are susceptible to illness. They can heal many things but can contract human diseases.

Clothing

John and Elaine recalled wearing one-piece suits with hoods, which enclosed their feet. John first noticed his suit when he swung his legs off the examination table. Elaine wore a long robe with a hood, made of a material resembling embossed cellophane. These garments were likely provided for hygiene reasons.

Designations of the Beings

Elaine recalled the 'leader' calling a musician 'Ceres' and another entity responding to the leader as 'Lyra.' These were the only names she remembered. Ceres is the largest asteroid, and Lyra is a constellation. John also mentioned a name that might belong to an entity: 'Zeiter.' Zeta corresponds to the Greek letter Z and could be part of the name of several stars.

Children Inside the Craft

It is presumed that Karen and Stuart slept through the encounter, as they were in the car before and after encountering the fog. There are also references to the children remaining in the car. John has only spoken to Kevin twice about the incident; Kevin remembers little, only the ascent into the fog. Kevin reportedly told John, 'They gave me a lot of things to do when I grow up, but I've forgotten them all.' John wishes to shield Kevin from this knowledge due to his young age.

Study of Different Aspects of the UFO Phenomenon (3)

This section presents Case No. 5 from Charlton, Wiltshire, GB, dated July 16, 1963. The case details the discovery of a crater and associated traces by an agricultural worker. The commentary discusses the significance of the physical evidence, the estimated weight of the object, and the potential technological aspects, such as the energy required for vegetation disintegration and the lack of detectable radiation. It also references a similar sighting in Australia on the same date.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around detailed accounts of UFO encounters, descriptions of alien craft interiors and technology, the nature and communication methods of extraterrestrial entities, and the analysis of physical evidence left behind. The editorial stance appears to be one of serious investigation into UFO phenomena, relying on witness testimony, physical evidence, and hypothetical explanations of advanced technology. The publication, 'OVNI,' through its 'UFO Investigators Network,' aims to document and analyze these events, presenting them in a structured, case-study format. The content suggests a belief in the reality of UFOs and extraterrestrial visitation, with a focus on understanding the technology and biology of these visitors.