Ad Astra - 1993 No 1

Magazine Overview

Title: Ad Astra
Issue: Nr. 1
Date: Oktober 1993
Publisher: VIDYA-Drammen
Price: Kr. 20,-

This issue of Ad Astra, a member's magazine for the VIDYA association, is presented as a publication focused on religious, political, and esoteric topics. The cover features a striking illustration and the headline "Gratis til medlemmer av VIDYA-Drammen." (Free for members of VIDYA-Drammen).

Editor's Note: "Redaktøren Taler"

The editor's note on page 3 addresses the delay in publishing this issue, attributing it to technical problems and the time taken to gather material from their writers. The editor expresses gratitude to the previous editor, Ole Jonny Brænne, for his contributions, and states that they are now responsible for the rest of the articles. The magazine has transitioned to an A-4 format for technical and practical reasons. The editor announces a discussion on astrology initiated by both themselves and Ole Jonny Brænne, urging readers to participate by sharing their opinions and interests. The goal is to create an "energy stream" where readers can comment on each other's articles in a non-critical manner, fostering inspiration, understanding, and growth. The editor assures readers that any harsh criticism will be filtered out, and anonymity is an option. All opinions and interests are welcome, and the magazine aims to be a critique-free space for open expression. The editor encourages active reading, as the content may be challenging, and suggests that Ad Astra might eventually earn a dedicated place on bookshelves.

A postscript notes that negative criticism is only accepted if accompanied by at least one article, while praise is always welcome.

Contents Overview

Page 2 provides the table of contents, listing articles and their authors:

• Redaktøren taler: (Editor's Note) - Page 1
• Golden Eagle (poem) by Zhacaro - Page 3
• "Brider Philip" og Andesfjellenes hemmelighet (Broder Philip and the Secret of the Andes Mountains) by Ole Jonny Brænne - Page 4
• Inn i den ukjente virkelighet (del I) (Into the Unknown Reality, Part I) by Zhacaro - Page 5
• Din personlige virkelighet (Your Personal Reality) by Zhacaro - Page 13
• Kreativitetens vesen (The Nature of Creativity) by Zhacaro - Page 14
• Marsboerne som landet på Notodden i 1908 (The Martians Who Landed in Notodden in 1908) by Ole Jonny Brænne - Page 20
• Hva astrologi egentlig er (What Astrology Really Is) by Ole Jonny Brænne - Page 21
• Esoterisk astrologi (Esoteric Astrology) by Zhacaro - Page 23
• Den sanne kunstners vei (musikalitet) (The True Artist's Path - Musicality) by Zhacaro - Page 28
• Eternal Music (poem) by Zhacaro - Page 36
• Message from Pleiades (poem) by Zhacaro - Page 37

VIDYA Association Information

Page 2 also includes information about the VIDYA association, describing it as a neutral and independent organization focused on knowledge and wisdom (Sanskrit: Vidya). It engages in educational activities, lectures, and discussions on topics such as parapsychology, spiritual science, occultism, ancient mysteries, UFO phenomena, astrology, alternative medicine, and diet. Their meeting place is Kreftingsgt. 44, Grønnland, every Tuesday at 7:00 PM. Contact information includes a postgiro number and a postal address for VIDYA Drammen.

Article Summaries

The Golden Eagel (Poem by Zhacaro)

This poem, appearing on page 4, uses the imagery of a golden eagle to symbolize fearlessness, omnipresence, and freedom. It describes the eagle flying over mountains and seas, seeing hidden lands and sacred places, and being beyond time and space. The eagle is portrayed as a master, never sleeping, and ultimately representing the soul and an unending flight beyond surrender.

"Broder Philip" og Andesfjellenes hemmelighet (Broder Philip and the Secret of the Andes Mountains) by Ole Jonny Brænne

This article on page 5 discusses George Hunt Williamson, also known as Michel D.M. d`Obrenovic, a contactee prominent in the 1950s alongside figures like George Adamski and Howard Menger. Williamson's book "Secret Of The Andes" (originally published in 1961) is examined, with the author questioning its prophecies. The article notes that much of the content was "borrowed" from "A Book Of Transcripts" (1957) by Charles and Lillian Laughead, which itself was based on periodicals edited by Laughead and Williamson. These publications claimed to be from "The Amethstine Order" and "The Brotherhood Of The Seven Rays." The article also mentions Williamson and McCoy's 1958 book "UFOS Confidential." Williamson was reportedly a witness to George Adamski's 1952 encounter with a Venusian, though some witnesses later recanted. Williamson claimed to have communicated with extraterrestrials named "Nah-9," "Sonn No," "Regga," "Zo," "Um," and "Affa." The author expresses skepticism about the existence of such secret groups and criticizes Williamson for his fascist and anti-Semitic leanings.

Inn I Den Ukjente Virkelighet (Del I) (Into the Unknown Reality, Part I) by Zhacaro

This multi-part article, beginning on page 5, delves into the nature of consciousness and reality. The author posits that human consciousness is the fundamental creative force, not a product of the universe. Einstein is mentioned for his ability to identify with universal functions and intuitively grasp discoveries. The article suggests that true exploration of reality requires transcending physical limitations and using consciousness as the primary instrument. It introduces the concept of "handling" (action/vitality) as the basis of all reality, existing in a timeless, unified state referred to as the "Rommelige Nå" (Spacious Now). Physical reality, including the human body, is seen as a material manifestation or "camouflage" of this underlying consciousness and its actions. The author distinguishes between the "jeget" (ego), which is a limited self-awareness, and the "Selvet" (Self), which is boundless and connected to the "Rommelige Nå." The article argues that time, causality, and even the physical body are constructs that limit our perception of this greater reality. It suggests that our physical senses only perceive a fraction of existence, and that inner senses are needed to grasp deeper truths. The concept of individual cells and atoms possessing their own consciousness, contributing to the collective consciousness of the body, is also explored.

Marsboerne som landet på Notodden i 1908 (The Martians Who Landed in Notodden in 1908) by Ole Jonny Brænne

This short article on page 20 recounts a purported event where Martians landed in Notodden, Norway, in 1908. The article implies this is a historical UFO incident.

Hva astrologi egentlig er (What Astrology Really Is) and Esoterisk astrologi (Esoteric Astrology) by Ole Jonny Brænne and Zhacaro

These articles (pages 21 and 23) introduce the concepts of astrology. Ole Jonny Brænne's piece likely provides a foundational explanation of what astrology is, while Zhacaro's article delves into its more esoteric or spiritual dimensions. The table of contents suggests these articles aim to explain the principles and deeper meanings of astrological study.

Recurring Themes and Editorial Stance

This issue of Ad Astra strongly emphasizes esoteric and metaphysical themes, including UFO phenomena, consciousness, astrology, and spiritual development. The editorial stance, as articulated in the editor's note, is one of openness, inclusivity, and fostering a supportive community for exploring these subjects. There is a clear encouragement for reader participation and a rejection of overly critical or judgmental discourse, aiming instead for a space of mutual inspiration and shared understanding. The magazine appears to be a platform for alternative perspectives on reality, consciousness, and the universe, often drawing from contactee literature and esoteric traditions.

This issue of VIDYA-DRAMMEN, dated 1976, is a Norwegian publication focused on consciousness, personal reality, and creativity. The primary author featured is Zhacaro, whose articles form the core of the content.

Article 1: The Nature of Reality and Consciousness (Pages 1-3)

This section explores the concept of "unpredictability" (uberegnelighet) as the fundamental basis of all existence and energy. It posits that while science attempts to find predictable patterns, the true nature of reality is inherently unpredictable. Individual consciousness, through its own unique reality, experiences dimensions fully. The article suggests that even events that might seem like official deaths are not necessarily so, implying a deeper, multi-dimensional existence. Scientific understanding is limited by its focus on observable data within a confined system, failing to grasp the larger, unpredictable nature of molecules, atoms, and waves. True order, even in biological structures, arises from this fundamental unpredictability. The freedom and unpredictability of waves, particles, and beings are the foundation of life structures, including psychological ones. Statistics and mathematics, while useful tools for theoretical organization, impose human ideas of order and predictability onto a reality that is fundamentally fluid. The position of an atom can be theorized, but its exact location at any given moment is unknown. The article argues that for consciousness to be truly free, it must embrace unpredictability and constantly surprise itself. This fundamental unpredictability applies to all levels of consciousness and existence. Even cellular structures appear fixed due to the absence of contradictory possibilities. Consciousness maintains its identity by accepting possibilities and physical lives, but only certain events are remembered. The text suggests that consciousness learns to handle alternative possibilities.

Article 2: Personal Reality (Pages 4-9)

Authored by Zhacaro, this article delves into how personal reality is formed from the inner psyche, specifically from conscious and unconscious thoughts and feelings. It asserts that no one is a victim of a reality separate from themselves, nor is anything imposed upon them. The connection between inner states and outer events is so profound that it's often difficult to distinguish between material events and the thoughts, expectations, and needs that create them. Narrow thoughts are seen as limitations, but understanding their cause is key to overcoming them. By examining conscious thoughts, one can uncover these hindrances and gain insight into their direction, as thoughts clearly indicate the content of physical events. Physical existence, the article states, always originates in thoughts and feelings. If one is dissatisfied with their experience, they must change the nature of the "telepathic messages" sent out by their thoughts. Every thought has a result, and repeated thoughts create a lasting effect. Blaming others or past lives is futile; responsibility lies with the individual. When a person relinquishes responsibility, they become a victim of events beyond their control. Many people have a partial understanding of reality's nature but still lament their negative experiences, not fully grasping their role in creating them. Once this truth is understood, conditions can be changed to alleviate sorrow and dissatisfaction. This requires effort and determination, but individuals possess the power to alter their circumstances and personal experiences. What one sees and feels is what they expect to see and feel; the world known is a reflection of expectations, and humanity's collective world is a materialization of collective expectations. The author hopes to further explore how we shape our reality and how to change it for mutual benefit.

The article further explains that creativity is not limited to artistic endeavors but is a fundamental aspect of all existence. Everyone is a carrier of creative energy, whether they realize it or not. Creativity is found everywhere, from the earth to the air, and within the human body itself. We are not separate from this creativity, even if we believe we are. People use their creative abilities in different ways: some create problems, while others live joyfully. The difference lies in how this energy is directed. Misdirected creative energy leads to distorted creative force, manifesting as problems and blockages. Personal problems are not caused by external factors but by a misdirection of creative energy, for which the individual is responsible. No one else can solve these problems. The author stresses that individuals have full responsibility for how they direct their creative energy. This energy is the basis of all experiences and perceptions. Denying one's creative ability to create is to deny the ability to experience and learn, thus hindering development. Development is a journey within creativity. The question is whether we use our energy purposefully and constructively or unconsciously, becoming victims of its "unconscious" consequences. The article aims to awaken the inner teacher and master, enabling individuals to take control of their reality creatively. However, true learning must come from within; no one outside can teach us about ourselves; we project our inner teacher onto others.

The article continues by stating that we cannot truly learn from others; if we find value in an article, it's because it reflects our inner teacher. Over time, our relationship with our higher self or soul may deepen, and we may develop further. We are on Earth to learn to use our creative abilities by experiencing our energy as physical data. By observing the results in objective reality, we learn to use our creative energy more effectively. Earth is a school, and the physical reality is a classroom where students are tested on their ability to direct their creative energy constructively before advancing. Creativity originates from within; it is an eternal, creative force that will always create the reality we inhabit. Our reality is a result of how we direct our creative energy, which is essentially ourselves or our life. Before creative energy can manifest as reality, it passes through a filter of our beliefs and expectations. These beliefs shape our reality automatically, much like a color filter colors white light. Our reality is immediately formed by our beliefs. We react consciously and unconsciously to our beliefs, and the data we gather from the physical and inner universe appears to align with them because our reality reflects them. Experiences in the physical world flow from us and are then recognized in our astral body. Physical experiences are a form of feedback on our beliefs. Changing our beliefs automatically changes external circumstances and, consequently, our feelings. Feelings cannot be changed without first altering our mental attitudes. Even seemingly permanent circumstances will change as our inner attitude shifts. No external experience originates without an internal source. Experience is a product of our inner psychic life, including conscious and unconscious thoughts and feelings, which form the basis of our physical reality. Our beliefs and expectations shape our experiences, and our perception of ourselves and reality influences our thoughts and feelings in a reciprocal manner, potentially leading to "vicious cycles."

Article 3: The Solar System's Future (Page 10)

This section presents a speculative view of the solar system's future. It suggests that Earth will soon "exit" its current orbit and change its position. Following Earth, other planets will also shift. Atlanta, however, will remain on its elliptical orbit, effectively closing a system of 10 planets. Nine of these planets will move in an "8-shaped" orbit. Saturn is identified as the second energetic point, and Jupiter will shine like a second sun, orbiting Saturn in an elliptical path. This configuration of solar system elements will function for a period. The energetic center of the system will no longer be the sun but the point where planetary orbits intersect. The diagram illustrates this concept with labels for SOL, SATURN, JUPITER, ATLANTA, and a "KRISE-PUNKT (NØYTRALE 7+5 ENERGIER)".

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the power of consciousness, the creation of personal reality through thoughts and beliefs, and the importance of taking personal responsibility for one's experiences. The editorial stance is one of empowerment, encouraging readers to understand their inner world and harness their creative potential to shape their lives and reality. There's a strong emphasis on self-awareness and the idea that external circumstances are a reflection of internal states. The speculative piece on the solar system suggests a forward-looking perspective, hinting at future transformations and energetic shifts within our cosmic environment.

Title: VIDYA DRAMMEN
Issue: 19
Date: 1908

This issue of VIDYA DRAMMEN, published in Norway, delves into two primary themes: a historical event presented as a potential extraterrestrial encounter and a deep exploration of astrology.

Marsboerne Som Landet På Notodden I 1908

This article, written by Ole Jonny Brænne, recounts a remarkable event that occurred in Notodden in 1908, which is described as one of the most successful April Fools' pranks of its time. The narrative begins with peculiar telephone messages reporting a visit from Mars and a potential landing of a spaceship. The initial reports detailed two beings arriving, described as having a likeness unlike anything seen on Earth, with wings and radiant eyes. They communicated through an incomprehensible language but managed to convey that they could not leave. The beings entered their ship, which was described as being built of an unknown metal and emitting a northern lights-like glow, powered by an immense electrical charge. The article notes that the prank was well-executed, with the 'visitors' appearing sad and sorrowful. The event generated immense public interest, with people flocking to Notodden and news spreading internationally, even reaching Stockholm. The article suggests that the prank might have been inspired by the contemporary discussions surrounding Nikola Tesla's attempts to establish radio contact with Mars, making the idea of a Martian response seem plausible.

Hva Astrologi Egentlig Er

Written by Ole Jonny Brænne, this section critically examines the foundations and practices of astrology. Brænne posits that astrology's primary appeal lies in human egocentrism, as horoscopes offer descriptions that individuals readily identify with. He raises several points questioning astrology's accuracy:

• Gestation Period: Life begins nine months before birth, yet horoscopes are based solely on the moment of birth, ignoring the prenatal period where similar 'energies' might be at play.
• Precession of the Equinoxes: The zodiacal constellations have shifted eastward over time, meaning the sun enters Pisces, not Aries, at the vernal equinox. This discrepancy means that individuals identified as 'Aries' by astrology might actually be 'Pisces' people.
• Newly Discovered Planets: The discovery of Uranus (1781), Neptune (1846), and Pluto (1930) introduced new celestial bodies into astrological calculations. However, these planets were not part of ancient astrological traditions, raising questions about the validity of their inclusion and the overall accuracy of horoscopes based on millennia-old traditions.
• Subjectivity of Influence: Brænne questions who determined the specific influences and characteristics attributed to planets like Uranus, Neptune, and Pluto, suggesting that astrologers often rely on the interpretations of their predecessors rather than independent verification.
• Unseen Planets: The possibility of undiscovered planets in our solar system, suggested by measurements of planetary orbits, means that current astrological models are incomplete.
• General Nature of Descriptions: Horoscopes are often so general that almost anyone can find a description that fits, particularly focusing on positive aspects, which Brænne argues makes astrology imprecise.
• Gravitational Influence: The article argues that the gravitational influence of the doctor or midwife at birth is far greater than that of any planet, challenging the premise of planetary influence.
• Zodiacal Constellations: Astrology uses 12 zodiac signs, but there are 14 constellations in the sky, creating another inconsistency.

Brænne concludes that these points suggest astrology may be based on outdated beliefs and 'nonsense.'

Esoterisk Astrologi (Vitenskapen om de virksomme energier)

Authored by Zhacaro, this article presents a different perspective on astrology, framing it as 'esoteric astrology' and a science of 'working energies.'

• Energy as Fundamental: The core principle is that everything in the universe is energy. Humans can choose to be controlled by energy or to control it. Esoteric astrology aims to teach individuals how to understand and work with universal laws and energies constructively.
• Intuitive Astrology: Zhacaro suggests that intuitive astrology will eventually replace current forms of astrology, reviving ancient knowledge. He asserts that astrology is not an exact science but is based on illusions, particularly regarding the sun's position in zodiac signs.
• Future of Astrology: Esoteric astrology, in its highest form, will enable humans to focus their understanding and function correctly. It promises to reveal the coordination between soul and form through future discoveries.
• Limitations of Current Astrology: Zhacaro argues that current astrology overlooks many factors and is not yet an exact science. He notes that the sun's path through constellations takes thousands of years, making changes imperceptible in the short term, but significant for solar system horoscopes.
• Influence of Planets: The article discusses the influence of planets, noting that gravity is the only scientifically proven influence, but its effect is minimal. It also mentions the late discovery of planets like Uranus, Neptune, and Pluto, which were later incorporated into horoscopes without established tradition.
• Types of Astrological Energy: The article identifies three main types of energy that astrologers focus on:
• Sun Sign Energy: Represents the soul's starting point from a previous incarnation and influences current problems, personality tempo, and life tendencies.
• Ascendant Energy: Indicates the path for the individual's energy flow and holds the key to life's problems and future potential, providing the necessary power for success.
• Moon Influence: Represents the past, summarizing limitations and current obstacles, and governing the physical body, indicating the 'prison of the soul.'
• Beyond Traditional Astrology: Zhacaro highlights influences that traditional astrologers are unaware of, such as cell consciousness reacting to events 'before they happen.' He also notes that individuals born at the same time can have vastly different inner reactions.
• The Nature of Space: The article describes space as a living entity with its own vital body composed of the ethereal bodies of constellations, solar systems, and planets. This interconnectedness forms the basis of astrological theories, telepathy, and brotherhood.
• Ethereal Body: Each human has an ethereal body, and collectively, humanity forms the ethereal body of the human race. Similarly, all life on Earth forms the planet's ethereal body, and our solar system forms a larger cosmic entity.
• Energy Flow: The ethereal body receives energy impulses from consciousness and is essentially energy itself, composed of countless energy threads. These streams influence the physical body and animate it.

Zhacaro encourages readers to study astrology with a deeper understanding and respect, emphasizing its potential to elevate human consciousness.

Recurring Themes and Editorial Stance

The magazine appears to have a critical yet open-minded stance towards astrology. While it thoroughly dissects the perceived flaws and inaccuracies of traditional astrology, it also explores the concept of 'esoteric astrology' as a more profound and potentially scientific discipline focused on universal energies and consciousness. The inclusion of the 1908 'Mars landing' hoax serves as a historical curiosity, perhaps to contrast with the more philosophical and scientific inquiries into astrology presented in the other articles. The editorial stance seems to favor a deeper, more spiritual, and scientific understanding of the universe and humanity's place within it, moving beyond simplistic interpretations.

This issue of 'Den Sanne Kunstnernes Vei' (The True Artist's Way) is a publication from VIDYA-DRAMMEN, featuring an extensive article by Zhacaro titled 'Musikklære for musikere' (Music Theory for Musicians), set in 'i Vannmannens Tidsalder' (In the Age of Aquarius).

Article: Den Sanne Kunstnernes Vei

The article is presented as an excerpt from a larger document and is divided into two main parts: 'Veiledende bemerkninger om musikkens esoteriske natur' (Guiding remarks on the esoteric nature of music) and 'Definasjon av musikalitet og hvilken metode du kan bruke for å vekke musikaliteten' (Definition of musicality and the method you can use to awaken musicality).

Part I: Musikkens esoteriske natur (The Esoteric Nature of Music)

This section is further divided into three sub-sections:

• I. Indre lyd og lys (Inner Sound and Light): This sub-section posits a fundamental connection between sound and light, stating that all atoms and structures exist as sound. Every sound is aware of its individuality yet merges into a symphony. Sounds are aware of their dimensional medium and the other realities they create. The universe communicates with itself through a language of inner sound and light, or tones and colors, which is also the basis for telepathy. Every color vibrates tones, and every tone vibrates colors. A painting is considered a piece of music, and music is a painting of colors.
• II. Musikkens esoteriske natur (The Esoteric Nature of Music): This part discusses how a composition 'grows' from its first note, with infinite other 'alternative' compositions latent within it, all equally valid. These unheard variations create silent structures and pave the way for realized music.
• III. Musikkens innflytelse på mennesker (The Influence of Music on Humans): Sound is described as both constructive and destructive, capable of creating or destroying structures on ethereal, astral, emotional, and mental levels. A true musician, with a strong soul orientation, can consciously create feelings and thoughts in others through tones and sounds. Every structure has a hidden idea behind it, and to perceive this idea, one must use inner senses. The article notes that the meaning of an idea can differ among individuals. Throughout history, philosophers, sages, prophets, and mystics have understood the profound significance of sound. Music influences humanity's thoughts and feelings, both consciously and unconsciously, directly and indirectly, mirroring life itself.

Part II: Musikalitet (Musicality)

This section is divided into three sub-sections:

• I. Definasjon av musikalitet (Definition of Musicality): Musicality is not merely a strong love for music or an understanding of it. It is more than recognizing similarities or possessing analytical thinking. Intelligent musicians can often grasp musical problems and the tendencies of other musicians through experience. However, this is not to be confused with true musicality. Musicality is not linked to higher or lower psychic abilities; experiencing uplifting reactions to music does not equate to musicality. It is not intelligent music psychology or a desire to teach. It arises from an interplay between personality, guided by a strong soul orientation. Musicality is the synthetic understanding that is the soul's privilege, achieved when the soul works in two directions: towards the monad and towards the integrated personality. It is the first sign of deep subjective union, culminating in the third initiation. Musicality is a comprehensive understanding of the universal principle, and when active, it can lead to a feeling of non-separation. At its highest, it is recognized as universal unity, characterized by identification with music rather than sentimental reactions. This leads to a true feeling for music, making criticism impossible and revealing the divine spark inherent in all tones. When musicality is active, everything is perceived as music, and the light bodies of all forms can be contacted. This enables contact with the sound centers of all forms, creating a necessary connection and diminishing the feeling of separation. Musicality is an infallible, sensitive force, latent in every human being, based on direct knowledge unhindered by any mechanism operating in the three worlds (physical, astral, emotional, and mental). Musicality brings three qualities: illumination (inner enlightenment), understanding (the ability to grasp the whole of music and its essence, and to withdraw from identification with form life), and love (a profound, unconditional affection that is not secondary but a consequence of developed musicality). These three qualities together summarize musicality's aspects and can be expressed as universality or the feeling of universal oneness. The article suggests that this oneness leads to a decentralization of the 'dramatic' ego and a reduction of self-centeredness.
• II. Metoden til å vekke musikaliteten (The Method to Awaken Musicality): This section outlines methods to awaken musicality, with studying and interpreting compositions being among the most effective. Studying compositions can lead to three effects: developing the ability to penetrate beyond the form to its subjective reality, creating a tight integration between soul-mind-brain, and stimulating dormant areas in the brain. The article stresses the importance of always aiming to grasp the underlying concept of a composition. This concept is always a synthesis, not divided into details. The study of compositions should be approached in three ways:
• Exoterisk (Exoteric): Studying the composition's form as a whole, its rhythm, numerical content, and its constituent parts (harmonies, melody, instruments) and their interrelationships.
• Begrepsmessig (Conceptual): Penetrating the composition's underlying idea, its purpose, and its intellectual meaning. This involves understanding the idea as it appears in consciousness during meditation and its conceptual content, whether as a whole or in parts. The idea suggests a higher or abstract intention, expressed in the language of concrete thought.
• Esoterisk (Esoteric): This refers to the effect of the composition's power or energy on the individual, the quality of the vibration it evokes, and the center it might activate, possibly in the astral body or mind. This study, when approached correctly, leads to the unfolding of musicality, inner enlightenment, understanding, and love.

The article further elaborates on the stages of analyzing a composition: exoteric consideration (rhythm, harmony, melody), conceptual consideration (underlying idea, purpose, intellectual meaning), synthetic understanding of purpose and its place in a manifested plan, and identification with the composition's quality and purpose, illuminated by the mind. It emphasizes the importance of analyzing the composition's effect on one's feelings, aspirations, and reactions, distinguishing between exoteric reading, conceptual understanding, and esoteric insight.

Poems

Eternal Music (Av Zhacaro)

This poem in English reflects on consciousness expressing itself through creation, with the world being the Music of the Creator. It describes moments of composing or playing music where the spirit soars and becomes one with everything that exists, transforming into stars, the moon, the lover, the beloved, the victor, the vanquished, the master, the slave, the singer, the song, the knower, and the known. The poem concludes with a commitment to composing until reaching the eternal Music of creation, where creator and creation merge into heavenly joy.

Message From Pleiades (Av Zhacaro)

This poem, also in English, is a call to 'hurry home to your heart' and 'hurry home to the voice,' signifying inner change and readiness for choice. It speaks of starting a new generation with freedom, being the living soul of the time, wise as the moon, and coming home soon. The poem mentions a 'cleansing of the loneliest soul' and an honor in being alive. It urges readers to change their history and style, becoming children of the future. The final lines express a commitment to stand strong and count, urging a return home to the heart and love.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the esoteric and spiritual dimensions of music, consciousness, and creativity. The editorial stance, as presented through Zhacaro's writings, is one of profound spiritual exploration, advocating for a deep, integrated understanding of music not just as an art form but as a cosmic language and a path to self-realization and universal oneness. The publication emphasizes inner development, the awakening of latent abilities, and the connection between the physical, astral, and spiritual realms through the practice and understanding of music.