Anomalia - 2a Epoca - No 11 - 2010

Magazine Overview

This document is issue number 11 of the magazine @nomalía, published in 2010 by Fundación Íkaros. The magazine focuses on ufology and its intersection with contemporary culture, science fiction, and popular media.

Key Articles and Features

Ufofilatelia. El fenómeno OVNI según los sellos

Authored by Luis R. González Manso, this article explores the unexpected presence of UFO phenomena in philately. It examines how postage stamps have incorporated ufological themes into their designs, highlighting the broad reach of this subject matter into various cultural domains.

Dossier: Ultimos avistamientos

This dossier, compiled by Matías Morey Ripoll, addresses the continued prevalence of alien sightings. It notes a shift from clandestine occurrences to more overt appearances in popular culture, specifically mentioning cinema, television, and video games as platforms where extraterrestrial themes are now openly explored. The dossier reviews recent instances of alien portrayals in these media.

Influencias terrícolas: Ummo en Lost y en la nalga de Misa

Written by Alejandro Agostinelli, this piece delves into the enduring influence of the 'Ummo' phenomenon within contemporary society. It suggests that the narrative surrounding Ummo continues to permeate various aspects of modern life, from popular culture to more unconventional contexts, resisting extinction and appearing in diverse fields.

Other Featured Content

• Editorial by José Ruesga Montiel.
• El paseante de Sirio by AA.VV.
• Les soucoupes volantes (1965) by Matías Morey Ripoll.
• 500 exoplanetas descubiertos from SPACE.COM.
• Candor Chasma by Matías Morey Ripoll.
• Splice by AA.VV.
• Jack Kirby y los platillos volantes by Matías Morey Ripoll.
• El Sur by José Ruesga Montiel.
• Dossier: Ultimos avistamientos (continued) featuring sections on Avatares, Distrito 9, Doctor Who, Torchwood, V, los re-visitantes, Ataque de pánico, and Videojuegos.
• E.T. (Futuristic Lover) by Matías Morey Ripoll.
• Ufofilatelia. El fenómeno OVNI según los sellos (reiteration) by Luis R. González Manso.
• AMILIBIA.
• Entrevista: Herikberto discussing Star Wars Art: Visions.

Editorial and Staff

The magazine is directed by José Ruesga Montiel. The editorial team includes José Luis Ramírez Lagares (Adjunto a dirección), Ricardo Campo Pérez (Redactor Jefe), and Antonio Petit Gancedo (Documentación). The graphic coordination is handled by Julio Arcas Gilardi, and the graphic design by Matías Morey Ripoll. Maquetación is by José Ruesga Montiel and José Luis Ramírez Lagares. The Editorial Council comprises Julio Arcas Gilardi (Santander), Ricardo Campo Pérez (La Laguna, Tenerife), Luis R. González Manso (Málaga), and José Ruesga Montiel (Sevilla).

Collaboration and Patronage

Fundación Íkaros, the publishing entity, outlines its mission to promote ufology through various activities. It invites collaboration and support through donations, offering different tiers: 'donante colaborador' (from 30 euros annually, Spain only), 'donante principal' (from 60 euros annually, Spain and EU), and 'donante benefactor' (from 90 euros annually). These donations come with benefits such as subscriptions and special access. The foundation also highlights the tax advantages for donors, allowing deductions of up to 25% for IRPF and 35% for Impuesto de Sociedades. Further information is available via their website, email, or postal address in Santander.

Recurring Themes and Editorial Stance

This issue of @nomalía demonstrates a strong focus on the multifaceted presence of UFOs and extraterrestrial themes within contemporary culture. The editorial stance appears to be one of serious inquiry into these phenomena, exploring their manifestations not only in traditional ufological contexts but also within popular entertainment, art, and even philately. The magazine aims to provide a comprehensive overview of current discussions and representations related to UFOs and aliens, encouraging reader engagement and support for the study of ufology.

This issue of Anomalia magazine, titled 'Publicaciones', dated 2010, focuses on the intersection of ufology and philately. It presents a detailed exploration of postage stamps that feature UFOs, space exploration, and related phenomena, connecting them to historical events and sightings.

Publications Section

The magazine begins by listing its various publications, including 'Anuario CdU', 'Biblioteca Camille Flammarion', 'Diccionario Temático', 'Vida en el universo', and 'Otras publicaciones'.

• Anuario CdU: Described as the official organ of the Fundación Ikaros, it is an annual publication of approximately 250 pages featuring extensive articles and dossiers by Spanish and foreign authors.
• @nomalía: This is presented as the first digital publication on ufology in Spain, offering a bi-annual review of the most current aspects of the UFO phenomenon. It is available in CD-ROM format, including multimedia files, and is distributed free to donors of Fundación Ikaros, though individual issues can be purchased separately.

UFO Philately – The UFO Phenomenon According to Stamps

This extensive article by Luis R. González delves into the world of UFO-themed stamps. It is presented as a corrected, augmented, and updated version of an article originally published in the British magazine FORTEAN TIMES. The material discussed is part of a larger collection of 'Astrofilatelia' (space philately) held by the Fundación.

Early Postal Encounters and Space Collaboration

The article begins by detailing the first 'postal close encounter' on June 20, 1975, in Africa, with a series of eleven stamps issued by Equatorial Guinea dedicated to 'Space Collaboration USA-USSR'. These stamps covered various milestones, including the first Spanish artificial satellite (Intasat), the projected lunar base, Soviet cosmonaut Yuri Gagarin (#003), American astronaut John Glenn (#004), the Apollo 11 Moon landing (#005), and the Apollo 15 lunar rover (#006). The final stamp in this series shows Pioneer 11 flying towards Saturn (#007).

Interplanetary Collaboration and Adamski's Saucers

Two additional stamps with a higher face value and the heading 'Interplanetary Collaboration' are discussed. These feature three types of UFOs. The first (#008), with a face value of 15 ekuele, shows a 'progressive' print of the stamp, illustrating the stages of its color development. It prominently features a 'saucer' photographed by George Adamski in 1952, with the designer adding extra spheres not present in the original. In the background, similar saucers are depicted, reminiscent of those on the cover of the inaugural issue of the American magazine FATE, illustrating Kenneth Arnold's sighting on June 24, 1947 (#009)(#010). The article notes that the designer 'improved' the original by adding trails, possibly referencing modern contrails.

Saturn's Rings and Twin Falls Case

Another stamp with a face value of 20 ekuele (#011) is mentioned, though the specific UFO case that inspired it remains unidentified. The article then discusses descriptions of saucer-shaped objects, comparing them to Saturn's rings and cylindrical tubes. It references a little-known case from Twin Falls, Idaho, USA, on August 14, 1947 (#013)(#014) as a potential equivalent.

Conspiracy Theories and Gagarin's Testimony

The author suggests that UFO connections can be found in all the stamps of this pioneering series. Citing declassified documents, it is mentioned that Gagarin allegedly recognized UFOs as real and capable of incredible speeds. Furthermore, an unconfirmed report suggests a UFO was present during the Vostok 1 launch. However, these claims surfaced after Gagarin's death, making confirmation impossible.

John Glenn's Encounter and 'Snowflakes'

On February 20, 1962, John Glenn, piloting the Mercury capsule 'Amistad 7', reported observing three objects that followed and overtook his spacecraft at different speeds. He later described them as small 'snowflakes' seemingly originating from the capsule's base. Subsequent flights also involved similar observations.

Glenn's Return to Space and UFO Confession

In March 2001, John Glenn, who had returned to space at age 77, reportedly confessed on television about UFOs and government cover-ups during an episode of the TV series 'Frasier'. The article notes that this confession, made on a fictional show, leads some to dismiss its credibility.

The Moon Landing and UFOs

The Moon landing is presented as a significant event that has inevitably led to UFO connections. The article mentions falsified photos published by a Japanese magazine and discusses genuine photos where skeptics attribute the observed phenomena to fragments of the rocket's third stage. It also notes that the crew commented on a small cylindrical object following them, which debunker's attribute to the spent rocket stage. The article also refers to alleged alien sightings during the televised Moonwalk and mentions painter Fernando Calderón's works inspired by them (#015).

NASA Archives and Interstellar Messages

The article states that anomaly hunters have reviewed millions of NASA images, consistently discovering 'luminous UFOs' in lunar mission archives. It highlights the famous gold anodized aluminum plates on the Pioneer 10 and 11 probes, designed by Frank Drake, Linda, and Carl Sagan, as an interstellar greeting card. These plates indicate Earth's location and include images of a human male and female from 1973, intended to be a friendly, mixed-race representation. These images have been reproduced on stamp sheets from Saint Vincent and the Grenadines (#016) and Paraguay (#016A).

Mysterious Force and Russian Stamps

In September 2002, it was reported that an unknown force seemed to be slowing down the Pioneer probes. The article questions whether this is mere coincidence or part of a global program to educate Earthlings about extraterrestrial existence. It notes that illustrations from the Guinean stamps later appeared on Russian stamps from Yakutia in 1996 (#016B).

Early UFO Philately and Manama Stamp

The article corrects its earlier assertion that the first UFO philatelic item appeared in 1975. It acknowledges that ufologists often search for older cases. It mentions a stamp from the Manama emirate in the Persian Gulf (#017) as an example of an early astro-philatelic item depicting a UFO. This stamp is part of a fifteen-value emission about Apollo missions and shows an Apollo 12 astronaut deploying solar wind panels, with two luminous points identified as UFOs to the left.

The First UFO Stamp Series (with Premonition)

Ufology is described as a discipline that has embraced philately, with collectors focusing on UFO-themed stamps since the mid-1970s. In 1978, the first stamp series entirely dedicated to UFOs, titled 'Research into U.F.O.s', was issued by Grenada. The then-Prime Minister, Sir Eric Gairy, advocated for UN interest in the phenomenon, leading to presentations by ufologists like Jacques Vallée, John A. Hynek, and Claude Poher on November 27, 1978.

Grenada's Stamp Series and Sir Eric Gairy's Downfall

Sir Eric Gairy's political career was short-lived, as he was deposed in March 1979. The article alludes to conspiratorial theories surrounding his downfall, suggesting it might have led to an invasion of the island by a North American power.

Grenadian Stamps and Their Themes

Sir Eric left behind three stamps and a small block dedicated to UFO themes. Each piece is divided vertically, showing two distinct scenes. The 5-cent stamp depicts the Adamski-type saucer on one side and a medieval engraving of strange aerial phenomena observed in Germany in 1561 (#018) on the other. The 35-cent stamp features a radiotelescope against a starry background, possibly symbolizing SETI projects, and a lunar landscape with light balls (#019), referencing the phenomenon of Transient Lunar Phenomena (TLPs).

The most expensive stamp, valued at $3, combines a luminous reddish ball from 1955 (unrelated to any known UFO case) with a saucer featuring windows and a ventral ray (#020)(#020A). This ventral ray is noted as being similar to modern depictions but first appeared in the 1955 film 'This Island Earth'.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the intricate connections between ufology and philately, the history of space exploration, and the persistent presence of UFO phenomena in public consciousness and documentation. The editorial stance appears to be one of presenting information and evidence from various sources, including stamps, historical accounts, and personal testimonies, while acknowledging skepticism and encouraging the reader to form their own conclusions, as indicated by the closing question regarding the significance of the stamp series.

This document appears to be an article or a section from a magazine focused on the intersection of UFO phenomena and philately, specifically how stamps have depicted UFOs, related mysteries, and science fiction.

UFOs and Philately: A Visual Exploration

The article begins by discussing a stamp from Grenada (#021) that features the United Nations building in New York, a portrait of Sir Eric Gairy, and a UFO hovering over Manhattan (#022). It then links this to the alleged abduction of Linda Napolitano in November 1989, which took place in New York and involved Javier Pérez de Cuellar, then Secretary-General of the UN.

Reinterpreting History Through Stamps

The text notes a long hiatus in UFO-themed stamps after initial pioneering issues. It then explores how ufology interprets historical events through the lens of extraterrestrial visits, citing how ancient megalithic monuments are often reinterpreted as having alien inspiration or even direct construction by aliens. Stamps illustrating these monuments, such as the pyramids (#023), Stonehenge (#023A), and Olmec heads (#024), are mentioned.

Further examples include stamps depicting the Nazca Lines (#025)(#026) and the 'astronaut' from the Palenque sarcophagus (#027), with a mention of the HET (presumably a UFO research group) and Hermann Oberth in relation to the latter.

Gigantic heads from Easter Island are also presented as appearing on numerous philatelic issues, with Chilean stamps from 1965 and a 1986 block (#027A)(#027B) being cited.

Ancient Art and Biblical Accounts

The article touches upon UFO-like shapes found in Paleolithic cave paintings, mentioning the 'Martian god of Tassili' and providing examples from Monaco (#028) and Australia (#029).

It then moves to biblical accounts, noting that ufologists have found UFOs even in the Bible. Donald Menzel, a demythologizer, is mentioned for his 1953 parallels between UFO accounts and biblical narratives. While no stamp directly depicts Ezekiel's 'wheels within wheels,' several illustrate the fiery chariot that took the prophet Elijah to the heavens. A recent example from Israel is highlighted, part of a series commemorating a science fiction convention, which includes predictions related to Hebrew legends and features figures like Arthur C. Clarke and his '2001: A Space Odyssey.'

Science Fiction and Early Sightings

A block of stamps from Kyrgyzstan (#030) featuring '2001: A Space Odyssey' is shown. The article explains that due to postal regulations prohibiting stamps for living persons, the focus shifted to H.G. Wells and his time machine (#030A) on one stamp, Isaac Asimov and his robots (#031) on another, and Julio Verne and the moon flight (#032) on a third, which depicts Elijah's chariot.

Early UFO sightings, such as the 'aerial ship' sightings in the United States from 1896-97, are mentioned as being illustrated by two stamp blocks.

Depicting Space Travel and Early Cinema

A 1972 stamp from Manama (Bahrain) commemorating the Apollo 16 flight (#033) shows the first man on the moon and an aerial craft with oscillating wings, linked to Julio Verne. This design is related to an invention imagined for the 1901 Pan-American Exposition in Buffalo, where visitors could travel to the moon. The article also notes that George Méliès' pioneering 1902 film 'A Trip to the Moon' is illustrated on a Burkina Faso block (#034)(#034A), depicting its famous scene with selenites, which are described as crustacean-like and vaguely reminiscent of the beings described by Charles Hickson in Pascagoula (#034C).

Verne's Visions and UFOs

Julio Verne is further honored with a second block from Liberia, recalling his novels 'Robur the Conqueror' and 'The Master of the World' (#035)(#036). These novels predicted an aerial craft similar to those allegedly observed in North America. A stamp shows Vincent Price as Robur, based on the 1961 film adaptation.

Upon the centenary of Julio Verne's death, a flood of thematic stamps was released. Some included flying saucers, like a series from Congo depicting them alongside other spacecraft designed by science fiction illustrator Chris Foss (#037)(#038)(#039).

Shaping the UFO Myth

The article returns to the foundational event of modern ufology: Kenneth Arnold's 1947 sighting, which has appeared on stamps on two occasions. A 1992 collection from the Maldives ('Mysteries of the Universe') included a stamp showing a golden saucer with a dome flying over snowy mountains (#040), perpetuating the erroneous cliché that Arnold's objects were disc-shaped.

A 1999 Tanzanian block (#041) is said to better reflect Arnold's actual description, though both stamps still show large, close UFOs, whereas Arnold reportedly saw only 'flying fleas' or objects at the limit of human perception, which some skeptics have dismissed as a flock of pelicans.

Alternative explanations for Arnold's sighting, such as secret prototypes (#041A)(#041B)(#041C), are presented with stamps from Palau featuring experimental aircraft.

The article then discusses the Captain Mantell incident, where his death in a plane crash while intercepting a supposed UFO is depicted on a Tanzanian block (#042). The consensus explanation is that Mantell died from lack of oxygen while pursuing a stratospheric balloon.

Misidentifications and Astronomical Stimuli

Finally, the article touches upon stimuli that can be confused with UFOs, including balloons and human-made prototypes. Astronomically, the planet Venus, known as the 'morning star,' is presented as a prime example of misidentification. The USAF allegedly used Venus as an explanation for the Mantell case to conceal a secret. The article also mentions contactees like Adamski and his Venusian visitors, and a 1978 Ghanaian stamp block illustrating US efforts to study Venus with the Pioneer 1 and Pioneer 2 probes, noting that no trace of life was found.

Recurring Themes and Editorial Stance

The recurring themes in this document are the visual representation of UFOs and related phenomena on postage stamps, the reinterpretation of historical and biblical events through a ufological lens, and the portrayal of science fiction concepts. The editorial stance appears to be one of documenting and exploring these connections, presenting various cases and their philatelic representations without necessarily endorsing the more speculative interpretations. The article demonstrates a clear interest in how stamps serve as a medium for popularizing and commemorating UFO lore and related scientific and fictional narratives.

This document appears to be a magazine issue or a collection of articles focusing on Unidentified Flying Objects (UFOs) and their representation in philately, specifically through postage stamps. The content spans various alleged sightings, incidents, and their interpretations, often contrasting eyewitness accounts with official explanations or skeptical analyses. The magazine uses stamp illustrations extensively to document and discuss these phenomena.

Content Analysis

The issue begins by addressing the frequent interpretation of UFOs, particularly in mass sightings, as piloted extraterrestrial craft. However, it immediately offers a more mundane explanation: simple meteors entering the atmosphere. An example is provided with an Argentine block of stamps featuring a 3D stamp issued on July 28, 2007, illustrating a meteor fall that occurred approximately 4,000 years ago. This event created the 'Campo del cielo' (Field of the Sky), which contains about 30 craters and yielded meteorites weighing up to 37 tons.

Another common artificial cause for UFO sightings is identified as the re-entry of space debris, or the trails left by rocket fuel at high altitudes, and even scientific experiments in space. To illustrate this, a First Day Cover is presented, commemorating the re-entry of the Soviet space station MIR on May 2, 2001. Only 165 special envelopes were circulated by the Russian dependency on the Kuril Islands.

The document then returns to a Tanzanian stamp issue from 1999, noting that while the typical UFO depicted is the 'Adamskian saucer,' the issue includes two blocks of six stamps showcasing a variety of other craft types. These are presented for detailed commentary.

UFOs Over the Americas

The first block of stamps, titled 'OVNIs sobre las Américas' (UFOs Over the Americas), provides a brief summary of the alleged Roswell incident in 1947. It mixes references to living and deceased aliens with official explanations from the U.S. government. The stamps depict six different UFOs, with shapes inspired by various historical photographs. The cases highlighted include:

• McMinnville, 1950: A photograph taken by farmer Paul Trent and his wife while working on their farm. This is noted as the only photo not dismissed as explainable by the Condon committee. Skeptics have suggested fraud, but it remains unproven.
• Albuquerque, 1963: One of six photos taken by 'Paul' Vila while driving outside the city, who unexpectedly saw a flying object reflecting sunlight. The explanation is promised later.
• Gulf Breeze, 1988: Photographs captured by 'Ed Walters' (a pseudonym) in a controversial case recently reviewed by journalist Craig R. Myers in his book 'War of the Words' (2006). Walters reportedly published books about his experiences, claiming abduction by an alien identical to the Rigelians from the comic Thor.
• Madre de Dios, 1952: This case was investigated in person by Jim Moseley, editor of 'Saucer Smear.' He found another witness 120 kilometers away. The photo is questioned as possibly being a retouched 'roller cloud'.
• Merlin, 1964: An image extracted from a 16mm film by contactee Daniel Fry, described as a rotating model suspended by a thread.
• Mexico City, 1991: A cylindrical UFO allegedly photographed repeatedly during a solar eclipse. The article suggests it is actually a magnified pixel of the planet Venus.

Unidentified Flying Saucers and Area 51

The second block of stamps, under the generic heading 'Platillos volantes no identificados' (Unidentified Flying Saucers), is dedicated to 'Area 51,' the secret testing base in the Nevada desert. The text explains the difficulties in verifying the claims made by ufologists like Bob Lazar. The UFO images on these stamps are noted as being more difficult to identify. The cases presented include:

• United States, 1968: An 'Adamskian' UFO, a type photographed in various locations and dates, here possibly captured by geophysicist Fritz Van Nest.
• Trinidad, 1958: One of the most debated UFO photographs, which recent analysis suggests might be a montage using double exposure.
• Belgium, 1990: A nighttime photo taken during a significant wave of sightings, clearly showing a triangular UFO, common today. Neither the wave nor the photo has been satisfactorily explained.
• Finland, 1970: The author was unable to locate this specific case but found a similar UFO photo from Oulu, Finland, dated 1979.
• New Zealand, 1951: The original photograph was taken in July 1951. The North American Air Force considered it a simple lenticular cloud, but UFO expert Larry Robinson argues it is the reflection of a ceiling lamp on a window.
• Australia, 1954: Rancher W. C. Hall allegedly took this photo of a UFO hovering over sheep in North Queensland in October 1954. According to FOTOCAT, it is a fraudulent reproduction of an earlier photo taken in Riverside, California, in 1951, which the USAF also admitted was a fraud.

The text then shifts to discuss the evolution of UFO shapes in the 1980s, noting the replacement of elegant discs with more menacing flying triangles, described as gigantic (larger than a football field), dark, and moving with impossible slowness, reminiscent of scenes from 'Star Wars' (1977).

Influence of Film on Ufology

A stamp from St. Vincent and the Grenadines, issued in 1996, is shown, featuring characters from a film in the lower left corner. The article notes that this is not the only influence of film on ufology. It mentions two cases of Iberian occupants that occurred months after the film's release. In July 1978, two children from Mallorca claimed to have seen a robot and a monk-like entity next to a UFO.

The Turís Case

A more controversial case is that of Turís (dated July 25, 1979), where a farmer observed a UFO taking off after a pair of small beings hastily boarded it when he unexpectedly appeared. The article includes a drawing of the robot and the 'monk' figure, described as having a human face, a star on its chest, black trousers, and a white tunic. Investigator V-J Ballester Olmos still defends the case's veracity. The author expresses personal bewilderment, especially considering that the described beings resemble a mix of the Jawas and the Sand People from 'Star Wars'.

Recurring Themes and Editorial Stance

The recurring themes in this document are the diverse interpretations of UFO phenomena, the role of photographic evidence and its potential for hoaxing or misidentification, and the connection between popular culture (like films) and UFO reports. The editorial stance appears to be one of critical inquiry, presenting various cases and explanations, often juxtaposing extraordinary claims with skeptical analysis or official denials. The use of philatelic items serves as a visual anchor for discussing these complex and often controversial topics, suggesting that while many sightings can be explained by natural phenomena or hoaxes, some cases remain perplexing.

This issue, identified by its content and dated around 2000, delves into the multifaceted phenomenon of UFOs, primarily through the lens of philately (stamp collecting) and photographic evidence. It draws parallels between reported UFO sightings and fictional spacecraft, explores various alleged encounters, and examines related artifacts like crop circles.

UFOs and Philately

The publication extensively uses stamps from around the world to illustrate UFO-related themes. It begins by comparing stylized UFO shapes to those found in science fiction, using Star Trek-themed stamps from Mali, Grenada, and the Russian republic of Bashkortostan as examples. A block of nine unperforated stamps from Grenada, issued in 1999, and first-day covers from Bashkortostan dated August 22, 2000, are presented.

Further examples include stamps from Turkmenistan (1999) featuring clear UFO photos from Billy Meier's collection, and a photomontage of a flying triangle over Area 51, along with a model of a UFO described by Bob Lazar. A 2002 series from Kalmykia, another former USSR republic, also draws from Meier's collection. Vietnam issued stamps in 1988 commemorating Astronautics Day, depicting spacecraft reminiscent of famous UFO cases, including those that appear to collect water from lakes.

Stamps from Guinea (1972) are noted for their "space monsters," and a series from Burkina Faso ( antiguo Alto Volta) is referenced for its depiction of Martian "flying manta rays" from the film "War of the Worlds."

Key UFO Incidents and Cases

The issue details several notable UFO incidents:

• Albuquerque, USA (June 16, 1963): A mechanic claimed to have photographed a UFO and its occupants, who allegedly organized a face-to-face meeting.
• Columbus, Ohio, USA (October 1973): Captain Lawrence J. Coyne reported an encounter with a UFO, which he attempted to evade. Philip Klass attributed this to a meteor.
• Hoffman, Texas, USA (December 29, 1980): Betty Cash, Vickie Landrum, and Colby reported an encounter with a large, octahedron-shaped UFO emitting a blinding light, with alleged lethal effects on one witness months later.
• Boianai, Papua New Guinea (undated): Missionary William Gill and 37 mission members reportedly witnessed figures on top of a UFO responding to their signals.
• Belgium (1989-1990): A wave of triangular UFOs was reported.
• William J. Hermann (1978): An abductee who reportedly captured a UFO.

Photographic Evidence and Research

Photographs are highlighted as among the earliest material evidence for the UFO phenomenon. The article mentions the ongoing work of the Fundación Anomalía and V-J Ballester Olmos on the FOTOCAT catalog, aiming to be the most ambitious UFO photo catalog to date. It notes that historically, including photos on stamps was rare, but recent issues have featured them more frequently.

Two specific photographic collections are mentioned: one described as "the most beautiful photographic series in the world" for its clear, close-up, and color images of spacecraft, and another featuring a UFO captured in 1978 by William J. Hermann.

Crop Circles and Other Phenomena

Crop circles are presented as a unique form of material evidence, with an example from Barbury Castle, Wiltshire, England (July 17, 1991), depicted on a Maldivian stamp. While acknowledging the possibility of human artistry behind them, the author notes their widespread appearance and the ongoing mystery for many.

Telefónica cards issued by Global Link in 1994 are also mentioned as a collectible item featuring UFO photos from around the world.

Debunking and Skepticism

The article touches upon skeptical viewpoints, such as Philip Klass's explanation of the Columbus incident as a meteor and Martin Kottmeyer's suggestion that the Boianai sighting might have been a mirage involving a fishing boat, or that Arnold's saucers were merely a flock of birds.

Recurring Themes and Editorial Stance

The recurring themes are the visual representation of UFOs and alien craft, the comparison between real-world sightings and fictional depictions (especially in science fiction), and the use of philately as a medium to document and explore these phenomena. The editorial stance appears to be one of open exploration, presenting various cases and evidence while acknowledging skeptical interpretations, particularly regarding crop circles and some photographic evidence. The author seems intrigued by the visual parallels and the global reach of UFO reports as reflected in stamp designs.

This document appears to be a magazine issue or article focusing on the theme of UFOs and extraterrestrials as depicted on postage stamps from various countries. It showcases a wide array of stamps, highlighting artistic interpretations, fictional encounters, and cultural references related to aliens and space.

Stamps Featuring Extraterrestrials

The article begins by noting that Paraguay was the first country to issue stamps featuring illustrations of intelligent extraterrestrials. The emission, titled "Astronáutica del futuro" (Astronautics of the Future), was released on May 16, 1978, and comprised nine values with designs of futuristic spacecraft. Specifically, two stamps with higher face values (10 and 25 guaranis) depicted scenes on another planet, possibly Mars, inhabited by winged, black beings with clear sexual dimorphism.

Other notable stamp issues discussed include:

• Guinea: Stamps featuring spacecraft and alien-like figures.
• Saint Lucia: A stamp commemorating the tenth anniversary of the Moon landing, featuring Donald Duck encountering a green alien. The First Day Cover for this issue showed Mickey Mouse interacting with tiny green selenites.
• Italy: A 1983 stamp depicted a postal worker astronaut delivering mail to a three-eyed green extraterrestrial.
• Luxembourg: In 2002, Luxembourg's postal service proposed using flying saucers for deliveries.
• Chile: A 1990 stamp suggested Santa Claus might use a flying saucer, implying he could be an extraterrestrial.
• Dutch Antilles: In 1992, three stamps and a block were issued for Children's Day, featuring flying saucers and three types of aliens: robotic, insectoid, and large-eyed.
• Maldives: 1988 stamps showed yellow aliens interacting with a terrestrial music disc and Minnie Mouse delivering pizza to a purple alien.
• Sierra Leone: A 1983 block featured Mickey and friends flying in a classic flying saucer, described as an interstellar Noah's Ark.

Cartoon Characters and Aliens

A significant portion of the article details how popular cartoon characters have been integrated into UFO and alien-themed stamps. This includes:

• Disney Characters: Mickey Mouse, Donald Duck, and Minnie Mouse have appeared on stamps from various countries (Saint Lucia, Maldives, Anguilla, Sierra Leone) interacting with aliens or traveling in spaceships.
• Hanna-Barbera Characters: The Jetsons were featured on a stamp from Saint Vincent, and The Flintstones, specifically the character Gazoo, were depicted with an extraterrestrial.
• Looney Tunes: Marvin the Martian and K-7 appeared on an Indonesian Christmas stamp.

Comic Characters and UFO Themes

The article also touches upon comic characters and their connection to UFO themes:

• Tintin: The comic character Tintin, created by Hergé, is noted for anticipating the real Moon landing with his adventures.
• Astérix: The character Astérix was depicted in an interplanetary war scenario against insectoids in a 2005 adventure drawn and scripted by Uderzo.

Scientific and Psychological Aspects

Beyond fictional portrayals, the article briefly touches upon more serious aspects:

• Jacques Bergier: The character Mik Ezdanitoff from Tintin's "Flight 714 to Sydney" was inspired by Jacques Bergier, co-author of "The Return of the Sorcerers."
• Children's Drawings Study: A study by Linda Kerth and Richard F. Haines analyzed 347 drawings by Swiss children on the theme of UFOs. The findings suggested that imaginary UFOs were depicted with more elaborate details than those drawn by children who claimed to have seen a UFO, leading to the conclusion that there are significant differences between imaginary and real UFOs. The study also noted that the drawn beings, often depicted as 'little green men,' did not correspond to the modern 'Grays.'
• 'El Futuro' Stamp Competition: An international competition in 2000 to design a stamp on the theme of "The Future" saw many proposals featuring UFOs and aliens, indicating the enduring appeal of these subjects.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the intersection of philately (stamp collecting) with science fiction, particularly UFOs and extraterrestrials, and the use of popular culture, especially cartoon characters, to explore these themes. The editorial stance appears to be one of fascination and lighthearted exploration, presenting these stamps as a fun and accessible way to engage with concepts of space, aliens, and the unknown. The article highlights the imaginative and sometimes humorous ways these subjects have been represented on postage stamps across different cultures and time periods.

This issue of UFO magazine delves into the fascinating intersection of extraterrestrial themes in popular culture, with a particular focus on how aliens and UFOs have been represented in comic books, television series, and philately (stamp collecting). The content is primarily in Spanish, with a strong emphasis on visual examples like stamps and comic book covers.

Fictional Aliens and Philately

The magazine begins by describing a typical insectoid alien, characterized by large black eyes, no nose or mouth, child-like size, and a space suit with a chest emblem. It notes that antennae, while a distinguishing feature, could also symbolize telepathic communication. The article references descriptions from various sources, including Schirmer (#104), Filiberto Cárdenas (#105), and Betty Andreasson, suggesting that antennae-equipped aliens are a recurring motif in ufological literature.

The issue then transitions to the sociological aspect of aliens in fiction, starting with Superman, created by Jerry Spiegel and Joe Shuster, who arrived on Earth in June 1938. The article points out that various countries, including the United States, have issued stamps featuring Superman, both in his comic book form and in subsequent media adaptations. This serves as an example of how alien infiltration into society is often disguised, with Superman being able to pass as Clark Kent more effectively than real-life figures like the Men in Black.

Further exploring the theme of superheroes and aliens, the magazine discusses how DC Comics characters Superman and Batman have been depicted as being abducted by "Grises" (Greys). This is illustrated by a 2006 North American stamp issue featuring ten DC superheroes and comic book covers. The comics depicting these abductions were released in 1998 (Batman) and 2004 (Superman).

The United States Postal Service also issued a stamp block dedicated to Marvel Comics, featuring the iconic alien character Silver Surfer. The article also highlights a stamp block from Madagascar in 2009 that depicts Silver Surfer alongside his master, Galactus. It is noted that, paradoxically, Silver Surfer himself was depicted as being abducted by Greys in 2004.

Classic Sci-Fi Series and Alien Depictions

Great Britain's contribution to this gallery of alien portrayals is examined through the character Dan Dare and his nemesis, the Mekon, from the weekly comic Eagle. Created by Frank Hampson in April 1950, the Mekon is described as a fierce extraterrestrial enemy, a humanoid being of short stature with a large, bald head. British postal stamps from 1994 are shown in relation to this character.

The comic strip featuring Dan Dare was adapted into Spanish in 1953 during the Franco regime, with the protagonist renamed Diego Valor. The article also mentions a block of nine different stamps issued by Guinea in 1998, featuring aliens from the television series "Lost in Space," which premiered in the United States on September 15, 1965.

The science fiction universe of Star Trek is also explored, with a focus on Mr. Spock, whose rationality, lack of emotion, and expressiveness are compared to the characteristics attributed to the Greys. A stamp block from St. Vincent issued on January 4, 1996, features Spock alongside Captain Kirk. Another stamp from the same issue, in gold, shows a close-up of Spock's distinctive pointed ears.

Sequels and spin-offs of Star Trek also appear on philatelic emissions, with blocks from San Vicente issued in 1994 and 1997. While these stamps feature aliens, the article notes they are often too anthropomorphic due to characterization and makeup limitations.

Another group of television aliens honored on stamps are from the series "Babylon 5." A block of nine values issued by Kyrgyzstan in 2000 is presented, though it is noted as having no legal value.

British Sci-Fi Icons

For British audiences, the most familiar aliens are the Daleks from the long-running television series "Doctor Who," which began in 1963. These "small green globules protected by a polycarbonate shell and practically invincible in combat" are commemorated on a "First Day Cover" (#114), which also includes a portrait of the fourth actor to play the Doctor, Tom Baker, and his TARDIS. The article notes that some ufologists have proposed that UFOs and their occupants are travelers from the future.

Two classic British science fiction television series were recognized on stamps in 1996. The first is a children's program that premiered in November 1969, featuring a family of space mice called "The Clangers" (#114A).

The second series features the famous Gerry Anderson puppets, which were state-of-the-art animation in the mid-sixties. While the series "Stingray" (#114B) did not feature aliens but rather "aquanauts" from the ocean depths, the subsequent and more famous "Supermarionation" series "Thunderbirds" (represented by a Spanish-language movie program from 1968, #114C) had an episode titled "Martian Invasion."

The article concludes by discussing "UFO," another television series created by Gerry and Sylvia Anderson, which featured live-action characters. Its first episode aired on September 16, 1970, quickly capturing the attention of young viewers. This series notably included the first on-screen autopsy of an alien, described as being as credible as one shown two and a half decades later. Although no stamp exists for "UFO," a postcard (#114D) is presented.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the pervasive presence of aliens and UFOs in popular culture, particularly as depicted in science fiction media and philately. The editorial stance appears to be one of fascination with these representations, exploring how fictional aliens mirror or diverge from perceived real-world UFO phenomena. The magazine uses stamps and comic book imagery as a primary means to illustrate these connections, suggesting a broad appeal for the subject matter across different media and countries. The issue highlights the cultural impact of these fictional beings and their role in shaping public perception of extraterrestrial life.

This issue of UFO magazine, likely from around 2002, delves into various aspects of ufology and its intersection with popular culture and collectibles. The cover prominently features the title 'UFO' with a striking image of a man's face, surrounded by smaller portraits and flying saucers, suggesting a focus on alien encounters and related phenomena.

Philatelic Focus: UFO-Themed TV Series

The magazine highlights a 2002 philatelic block issued by the Russian federal republic of Altai. This collection of stamps featured American television series from that decade, with a notable quarter of them having a direct connection to ufology. Specifically mentioned are the series "Stargate" (#115B), "Roswell" (#115C), and "Expediente X" (#115A).

'OVNIs y la Nueva Era' Exhibition and UFONcards

In 1996, an exhibition titled 'OVNIs y la Nueva Era' (UFOs and the New Age) toured three cities in the United States: Phoenix (#117), Palm Springs (#118), and Denver (#119). To publicize this event, the company UFONcard Space Gallery released a limited edition of 1311 folders, each containing three phone cards. These cards were designed by Steven Hume and featured a combination of a flying saucer, reminiscent of Bob Lazar's descriptions of craft from Area 51, and the face of a 'Grey' alien, as imagined by artist Steve Neill. This was noted as the first time such a portrait appeared on a collectible item. The Phoenix card specifically depicted a saucer landing and creating crop circles in a sunflower field.

Roswell 50th Anniversary and Further UFONcard Issues

The following year marked the 50th anniversary of the Roswell UFO crash. UFONcard seized this opportunity to release two more series of collectible cards centered around the UFO theme. One series, specifically focused on Roswell, was a limited edition of 1947 exemplars (#120)(#121). Its three cards featured the crashed saucer (#122), more 'Grey' alien faces (#123), and enigmatic hieroglyphs that blended crop circle designs with the popular 'Martian face' motif (#124).

A second series, titled "La Primera Tríada" (The First Triad) (#125)(#126), is described as even more interesting.

Extraterrestrial Portraits Based on Eyewitness Accounts

The magazine dedicates significant space to describing different types of extraterrestrials, based on eyewitness accounts and masks created by Steve Neill. These descriptions are presented as 'Extraterrestrial Portraits'.

Mantis Type

The 'Mantis' type is named after the Greek word for 'divine' or 'prophet'. Little is known about this species, also called 'Ataien', as they are rarely witnessed. They are considered a superior extraterrestrial race and potential overlords to other alien species. They can evoke intense love or fear and do not prey on other life forms, subsisting directly on light energy. They are described as masters of multi-dimensional travel. The text expresses a hope that this type of alien is on humanity's side.

Communion Type

This type is based on Whitley Strieber's personal encounter, detailed in his bestseller "Communion". This portrait represents a sub-type of the 'Grey' E.T.s. Strieber believes that the 'encounter shock' from contact experiences is creating a new paradigm for human consciousness, potentially making humanity stronger and better prepared for 'transformation'. The quote "fasten your seat belts, it's gonna be a bumpy ride!" is attributed to this concept.

Reptilian Type

This is described as a highly advanced E.T. race with a variety of shapes and sizes, some possessing wings and appearing as terrifying demonic creatures. Considering the long reign of dinosaurs on Earth, these entities claim Earth as their ancient outpost. They are regarded as hostile conquerors, taking what they want, including human sexual partners, and are not recommended to be encountered or abducted by.

Dinosaur and Alien Connection

An interesting point raised is the possibility, discussed by some ufologists, that aliens might actually be highly evolved dinosaurs. This idea resonates with the author's dual passion for collecting stamps and dinosaur memorabilia. The magazine features a Congolese First Day Cover (#130) that combines both interests, depicting dinosaurs and UFOs, and is compared to the famous Ica stones (#130A).

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around UFO sightings, alien encounters, and the popular culture surrounding these phenomena, particularly through collectible items like stamps and phone cards. The magazine appears to present these topics with a degree of seriousness, even when discussing speculative connections like aliens being evolved dinosaurs. The editorial stance seems to be one of exploration and documentation of these subjects, catering to enthusiasts of ufology and related curiosities.

This issue of "UFO" magazine delves into the fascinating world of philately and telecards inspired by the UFO phenomenon. It showcases a diverse collection of stamps and telephone cards from various countries, highlighting their designs, themes, and origins. The magazine explores how the UFO topic has been adopted by postal services and collectors, often as a means of generating revenue or capitalizing on popular culture trends.

Thematic Exploration: UFOs in Philately and Telecards

The magazine opens with a discussion of telephone cards featuring UFO illustrations, presenting an Italian and a French example. The main article, "La gran oleada de sellos ovni" (The Great Wave of UFO Stamps), explains that many of these emissions are not for official postal use but are aimed at collectors. It notes that some small islands or countries issue these to earn foreign currency, and occasionally, these series can be fraudulent. The rise in UFO exposure in the late 20th century is linked to the success of television series like "Expediente X" (#131)(#132)(#133).

The issue then presents a series of stamps and blocks from different regions. Kyrgyzstan issued a stamp related to "Expediente X" (#131). Mordovia, a federal state in Russia, released stamps with the motto "I WANT TO BELIEVE" and images of aliens, some in a rock & roll style (#150), others proclaiming "We come in peace" (#151), and some referencing New Age symbolism and psychedelic experiences (#152-154). Mordovian stamps also feature parodies of famous artworks like Grant Wood's "American Gothic" (#156) and the Tio Sam poster ("your Martian needs you") (#155).

Tajikistan is highlighted for its "First Day of Issue" envelope in 2000, featuring a sheet of twelve stamps with the slogan "Yo creo" ("I believe") (#136-138). These stamps depict various UFO-related imagery, including aliens, spacecraft, and scenes reminiscent of movies like "Independence Day" (#134), "Men in Black" (#135), and "Battlefield: Earth" (#135A). The article notes that since these countries are not part of the UPU, their emissions are not considered official stamps, but their value as UFO icons is evident.

Further examples from Tajikistan include stamps showing a UFO crashing after an explosion (#139), various alien faces with large black eyes (#140-143), and beings exiting a hexagonal door or descending via a beam (#144, #144A). Two central stamps depict flying saucers illuminating Stonehenge (#146-147), referencing ancient alien theories.

Another stamp from Tajikistan seems to refer to apocalyptic visions and nightmares of abductees (#145). One stamp combines movie aliens, from E.T. to the Mos Eisley cantina scene from "Star Wars" (#148).

Komi, another autonomous region in Russia, issued four blocks of twelve stamps in 2002, all related to different facets of the UFO phenomenon. The "UFO Aliens" block (#157) features images of malevolent Greys and their activities. Some stamps are repeated across blocks and even countries, suggesting they were produced by the same company. One central stamp (#158) depicts a medical examination of an abductee. A particularly curious stamp, possibly titled "Aliens with guts" (#159), shows a Grey holding a large pistol, likened to a "Dirty Harry" character. The article mentions a remote possibility of connection to the encounter of abductee Beth Collings with a Grey wearing a cowboy hat.

The issue also discusses the use of weapons by aliens, citing ufologist Paolo Toselli's 1980 study of cases where extraterrestrials allegedly used metallic tubes or light balls to paralyze victims. These concepts are noted to have roots in early 20th-century science fiction pulps.

Finally, the last two stamps from the Komi series are described: one showing a terrifying creature (#160), possibly a Chupacabra, and another featuring an Adamskian-style saucer, likely copied from a 1968 photograph near Kanab, Utah (#161). The remaining blocks, each with twelve values, share the heading "U.F.O." and combine abduction scenes with references to astronauts.

Recurring Themes and Editorial Stance

The recurring themes in this issue are UFOs, aliens, and their representation in popular culture, particularly through philately and telecards. The magazine adopts an informative and descriptive stance, presenting a wide array of visual evidence and anecdotal information related to UFO phenomena as depicted on collectible items. It highlights the commercial aspect of UFO-themed merchandise and its connection to global popular culture, especially science fiction and television series. The editorial stance appears to be one of fascination and exploration of these themes, without necessarily endorsing them as factual accounts, but acknowledging their cultural significance.

This issue of UFO Journal, Volume 300, dated April 1993, published by the Mutual UFO Network, is a special edition focusing on the theme of UFOs and aliens as depicted on postage stamps. The cover prominently features a grid of stamps with various alien and UFO imagery, under the headline 'THE ALLAGASH ABDUCTIONS' by Raymond E. Fowler.

Stamp Analysis and Case Studies

The journal delves into numerous stamp issues from different countries, analyzing how extraterrestrial phenomena and related concepts are represented philatelically. It begins by examining stamps that depict strange aerial machines over Stonehenge, annular UFOs possibly linked to the biblical prophet Ezekiel, and aliens descending from saucers. The issue also touches upon the concept of 'wanderers' or 'walk-ins'—humans who claim to have exchanged souls with extraterrestrials—and hybrid beings.

Several specific cases and themes are explored through the stamps:

• Stonehenge and Ezekiel: Stamps are shown to reference these well-known alleged sightings.
• Alien Procedures: Images illustrate alien medical exams and 'mindscans,' with a note that according to David Jacobs, aliens don't need instruments for mindscans.
• Astroarchaeology: A significant portion of the stamps discussed relates to astroarchaeology, featuring imagery of the pyramids of Egypt, megalithic monuments, and extraterrestrials resembling the moai of Easter Island. A case of occupants in South America is mentioned, where aliens were described similarly to the moai.
• Prehistoric Depictions: A stamp references a prehistoric ancestor drawing alien ships on cave walls.
• Subaquatic and Lunar Sightings: Some stamps refer to strange subaquatic activities and alleged UFO sightings on the Moon by astronauts.
• The Cash-Landrum UFO: The UFO from the Cash-Landrum case is identified on a stamp.
• 'Alien' Tetralogy: A block of twelve stamps is dedicated to scenes from the 'Alien' film series.
• 'Predator' and 'Terminator': Stamps related to films starring Arnold Schwarzenegger, including 'Predator' and 'Terminator,' are presented, with the journal questioning if these terrifying films are part of a plan to familiarize the public with alien arrivals.
• 'The Creature from the Black Lagoon': The terrifying alien described by abductee Fortunato Zanfretta is compared to the monster from this 1954 film.
• 'E.T. the Extra-Terrestrial': Steven Spielberg's beloved alien is featured on two US stamps, one from 2000 and another from 2003.
• 'Close Encounters of the Third Kind': While no specific stamp for this film is mentioned, the Devil's Tower in Wyoming, USA, a key location from the movie, is featured on a stamp commemorating its 50th anniversary as a national monument.
• 'Star Wars': Stamps related to the 'Star Wars' saga are shown, including depictions of Yoda and Darth Vader, from issues by Togo and Saint Vincent.
• Tartaristán Stamps: A 2002 stamp block from Tartaristán reflects the assimilation of alien themes in 21st-century culture, featuring a scene that imitates the 'Allagash' abduction but with different aliens.
• The Allagash Abductions: The journal dedicates a section to this case, referencing a drawing of the genuine robot portrait of the beings involved.

Nicaragua's 'Extraterrestrials Among Us' Issue

A notable section discusses an eight-sheet block issued by Nicaragua in 1994 titled 'Extraterrestres entre nosotros.' Despite Nicaragua being a Spanish-speaking country, the texts on the stamps are in English. The journal reveals that this issue was proposed by Nicaragua's international agent (IGPC), who also provided the designs, suggesting it was primarily a commercial venture to attract buyers from North America. The author expresses skepticism about the sources used for the stamp illustrations, noting that most cases, apart from the Hill abduction, were minor and largely unknown to him, even after decades as a ufologist.

The Kentucky (Hokinsville) Encounter

One of the cases analyzed from the Nicaragua issue is the August 21, 1956, encounter in Kentucky, USA. A family reported seeing a bright light in the sky that landed near their farm, followed by strange creatures described as short with large, elephant-like ears. The journal notes that while the family had a good reputation, no corroboration for the sighting was found. It also details the incident further, mentioning that the UFO was seen by eight adults and three youths, and the creatures were observed for nearly an entire night. Skeptical theories, including escaped circus monkeys or hallucinations, are discussed, as well as a more recent ornithological explanation involving luminous birds with fungus-infected feathers. The issue also corrects a previously circulated erroneous drawing of the beings involved in this case.

Recurring Themes and Editorial Stance

The recurring themes throughout this issue are the intersection of UFO phenomena with philately, popular culture (especially cinema), and historical alleged encounters. The journal adopts an analytical approach, examining the visual representations of aliens and UFOs on stamps and connecting them to specific cases, films, and cultural trends. There's a clear emphasis on how the modern world has integrated alien imagery into various forms of media, including postage stamps. The editorial stance appears to be one of critical inquiry, questioning the sources and interpretations of these depictions while acknowledging their cultural significance. The journal also touches upon the esoteric and theosophical influences on UFO beliefs, suggesting that some alien representations might stem from these roots.

This issue of OVNIS magazine, identified as issue 187 and published in September-October 1972 by the Círculo Argentino de Investigaciones, focuses on "Extraterrestres Entre Nosotros" (Extraterrestrials Among Us). The cover features a stylized illustration of a humanoid alien. The magazine presents a collection of UFO sightings and alien encounter cases from the 1960s through the 1990s, drawing from various sources and investigations.

Case Studies and Encounters

The issue details numerous incidents, often referencing specific dates and locations:

• September 19, 1961 – New Hampshire, USA: A couple reported being followed by a bright, colored-light object, experiencing lost time, and being abducted by short, hairless figures in dark jackets. The journalist notes the initial use of the term "little green men" for these beings, though they were described as yellow.
• July 22, 1965 – Paraná, Argentina: A 17-year-old student encountered a tall creature (over two meters) with a melon-shaped head, long white hair, and three eyes, which stared fixedly without blinking.
• September 27, 1972 – Santa Isabel, Argentina: A delivery man reported stopping for a being approximately 2.40 meters tall with a white face, pointed ears, and a blue-green suit. The witness experienced a significant delay after the encounter.
• May 8, 1973 – Texas, USA: A family saw a light that followed them. Under hypnosis, one woman recalled being abducted by two beings about one meter tall with large heads, claw-like black nails, and transparent bodies.
• October 25, 1973 – Pennsylvania, USA: Witnesses reported a red luminous ball. Two ape-like creatures, nearly 2.5 meters tall, with gray fur, long arms, and glowing green eyes were observed. Police investigated but found no trace.
• September 22, 1976 – Canary Islands, Spain: A doctor and his driver saw a giant transparent UFO with two human-like figures inside, described as having winged appendages and bright eyes. Other witnesses corroborated the sighting.
• November 7, 1989 – Kansas, USA: Two women reported seeing two bright lights and being taken aboard a craft by slender aliens with large, bald heads, slanted eyes, and four long fingers on each hand.
• July 21, 1991 – Missouri, USA: Three young girls encountered a strange creature described as thin, with long fingers, an egg-shaped head, and a transparent abdominal area. The witnesses were considered reliable and deeply frightened.

Specific Cases and Investigations

The magazine delves into specific well-known cases, including:

• Barney and Betty Hill Abduction: The issue notes that while the stamp depicting the case is inaccurate, Barney Hill was a black man. It mentions that months later, under hypnosis, the beings' descriptions became more exotic. The case was revisited in 2007 with new books.
• Stephen Pulaski Case (Pennsylvania): This case involved a miner and hunter who encountered ape-like creatures. The investigation by ufologists yielded little, but the witness exhibited unusual behavior afterward, including barking and speaking in an unknown language. Psychiatrist Berthold E. Schwarz also investigated.
• Kansas Abduction (Susan and Jennifer): This double abduction case, investigated via hypnosis shortly after the events, is considered significant by John Carpenter. The magazine notes the proximity to the release of the movie "Communion" and suggests potential influence on the witnesses' accounts.

Analysis and Commentary

The magazine critically examines the cases, sometimes offering prosaic explanations. For instance, the Canary Islands sighting is attributed to missile trails, and the Kansas case is suggested to be a misidentification of Jupiter and a corn harvesting machine. The article also discusses the reliability of witness testimonies, particularly those recovered through hypnosis, and highlights the differences between conscious and recovered memories.

Philatelic and Cultural Connections

The issue features several stamps from Nicaragua depicting alien sightings, which are used to illustrate some of the cases. It also discusses a 2001 Spanish stamp series that includes a "Mystical Close Encounter" with religious figures ascending via a beam, suggesting that ufological iconography appears in unexpected cultural contexts. A 2000 Finnish stamp is also mentioned, depicting an alien abduction allegory.

Recurring Themes and Editorial Stance

The recurring themes in this issue are UFO sightings, alien encounters, and abductions, often involving detailed descriptions of alien physiognomy and craft. The magazine presents a wide array of cases, from the 1960s to the 1990s, and employs hypnosis as a common investigative tool. While presenting these accounts, the magazine also incorporates skeptical viewpoints and alternative explanations, suggesting that not all sightings are necessarily extraterrestrial in origin. The editorial stance appears to be one of presenting diverse cases within the field of ufology, while also encouraging critical analysis and acknowledging the complexities of witness testimony and potential cultural influences.

This issue of "Ufofilatelia" (Ufophilately) is a Spanish-language magazine focused on the intersection of ufology and stamp collecting. The issue, dated January 12, 2000, with a volume identifier of 120.000 and issue number N:o 00003-06-1999, delves into various stamp releases that touch upon unexplained phenomena, space exploration, and science fiction.

The Bermuda Triangle on Stamps

The magazine begins by discussing the enduring mystery of the Bermuda Triangle. It highlights a stamp block issued by the Maldives in 1992, which features two strange incidents from the region. The article notes that the presentation of these incidents is surprisingly skeptical, despite their inclusion on a stamp.

Ufology on Stamps

A significant section is dedicated to "La ufología en los sellos" (Ufology on Stamps). It details how San Marino has organized an International OVNI Congress since 1992. The fifth congress, held in 1997, was commemorated with a 750 lira stamp designed by Franco Filanci. This stamp depicts people observing celestial bodies like the Sun, Moon, and Saturn, as well as meteors, comets, and flying saucers. Filanci's intention was to illustrate humanity's curiosity about the universe and its mysteries.

Notable Philatelic Figures and Phenomena

The issue notes that only one ufologist has had their effigy featured on a stamp. It then shifts to early photographic recognition of celestial bodies, mentioning how ufologists claimed to identify mysterious buildings on lunar photographs. A specific example is a "pyramid" seen on a stamp block issued by Guinea on November 15, 1965, related to the Gemini 5 mission. The article also covers the Ranger program's final probe impacting near a prominent lunar feature, which some interpreted as an artificial pyramid.

The 'Face on Mars' and Martian Exploration

A substantial part of the magazine is dedicated to the "Face on Mars." Discovered in 1977 by Vincent Di Pietro and Gregory Molenaar from 1976 Viking 1 probe photos, it became a recurring image in ufophilately. Its first appearance was as a background for a portrait of Clyde Tombaugh, the discoverer of Pluto, on a stamp issue by British Guiana commemorating the 25th anniversary of Apollo 11. The article mentions Tombaugh's personal claim of seeing a UFO in 1949, though he never considered it an extraterrestrial spacecraft. In 1999, the Maldives issued a stamp block on the "Martian Sphinx," with its designer expressing skepticism. Sierra Leone and Grenada also released stamps related to Mars exploration, featuring the "Face on Mars" and other Martian features. Richard Hoagland is mentioned as a proponent of the artificial nature of these Martian structures.

Meteorites and Fossilized Evidence

The issue touches upon the ALH84001 meteorite, found to have arrived from Mars. In 1996, the discovery of supposed fossils within this meteorite generated significant attention. This event was also commemorated with a stamp issue by British Guiana.

Science Fiction and Future Visions on Stamps

Several pages are dedicated to stamps inspired by science fiction literature and future predictions. Stamps from St. Vincent & The Grenadines and Antigua & Barbuda feature writers like Jules Verne, Arthur C. Clarke, H.G. Wells, and Nostradamus. These stamps explore themes of space travel, artificial intelligence, and prophetic visions, often with quotes from the authors or related figures like Carl Sagan and William Shakespeare. The stamps are presented under the theme "The Future Isn't What It Used To Be."

Recurring Themes and Editorial Stance

The recurring themes in this issue are the intersection of ufology and philately, the exploration of space and celestial bodies, and the representation of unexplained phenomena and science fiction through postage stamps. The editorial stance appears to be one of presenting these topics factually, often including skeptical viewpoints or scientific explanations alongside the more speculative interpretations, particularly concerning the "Face on Mars" and the Bermuda Triangle. The magazine aims to inform readers about how these subjects are reflected in the world of stamp collecting.

This issue, titled "A PHILATELIC LOOK AT SCIENCE FICTION," explores the intersection of science fiction, UFO phenomena, art, and philately. It uses postage stamps and other visual media as a lens to examine how these themes have been represented and interpreted.

Thematic Exploration Through Stamps

The magazine delves into various aspects of science fiction and UFO lore, often using specific stamps as starting points for discussion. The cover features a stamp from St. Vincent and the Grenadines related to H.G. Wells' "The War of the Worlds," highlighting the author's early speculation about life on Mars.

Ancient Mysteries and Extraterrestrial Theories

Several sections focus on ancient sites and artifacts that have been interpreted as evidence of extraterrestrial contact or advanced ancient civilizations. This includes:

• The Great White Pyramid of Xian, China: Discussed in relation to ancient records and theories of Lemurian and Atlantean souls.
• Plato and Atlantis: Plato's dialogues are referenced to describe the lost continent of Atlantis, its powerful empire, and its potential connection to Minoan cultures.
• Machu Picchu and the Nazca Lines: These Peruvian sites are presented as potential landing strips for extraterrestrials, with the Nazca Lines debated among scientists and occultists.
• Ancient Egyptian Flying Vehicles: Hieroglyphs from the temple at Abydos are examined, with some believing they depict modern flying craft, though alternative interpretations suggest they are misinterpretations of ancient inscriptions.

Artistic and Cultural Representations

The issue also explores how science fiction and UFOs have influenced art and popular culture:

• Richard C. Hoagland: His book "The Monuments of Mars" is mentioned for its theories about ancient high-tech pyramids on Mars.
• Travis Walton Abduction: The film "Fire in the Sky" is referenced in relation to the controversial abduction case.
• Panamarenko: The artist and inventor is featured for his "Bing del Ferro Lusto" project, a prototype for a large spaceship.
• Constantin Brancusi: The Romanian artist's sculptures, particularly "Portrait of Miss Margit Pogany," are shown on French and Romanian stamps, with a discussion about the subject's appearance.
• "Los Lunnis": This Spanish children's program featuring alien puppets is noted as an example of alien themes extending into popular culture and philately.

Literary Connections

• Cervantes' "Don Quijote de la Mancha": The literary incident of Don Quijote and Sancho's space journey on "Clavileño" is used as a parallel to UFO hoaxes and has been depicted on Spanish stamps.
• The Licenciado Torralba: A historical account of a man claiming to be teleported to Rome by a familiar demon is presented as an introduction to a discussion on alien intervention.

Advertising and Media

• Simmenthal Advertisement: An advertisement for chicken products is presented, humorously linking UFO sightings to the product and featuring a tagline about discovering the truth.
• Discovery Channel: The channel is promoted for a "Science Fiction Week" focusing on alien influence on Earth.

Recurring Themes and Editorial Stance

The recurring themes throughout the issue are the pervasive influence of science fiction and UFO narratives on various aspects of culture, particularly philately, art, and popular media. The editorial stance appears to be one of exploring these connections with a degree of skepticism, as suggested by the opening paragraph's reference to "Fortean skepticism" and the debunking of certain interpretations, such as the Abydos inscription. The issue highlights how these themes are used to create intrigue and engage audiences, whether through stamp designs, artistic creations, or advertising campaigns. There is an underlying suggestion that while many interpretations may be fanciful or erroneous, the cultural impact of these ideas is undeniable.

This issue of *Anomalia* magazine, titled "Dossier: Últimos avistamientos" (Dossier: Latest Sightings), published in 2010, delves into various aspects of ufology, philately, and their intersection with popular culture. The magazine explores recent UFO-related phenomena, historical cases, and the scientific pursuit of extraterrestrial intelligence.

Philately and Ufology

The magazine begins by showcasing personalized stamps issued by Correos (the Spanish postal service) for the "Los Lunnis" children's show, with a special First Day of Issue postmark from Madrid dated September 16, 2005. This issue commemorates the 50th anniversary of the Centro de Estudios Interplanetarios (CEI), a prominent ufology organization in Spain.

It then transitions to telecommunication cards featuring extraterrestrial themes, specifically mentioning two cards related to successful films about aliens: "E.T. the Extra-Terrestrial" and another with the tagline "BONITO PLANETA, INOS LO QUEDAMOS!" (Beautiful planet, we're keeping it!).

The Scientific Search for Extraterrestrial Intelligence (SETI)

A significant portion of the magazine is dedicated to the scientific search for extraterrestrial intelligence. It highlights two stamps related to SETI: one from the Polynesian archipelago of Venda (issued in 1990), which depicts the binary message sent from the Arecibo radiotelescope on November 16, 1974, and another from the former Soviet republic of Moldova (issued in 1991), dedicated to dialogue between interplanetary civilizations.

A commemorative North American cover, postmarked at the Arecibo radiotelescope in Puerto Rico, is presented. This cover humorously references the significant cut in public funding for the SETI project in 1992, from which it had not yet recovered.

The Ummo Phenomenon

The article "Influencias terrícolas: Ummo en Lost y en la nalga de Misa" (Terrestrial Influences: Ummo in Lost and on Misa's Butt) by Alejandro Agostinelli explores the Ummo phenomenon. It details the alleged arrival of an Ummo expedition near La Javie, France, on March 28, 1950. The Ummites supposedly communicated with a group of ufologists in Madrid through phone calls and written reports, presenting their history, science, and philosophy. A key element of these communications was the symbol Ж, framed by a fingerprint, and the repeated motto "Do not believe us." The article notes that a UFO landing in Aluche, Madrid, in February 1966, which left ground marks and displayed a symbol, reinforced the credibility of these communications.

Ufology in Popular Culture

The magazine illustrates how ufological iconography has infiltrated modern culture. It mentions a stamp from Guinea issued in 2010, related to the television awards "Emmy," which features images related to extraterrestrials. It also points out an Ummo symbol appearing in an episode of the TV series "Lost," specifically in the third season, episode sixteen, where a character finds a mark on a tree indicating a location.

Final Notes and Acknowledgements

The "Nota final" (Final note) mentions the last philatelic UFO sighting the author is aware of: a sheet issued in 2010 by the Republic of Guinea for the "Emmy" television awards. The author also expresses gratitude for the collaboration of Italian specialist Giancarlo D'Alessandro and recommends interested readers visit his online catalog.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the intersection of ufology with philately and popular culture, the scientific approach to searching for extraterrestrial intelligence (SETI), and the exploration of specific UFO cases and phenomena like the Ummo affair. The editorial stance appears to be one of informed curiosity, presenting information from various sources, including scientific endeavors, historical accounts, and cultural references, while acknowledging the speculative nature of some topics (as exemplified by the Ummo motto "Do not believe us"). The magazine aims to document and analyze these phenomena, providing a platform for discussion and research within the ufological community.

Title: El paseante de Sirio
Issue: 11
Volume: 11
Date: 2010

This issue of 'El paseante de Sirio' delves into various topics concerning space, extraterrestrial life, and scientific discoveries, featuring insights from prominent figures and reporting on recent events.

Stephen Hawking's Universe

The magazine opens with reflections from Stephen Hawking, as presented in his series 'En el universo con Stephen Hawking.' Hawking posits that evolved extraterrestrials might have become nomadic and intend to colonize planets. He draws a parallel between potential alien visitation to Earth and Christopher Columbus's arrival in America, suggesting that the native inhabitants were not the beneficiaries. Consequently, Hawking advises humans to avoid active communication with alien beings, arguing that observing human behavior is sufficient to understand how an intelligent organism can become undesirable.

Regarding communication with space, the article mentions past efforts by humanity, such as sending probes with information about Earth and broadcasting radio transmissions into the universe in hopes of extraterrestrial reception. Hawking, a British scientist, states that his mathematical mind makes him believe in the possibility of extraterrestrial existence, with the primary challenge being to predict their form. He speculates that most extraterrestrial life might consist of simple microbes.

Call for UFO Investigation in Europe

An article reports that a group of Eurodeputies, led by Italian Lega Nord member Mario Borghezio, is urging European Union countries to investigate UFOs and declassify their records of sightings. Borghezio has presented a written declaration, supported by 22 other parliamentarians, aiming to gather enough signatures to have the text adopted by the institution and sent to governments. The goal is to provide the public and media with full access to documentation on the subject. Borghezio believes that studying this material could lead to significant scientific and technological advancements, citing that many researchers have already reported systematic information concealment regarding unidentified flying objects. He advocates for establishing a center in Europe for the analysis and dissemination of collected scientific data.

Nacho Vigalondo's Film 'Extraterrestre'

The magazine announces the upcoming filming of Nacho Vigalondo's second feature film, 'Extraterrestre.' The story centers on a couple who wake up together with no memory of the previous night, only to discover they are in the midst of an alien invasion. Starring Michelle Jenner and Julián Villagrán, Vigalondo describes the film as a 'different romantic comedy' and compares it to Hitchcock's 'Rear Window' in terms of suspense. He likens the alien invasion scenario to experiencing 9/11 from Manhattan or Madrid, offering a different perspective. The film features a cast including Raúl Cimas, Carlos Areces, and Miguel Noguera. Vigalondo's production company, Arsénico, is producing the film, which has a budget of approximately one million euros and is scheduled to be shot in three weeks. The film is slated for release in early 2011. Vigalondo also mentions his American projects are progressing slowly due to MGM's bankruptcy, which has stalled the remake of 'Los cronocrímenes.'

UN Denies Appointing Ambassador for Extraterrestrials

Reports from Vienna indicate that the UN has dismissed as 'absurd' rumors about the appointment of an ambassador for potential contact with extraterrestrials, specifically mentioning Mazlan Othman, director of the UN Office for Outer Space Affairs (UNOOSA). The Sunday Times had reported that the UN was preparing to appoint someone to lead first contact efforts, with Othman potentially taking the role. The UNOOSA issued a statement clarifying that its mission is defined by the UN General Assembly and there are no plans to alter it. While Mazlan Othman was confirmed to speak at a Royal Society conference in the UK about asteroids and space debris, the UN emphasized that her role at UNOOSA remains unchanged.

New Zealand Declassifies UFO Reports

According to Fox News, New Zealand has declassified approximately 2,000 pages of UFO reports dating from 1954 to 2009. These documents include testimonies from civilians, military personnel, and commercial pilots who reported sightings, though many are attributed to simple light effects. Some reports contain drawings of flying saucers, descriptions of extraterrestrials resembling pharaohs, and supposed alien texts. One declassified document details a 1978 incident where a commercial pilot observed strange lights near the island of Kaikoura. A passenger, a television reporter, recorded the phenomenon, which was investigated by the Royal New Zealand Air Force and concluded to be an unusual reflection of the planet Venus. The documents were released under the Freedom of Information Act, with personal identities redacted. However, the most recent documents will remain classified until 2080.

'Les soucoupes volantes' (1965) Documentary

This section highlights a French public television report from February 14, 1965, titled 'Les soucoupes volantes.' The documentary is noted for its historical significance, featuring key figures in French ufology such as Aimé Michel and Paul Misraki. It pays special attention to the 1954 French UFO wave, presenting testimonies from protagonists and Aimé Michel's interpretation based on his theory of 'orthoteny.' The documentary is 43 minutes long.

500 Exoplanets Discovered

Astronomers have discovered the 500th exoplanet, a milestone achieved less than 20 years after the first extra-solar planet was confirmed. The count, compiled by astrobiologist Jean Schneider of the Paris-Meudon Observatory, reached 502 alien worlds by November 22, 2010. Schneider notes that designating a single planet as the '500th exoplanet' is arbitrary, as discoveries are ongoing and previous findings can sometimes be disproven. The recently discovered planets are less massive than Jupiter, ranging from 15% to 50% of its mass, and are located between 58 and 196 light-years away. This discovery follows the recent identification of the first potentially habitable extrasolar planet. Instruments like NASA's Kepler planet hunter are expected to lead to more significant findings. Jon Jenkins of the SETI Institute, who leads the analysis for the Kepler mission, describes the discovery process as evolving, with astronomers finding a greater variety of planets, including smaller rocky worlds that could be Earth-like. The International Astronomical Union does not maintain an official list of exoplanets, relying instead on unofficial compilations. The Kepler Space Observatory has identified over 700 'candidates' for exoplanets, with a low false positive rate. The search is not just about numbers but about understanding the nature and diversity of alien worlds, with astronomers gaining a more complete picture of planetary distribution beyond our solar system.

Recurring Themes and Editorial Stance

The issue consistently explores themes of extraterrestrial life, UFO phenomena, and space exploration. There is a clear interest in scientific inquiry, as evidenced by the coverage of Stephen Hawking's theories, the film 'Extraterrestre,' and the exoplanet discoveries. The magazine also touches upon government transparency and the declassification of information related to UFOs. The editorial stance appears to be one of curiosity and a desire to disseminate information on these often-unexplained or speculative topics, presenting both scientific perspectives and reports on public interest and governmental actions.

This issue of Revista Anomalia, number 11 from 2010, published by Fundación Íkaros, delves into a variety of topics including planetary exploration, science fiction cinema, and the history of comic books. The magazine features articles written by Matías Morey Ripoll and others, with a focus on visually rich content and analysis.

Candor Chasma: A Martian Canyon

The issue prominently features an article on Candor Chasma, a major geological formation on Mars within the Valles Marineris system. The article, authored by Matías Morey Ripoll, discusses the potential formation processes of the canyon, comparing them to terrestrial tectonic faults and karst terrains. It highlights the dramatic landscape and the role of the NASA Mars Reconnaissance Orbiter (MRO) in exploring the region. The MRO, launched in August 2005 and orbiting Mars since September 2006, used its HiRISE camera to capture images of Candor Chasma. The data obtained was used to create a 3D animation by Adrian Lark, simulating a camera view from approximately 100 meters above the surface at a speed of 160 kilometers per hour, covering a 12-kilometer route. The illustration uses colors to represent different elevations: blue and violet for low areas, green for intermediate zones, and red and white for elevated terrains. The article notes that music by Gustav Holst from his suite 'The Planets' was added to the images for artistic effect.

Review of the Film 'Splice'

Another significant section of the magazine is dedicated to a review of the film 'Splice.' The review, also likely by Matías Morey Ripoll, describes the film as a 'potent and provocative thriller' that is 'sexy and scary in equal doses,' quoting Peter Travers of ROLLING STONE. The plot centers on Clive (Adrien Brody) and Elsa (Sarah Polley), brilliant scientists specializing in DNA combination who create hybrid species for a pharmaceutical lab. Their secret, ambitious experiment involves using human DNA to create a new hybrid, Dren (Delphine Chanéac), intended to revolutionize modern medicine. However, this creation is described as a surprisingly beautiful creature with intelligence and physical abilities that exceed expectations, posing a potential nightmare. The review praises director Vincenzo Natali for his experimental and respectful approach to filmmaking, noting his previous works like 'Cube,' 'Nothing,' and 'Cypher.' The film is characterized as a controversial story about monsters and science, offering a moral tale that avoids a heavy-handed moral. It touches upon themes of family breakdown, the responsibilities of parenthood, and the limits of morality, including sexuality, masked within a monster movie narrative. The performances of Adrien Brody and Sarah Polley are highlighted as carrying the dramatic weight of the story. The creature Dren is lauded for its realistic and astonishing portrayal, achieved through a combination of makeup and CGI. While acknowledging the film's strengths, the review suggests that 'Splice' might appear conventional compared to Natali's earlier, more unconventional films. It is ultimately described as a very good film that stands out, especially in a time of perceived lack of imagination in cinema. The best aspects are noted as the credible characters and the creature, while the worst is its potential conventionality.

Jack Kirby and UFOs

The magazine also features an article on the renowned comic book artist Jack Kirby (born Jacob Kurtzberg), exploring his connections to ufology. The article details Kirby's prolific career, spanning work for Marvel and DC Comics, where he created iconic characters like The Fantastic Four, X-Men, Captain America, Thor, and The Avengers. The focus here is on his science fiction-themed stories and their links to UFO mythology. The article highlights "I Discovered the Secret of the Flying Saucers," published in December 1958 in Strange Worlds #1, which proposed that flying saucers were not vehicles but alien beings themselves. This concept, though later popularized by Ivan T. Sanderson, had precedents in the U.S. Air Force's Project Sign documentation and Trevor James Constable's 1958 book 'They Live in the Sky.' The article also discusses "The Face on Mars," from Race for the Moon #2 (1958), which described a giant face discovered on Mars, potentially linked to an extinct race of Martian giants. The author notes that while the 'Face on Mars' discovery is often associated with the Viking probe photos from 1982, earlier references might include the canals of Schiaparelli. Other Kirby works mentioned include "Saucer Man" (Race for the Moon #3, 1958), which drew parallels to the film 'The Thing from Another World' (1951) in its depiction of a crashed saucer and communication issues. The article also points to 'Ultimátum a la Tierra' (The Day the Earth Stood Still, 1951) as an inspiration for Kirby's 'Los 4 Fantásticos' #7 (1962) and 'Journey into Mystery' #101 (1964), where a robotic alien descends from a ship and disarms authorities. The article concludes by emphasizing how Kirby's work, along with other forms of art, has contributed to the enduring myth of extraterrestrial visitation. A bibliography of works in Spanish and English about Jack Kirby, along with relevant websites, is provided.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the exploration of space (specifically Mars), the intersection of science and fiction in cinema, and the historical influence of science fiction and ufology on popular culture, particularly through comic books. The editorial stance appears to be one of in-depth analysis and appreciation for both scientific endeavors and creative artistic expression, presenting complex topics in an accessible manner. The magazine values detailed research, visual presentation, and critical review of its subject matter.

This issue of 'Anomalía' magazine, number 11 from 2010, features a cover headline 'El Sur' and an editorial piece by José Ruesga Montiel discussing the state of ufology in Andalusia. The magazine also includes a lengthy analysis of James Cameron's film 'Avatar', exploring its literary and cinematic influences, as well as accusations of plagiarism.

Editorial: El Sur

José Ruesga Montiel's editorial reflects on the current landscape of ufology in Andalusia. He notes that while figures like García Bautista and Miguel Alcaraz remain active, the overall synergy and fervor of past years seem to have diminished. Montiel commends García Bautista for his efforts in presenting past and present ufological cases and interviews in the region. He also expresses regret over the cessation of the digital magazine 'Misterios', attributing it to the prevailing times. Montiel concludes by observing that ufology in Andalusia is no longer what it once was, with only a few dedicated individuals remaining active, and suggests a need for progress and collaboration.

Article: Avatares

This extensive article delves into the multifaceted influences and parallels of James Cameron's 2009 film 'Avatar'.

Cinematic Marketing and Reception

The film's release was preceded by a meticulous online marketing campaign, similar to 'The Blair Witch Project'. However, an early trailer released in August 2009 received negative reactions from science fiction fans, who felt the story was unoriginal, drawing comparisons to the disappointing 'Terminator Salvation'. The article notes that 'Avatar' was a mandatory viewing in 2010 due to marketing strategies.

Literary Influences

The article meticulously traces potential literary inspirations for 'Avatar':

• Poul Anderson's 'Llamadme Joe' (1957): This story features a paralytic man who projects his consciousness into artificial bodies (avatars) to explore Jupiter's moon. The narrative involves interaction with native inhabitants and the protagonist's desire for fusion with his avatar, mirroring key elements of 'Avatar'.
• Ursula K. Le Guin's 'The Word for World Is Forest' (1972): Part of the Hain cycle, this novel depicts humans colonizing a planet (Athshe) inhabited by small, furry humanoids (crichis) who possess dream-like abilities. The exploitation of the natives leads to a rebellion, reflecting themes of colonization and resistance found in 'Avatar'.
• Ursula K. Le Guin's 'Vast as the Empires, and Slower' (1971): Also from the Hain cycle, this story describes an expedition to a planet where plants form a collective consciousness. The planet reacts with fear to the visitors, requiring an empathetic message to establish peace, echoing the interconnected biosphere of Pandora.
• Zhou Shaomou's 'Legend of the Blue Crow' (1997/1999): A Chinese writer accused Cameron of plagiarizing 80% of his novel, claiming Cameron illegally obtained the content before its publication.
• Russian Science Fiction (Strugatsky Brothers): The article mentions that the Strugatsky brothers' 'Noon' universe stories, particularly 'Inquietud' (1965), featured a planet named Pandora. This planet was a tropical world where everything was alive, and an investigator had an experience with the indigenous population. While coincidental, it's noted as a minor parallel.

Visual and Artistic Parallels

• Roger Dean: The work of artist Roger Dean, known for his fantasy illustrations, particularly for progressive rock album covers, is compared to the visual style of 'Avatar'. Images of Dean's art are presented alongside stills from the film.

Cinematic Parallels

The film's narrative structure is compared to several other cinematic works:

• 'Dances with Wolves' (1990), 'The Last Samurai' (2003), 'Pocahontas' (1995): These films share the theme of a soldier or outsider identifying with and ultimately defending the indigenous people they were initially meant to oppose.
• 'Ferngully: The Last Rainforest' (1992): This animated film features fairies living in a forest who are threatened by humans. One fairy shrinks a lumberjack, leading to a relationship and an ecological awakening, with parallels to the Na'vi's tree-dwelling society.
• 'Delgo' (2008): While less convincing due to its box office failure, 'Delgo' is mentioned for potential visual similarities, though its story has fewer direct connections.
• 'Neon Genesis Evangelion' (1995-1996): This Japanese anime series, involving giant robots (EVAs) controlled by teenagers and a struggle against alien 'angels', is cited for its complex narrative and the psychic link between pilots and their mechs, similar to the connection between humans and their avatars/AMP suits in 'Avatar'.
• James Cameron's Own Films:
• 'Aliens' (1986): The presence of Sigourney Weaver in similar roles and the contrast between idealistic scientists and pragmatic military/corporate figures are highlighted. 'Avatar' is seen as having a more Manichean division between scientists and military.
• 'Abyss' (1989): This film is noted for its portrayal of a deranged military figure (Lt. Coffey) and explores themes of suffocation and the need for chemical aids to survive in hostile environments, a precursor to the environmental challenges in 'Avatar'.
• 'The Terminator' franchise: The concept of artificial beings and the idea of consciousness transfer are touched upon.

Themes and Symbolism

The article discusses the theme of transformation, particularly Jake Sully's conversion into a Na'vi. It explores the metaphysical implications of this identity shift, suggesting it represents a transgression of reality planes and an embrace of the purely dreamlike. The film's depiction of aliens and their world is ultimately seen as a digital creation, reinforcing the idea that aliens may exist in realms inaccessible to humans, accessed through chemicals or dreams, as suggested by the Na'vi term 'uniltirantokx' (sleepwalkers).

Conclusion on 'Avatar'

The article concludes that while 'Avatar' is visually impressive and has generated significant discussion, it ultimately returns aliens to a place of imagination rather than offering profound insights into humanity. It suggests that the film's ideas are not entirely novel and that its value lies in appreciating the source material with knowledge of Cameron's influences.

Article: Distrito 9*

This short section briefly introduces the film 'District 9', describing it as a science fiction film that subverts expectations. It notes that the aliens, after invading and enslaving humanity, have demonstrated their superiority. The film is characterized as something unexpected, and its director, Neill Blomkamp, is highlighted for his work on this project, his first major directorial endeavor.

Recurring Themes and Editorial Stance

The magazine 'Anomalía' consistently explores themes at the intersection of ufology, science fiction, and speculative culture. The editorial stance appears to be one of critical analysis, examining both real-world phenomena (ufology) and fictional narratives (science fiction films and literature) for their underlying ideas, influences, and cultural impact. There is a clear interest in tracing connections between different works and in questioning the originality and depth of popular culture phenomena like 'Avatar'. The magazine also seems to value collaboration and the sharing of information within the ufology community, as evidenced by the editorial's call for unity and the inclusion of sections like 'Para colaborar' and 'Publicaciones'.

This issue of Revista Anomalia, number 11 from 2010, features two main articles: one on the film 'District 9' and another on the television series 'Doctor Who'. The magazine is published by Fundación Íkaros and is in Spanish.

'District 9' Review

The review of 'District 9' highlights its innovative approach to science fiction, crediting director Neill Blomkamp and producer Peter Jackson for reinventing the genre. The film is described as a stimulating cocktail, masterfully blending elements that emphasize the story's motivations. The use of a documentary format, incorporating military and security footage, along with the protagonist's perspective, creates a sense of realism. The reviewer praises the film's unique and detailed alien design, comparing them to various creatures and characters.

The article notes that 'District 9' raises questions about social exclusion and marginalization, drawing explicit parallels to xenophobia and racism, and referencing the apartheid era. The protagonist, played by Sharlto Copley, is described as evolving from a timid individual to a more severe and impulsive character driven by survival.

The film's ending leaves room for future installments, and the reviewer considers it a privilege and a departure from conventional science fiction, recommending it to all, especially fans of the genre. A link to the film's review on nosedecine.com is provided.

'Doctor Who' Feature

The extensive feature on 'Doctor Who' describes it as a unique television phenomenon in the fantasy genre, with a long and regular broadcast history since 1963. The series' longevity has significantly influenced British science fiction and its fanbase, becoming an institution in the UK and gaining popularity worldwide.

The article details the show's history, including its original run from 1963 to 1989, a brief revival in 1996, and the successful relaunch in 2005. It explains the concept of the Doctor, an alien from the planet Gallifrey, a Time Lord capable of regenerating up to twelve times, which allows for different actors to play the role. The article mentions various actors who have portrayed the Doctor, including Tom Baker, Peter Cushing, Rowan Atkinson, Hugh Grant, Christopher Ecclestone, David Tennant, and Matt Smith.

Key alien antagonists such as the Daleks, Cybermen, and Sontarans are described, along with their motivations for invading Earth. The Doctor's time machine, the TARDIS, is also mentioned, along with his human companions.

The feature discusses the evolution of the Doctor's character, from a more reserved figure to a more humanist and involved one, often finding himself intervening in galactic conflicts. The article touches upon the Time War and the Doctor's role in ending it, leading to the near extinction of the Time Lords and the Daleks.

The new era of 'Doctor Who' starting in 2005 is highlighted, with Christopher Ecclestone as the ninth Doctor and Russell T. Davies as producer and head writer. The article notes the shift in the Doctor's portrayal, becoming more sarcastic and enthusiastic, and the breaking of taboos regarding his relationships, particularly with Rose Tyler and the introduction of River Song. The impact of technological advancements on the show's special effects is also discussed, noting an improvement from the earlier, more kitsch aesthetic.

The article praises the relaunch for updating the character while respecting the original series' legacy, and commends the writing and acting. It contrasts 'Doctor Who' with many US science fiction productions, suggesting it offers more coherent narratives.

Spin-off: 'Torchwood'

A brief section on 'Torchwood' describes it as a celebrated spin-off of 'Doctor Who', which aired from 2006 to 2009. It mentions that the first two seasons were broadcast in Spain on the channel Cuatro during late-night hours, leading to fan complaints about the scheduling of science fiction content.

Bibliography

The issue concludes with a bibliography listing recent works related to 'Doctor Who', published after 2005, excluding novels.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around science fiction, exploring both film and television. The editorial stance appears to be appreciative of innovative and thought-provoking science fiction that offers social commentary, as seen in the positive review of 'District 9'. The 'Doctor Who' feature demonstrates a deep admiration for the series' enduring legacy, its creative evolution, and its distinctiveness from typical American genre productions. There's a clear emphasis on the genre's ability to engage with complex themes like racism, xenophobia, and the human condition, while also providing entertainment and adventure.

This issue of Revista Anomalia, number 11 from 2010, focuses heavily on the British science fiction television series 'Torchwood' and also includes a section on the remake of the series 'V'. The magazine is published by Fundación Ikaros and is in Spanish.

Las Cloacas del Doctor (The Doctor's Sewers)

This extensive article delves into the origins and nature of the 'Torchwood' series. It explains that the series' deliberately dark and nocturnal setting in Wales reflects its clandestine origins. The concept for 'Torchwood' reportedly began with Russel T. Davies in 2002 as 'Excalibur', a science-fiction series in the vein of 'Buffy the Vampire Slayer'. However, it was later developed as a spin-off from 'Doctor Who', with the name 'Torchwood' being an anagram of 'Doctor Who'.

The article traces the evolution of the idea, noting that elements of 'Excalibur' were incorporated into 'Doctor Who' itself, particularly through the character of Captain Jack Harkness. Harkness, a charismatic member of the Time Agency from the 51st century, was introduced in 'Doctor Who' and later became the central figure of 'Torchwood'. The article details how 'Torchwood' was initially referenced in 'Doctor Who' episodes, such as 'Tooth and Claw' (1879), where Queen Victoria created the organization to combat alien threats, and the 'Army of Ghosts'/'Doomsday' episodes, which featured the battle of Canary Wharf and the destruction of Torchwood-1.

The series 'Torchwood' itself begins with the premise that Captain Jack Harkness was left behind in late 19th century Britain and was forcibly recruited by the Cardiff branch (Torchwood-3) due to a space-time rift. The article highlights the independence of Torchwood-3 from the London headquarters, especially after the events of 1999 when the head of Torchwood-3 committed suicide. This independence allowed the Cardiff branch to operate with greater autonomy.

The article contrasts 'Torchwood' with 'Doctor Who', emphasizing that 'Torchwood' is designed as a more adult-oriented program. It explores darker themes, complex characters, and aspects of sexuality, including the bisexuality of Captain Jack Harkness and the homosexuality of actor John Barrowman and writer Russell T. Davies. The series is characterized by its focus on the darker, more obscure aspects of the 'whovian' universe, often leaning towards horror rather than pure science fiction.

Un Punto Fijo en el Tiempo (A Fixed Point in Time)

This section focuses on the character of Captain Jack Harkness, describing him as a tragic figure and a key element of the series' appeal. His immortality, a result of events at the end of 'Doctor Who's' first season, makes him a 'fixed point in time'. The article notes that Harkness can die but always resurrects, albeit with a period of recovery depending on the severity of the injury. It is suggested that he will eventually become the ancient being known as the Face of Boe. The article also touches upon his past, including the trauma of losing his younger brother and the guilt he carries. His ultimate sacrifice of his grandson to save humanity from the 456 threat is also mentioned, further cementing his tragic persona.

The article defends Harkness against criticisms that focus solely on his sexual aspects, arguing that his character is more deeply defined by his experiences and his humanistic, albeit sometimes flawed, approach to heroism. The series' ensemble cast is also discussed, with characters like Gwen Cooper being introduced with their own lives outside the institute, providing a more nuanced portrayal.

Carne Mortal (Mortal Flesh)

This part of the article discusses the supporting characters of 'Torchwood', noting that some are borrowed from 'Doctor Who' (like Martha Jones) or are alien creatures such as the 'weevils'. It reiterates the adult nature of the series, particularly its exploration of sexuality and its 'pansexual' protagonist, Captain Harkness, whose liberal attitude is attributed to his 51st-century origins and interactions with various alien species.

Otros Mundos (Other Worlds)

This section explores the influences on 'Torchwood' beyond 'Doctor Who'. It highlights inspirations from 'Buffy the Vampire Slayer', noting similarities in themes and plot structures, such as the presence of supernatural creatures and government cover-ups. The article points out parallels between Sunnydale (Buffy's setting) and Cardiff, both being locations with supernatural or alien activity. It also mentions the shared actor James Masters appearing in similar roles in both series.

The article further compares 'Torchwood' to other contemporary science fiction series like 'The X-Files' and 'Heroes', noting shared themes of government conspiracy, incompetence, and a pessimistic view of the future, particularly in the context of post-9/11 anxieties. The 'weevils' are described as a source of unease, representing a growing threat that Torchwood struggles to contain.

The article concludes by mentioning the upcoming fourth season, 'Miracle Day', and suggests that readers can prolong their engagement with the 'Torchwood' universe through novels that expand on the series' lore.

V, Los Re-visitantes (V, The Re-visitors)

This section shifts focus to a review of the 2010 remake of the science fiction series 'V'. The article notes that the series is part of a trend in the audiovisual industry to revive and reimagine older successful shows. It contrasts the original 'V' series' simplistic good-versus-evil narrative with the more nuanced approach of later series like 'La Tierra, conflicto final'.

The review describes the plot of the new 'V' series, where reptilian aliens arrive on Earth, initially presenting themselves as benevolent but gradually revealing their sinister intentions. The article highlights the series' exploration of themes such as societal distrust of authority, the impact of terrorism on media consumption, and the search for familiar narratives in uncertain times. It criticizes the slow pacing of the early episodes, which focus heavily on character relationships and interpersonal drama rather than advancing the main plot. The article also points out the hypocrisy of the alien visitors and the nascent resistance movement forming against them.

The 'Characters' subsection of the 'V' review focuses on the ensemble cast and the central role of Ana, played by Morena Baccarin. It notes that the series' narrative momentum is often hampered by the extensive focus on character interactions, leaving the extraterrestrials' true motives and actions somewhat obscured.

Recurring Themes and Editorial Stance

The magazine consistently explores themes of science fiction, the supernatural, alien encounters, and the darker aspects of human nature and society. The articles demonstrate a critical engagement with television series, analyzing their narrative structures, character development, and thematic relevance. There is a clear appreciation for complex, adult-oriented storytelling, as seen in the detailed analysis of 'Torchwood' and its comparison to 'Doctor Who'. The review of 'V' also reflects a critical perspective on contemporary media trends and their engagement with societal anxieties.

This issue of Anomalía magazine, number 11 from 2010, focuses on "V, los re-visitantes" (V, the re-visitors) and "Ataque de pánico" (Panic Attack), alongside a review of alien-themed video games. The publication is by Fundación Íkaros.

Review of 'V' (2010 Series)

The article delves into the 2010 reboot of the television series 'V', comparing its characters and plot to the original series and other science fiction works. The main antagonist, an alien species referred to as 'taelons' or 'lagartos' (lizards), is described as more ruthless than their 1984 counterparts. The character of the agent, played by Elizabeth Mitchell, is highlighted for her role in forming a resistance movement after discovering her partner is an alien. The review notes the character's personal struggles, mirroring those of Olivia Dunham from 'Fringe'.

Robert Englud's previous role as a 'good lizard' is contrasted with Morris Chestnut's portrayal in the new series, who is depicted as more capable and less overtly villainous, even reforming to the point of having a relationship with a human.

The article also discusses the character of Father Jack Landry, a veteran of fictional wars, who is presented with moral conflicts regarding his faith and vows, a theme that the review suggests is influenced by the post-9/11 religious climate in the US.

Comparisons are drawn to other science fiction series, including 'Taken', 'Los 4.400', 'La Tierra: conflicto final' (Earth: Final Conflict), 'Expediente X' (The X-Files), and 'Battlestar Galactica'. The review points out that 'V' shares thematic elements with 'La Tierra: conflicto final', particularly in its portrayal of a veiled extraterrestrial conspiracy rather than an overt invasion. The series' use of technology and its portrayal of aliens are also discussed, noting that the aliens are less organic in their technology compared to 'La Tierra...' but are generous with medical applications.

A significant difference highlighted is the treatment of religion in 'V', with a central character being a priest facing moral dilemmas. This is contrasted with the original series and linked to the resurgence of conservative religious movements in the US.

The review acknowledges the effort made by 'V' to update the alien invasion theme, despite its reliance on blue screen effects, and questions whether it will ultimately offer an original perspective on humanity's fear of the foreign.

'Ataque de pánico' (Panic Attack)

This section details the viral phenomenon of 'Ataque de pánico', a short film created by Uruguayan publicist Fede Álvarez in 2009. The film, which depicted a fictional alien attack on Montevideo using low-budget special effects, gained over 100,000 views online within four days.

Álvarez, who had previously worked on short films and commercials with minimal budgets, spent six months over two years creating the short, which cost only $300. The initial intention was to create a music video for the band Snake, but it evolved into an independent project.

The film's success led to significant interest from Hollywood studios, including Dreamworks, Warner, Fox, and Sony, resulting in Álvarez signing a contract with CAA and Anonymous Content. He secured a deal for his first feature film with a budget of $30 million, working with producer Sam Raimi.

Álvarez expressed his excitement and curiosity about working with a larger budget, stating that he made 'Ataque de pánico' purely for enjoyment. He is currently preparing a new film about alien invasions to be shot in Argentina and Uruguay.

Video Games Review

The magazine also includes a review of alien-themed video games, highlighting their prevalence in the medium. The reviewed games are:

• Star Craft II (PC): A highly addictive real-time strategy game involving three species (terrans, zerg, and protoss) battling for control of the universe.
• Halo Reach (Xbox 360): A prequel to the Halo saga, focusing on humanity's fight against the alien Covenant alliance.
• Crysis 2 (Xbox 360/PS3/PC): Set in a post-disaster world, this game features aliens invading New York, with players controlling a supersoldier equipped with advanced technology.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around alien invasions, extraterrestrial encounters, and their representation in popular culture, specifically television, film, and video games. The magazine critically analyzes these themes, comparing new productions to older ones and discussing their cultural context, particularly in relation to events like 9/11. The editorial stance appears to be one of critical engagement with science fiction, examining its narrative tropes, technological aspects, and thematic depth, while also acknowledging its entertainment value and its ability to tap into primal human fears.

Title: Revista Anomalia
Issue: 11
Volume: 2
Year: 2010

This issue of Revista Anomalia, published by Fundación Ikaros in 2010, covers a range of topics including video games, music, art, and literature, with a particular focus on themes of aliens, science fiction, and creativity.

Videojuegos: Gears of War 3 (Xbox 360)

The issue briefly mentions 'Gears of War 3' for Xbox 360 as the final installment of a popular game saga. It is set in the city of Jacinto, the last bastion of humanity on planet Sera, in their struggle against the Locust, a coalition of subterranean races emerging to conquer Earth.

E.T. (Futuristic Lover) - Katy Perry

This section delves into Katy Perry's song 'E.T. (Futuristic Lover)', released in February 2011 as the fourth single from her album 'Teenage Dream'. The song is described as catchy with a rhythm reminiscent of Rihanna's compositions and was co-written by Lukasz Gottwald, Max Martin, Joshua Coleman, and Katy Perry herself. The article highlights the song's clear ufological inspiration, presenting the lyrics in both English and Spanish. The lyrics explore themes of hypnotic attraction, alien encounters, and extraterrestrial love, using phrases like 'your touch magnetizing', 'you're not like the others, futuristic lovers', 'different DNA', 'you're from a whole other/another world', 'a different dimension', 'boy, you're an alien', 'supernatural, extraterrestrial', and 'your kiss is cosmic'. The article also notes Perry's striking physical appearance, having been named 'sexiest woman in the world' by Maxim in 2010, and her distinctive personal style.

Interview: Herikberto

The magazine features an extensive interview with Herikberto (born in Orense, 1959), an artist known for creating over a thousand alien species. His latest book, 'El hombre del traje blanco' (Anaya), is about an alien hunter and serves as a critique of rampant consumerism, ecological decline, and animal cruelty. The interview explores Herikberto's creative process, his inspiration drawn from his father's experiences with alleged extraterrestrial contact, and his belief in the reconciliation of science and mysticism. He discusses his view that aliens might envy humanity's sense of humor and emotions, and that beauty is relative. Herikberto advocates for a return to nature, emphasizing its urgency.

Key quotes from the interview include:

• "La selección natural elimina a los menos aptos, pero el mayor logro de la naturaleza humana es ayudar al menos apto." (Natural selection eliminates the least apt, but the greatest achievement of human nature is to help the least apt.)
• "Quiero sentir tus poderes, déjame perpleja con tu láser."
• "Esto es sobrenatural, extraterrestre."
• "¿Y si ellos no tienen sentido del humor? Quizá nos envidian por eso. Quizá envidian nuestro humor y la juerga que es nuestro planeta."
• "Todos quieren volver a la naturaleza, pero en un 4x4."

The interview also touches upon the concept of machines potentially replacing humans and the idea of ants being established extraterrestrials on Earth, referencing Ramón Gómez de la Serna.

Star Wars Art: Visions

This section reviews the book 'Star Wars Art: Visions', published by Abrams Books. The book showcases works by 120 artists, curated by George Lucas, inspired by the 'Star Wars' universe. It was released on November 1, 2010. The publication includes contributions from artists such as Amano, Allan R. Banks, Harley Brown, Gary Carter, James Christensen, Michael Coleman, Kinuko Craft, Jim Dietz, Phillipe Druillet, Donato Giancola, Ann Hanson, H. R. Giger, Daniel Greene, Ron Kleeman, Syd Mead, Moebius, Paul Oxborough, Alex Ross, Anthony J. Ryder, Dolfi Stoki, William Stout, Dan Thompson, Julie Bell, Boris Vallejo, Scott Waddell, and Jamie Wyeth. Notably, it features a piece by Spanish artist Arantzazu Martínez, depicting the Rancor beast from 'Return of the Jedi'. Martínez shares her experience creating the artwork, noting her initial fear of the creature and her inspiration from historical costumes. The book is available in a standard edition and a limited edition, the latter being significantly more expensive and including signed reproductions and additional content on the creative process.

Recurring Themes and Editorial Stance

The magazine consistently explores themes related to the unexplained, extraterrestrial life, and speculative fiction, as seen in the coverage of Katy Perry's song, the interview with Herikberto, and the 'Star Wars Art: Visions' book. The editorial stance appears to be one of curiosity and open-mindedness towards these subjects, encouraging artistic and creative interpretations while also engaging with critical perspectives on society and nature, as exemplified by Herikberto's interview. The publication promotes art, music, and literature that engage with these themes.

Title: STRANGE WORLDS
Issue: 1
Volume: 1
Date: December 1, 1952
Publisher: EC Comics
Price: 10¢

This issue of STRANGE WORLDS presents a collection of science fiction tales centered around the mystery and wonder of flying saucers and extraterrestrial life. The cover boldly proclaims "TALES OF THE STRANGEST WORLDS OF ALL!" and features a dramatic illustration of a flying saucer confronting a group of humans, with a prominent warning to "EARTHLINGS!" The issue is approved by the Comics Code Authority.

"I DISCOVERED THE SECRET OF THE FLYING SAUCERS!"

The lead story, "I DISCOVERED THE SECRET OF THE FLYING SAUCERS!", is narrated by an individual driven by an insatiable curiosity about unearthly occurrences. The narrator recounts how their fascination with science fiction evolved into a serious investigation into flying saucers. Despite initial skepticism and ridicule, the narrator claims to have had a profound encounter in a remote forest. A flying saucer landed, and the narrator was able to communicate telepathically with the occupant. The secret revealed is that flying saucers are not machines but living creatures from a distant world. These beings are searching for a new planet to colonize due to overpopulation. Their forays into space are sometimes hampered by Earth's sun, which weakens them. The narrator learns that the beings are not inherently hostile but fear being stranded among 'inferiors'. The narrator is asked to keep their existence a secret until the beings can leave. In a surprising twist, the narrator realizes that the 'creature' they were communicating with is not a pilot but the spaceship itself, which possesses a form of consciousness and can communicate directly. The narrator is left with the knowledge of this secret, feeling a sense of sadness as the alien craft departs.

"THE FACE ON MARS"

This story details a "REPORT FROM MOON TO MARS EXPEDITION '1'". Upon reaching Mars, the expedition team, consisting of Koski, Brennan, Lake, and Ben Fisher, discovers a startling object: "THE FACE ON MARS". The report states that an initial study of the object's dimensions and substance is underway, with the present objective being to uncover the secret of this Martian feature. The team, equipped with vacuum gloves and shoes, ascends to the 'eyes' of the giant Martian face, with Fisher questioning the purpose of their climb, to which the response is that their job is exploration.

"SAUCER MAN"

The final story features "THE MOON SCOUTS" who searched for and found "HIM" – "SAUCER MAN" – and lived to wish they hadn't. Boniface Skinner, nicknamed "Mule" by his fellow Moon Scout Terry Winters, recounts the encounter. They discover a flying saucer that is not in a condition for flying. The situation is dire, prompting them to report back to "BASE FOUR" immediately. Terry Winters expresses belief in the talk about saucers, confirming that it's true.

Recurring Themes and Editorial Stance

The recurring themes in this issue are the mystery surrounding flying saucers, the existence of extraterrestrial life, and the human drive for exploration and discovery. The stories explore the possibility of alien visitation and the potential for communication and understanding between different species. The editorial stance, as reflected in the stories, leans towards the idea that the universe is vast and that humanity is not alone, encouraging a sense of wonder and a re-evaluation of what is considered possible. The inclusion of the "STRANGE ENCOUNTER!" teaser at the end of the main story suggests a serialized or recurring segment, promising more tales of the unknown.

This issue of Fantastic Four, identified as issue #10, plunges into a narrative of futuristic and extraterrestrial threats to 20th-century Earth. The story unfolds across multiple panels, depicting dramatic encounters with advanced technology and powerful beings.

The Arrival of Zarko, The Tomorrow Man

The issue opens with a startling occurrence on Earth: a golden, cubical UFO appears and hovers inexplicably. From this craft emerge two figures – one human and one an inhuman, gigantic robot. This robot identifies itself as Zarko, 'The Tomorrow Man,' and boldly declares himself the master of humanity, demonstrating a terrifying power by turning a police officer's gun into dust with a mere glance.

The Fantastic Four's Pursuit

Meanwhile, the Fantastic Four, in their advanced jet-ship, are being pursued by a mysterious alien craft. Despite Mr. Fantastic's efforts to outmaneuver their pursuer at blinding speed, the alien ship flawlessly duplicates every move. Recognizing they cannot escape, Mr. Fantastic decides to land on their own rooftop, anticipating a confrontation on home ground.

Confrontation with an Alien Emissary

Upon landing, the Fantastic Four witness the alien ship, described as larger than they imagined and built with highly advanced science, open its hatch. They are confronted by a 'mighty metal behemoth' who delivers a chilling message. This being claims to have traveled many light-years to find them and to deliver a message from 'Kurrgo, Master of Planet X.' The alien's appearance and the mention of Planet X suggest a new, significant extraterrestrial threat.

Recurring Themes and Editorial Stance

This issue heavily features themes of science fiction, including time travel (Zarko from the future), alien invasion (Kurrgo from Planet X), and advanced robotics (Zarko's robotic form). The narrative showcases the Fantastic Four's bravery and ingenuity in facing overwhelming odds, highlighting their role as Earth's defenders against extraordinary threats. The editorial stance appears to be one of escalating cosmic and temporal danger, requiring the unique capabilities of the Fantastic Four to resolve.