Dharma Combat - no 08

Magazine Overview

Dharma Combat #8 is a magazine dedicated to exploring spirituality, metaphysics, and reality, open to all philosophies and persuasions. The issue notes that Dharma Combat #9 is also available, and due to a large amount of material, two issues were released at once. Subscriptions are $10 per year for four issues or $3.00 per copy, payable to Keith at PO Box 20593, Sun Valley, Nevada, 89433. The magazine also trades for items that enhance the editor's image, such as religious artifacts, printed metaphysical curiosa, neoist and situationist items, artistic t-shirts (XL), and mailing lists. They are selective about trades, avoiding 'poopdog humor and poesy.' Advertisers can trade ads on a continuing basis. A special offer for artists provides a two-issue subscription extension for an original, strange ad. The magazine also accepts contributions for prisoner subscriptions. Submissions are welcomed, with copyright reverting to the author. They also accept clippings and articles of interest. Publication dates are irregular, with a goal of every three months. The issue thanks Jarod O'Danu, Randy Heresy, LAU, Chad, Joe Cabot, Greg Krupey, David Crowbar, James Koehnline, Tal Levesque, Hatter, ARTWARE, FLATLAND, Michael Drax, and the Large Nosed Greys for their contributions. The cover and centerfold are by James Koehnline.

Articles and Content

Mind Control and Societal Control

The lead article expresses a strong aversion to mind control, viewing it as a practice employed by all major superpowers. It cites examples like Russia's 'Woodpecker Stations' and China's nocturnal dream broadcasting. The article suggests that mind control is often rationalized as a means to counter anti-social behavior, but argues that if societies didn't impose discipline from infancy, such problems would not arise. It posits that curiosity, compassion, sexuality, and love of freedom could flourish in children if parents refrained from imposing discipline. The article critiques socialist powers for engaging in 'technocratic folly' and being victims of 'rightwing capitalist mind control,' mentioning a conspiracy called 'the champions' allegedly controlling members of the Politboro. It references 'Psychic Discoveries Behind the Iron Curtain' and a discussion of the Communist Party session where a woman claimed Lenin visited her regularly after his death. The Hoover Institution and Yale University are also mentioned as involved in mind manipulation. The author recounts an experience at Denny's where their admission to being a mind control subject led to disbelief from Fundamentalist Christians who were themselves being mind-controlled. The core argument is that the debate over mind control should not be tied to economic ideologies, as mind control and nuclear bombs are present realities. It highlights that Hitler's scientists pioneered electronic behavior control, making it difficult to abandon mind control by collaborating with those who developed it.

Iowa Events and 'Written History'

A letter to 'Dharma Combatants' questions recent events in Iowa, specifically an explosion in a gun turret and the crash of flight #232 in Sioux City, asking if they are connected to anything. The writer suggests these events might be part of a pre-scripted 'history' designed to bring about the 'Kingdom of Heaven' on earth. The concept of 'written' history is explored, questioning how apocalyptic events prophesied for a different age are occurring now. The letter argues that the 'word' used today is a 'dead word,' a 'grammar of death,' disconnected from metaphysical will, and that this 'castrated word' is the primary mystery of how the Word directs the Will to write history. It references a quote from W. P. Kinsella's 'Shoeless Joe' about a 'turret' and a lady with a 'tight bun,' linking this to the 'dead word' that directs a 'Terminator enforcer' with a 'rod of iron' to establish the 'Kingdom' on earth. This 'Kingdom' is described as a place where 'God's' rule appears accidental. The letter emphasizes that continuing to believe in and practice the 'castrated word' keeps people unaware of how their creations are used against them. It mentions the 'Angel of Death' and the sacrifice of first-born children in Iowa cornfields, suggesting that the truth about these events remains untold or distant. The writer warns about the film 'The Abyss,' linking it to nuclear reactors, plutonium, alpha radiation, and 'ALF' waves, and notes the coincidence of 'Aliens' and the Chernobyl accident. The letter concludes by stating that the 'abyss' is meant to bring forth 'superior beings' and that unconscious creation and use of 'The Word' are more dangerous than plutonium.

Artistic Connections and 'The Abyss'

Jeffery Lewis provides an addendum to his letter, connecting artistic creation with world news events. He discusses Ray Kinsella and J. D. Salinger from 'Shoeless Joe' performing 'magical rituals' at the Metropolitan Stadium. He links the recent heart attack death of Baseball Commissioner A. Giamatti, ex-president of Yale, to these 'literary magical hijinks.' Lewis questions what will happen next, referencing the TV show 'Hardball' and suggesting that Paul Winfield should be wary. He updates on 'The Abyss,' noting that hurricane Hugo hit Charleston, South Carolina, where underwater scenes for the film were shot. He suggests the film depicts a hurricane severing connections and that the 'abyss' might be in the Caribbean. Lewis questions the connection between the collective unconscious, the 'Id monster,' and hurricane Hugo, and warns that 'The Abyss' has already caused more deaths than Chernobyl. He urges readers to watch South Carolina and Cherokee.

Comic Strip: Big Mr. Blister

A comic strip titled 'Big Mr. Blister' by C. Burns is included. It features Mr. Blister reminiscing about the 'bad old days.' In the strip, he sees the 'face of God' and has a picture of his son on his chest. He plans to sell these pictures after a show. He renames himself 'Bliss Blister' and is instructed to smile and be a good boy while his associate does the talking.

Letters to the Editor

Several letters are included:

• Letter 1 (from an unnamed individual): Thanks Keith for the magazine, calling it 'really good.' Regarding the MJ-12 document, the writer states it's a hoax, citing responsible ufologists and William Moore's admission of government involvement in UFO disinformation. They believe the US government knows as little about UFOs as the public, but has 'better pictures.' The writer also values the political conspiracy articles but warns that 'ANYTHING might be disinformation,' noting the active role of government agencies in spreading it.
• Letter 2 (from an unnamed individual): Comments on the comic strip 'Stang vs. Black,' finding it funny and enjoying the portrayal of themselves as a 'maniacal power-mad (and powerful) sell-out.' The writer admits to failing to produce a 'STARK FIST' magazine in the last four years due to printer costs and page count. Regarding 'Bob Black,' the writer expresses sympathy for him but declines to reveal the 'inside story' of his break with the Church, stating it would be 'kicking a man when he's down.' They find Black's review of their book to be 'partisan' and full of 'misinformation.' The writer notes that the 'SubGenius' project attracts both good and bad people. They warn that Bob Black can be dangerous if he considers someone an enemy, citing an instance where Black anonymously sent copies of reviews to white supremacist hate groups, revealing the writer's real name, address, and phone number, leading to a death threat against 'the jew Stang.' The writer expresses concern for their wife and children, stating that any harm inflicted on them would be largely due to Bob Black's actions. They advise that disagreeing with Black can lead to being labeled an 'evil anti-Blackist.'
• Letter 3 (from Yael Dragwyla): Responds to Keith's magazine, finding it 'very much' to their liking, with a few exceptions. Dragwyla discusses the 'Stang-Bob Black War,' detailing Bob Black's reasons for breaking with Stang and the One True Muthuh Church, citing Bob's ex-girlfriend Donna Kossy and Bob's alleged mistreatment of her. Dragwyla states that Bob Black's campaign against Stang and the Church escalated due to their refusal to force Donna back to Bob. Dragwyla further alleges that Bob Black sent Stang's real name and address to right-wing racist groups who had sworn to harm Stang, describing these groups as 'literally murderous.' Dragwyla notes that Stang is married with children and is a 'righteous dude,' whose only failing is having a 'soft spot' for individuals like Bob Black. Dragwyla accuses Bob Black of attempting 'unjustifiable homicide' and 'child-murder' by using the right-wing group as a weapon. Dragwyla praises Keith's intro, 'Combat Unsightly Dharmas,' as 'absolutely marvelous.'

Advertisements and Listings

• The Book of the Law / The Outlaw: Advertisements for 'The Book of the Law' and 'The Outlaw,' with contact information for Y. E. Dragwyla in Seattle, WA. There are also mentions of Aleister Crowley and 'BOB' in relation to these works. A note suggests that orders must be prepaid and that checks or money orders should be made out to 'Yael Dragwyla.'
• Technicians of the Sacred: A listing for 'Technicians of the Sacred' in Burbank, CA, dedicated to the practice and preservation of Voudoun and other Neo-African religious systems. They offer religious and magical orders, a journal, supplies, books, music, temple goods, and esoteric class tapes, with ritual work available by request for $7.50.
• Out of Order: An advertisement for 'Out of Order,' described as a magazine for intelligent reptiles, featuring reviews of small presses and diverse media including punk, humor, science fiction, anarchy, and homesteading. It promises to help readers discover new worlds of articulate nonconformists. A sample copy can be obtained for $2.00.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of conspiracy, hidden knowledge, and alternative realities. There's a strong skepticism towards official narratives and a focus on uncovering perceived manipulations by governments and powerful entities. Mind control, UFOs, and the nature of reality are recurring topics. The editorial stance appears to be critical of mainstream institutions and supportive of counter-cultural and esoteric viewpoints. There's a notable engagement with the SubGenius community and its associated figures, often with a blend of serious inquiry and dark humor. The magazine seems to value artistic expression and independent publications, providing a platform for various contributors and their unique perspectives. The issue highlights a concern for the spread of disinformation and the potential dangers of unchecked power, whether technological or ideological.

This issue of "The Decadent Worker," a publication from Lomakatsi, delves into a critique of contemporary Western society, focusing on themes of consumerism, horror films, and apocalyptic sentiment. The issue features articles by Greg Krupey, Joseph Kerrick, and Bob Black, offering a multi-faceted examination of cultural trends and corporate practices. The publication is priced at $1 and appears to be a one-page issue, with a cover date implied by the copyright year of 1989 for one of the featured pieces.

Horror Films and Societal Anxieties

Greg Krupey's article, "Everything," explores the pervasive influence of horror films, particularly the splatter/gore genre. He posits that the appeal of these films lies not in a desire for sadism, but rather a masochistic tendency to vicariously experience danger without real risk. Krupey notes the absence of effective adult authority figures in these movies, suggesting that the victims are often portrayed as deserving their fate due to perceived transgressions, particularly sexual ones. He links the rise of these films to the conservative backlash of the early 1980s and the Moral Majority, arguing that they serve as a form of escapism and distraction from the repressed realities of modern life. The article suggests that as society moves further right, and frustration grows, more extreme horror films will emerge, potentially inspired by real-life serial killers.

Krupey also touches upon the identification audiences have with the victims in horror films, questioning why a narrative where children dispatch villains hasn't been explored. He concludes that horror films, like politics and religion, persist because they reflect the human condition of being "mangled and mutilated by fate," serving as a tool for distraction and control.

Critique of McDonald's

Another significant section of the magazine is dedicated to a scathing critique of McDonald's, detailing its negative impacts on various levels. The article "What's wrong with McDonald's?" outlines several key issues:

McDonald's and the "Third World"

McDonald's is accused of "economic imperialism," using its financial power to acquire vast tracts of land in poor countries, often displacing small farmers. These countries are then forced to produce more food for export to the US, leading to food shortages for their own populations. The article highlights that 36 out of the 40 world's poorest countries export food to the USA, and that corporations like McDonald's and Burger King use lethal poisons to destroy rainforests for cattle grazing and packaging materials.

Colonial Invasion

Beyond ecological damage, McDonald's and similar corporations are criticized for forcing indigenous tribal peoples off their ancestral lands, disrupting their traditional ways of life.

McDonald's and Health

The "Nutrition Guide" is dismissed as irrelevant, and McDonald's food is labeled "junk-food" lacking in bulk, which hinders proper chewing and digestion. The high sugar and sodium content can lead to addiction and health problems like constipation and clogged arteries.

Getting the Chemistry Right

The article points out the artificiality of McDonald's environment and food, noting that even lettuce is treated with chemicals to maintain its appearance and crispness.

McDonald's and Animals

The reliance on animal flesh for its menu leads to the slaughter of millions of animals annually. Mass-produced meat is linked to food poisoning incidents due to contamination and the routine use of antibiotics and growth hormones, which can accumulate in animal tissues and harm consumers.

McDonald's and Children

Nearly all McDonald's advertising is targeted at children, using the "Ronald McDonald personality" to create brand loyalty and associate burgers and fries with happiness, trapping children into thinking it's abnormal not to patronize the chain.

Toy Food

McDonald's turns eating into a "fun event," reducing food to a prop and masking its mediocre or poisonous quality with gimmicks.

McDonald's and Workers

The company has a high staff turnover (300% annually) due to poor pay, long hours, and demanding conditions. Unions are actively prevented, with pro-union workers being fired. The "kitchen trade" also disproportionately employs ethnic minority workers who are wary of challenging their employers.

Trained to Sweat

McDonald's, like other large chain stores, relies on young, low-wage labor. The production-line system deskills work, requiring no specialized training.

Everything Has to Go

The article concludes that the issues with McDonald's are shared by other junk food chains, all driven by profit and expansion, leading to less choice and a homogenization of the market. It advocates for rejecting the entire system rather than seeking minor changes.

The New Dark Ages: A Review of Rudolph Carlyle Evans

Bob Black reviews Rudolph Carlyle Evans' book, "The Resurrection of Aristocracy." Black describes Evans' vision as a synthesis of left- and right-wing critiques of modern society, advocating for a return to feudalism with a ruling aristocracy and a subservient peasantry. Evans' utopia involves a technologically simple, agricultural society with minimal commerce and a stable, lower population, attuned to nature. Black notes that Evans is anti-racist and anti-nationalist but dismisses modern values like humanism, democracy, and equality. Black questions Evans' premise, suggesting that if his proposed aristocrats are so superior, they should already be in power.

Around Again to Armageddon

Joseph Kerrick's piece explores the theme of the apocalypse, particularly the turn-of-the-millennium anxiety surrounding the year 2000. He contrasts the hedonistic "dance of Armageddon" embraced by some, who live for the moment, with those who genuinely care about the outcome and seek to preserve humanity. Kerrick points out that Christian-based Western civilization has a historical obsession with the end of the world, amplified by the invention of the nuclear bomb. He critiques the "naive, occluded view" of most people who reject patterned events and fail to grasp the underlying intelligence guiding occurrences. He uses the example of scientists admitting they don't fully understand the mathematics behind modern physics, highlighting the limitations of the scientific intellect.

Recurring Themes and Editorial Stance

The issue consistently adopts a critical stance towards mainstream Western culture, consumerism, and corporate power. There is a strong anti-establishment sentiment, particularly targeting large corporations like McDonald's and the perceived shallowness of popular entertainment like horror films. The publication appears to advocate for a rejection of the prevailing system and a move towards more independent, potentially revolutionary, social structures. The themes of societal decay, the manipulation of public consciousness, and the search for alternative ways of living are recurrent throughout the articles.

This issue of DC magazine, identified as Volume 3, Issue 17, dated October 1989, explores a range of esoteric, conspiratorial, and critical themes. The publication, originating from the USA and published by Cloud 247, features a mix of original articles, letters, and advertisements for related materials.

The Metazoic Nature of History and Civilization

The lead article, "In terms of the mythology of their own Western culture," introduces the concept of 'metazons' – collective life-forms representing cultures and civilizations. The author posits that history follows a cyclic pattern, akin to biological life cycles, from birth to death. This cycle is influenced by higher intelligences, some of which are human. The theory suggests that advanced individuals have always existed and may operate in hidden networks. A key idea is the parallel between the primal struggle of a fetus against the placenta during birth and the societal struggles within a civilization's crisis phase. Heroes in myths and history are seen as embodiments of this struggle, overcoming societal 'placenta monsters.' The article connects this to Christian eschatology, particularly the concept of Armageddon and the millennium, suggesting that the year 2000 marks the anniversary of Christ's birth, not his death, and presages a rebirth.

The Placenta Theory of History

Expanding on the metazon concept, a theory is presented that links historical cycles to the primal experience of gestation and birth. The placenta, initially a source of nourishment, becomes a tormentor in the final month of pregnancy, mirroring societal crises where perceived protectors turn hostile. This struggle is seen as the archetypal battle that shapes human myths and history, with heroes embodying the fight against these overwhelming forces. The theory also touches upon the idea of a collective consciousness or 'meta-sphere' filled with various species.

The Cyclic Nature of History and the Beast of Revelation

Another article discusses the cyclic nature of history, suggesting that civilizations rise and fall like empires. It proposes that a culture's metazon periodically enters a phase corresponding to a strangling placenta, leading to distress and the emergence of a 'monster' threatening society. A hero's appearance resolves this crisis, leading to a rebirth. This pattern is linked to the Beast of Revelation, described as a shadowy creature splitting off from a society's collective unconscious during its decline. The article warns that the current Western-dominated culture has produced a nemesis that could destroy the planet, but also holds the potential for a global rebirth if this 'monster' is defeated.

Christian Eschatology and the Year 2000

The magazine draws parallels between these theories and Christian eschatology, noting that the world is undergoing a trial modeled on the Apocalypse. It emphasizes that the year 2000 is significant not just as a millennium but as the anniversary of Christ's birth, signifying a new beginning rather than an end. Those with 'inside information' are encouraged to guide humanity through this transformative period, distinguishing between true spiritual understanding and a superficial expectation of divine intervention.

L. Ron Hubbard and the 'Phantom Org'

An article by Fay Nelson details L. Ron Hubbard's alleged activities in the early 1960s, including his investigation into the FBI and CIA. Hubbard reportedly created a complex organizational structure, including the 'Sea Org' and the 'Phantom Org' (or 'Third Org'), to comb through classified documents. This effort allegedly uncovered information on former Nazis working for Western governments, including Kurt Waldheim. The article suggests that Hubbard's actions led to an investigation of Scientology, which was subsequently fizzled out.

Critiques of Religion and Social Issues

Several letters and articles offer sharp critiques of religious and social norms. One contributor, Billy Rojas, criticizes an attempt to revive a 'pagan fertility cult,' deeming it futile and naive, and warns against replacing one superstition with another. Rojas also strongly condemns any anti-gay sentiment, arguing that eradicating homosexuality is impossible and that advocating discriminatory laws is counterproductive.

Another section features a debate on the nature of Christianity and Judaism, with strong criticisms leveled against fundamentalist interpretations and the concept of a 'chosen people.' The writings of Elie Wiesel are scrutinized for their perceived exclusive focus on Jewish victims of the Holocaust, while ignoring other persecuted groups. The article questions the justification of Israeli actions against Palestinians, drawing parallels to Nazi aggression.

Satanism, Fundamentalism, and Political Power

A discussion on satanism and fundamentalism posits that they are two sides of the same coin, with the 'Great Satanist Threat' being a tool used by fundamentalists to inflate hysteria and potentially seize power. The article criticizes the media's role in amplifying this threat and notes the publishing industry's output of 'satanic paranoia' books.

The 'Cloud 247' and 'Brainspiral Cryptocon' Announcement

The magazine includes announcements for upcoming publications and projects from 'Cloud 247,' including 'The Brainspiral Cryptocon,' described as 'A Journal of MACROPOETICS for Earthlings of Varied Persuasions.' Submissions of artwork, poetry, fiction, and other content are solicited, with subscriptions offered by contribution or trade.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around conspiracy theories, alternative interpretations of history and religion, the nature of consciousness and intelligence, and critiques of established social and political structures. The editorial stance appears to be critical of mainstream religious and political orthodoxies, advocating for deeper understanding of hidden forces and challenging conventional narratives. There is a strong emphasis on esoteric knowledge, psychic development, and the potential for societal transformation through radical re-evaluation of beliefs and practices.

This issue, titled "THE DULCE BASE" and identified as Volume III, Issue III, dated September 1983, is published by INTERNATIONAL CEASE FIRE. It presents a deep dive into alleged secret government and alien activities, focusing heavily on the purported underground facility known as the Dulce Base.

The L. Ron Hubbard Connection

The issue begins with an account of L. Ron Hubbard's activities, detailing his distribution of incriminating documents, his resignation from the Church of Scientology in 1966, and his subsequent career as a science-fiction author, notably the "Mission Earth" series. The author speculates about a potential "sixth step" involving faking deaths, noting the mysterious circumstances surrounding the deaths of Philip K. Dick, Robert A. Heinlein, and L. Ron Hubbard himself.

The "Punkturist" Phenomenon

A section titled "THE WORDS OF A PUNKTURIST..." defines "punkturists" as individuals engaged in confrontational "trash culture," rebelling against societal norms through loud music, shocking behavior, and satire. It distinguishes between "punk rockers" and "marginals," the latter being older, more intellectual individuals who experiment with collages of trash culture and confront societal decay. The text suggests that these "punkturists" often clash with authority due to their "ripped-up lifestyles" and can become "trash culture activists" waging "guerilla war against multi-death corporations."

The Dulce Base: A Deep Dive

The core of the issue is dedicated to "THE DULCE BASE," authored by Jason Bishop III. This section compiles information from individuals who allegedly worked in the base, were abducted, or were involved in its construction, including intelligence personnel and UFO researchers. The information is presented with a caution to "USE CAUTION."

Facility and Connections

The Dulce facility is described as a "GENETICS LAB" connected to Los Alamos via a tube-shuttle. Its research reportedly includes the genetic effects of radiation, mutations, and human genetics, as well as studies on "Intelligent Species" or "Entities."

A revised edition of "THE EFFECTS OF ATOMIC WEAPONS" from September 1950 is cited, discussing the desirability of "complete Underground placement of Bases."

"Caught in the Game"

This section posits that centuries ago, "Surface People" (possibly "The Illuminati") made a pact with an "Alien Nation" hidden within the Earth. The U.S. Government, in 1933, allegedly agreed to trade animals and humans for high-tech knowledge and permission to use underground bases in the Western U.S.A. A "Special Group" was formed to deal with these "Alien Life Forms" (ALF), whose operations shifted to the U.S.A. from Central and South America in the 1940s. The Continental Divide's importance due to magnetics and high energy states is mentioned, with references to books by Karl Brunstein and Christopher Hills.

"Who's Planet Is This?"

These Aliens reportedly consider themselves "Native Terrans," an ancient race descended from a Reptilian Humanoid Species that cross-bred with humans. They are described as untrustworthy manipulators for another extraterrestrial culture, "The DRACO," who are returning to Earth as a staging area. The text highlights a conflict between these alien cultures over the planet's agenda, with mental control being used to keep humans "in place."

The Dulce Complex is stated to be a joint U.S. Government/Alien Base, not the first, with others in Colorado, Nevada, and Arizona.

"The Secret 'Activity'"

Paul Benewitz's report on the Dulce area mentions troops entering and exiting the area since 1947, the construction of a road, and trucks bearing the "Smith Corp." insignia, a company with no record. The base was allegedly built under the guise of a lumbering project, though logs were never hauled, only "BIG Equipment."

R&D and the Military Industrial Complex

The RAND Corporation is mentioned as having conducted a study for the base, with lakes near Dulce funded by government grants for Native Americans. Navajo Dam is cited as the primary source of conventional electric power, with El Vado as a secondary source and entrance. The "FORD Foundation" is called the "father" of "THINK TANKS." A 1959 RAND symposium on "DEEP UNDERGROUND CONSTRUCTION" is referenced, discussing Tunnel-Boring Machines and their potential for accessing the "Subterranean World."

The September 1983 issue of "OMNI" is noted for featuring a drawing of "The SUBTERRENE," a nuclear-powered tunnel machine that melts rock. The underground tunnels are used by electro-magnetically powered "Subshuttle Vehicles" connecting "Hidden Empire" Sub-City complexes. The "Noah's Ark" project is also mentioned, utilizing "Tube-shuttles" and "Bunkers" and "Bolt Holes" across Earth, with underground cities on the Moon and Mars.

The 1959 RAND Symposium attendees included representatives from major corporations like General Electric, AT&T, Hughes Aircraft, Northrop Corp., Sandia Corp., Stanford Research Institute, Walsh Construction Company, and The Bechtel Corporation. Bechtel is described as a "supersecret international corporate octopus" and a "SHADOW GOVERNMENT" working arm of the CIA, with former Bechtel officers holding important posts in the U.S. Government. It is linked to "The WEB," which connects Tri-Lateralist plans, the C.F.R., and the "Orders of Illuminism."

"Surviving the Future"

The Dulce Facility is described as having a "Central 'HUB', the Security Section, (also some photo labs)." Security increases with depth, featuring over 3000 cameras and over 100 secret exits. Deep sections connect to natural Cavern Systems. An "ULTRA 7" clearance worker reports "more than seven Levels," with Aliens on levels 5-7 and Alien housing on Level Five.

#### "21st Century Power : 'BIO-TECH'"

The future power source is described as "Re-newable resources... 'Bio-logically' Engineered." The Dulce Genetic Research was funded under "BLACK BUDGET" secrecy, focusing on "intelligent 'Disposable Biology'(Humanoids)" for "Atomic(Plutoium) Rocket and Saucer experiments." Humanoids were allegedly cloned, and hybrid fetuses were accelerated in growth. Biogenetic programming is instilled via "RF(Radio Frequency) transmissions," and many humans are "Implanted" with Brain Transceivers for telepathic and telemetric control. DARPA is credited with setting up the "network-net," including procedures like RHIC and EDOM. ELF and E.M. wave equipment is used to affect nerves, causing symptoms like nausea and irritability. Richard Shaver's "Cavern 'Telaug' Mech" is mentioned for its potential to change "genetic structure" and "HEAL."

#### WARNING: MANIPULATION AND CONTROL

The Pentagon, CIA, NSA, DEA, FBI, NSC, etc., are accused of capitalizing on public beliefs and preparing to "stage" an "Inter-stellar Conflict" to control propaganda. The text questions what is real and what is disinformation, suggesting a "SHADOW PLAN."

#### Overt and Covert Research

U.S. Energy Secretary John Herrington named Lawrence Berkeley Laboratory and Los Alamos National Laboratory to house advanced genetic research centers for deciphering the Human Genome. This research is described as covertly ongoing at DULCE LABS for years.

Level 16, "Night-mare Hall," reportedly contains Genetic Labs with reports of bizarre experimentation, including "multi-legged 'humans'," "Reptilian-humans," "furry creatures," "Winged-humanoids," "Bat like creatures," and "Draco-Reptoids." Level 17 allegedly holds thousands of humans and human-mixtures in cold storage, along with embryo storage vats.

A "clash" in 1979 allegedly resulted in the deaths of 66 people from the National Recon Group and the DELTA Group, leading to the base's temporary closure. It is noted that human and animal abductions slowed in the mid-1980s with the production of artificial blood by Livermore Berkeley Labs.

The DELTA Group's badge, a black triangle on a red background, is mentioned as a symbol of the fourth letter of the Greek alphabet, prominent in Masonic signs.

Symbols and Inside the Base

The Dulce Base symbol is a triangle with the Greek letter "Tau" within it, inverted to point down. Other symbols include "a triangle and 3 lateral lines" seen on "Saucer(transport)Craft" and the "Tri-Lateral Symbol." Symbols also mark landing sites and Alien Craft.

Security Officers wear jumpsuits with the Dulce Symbol. The standard weapon is a "Flash Gun." ID cards feature the Dulce Symbol, while "Government Honchos" use cards with the Great Seal of the U.S. Symbols associated with "The Cult of the All-Seeing Eye," "The NEW WORLD ORDER," "666," "The Phoenix Empire," and "ILLUMINISM" are also mentioned.

Access to sensitive areas requires matching a card with a weight and code; discrepancies over three pounds summon security. All supplies pass through a security conveyor system. The Alien Symbol language is prevalent.

Construction and Technology

During construction, Aliens assisted with design and materials, using technology that workers couldn't understand but which functioned when assembled. Elevators have no cables and are magnetically controlled. The illumination system is magnetically induced. Exits are magnetically controlled, and placing a large magnet on an entrance can cause an immediate interruption requiring a system reset.

The Town of Dulce

The area around Dulce has experienced numerous reported Animal Mutilations, allegedly used by the Government and Aliens for environmental tests and psychological warfare. Aliens also sought large amounts of blood for genetic and nutritional reasons.

Virgil "Posty" Armstrong's book "ETs & UFOs THEY NEED US, WE DON'T NEED THEM" is cited, reporting local discussions about Extraterrestrial Abduction for experimentation. Townspeople were reportedly frightened and angry but felt powerless due to government approval.

Recent "field investigation" participants near Archuleta Mesa reported being confronted by two small hovering 'Spheres' and becoming suddenly ill.

"The MONITORS": ABDUCTIONS

Starting in the Fifties, "EBES" ("Greys") began taking humans for experiments. By the Sixties, this rate increased, and by the Seventies, their "true colors were very obvious." The "Special Group" of the Government covered for them. By the Eighties, the Government realized there was no defense against the "Greys," leading to programs to prepare the public for "open contact" with "non-human 'Alien' Beings."

The "Greys" and "Reptoids" are allegedly in league but in a state of tension. The "Greys" view the Reptilian Race as their only enemy and are reportedly on their way to Earth.

The Future Conflict

Some government forces want the public to be aware, while "Collaborators" seek deals for an elite few to survive. The future is presented as a choice between a Fascist "WORLD ORDER" or a transformation of Human Consciousness. The struggle is ongoing, and active assistance is needed to "preserve Humanity on Earth."

Mind Manipulation Experiments

The Dulce Base is said to have studied Mind Control Implants, Bio-Psi Units, and ELP Devices for mood, sleep, and heartbeat control. DARPA is identified as using these technologies to manipulate people through "The Projects." Related projects are studied at Sandia Base by "The JASON Group," which has allegedly harnessed "the Dark Side of Technology" and hidden beneficial technology. Other projects mentioned include "DREAMLAND," "ELMINT," "CODE EMPIRE," "CODE EVA," "PROGRAM HIS," "BW/CW," "IRIS," "BI-PASS," and "REP-TILES."

Studies on LEVEL 14 at Dulce include Human-Aura research, Dream, Hypnosis, Telepathy, and manipulating the BIOPLASMIC BODY. Techniques include lowering heart rate, inducing static shock, and re-programming via Brain-Computer link to introduce data and programmed reactions into the mind, creating a "Dream Library."

The issue states we are entering an "ERA of the Technologicalization of Psychic Powers," with advancements in man/machine communications, Nano-tech, Bio-tech, PSI-War, EDOM, RHIC, and behavior control. The development of "BIO-TECHNOLOGIES" is predicted to bring a revolutionary change.

WARNING: Fascism is "Corporatism"
The text warns that humanity has passed the point of no return in its interaction with "Alien" Beings and is guaranteed a "Crisis." It urges readers to "mitigate or transform the nature of the disasters to come."

The Phantom Empire: Above the Law

The Dulce Base is allegedly run by a "Board" chaired by JOHN HERRINGTON. JIM BAKER is cited as the CIA link, and JIM WRIGHT (then House Speaker) as Treasurer. A power struggle is ongoing, with Jim Wright criticized for his "arrogance of power" and being "uncomfortably aloof." An update notes Wright resigned in June 1989.

"Operation Majority"

This section, copyrighted 1989 by Milton William Cooper, claims to contain "absolute true Information regarding the alien presence on earth and the U.S. government's Involvement with the aliens." Cooper states it contains only information he personally saw and does not include information from other sources. He explains the necessity of releasing this information in a way that would deceive the government until independent confirmation was possible. He asserts that this file is his "death warrant" if MJ-12 continues its operations. The information has allegedly been independently verified by two individuals, including a journalist from the Las Vegas Bullet. Cooper states he is doing his duty and urges readers to make copies and send them to their representatives, the Attorney General, and the Supreme Court.

A drawing depicts a figure in a glass-like tube, described as being about 5 ft tall, with pink-purple light, wispy hair, grey veins, dark grey creature-like skin, dark-lidded eyes, no discernible gender, two toes, three fingers, and containing amber-colored liquid.

Milton William Cooper provides his address and swears that the information contained in the file is true and correct to the best of his knowledge, stating he saw this information in 1972 while performing his duties.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around government conspiracy, secret alien involvement, advanced and covert technologies (particularly in genetic engineering and mind control), and the alleged existence of hidden underground facilities like the Dulce Base. The editorial stance appears to be one of exposing these alleged truths and warning the public about potential manipulation and a coming "crisis." There is a strong emphasis on the "New World Order" and the influence of secret societies.

This document, titled "THE DULCE PAPERS," appears to be a collection of alleged information and documents related to UFOs, aliens, and secret government operations. The content is presented in a narrative and informational style, suggesting it might be part of a larger publication or a standalone exposé.

Key Information and Allegations

The document begins by stating that most meetings of "The Dulce Board" are held in Denver and Taos, New Mexico. It claims that former New Mexico Senator Harrison Schmitt has full knowledge of Dulce and was one of seven astronauts to tour a base there. In 1979, Schmitt reportedly held an "Animal Mutilation" conference to identify researchers knowledgeable about the links between "Mute" operations and alien/government activities. Senator Brian of Nevada is also mentioned as knowing about "ULTRA" secrets at "Dreamland" and Dulce. The document warns UFO researchers to be careful, suggesting that people have been killed to keep this information secret. It also mentions underwater bases off the coasts of Florida and Peru.

More detailed information, including photos, video tapes, and documents, is promised for future release. The text warns readers to watch out for "Agents." It references "DIVISION FIVE" of the FBI in the 1930s, claiming a "Pascist cabal" assassinated John Kennedy. The document links this to a larger "WEB" of a fascist totalitarian secret police state within the Pentagon, JCS, DIA, FBI (Division Five), DISC/DIS, and the CIA. The insignia of the DEFENCE INVESTIGATIVE SERVICES is described as a composite of the Sun's Rays, a Rose, and a Dagger, symbolizing "The Search for Information, Trustworthiness and Danger." Other linked entities include Nazi scientists who had contact with "Aliens," the S.S., Satanists, Pernindex, Exxon, the Mafia, and NBC. The text connects these to caves used for "Initiation Rites," ancient vaults, retreats, alien bases, and Inner-Earth Civilizations.

The Dulce Papers Content

The main body of "The Dulce Papers" is described as comprising 25 black and white photographs and a video with no dialogue. The video allegedly shows technical information about a U.S. facility located beneath Dulce, New Mexico. The document claims this facility is a "kilfpacer" beneath the area. The text then becomes highly fragmented and difficult to read, with phrases like "isyainisoto themm/mulas were hesr hes abormæacerhes hold for ThihercfefcriaNrmauf ise hha esr hæsbege etbef SIistof what theukelbitel Oecthe17cebut were tosaibe61to961llebetabeOftoNf estobeffery." It mentions a video tape showing "sceres" and a "vivaama habbahaæraa harhss wripacs the photbe." The deciphered text suggests that what is seen is what was used in "cathedecipher" and is written or drawn on pages. The author expresses belief in the truth of the information, attributing it to God.

Secret Projects and Operations

The document details several alleged secret projects:

• SNOWBIRD: Described as a successful disinformation operation, activated only when needed and currently in mothballs.
• BLUE BOOK: An Air Force UFO/Alien Intelligence collection and disinformation project that was terminated, with its information absorbed by Project Aquarius. A classified report named "Grudge/Blue Book Report No. 13" is mentioned as significant but unavailable.
• JOSHUA: A project to develop a low-frequency pulsed sound generating weapon effective against alien craft and beam weapons.
• EXCALIBUR: A weapon designed to destroy alien underground bases, described as a missile capable of penetrating 1000 meters of soil with a one-megaton nuclear warhead.

Alien Types and Origins

The papers mention four types of aliens:

1. A LARGE NOSED GREY: With whom a treaty exists.
2. The GREY: Reported in abductee cases, working for the LARGE NOSED GREY.
3. The NORDIC: A blond human-like type.
4. The ORANGE: A red-haired human-like type.

Their homes are described as being in the Constellation of Orion, Barnard's star, and Zeta Reticuli 1 & 2. The document notes that the author cannot remember which alien belongs to which star, even under hypnosis.

EBE and KRLL

EBE is the designation given to a live alien captured at the 1949 Roswell, New Mexico crash site, who died in captivity. KRLL (or KRLLL, CRLL, CRLLL, pronounced Crill or Krill) was a hostage left after the first Holloman landing as a pledge for alien cooperation. KRLL provided the foundation for a "yellow book" and later became sick, was nursed by Dr. G. Mendoza, and eventually died. His information was disseminated under the pseudonym O.H. Cril or Crill, and KRLL became the Alien Ambassador to the United States.

GUESTS and ALF's

"GUESTS" were aliens exchanged for humans. At the time the information was seen, only three were alive and referred to as (ALF's) Alien Life Forms.

General Information

The document presents several general points:

• RELIGION: Aliens claim to have created Homo Sapiens through hybridization, with RH- blood as proof. They also claim to have created major religions and showed a hologram of Christ's crucifixion, filmed by the government.
• ALIEN BASES: Exist in Utah, Colorado, New Mexico, and Arizona, with six bases described in 1972 papers, all on Indian reservations. The base near Dulce was one of them.
• MURDER: Many military and government personnel were allegedly terminated (murdered) for attempting to reveal secrets.
• CRAFT RECOVERIES: Many alien craft have been recovered from sites like Roswell, Aztec, Texas, and Mexico.
• GENERAL DOOLITTLE: Made a prediction about reckoning with aliens, which the document suggests was correct.
• ABDUCTIONS: Occurred long before 1972, involving humans and animals, many of whom vanished.

Medical Procedures and Implants

Aliens were reportedly taking sperm and ova samples, tissue, and performing surgical operations. They implanted a spherical device, 40 to 80 microns in size, near the optic nerve. Attempts to remove these implants resulted in the patient's death. It was estimated that one in every 40 people had been implanted, giving aliens total control.

Contingency Plans

Two contingency plans are detailed:

1. SHOULD THE INFORMATION BECOME PUBLIC OR SHOULD THE ALIENS ATTEMPT TAKEOVER: This plan involves a public announcement of a terrorist group with an atomic weapon, leading to martial law, rounding up of implanted individuals and dissidents into concentration camps, and nationalization of media. Resistance would be met with arrest or death.
2. TO CONTAIN OR DELAY RELEASE OF INFORMATION: This plan involves using "MAJESTIC TWELVE" as a disinformation ploy to confuse and delay the release of information, leveraging the similarity in spelling to MJ-12.

Project Joshua Confirmation

The author states they now have information confirming the existence of Project Joshua. The weapon was developed and assembled at Ling Tempco Vought in Anaheim, California, designed to level any man-made structure from two miles away. It was tested at White Sands Proving Grounds between 1975 and 1978 and is described as a long horn-shaped device connected to a computer.

Recurring Themes and Editorial Stance

The recurring themes in "The Dulce Papers" revolve around government secrecy, alien presence, advanced alien technology, and disinformation campaigns. The document adopts a stance of revealing hidden truths and exposing alleged conspiracies involving extraterrestrial life and covert government operations. There is a strong emphasis on warning the reader about the dangers of this information and the potential for suppression by authorities. The overall tone is one of urgency and revelation, aiming to inform the public about what the author believes are suppressed facts about alien contact and secret human-alien interactions.

This issue of "Moments de Géométrie Symplectique" (Moments of Symplectic Geometry) delves into UFO phenomena, alien craft, and alleged government cover-ups. The magazine's title suggests a focus on complex, possibly theoretical, concepts, but the content here is grounded in purported eyewitness accounts and insider information.

Alien Craft at Edwards AFB

The author confirms the existence of an alien craft at a hangar at Edwards AFB. This hangar was initially guarded by "NON Edwards personnel (NRO DELTA)" who had a distinctive red badge with a black triangle. These guards are no longer present, and the Edwards security force is now instructed to monitor the hangar hourly. The hangar is locked, and security personnel are forbidden from entering, even if it appears to have been broken into. An insignia found on the alien craft is identified as a "TRILATERAL insignia," mentioned in "GRUDGE/BLUE BOOK REPORT NO. 13," and is considered the "alien flag."

Malevolent Alien Form (ALF) Description

A detailed physical description of a "MALEVOLENT ALIEN FORM (ALF)" is provided:

• Height: Between 3 to 5 ft.
• Stature: Erect standing biped with long, thin legs and a small, thin build.
• Head: Larger than normal proportions.
• Features: Absence of auditory lobes (external earlobes) and body hair. Large, tear-shaped eyes, opaque black with vertical pupils (cat-like), slanted approximately 36 degrees. A small, straight mouth with thin lips.
• Limbs: Arms resemble a praying mantis, reaching to the knees when extended. Long hands with small palms. Claw-like fingers (two short, two long, webbed). Small feet with four small claw-like toes.
• Skin: Tough, gray, and reptile-like in texture.
• Physiology: Some organs are similar to humans but developed through a different evolutionary process. They possess a non-functioning digestive system and two separate brains, with the digestive system atrophied. This suggests they do not require provisions found in recovered craft. Movement is described as deliberate, slow, and precise.
• Sustenance: They require human blood and other human biological substances to survive, though they can subsist on other animal fluids in extreme circumstances. Food is converted to energy via chlorophyll through photosynthesis, and waste products are excreted through the skin. The possibility of their evolution from plant life is raised.

Additional Data: The "Guests"

Information is presented about alien life forms held prisoner in an area known as the "Ice Cave" at Los Alamos, New Mexico. Originally, 16 captive aliens were held there, but 15 have died. These aliens, referred to as "guests," provided extensive information known as the "Yellow Book." They reportedly enjoyed ice cream and strawberry flavor above all others. These aliens were held in exchange for 16 humans who became "guests" of the aliens, with no information available on the human "guests." The alien "guests" enjoyed music of a far eastern nature, particularly from Tibet, and possessed an extremely high IQ (around 200), with a tendency to lie.

Religion and Hybridization Claims

The aliens claim that humanity is a hybrid creation, and that all religions were created by them to hasten the formation of civilized culture and control the human race. They assert that Jesus was a product of their efforts. They claim to possess a device that can audibly and visually show any part of history. They also claim that RH- blood is proof of hybridization, a claim that their own science tends to validate.

Author's Reasons for Disclosure

The author, Milton William Cooper (BIII), provides his reasons for releasing this information. He initially believed the government would handle the situation appropriately but has since found this belief false. He states that the situation has deteriorated, with incidents increasing worldwide, which he believes is against the U.S. Constitution and violates human rights. He emphasizes his loyalty as an American and his commitment to not divulging his country's secrets, except for this instance. He argues that revealing this secret is not against the law, as the secret itself violates laws. He notes that Senator Barry Goldwater, as Chairman of the Senate Committee that approved CIA funds, publicly stated he had no knowledge of these matters, implying Congress is ignorant of the situation. Cooper feels it is his duty to expose this as quickly and thoroughly as possible, regretting only that he waited so long.

He also cites personal safety as a reason for going public, believing his life is now in danger. He acknowledges the information may be difficult to believe and could expose him to ridicule.

Intelligence Background

Cooper details his background, being raised on Air Force bases as the son of an Air Force pilot. He recalls overhearing pilots discuss UFOs and strange craft crashes. He joined the Air Force, trained at Lackland AFB, and was assigned to the Strategic Air Command as an Aircraft and Missile Pneumatic Technician. During training, instructors shared tales of alien craft encountering military personnel. He recounts a story from a sergeant about transporting a large crashed disk at night. He was discharged in 1965 and joined the Navy in December 1965, volunteering for submarines and serving on the USS Tiru (SS-416) at Pearl Harbor.

His military occupation was Quartermaster (Navigation), with a secondary NEC in Internal Security. He served sea duty in the Pacific and Vietnam, including on the Tombigbee (AOG-11), Camp Carter (Vietnam), USS Charles Berry (DE-1035), CINCPACFLT Staff, and USS Oriskany (CVA-35). He received an Honorable Discharge in December 1975 as Rank E-6. Since leaving the Navy, he has worked for companies involved in government or intelligence work, including training foreign military personnel, and obtained a college degree in photography. He is not currently connected with the government or intelligence community, except through friendships.

Personal Encounters and Contacts

Cooper recounts a UFO sighting during a cruise to the Portland-Seattle area where a UFO the size of an aircraft carrier rose from the water multiple times. This was witnessed by himself, the starboard lookout, the officer of the deck, the captain, and the chief quartermaster, who took pictures. They were instructed not to discuss it. Upon returning to Pearl Harbor, an Intelligence Officer (ONI) questioned him, initially yelling at him to stop, then smiling and calling him a "good sailor" after he claimed to have seen nothing. This experience led him to de-volunteer from submarine duty.

He also mentions working in management of civilian training facilities, including Airco Technical Institute, Adelphi Business College, and Pacific Coast Technical Institute. In 1972, he shared this information with another person for self-protection and verification, last having personal contact in 1974 and phone contact in 1976 or 1977. He has maintained distance to avoid accusations of collusion.

He retained a copy of the information, but his original was destroyed in a storage fire. The other copy, given to a trusted individual, can verify the information with the right code. Three people know this individual's name, last known location (1976), and the code. Cooper will not contact him until the information is verified.

He also received a call from a man named Christopher from Maryland, who he believes has also seen the "Majority Information" and the "Grudge document" and is a member of Compuserve.

Cooper mentions leaving out a graphic from a reconstructed document that showed two lightning bolts striking the bottom of a finned rocket. He tested his father, a former radar officer, by relating a story about recovered UFOs, and his father reacted with a knowing look and advised him not to talk about it.

Call to Action and Conclusion

Cooper concludes by stating that "HISTORY WILL BE THE JUDGE OF ME AND THIS INFORMATION." He swears the information is true to the best of his knowledge. He thanks those who aided him and urges anyone with substantiating information to come forward, stating, "THIS MAY BE THE ONLY CHANCE TO EXPOSE THIS TERRIBLE SITUATION. IF I FAIL YOU ALL FAIL."

Recurring Themes and Editorial Stance

The recurring themes in this issue are UFO sightings, alien encounters, alleged government secrecy and cover-ups, and the author's personal testimony and conviction regarding the truth of his claims. The editorial stance is one of urgency and a call for public disclosure, driven by a belief that a "sinister and terribly wrong" situation is unfolding involving the government and the UFO phenomenon. The author positions himself as a whistleblower, compelled by duty and personal risk to reveal what he believes is critical information.

Other Content

DHARMA COMBAT / FACTSHEET FIVE: The magazine mentions its "eighth startling manifestation" and that the ninth issue is being printed. It also references "FACTSHEET FIVE," a zine of reviews from the marginal press, edited by Mike Gunderloy, recommending it for its extensive coverage of underground publications.

Dulce Project and Related Topics: The author is seeking information about the "Dulce Project, MJ 12, cattle mutilations, field circles, the Roswell incident, and the alleged military/alien collaboration." He expresses agnosticism but notes that "Dulce Papers" in a recent issue of "OFF THE DEEP END" ($2.50) caught his attention.

New Religion: A contact named LAU is mentioned for those interested in a new religion that "bids fair to be bigger than Jesus." The contact address is 5312 Slope Dr., Sun Valley, NV 89433.

Erotic Writer's Forum: Michael Drax is introduced as the editor of "EROTIC WRITER'S FORUM," an interactive magazine for professional erotica writers, and "EROTIC WRITER'S AND COLLECTOR'S MARKET." He is also seeking information on the L. Ron Hubbard/Jack Parsons/Crowley connection.

Title: DHARMA COMBAT
Issue: 2
Date: October 26, 1989

This issue of DHARMA COMBAT presents a multifaceted exploration of history, society, politics, and art, framed by a personal letter from J. Koehnline outlining an ambitious project and a significant call to action regarding the art world.

The World's Columbian Semi-Millennial Fakebook and OtherAmerica Timeline

J. Koehnline, writing from Skokie, Illinois, announces a long-term project titled 'THE WORLD'S COLUMBIAN SEMI-MILLENIAL FAKEBOOK AND OTHERAMERICA TIMELINE.' This project is described as a 'ragged and motley chronotopology of American history,' aiming to capture 'mad jazz patterns' emerging from underground cultural meme-forms and eccentricities. It is envisioned as a 'dense and dazzling and profusely illustrated' blueprint of 'occult energy' and a 'chronotopological anthology of incunabular labanotations,' serving as an 'alternative historical scrapbook.' This work is intended to be released in 1992 as an antidote to the 'Atonist Advertising Blitz' of the same year. Koehnline invites readers to contribute to this 'panic fakebook' as contributing correspondents, encouraging them to provide names, dates, text, images, ideas, suggestions, artifacts, facts, fables, rumors, legends, maps, theories, charms, spells, songs, poems, jingles, chants, rants, rambles, hazardous guesses, unreasonable arguments, coded messages, pranks, hoaxes, and brief intrusions of the marvelous into everyday life across the Americas.

Social and Political Commentary

The issue delves into sharp social and political critiques. The author laments the 'domestication' of history and the erosion of civilization, noting an increasing awareness of 'nakedness and impotence' and a sense that 'time is shrinking into itself.' The piece criticizes the prevailing patriarchal society and the 'vicious form of Jehovah/Yahweh worship called Christianity' for its stance on reproductive rights, though the author also states a personal opposition to abortion being funded by tax money and a general opposition to taxation. The US government's foreign policy is also scrutinized, particularly its annual $3 billion aid to Israel for military actions, and a suspicious connection between Israel and South Africa regarding nuclear technology. The author expresses strong disapproval of the 'Jews running Israel.' The role of the 'Trilateralist President' and 'James A. Baker III' is mentioned in the context of international relations, with a cynical view of Russia and America potentially merging into a blend of capitalism and socialism. The text also touches on the economic policies in Russia, suggesting the US is bailing out the Soviet government with taxpayer money, and criticizes figures like 'Bush' and 'Gorby.' The author questions their own paranoia but asserts a belief in their observations.

UFOs and Alternative Investigations

Another section discusses the author's encounter with UFO/Alien investigative material, primarily through Art Bell's radio show and guests like John Lear. Lear, son of the Lear Jet founder, is presented as a credible source who discussed the 'MJ12' (Majestic 12) and UFO phenomena, including captured disks and aliens, linking figures like 'Bush' to the MJ12. Lear also claimed the government was preparing the public for an alien revelation. The author expresses skepticism but openness, citing 'Wilson's Cosmic Trigger' as an influence. The text mentions other sources like 'Above Top Secret,' 'Strieber,' and 'Hopkins,' and references Jacques Valle's 'Dimensions' and John Keel. The author also highlights 'The Bill Goodman Happening' on 840 AM, a radio show featuring discussions on Roswell, Groom Lake, Dulce, and the MJ12. A brief mention is made of Kelly Johnson, the engineer behind the SR71, in relation to a 'test and research site' near Groom Lake.

Art Strike: A Call to Action

A significant portion of the magazine is dedicated to a manifesto for an 'ART STRIKE.' This movement calls on all cultural workers to 'put down their tools and cease to make, distribute, sell, exhibit, or discuss their work' from January 1, 1990, to January 1, 1993. It also calls for galleries, museums, agencies, alternative spaces, periodicals, theaters, and art schools to cease all operations for the same period. The manifesto cites quotes from Sylvain Marechal and Jean Debuffet, advocating for the abolition of art as a means to dismantle cultural mythologies that uphold the powers-that-be. The text argues that the 'abolition of art' is linked to social revolution and that artists should engage in 'self-destructive in a constructive way' by liquidating the art system. The proposed strike is seen as a way to change the 'most adventurous part of "artistic" production' into the production of revolutionary ideas, forms, and techniques. The refusal of labor is presented as the primary weapon for artists, with a three-year period suggested to cripple the system.

Letters and Contributions

The issue includes a section of letters and contributions from various individuals, including 'andy 1 webber,' 'Ray Nelson,' 'Hatter,' 'James Koehnline,' 'Kerry W. Thornley,' 'Billy Rojas,' 'Jeffery Lewis,' 'Rev. Krupey,' 'Hakin Bey,' 'Gerry Reith,' 'Arlen Riley Wilson,' and 'Robert Anton Wilson.' These contributions cover a range of topics, from personal reflections and opinions on art and music (like the THX sound system) to philosophical discussions on libertarianism and pro-life stances, and even humorous or critical remarks on other contributors.

Recurring Themes and Editorial Stance

The recurring themes in this issue of DHARMA COMBAT include a deep skepticism towards established historical narratives and societal structures, a critique of political and economic systems, an exploration of alternative realities and phenomena (such as UFOs), and a radical call for the disruption of the art world. The editorial stance is one of anti-establishment, anti-authoritarianism, and a promotion of critical thinking and unconventional perspectives. There is a strong emphasis on questioning dominant narratives and seeking a more authentic or revolutionary form of existence and expression.

This issue of ART STRIKE, dated from the period of the proposed strike (1990-1993), focuses intensely on the concept and implications of an 'Art Strike.' The cover boldly proclaims 'THE YEARS WITHOUT ART' and features the tagline 'ART STRIKE: OUT OF CULTURE AND INTO THE WORLD.' The magazine delves into the philosophical, social, and political dimensions of this radical proposition.

The Art Strike: Concept and Rationale

The central theme is the Art Strike, a proposed total withdrawal of all cultural production for a period of three years (January 1, 1990 - January 1, 1993). This initiative, championed by groups like PRAXIS and various ASAC (Art Strike Action Committee) chapters across different regions (UK, SE, CA, California, Eastern USA, Southwest Eire, Latin America), is presented not merely as a cessation of artistic activity but as a profound critique of the existing cultural and economic systems.

Gustav Metzger is cited for his earlier ideas on subsidizing art and the potential for artists to be invited to 'camps' where art-making is forbidden. The magazine argues that capitalism has 'smothered art,' and a period without it could offer a new chance for genuine creativity. The Art Strike is seen as a way to challenge the socially imposed hierarchy of the arts and dismantle the notion of art as a 'superior form of knowledge.' It aims to address issues of 'identity,' demonstrating a societal drift away from play and simulation towards a more codified, restrictive reality.

The strike is described as a denial of product and labor, akin to a syndicalist general strike, with issues ranging from the economic to revolution and self-determination. It is positioned as an opposition to the 'logical way of mind' that has led to cultural devastation, offering a 'recording stroke of the gong' to drown out the 'squawks of the mainstream.' The ultimate goal is to create an 'empty space' that could lead to a new order, moving beyond the 'exhausted values of our culture.'

Critiques and Perspectives on the Art Strike

Several articles explore the multifaceted nature of the Art Strike. One perspective argues that the strike's importance lies not in its feasibility but in its potential to intensify the class war. It's suggested that by refusing to produce art, Metzger refused the role of an artist, demonstrating the fallacy of popular ideas about artists and showing how to break from a privileged position.

Another viewpoint acknowledges that the Art Strike is 'not a good idea' from the perspective of making a career in art, but emphasizes that the aims are different from Metzger's, addressing a broader range of issues. The mechanics of the strike are not expected to operate in the same way as in the economic sphere. The term 'Art Strike' itself is discussed, with alternatives like 'Refusal of Creativity' considered but ultimately rejected in favor of the more confrontational term that brings together traditional and modern art concepts.

The strike is characterized as decentralizing and anti-authoritative, designed to stop production and provoke discussion about art and its limiting contexts. It is seen as a way to challenge the bourgeois art establishment and its alleged 'aesthetic' objects and relationships. The use of the term 'strike' is intended to encourage active engagement with the issues.

The 'Years Without Art' and its Implications

The magazine poses '20 OF THE MOST DIFFICULT, AWKWARD & SEARCHING QUESTIONS YOU COULD ASK ABOUT THE ART STRIKE 1990-1993.' These questions probe the nature of the strike, its targets, its purpose, and its potential outcomes. For instance, 'Is this a joke?' is answered with a resounding 'Absolutely not,' highlighting the serious social implications, such as people not having shoes while art shows continue. The strike is described as the 'rough undressing of creativity,' and an artist's identity is seen as a 'divisive set of schooled, snotty attitudes.'

Questions about the consequences of not making art are explored, suggesting that without art, life would be unendurable, forcing a transformation of the world. The strike is framed as a denial of product and labor, with the principle of 'flux' and 'consumption' emerging as dominant. The idea of 'silence' is presented as a potential outcome. The strike is also viewed as a 'ceremonial mask of a movement away from competitive art and toward a culture without curators.'

The rationale for a three-year duration is explained: the first year for undifferentiated experience, the second for figures to emerge from a background, and the third for new perceptual methods to arise. The refusal of artistic identity is presented as the only weapon left, and the demolition of 'serious culture' as the only way ahead.

Related Content and Commentary

VALIS: An Opera Review

A significant portion of the magazine is dedicated to promoting 'VALIS,' an opera by Tod Machover, based on the science fiction classic by Philip K. Dick. The reviews are overwhelmingly positive, describing it as a 'glorious, exuberant fantasy,' a work of 'phenomenal power,' and a 'beautifully crafted exploration.' It's praised for its diverse musical range, from Wagnerian tones to rock music, and for its promise for the future of opera. The opera is lauded as an 'aural wonderland' that demonstrates Machover's understanding of American pop and serious culture, offering fresh and exciting ideas. It's recommended for fans of space-rock, Hawkwind, and even early Bowie, and is described as a 'mystical power and apocalyptic vision.' The opera is available on Compact Disc and Audiophile Cassette.

Vampire Alert!

A satirical piece titled 'VAMPIRE ALERT!' warns of an infestation of 'vampires (Homo Sapiens Parasitica).' These vampires are characterized by their desire to control others' lives, blind obedience to masters, and inability to think for themselves. The alert notes that these vampires feed on people's spirit, not blood. It specifically identifies 'followers of Christ the Vampire' as a particularly infested group, describing a historical figure who rose from the dead and preyed on people, with followers including 'Mary, Queen of Vampires.' The alert is signed by 'Dr. Van Helsing, M.D.,' 'J. Iscariot, Special Agent,' 'H. Celine, H.M.,S.H.,' and 'J. G. Eccarius, Publisher,' members of the 'Committee for Public Safety.' This piece appears to be a commentary on blind faith and manipulation.

ARTWARE: Distribution and Promotion

An advertisement for 'ARTWARE' seeks worldwide contacts for trading, buying, exchanging, and distributing videos and other media described as 'extreme/obscure/psychotronic/rare/trash/hard core.' ARTWARE operates on three levels: distribution/promotion, organizing film/video screenings, and reviewing/writing features. They are interested in original, unedited versions and can handle various video standards. They also offer a catalog and can promote articles elsewhere.

Freedom From Religion?

A brief news item notes that an anti-religion lobby called 'Freedom From Religion Foundation' in Wisconsin is seeking to have Gideon Bibles removed from hotel rooms, accusing the Gideons of proselytizing and invasion of privacy, with a spokesman calling the Bible 'gruesome, unsavory bedtime reading.'

Recurring Themes and Editorial Stance

The overarching theme of this issue is the radical critique of contemporary art and culture, particularly its entanglement with capitalism and the concept of artistic identity. The editorial stance is clearly aligned with the Art Strike movement, advocating for a complete disruption of the established art system. There is a strong anti-establishment, anti-capitalist, and anti-art sentiment, promoting a re-evaluation of societal values and a move towards a more direct, unmediated experience of reality. The issue champions a form of cultural revolution that questions the very definition and purpose of art, suggesting that its absence might lead to a more authentic and less alienated existence. The inclusion of the 'VALIS' opera review, while positive, can be seen as an engagement with a contemporary cultural product, perhaps to analyze its place within or outside the discourse of the Art Strike, or simply as a contrasting element within the publication.