Anomalia - 2a Epoca - No 07 - 2007

Magazine Overview

This document comprises pages from issue number 7 of the magazine 'Anomalía', from its 'II época' (second period), published in 2007. The magazine is produced by Fundación Anomalía, with contributions from Lentio Compañía de Comunicación Gráfica and Copicentro. The publication is based in Santander, Spain.

Patronato

The 'Patronato' (Board of Trustees) of Fundación Anomalía is detailed, listing key individuals and their roles:

• Matías Morey Ripoll: President, Web, Legal Advisor
• Julio Arcas Gilardi: Vicepresident, Director of Publications
• José Ruesga Montiel: Board Member, Director of @nomalía
• Martí Flò García: Board Member, Project Coordinator
• Matilde González García: Treasurer
• Luis R. González Manso: Board Member, Translators
• Ricardo Campo Pérez: Board Member, External Relations
• Joaquín Díaz Rodríguez: Secretary

Equipo @nomalía

The 'Equipo @nomalía' (Team @nomalía) is also listed, comprising:

• José Ruesga Montiel: Director
• José Luis Ramírez Lagares: Assistant Director
• Ricardo Campo Pérez: Editor-in-Chief
• Antonio Petit Gancedo: Documentation
• Julio Arcas Gilardi: Graphic Coordination
• Matías Morey Ripoll: Graphic Design

The 'Maquetación' (Layout) team includes José Ruesga Montiel, José Luis Ramírez Lagares, and Martí Flò García.

Consejo Editorial

The 'Consejo Editorial' (Editorial Board) consists of:

• Julio Arcas Gilardi (Santander)
• Ricardo Campo Pérez (Tenerife)
• Luis R. González Manso (Málaga)
• José Ruesga Montiel (Sevilla)

Sumario (Table of Contents)

The 'Sumario' lists the articles and sections included in this issue:

• Editorial
• El paseante de Sirio
• Onda Fundación Anomalía (By José Ruesga Montiel)
• Nueva versión de Micromegas (By Matías Morey Ripoll)
• Proyecto Méliès: Una realidad (By José Ruesga Montiel)
• Primera película ufológica (By Martin S. Kottmeyer)
• Música del espacio
• "Los monstruos del terror"-Una visión ummológica (By Luis R. González Manso)
• "Los monstruos del terror", de simple película a expediente ummita (By José Juan Montejo Aguilera)
• El Sur (By José Ruesga Montiel)
• Fermi y los nuevos mundos (By Matías Morey Ripoll)
• La verdad sobre el misterio de Baian Kara Ula (By Chris Aubeck)
• BIBLIOGRAFÍA

Para colaborar (To Collaborate)

Fundación Anomalía seeks to develop significant activities for the advancement of Ufology in Spain and globally. They invite support through donations and subscriptions. The foundation offers three donation tiers:

• Donante colaborador: From 30 euros annually (for Spain).
• Donante principal: From 60 euros annually (for Spain and EU countries).
• Donante benefactor: From 90 euros annually.

These donations come with benefits such as a 1-year subscription, information on activities, special discounts, IRPF/ISoc certificates, a 'Libro BCF', and access to a database.

Donors can also benefit from tax deductions: up to 25% for IRPF (Personal Income Tax) and 35% for Impuesto de Sociedades (Corporate Tax).

Further information can be found on their website or via email and postal mail to Apartado de correos 5.041, 39080 Santander.

Premios y becas (Prizes and Grants)

This section mentions the 'Premio Cuadernos de Ufología' (Ufology Notebooks Award), accompanied by an image of multiple trophy-like objects.

Publicaciones (Publications)

Readers are directed to the website or email for placing orders for publications.

Editorial

The editorial, written by Julio Arcas Gilardi and José Ruesga Montiel, reflects on the 10th anniversary of Fundación Anomalía. They state that reaching this milestone signifies maturity and stabilization of objectives. The foundation began as a magazine project by friends aiming to consolidate UFO culture in Spain and serve as a future reference. They highlight that the initial 'naive' ambition has become a reality, with scholars contributing their efforts and resources. The editorial criticizes the outdated view of extraterrestrials in ufology, contrasting it with a broader social, anthropological, and artistic implication of the UFO phenomenon. They note that society's understanding has often surpassed that of traditional ufologists, who are described as being stuck in outdated concepts. The publication aims to share discoveries made over the years with a more realistic perspective, encouraging readers to explore the implications of the phenomenon on human culture. They express hope that the new perspectives will inspire readers to seek answers to questions arising from a reality that exceeds expectations.

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the history and evolution of ufology, the organizational structure and activities of Fundación Anomalía, and the broader cultural and societal implications of the UFO phenomenon. The editorial stance clearly advocates for a more contemporary and interdisciplinary approach to ufology, moving beyond simplistic 'flying saucer' narratives to embrace a wider range of social, artistic, and anthropological interpretations. The magazine positions itself as a platform for serious study and reflection on the subject, aiming to be a comprehensive resource for both current researchers and future generations.

Title: El paseante de Sirio
Issue: 7
Volume: 2
Date: May 14, 2006
Publisher: Diario de Mallorca

Article 1: El canto de la ballena en la costa Nord de Mallorca

This article resolves the mystery of the "strange" sounds heard in the Balearic Sea, attributing them to the common rorqual whale (*Balaenoptera physalus*). For years, these sounds, described as a dry, hollow, metallic, and repetitive blow, puzzled scientists, fishermen, and researchers. Investigations by the Oceanographic Center of Balears, accessed by Diario de Mallorca, confirm that these sounds are natural and are emitted by male rorquals as a form of communication with females, possibly related to sexual behavior or location signaling. The sound is described as the most powerful biological sound emitted by a mammal, reaching intensities of 184-186 decibels underwater, equivalent to 150 decibels in air (compared to a jet plane at takeoff at 120 decibels). The *Balaenoptera physalus* is a common visitor to the Balearic Islands between spring and summer as it migrates from the Atlantic to the Ligurian Sea. In 2005, divers from the Oceanographic Center clearly identified the whale's sound near Mallorca, from Dragonera to Formentor. The article suggests that permanent hydrophone placement could further research if administrative interest is shown.

Article 2: El pirata informático que buscaba ovnis

This section details the case of Gary McKinnon, a 40-year-old British man described by Washington as "the greatest military hacker of all time." McKinnon is accused of illegally accessing and damaging numerous high-security computer systems of the US military, the Pentagon, and NASA. He allegedly gained access through elementary security flaws, such as unassigned passwords, and used a program called Remotely Anywhere for remote control. The article highlights that his hacking activities spanned seven years and were allegedly motivated by a desire to find hidden information about UFOs. McKinnon admits to some of the accusations but claims he did it out of curiosity and that his actions helped identify security vulnerabilities. He was arrested in London in 2002 and faces extradition to the US, where he could be sentenced to over 50 years in prison, with fears that he might be sent to Guantanamo. The article notes his past as a science fiction reader and a member of Bufora (British UFO Research Association). His hacking activities were particularly intense between February 2001 and March 2002, a period that included the 9/11 attacks, yet he took few measures to conceal his presence. The cost to the US for tracking and rectifying the problems caused by McKinnon's intrusions is estimated at $700,000. The article also mentions his popular status in the UK, his support website (http://freegary.org.uk), and his own accounts of his activities as a descent into hell, leading to the loss of his job, girlfriend, and friends, and an obsessive period where he neglected basic needs.

Article 3: ¿Quién teme a Gary McKinnon?

This article, by José Manuel Nieves, continues the discussion on Gary McKinnon, noting that his case has entered a new phase with a British court denying his appeal against extradition to the United States. Online communities supporting McKinnon, such as "freegary.org.uk," have gathered support and protests. Despite being denied access to computers since his arrest in June 2005, McKinnon's conspiracy theories are gaining traction. The article reiterates the accusations against him: breaching up to 97 high-security US government computer systems, including those of NASA, the Army, the Navy, the Department of Defense, the Pentagon, and the Air Force, between 2001 and 2002. The US spent $700,000 to track and fix the issues caused by his actions, labeling it "the greatest computer assault on a military system of all time." McKinnon, described as a 41-year-old British computer analyst, faces potential penalties of over half a century in prison. He claims his hacking required only basic tools and patience, using a simple tracking program to find systems with blank administrator passwords. His alleged discoveries include NASA satellite images of extraterrestrial craft, advanced weapons technology, and secrets of antigravity and free energy, which he believes are deliberately hidden to maintain the global economy.

Article 4: Onda Fundación Anomalía

This section, written by José Ruesga Montiel, provides updates on the activities of Fundación Anomalía. It announces new donations for the "Proyecto Méliès," including 72 films and 4 television series from Luis R. González Manso, adding 25 new records to the project, bringing the total to over 450. The article also highlights the premiere of a new version of "Micromegas," an online publication of the foundation, which has achieved over 1,000 visits in its initial days. This new version, accessible at http://micromegas2.wordpress.com, aims to address the growing interest in phenomena linked to science, art, and society, serving as a blog that collects related news and maintains articles from the previous web version (http://micromegas.webcindario.com). The foundation seeks to diversify its themes and reach audiences beyond traditional ufology.

Article 5: EXPOSICIÓN ANTOLÓGICA DE LA OBRA DE JOSÉ RUESGA SALAZAR

This short piece announces an anthological exhibition of the work of José Ruesga Salazar, an artist whose works are part of the Modern Art Collection of Fundación Anomalía. Salazar, born in Utrera, Seville, in 1918, has had an extensive artistic career with national and international awards. The exhibition will take place from May 4th to 16th in Seville, at the Bajos del Paseo del Marqués del Contadero. More information can be found at http://www.joseruesgasalazar.com.

Article 6: NUEVA VERSIÓN DE MICROMEGAS

By Matías Morey Ripoll, this article details the launch of the new version of "Micromegas" on February 17, 2007, accessible at http://micromegas2.wordpress.com. The previous website, active since August 27, 2003, is still available at http://micromegas.webcindario.com. "Micromegas" is described as an electronic magazine inspired by new realities and cultural responses, situated at the frontiers of modernity. It aims to address the growing interest in scientific and cultural phenomena, particularly those related to technology, avant-garde social movements, and artistic expressions, which are defined as anomalies according to the RAE (Royal Spanish Academy). The foundation has expanded its thematic scope following a 2003 reform, seeking diversification beyond established topics. The new "Micromegas" functions as a blog, incorporating news related to its focus, while retaining all previous articles and adding new content. The article notes the initial success with over 1,000 visitors in less than a month, despite limited promotion, and encourages collaboration and feedback via [email protected].

Article 7: Proyecto Méliès : Una realidad

Authored by José Ruesga Montiel, this article discusses the "Proyecto Méliès," initiated in 2004 to study Spanish-language filmography related to extraterrestrial life. The project has received support from cultural manager D. Julián Ruesga Bono and electronic technical engineer D. José María González Infante. The research involved consulting online databases and two key publications: "Vinieron del espacio: Alienígenas de cine" by José Manuel and Francisco Javier González - Fierro Santos, and "Contact! Tutti i film su Ufo e alieni" by Roberto Chiavini, Gian Filippo Pizzo, and Michele Tetro, which together list 500 titles on UFOs and aliens. The project aims to gather films, series, documentaries, and videos, with a preference for Spanish-language material. The article lists the current holdings: 229 film titles across 341 supports, 19 TV series, 188 documentaries, 21 TV programs, 10 animated films, and 5 research videos. The film section is further categorized into nine sub-sections: Alien (156 titles), Space (15 titles), Experimentation (12 titles), History-Anthropology (1 title), Urban Legends (2 titles), Psi Phenomena (5 titles), Robotics (10 titles), Time Travel (20 titles), and Various Unclassified (7 titles). The article notes that 90% of the registered titles are North American or UK productions, with a low percentage of Spanish productions. It highlights "Platillos volantes" as a notable Spanish film. The "Space" category includes films like "Elegidos para la gloria" and "Apollo 13," with Spanish contributions like "El astronauta" (1970). The "Experimentation" section covers themes like artificial life and matter transformation. "Time Travel" is a well-developed category, including "Back to the Future" and "Planet of the Apes." The "TV Series" section includes "Expedientes X" and "Stargate SG-1." The "Documentaries" section is extensive, with 188 records, primarily focusing on ufology and astronomy, with notable contributions from US, UK, and Spanish productions like those by Fernando Jiménez del Oso. Discovery Channel and National Geographic documentaries are also mentioned.

Recurring Themes and Editorial Stance

The magazine "El paseante de Sirio" appears to focus on themes related to unexplained phenomena, scientific mysteries, and fringe culture. The articles cover a range of topics from marine biology and unexplained sounds to cybercrime, UFOs, and filmography related to extraterrestrial life. The editorial stance seems to be one of investigative journalism, seeking to provide logical explanations for mysteries while also exploring more speculative subjects like UFOs and hacking. There is a clear interest in technology, science, and popular culture, as evidenced by the coverage of hacking, film, and online publications. The magazine also highlights the activities of organizations like Fundación Anomalía, which are dedicated to researching these topics.

Title: Proyecto Méliès
Issue: 7
Volume: 2
Date: February 2007
Publisher: Fundación Anomalía
Country: Spain
Language: Spanish

This issue of 'Proyecto Méliès' focuses on the initiative's ongoing work in archiving and presenting UFO-related content, alongside explorations into space-themed music and film.

Programs de TV

The article notes that current TV program archives related to UFOs in Spanish are limited. The project aims to compile a list of programs from TVE, Antena 3, and regional broadcasters, and seeks collaboration with stations and directors to gather material that will contribute to the 'Proyecto Méliès' goals.

Dibujos (Drawings)

This section covers a small collection of 10 films primarily related to extraterrestrial life, specifically targeting a younger audience. These include comics adapted into feature films and productions utilizing new technologies, considered a form of art.

Investigación (Investigation)

This part of the project consists of home-produced VHS tapes, representing a vast amount of material yet to be organized. These tapes document significant and socially impactful cases, often with little-known material that has been kept for assessing the veracity of difficult-to-explain events. The section is incomplete, with much raw material awaiting classification and organization in the coming years.

The introduction emphasizes that these lines are not an exhaustive enumeration but an overview of work done over the past two years, highlighting the generosity and collective effort of Fundación Anomalía members.

La Primera Película Ufológica: Starship Invasions

This review by Martin S. Kottmeyer (translated by Luis R. González) analyzes the 1977 film 'Starship Invasions'. The film, originally intended to capitalize on 'Close Encounters of the Third Kind' with the title 'Alien Encounter', was ultimately named 'Starship Invasions' likely due to the success of 'Star Wars'. The review notes that while the film features typical bald, bulbous-headed aliens (Grises), it also presents aliens from Orion who are human-like. The plot involves a conflict between benevolent and malevolent aliens over Earth's fate, with elements reminiscent of various UFO cases.

The film draws heavily on UFO mythology, referencing the Vilas Boas case (abduction, interaction with a female alien, radiation detection), the Betty Hill case (star map), and the Pascagoula abduction (android design). It also touches upon themes of alien migration, the potential supernova of an alien star, and an intergalactic 'League of Races' protecting Earth. The review critiques the film's production values, comparing its special effects unfavorably to contemporary video games, and suggests it is only recommendable for dedicated UFO enthusiasts rather than general film audiences.

La Música del Espacio

This section explores the concept of 'Space Music', describing it as music that evokes cosmic sensations and elevates the listener. It mentions artists like Grateful Dead and Pink Floyd as examples. The article delves into the idea of music as a natural law, citing composers like Elgar and Stockhausen, and the historical concept of the 'Music of the Spheres'.

It highlights the work of musicians who translate cosmic themes into their music. Moondog, a blind street musician from New York, is presented as an influence on modern jazz, blending classical training with urban rhythms. The section also discusses experimental rock, mentioning figures like Rashan Roland Kirk, Chick Corea, Alice Coltrane, and Sun Ra.

Choque Eléctrico (Electric Shock)

This sub-section focuses on radical changes in music brought about by new orchestration methods, particularly in experimental and provocative rock music. It credits Darius Milhaud and Edgar Varèse as influential figures who 'emancipated the rhythmic', leading to percussive works with complex sound arrangements. Varèse's 'Ionization' is cited as a seminal work in this field.

Karlheinz Stockhausen is presented as Varèse's successor, exploring new forms and electronic music to express spatial concepts and suspend the logic of cause and effect. The experience of listening to such music is described as an intense, individual encounter with the 'inner world'.

Un Alumno Adelantado (An Advanced Student)

Frank Zappa is discussed as a musician deeply influenced by Varèse and Stockhausen, known for his complex compositions, cynical persona, and unique vision of the 'inner world' independent of drug culture. His influence on experimental European rock groups of the early 1970s, such as Can and Tangerine Dream, is noted.

Flotando en el Espacio (Floating in Space)

This part focuses on 'space rock', a genre that appeals to audiences through its symbolism and structures. The band Hawkwind is highlighted as a group that successfully embodied this genre, creating a conscious 'space journey' through their stage performances and collaborations with science fiction writer Michael Moorcock.

Las Semillas del '66 todavía están floreciendo (The Seeds of '66 are still blooming)

This sub-section touches upon the 'Boom Beat' movement and the emergence of serious music from young musicians in the mid-1960s, influenced by the 'drug culture' and a sense of artistic freedom.

Recurring Themes and Editorial Stance

The magazine consistently explores the intersection of the unexplained (UFOs, alien encounters) with cultural phenomena, particularly film and music. The editorial stance appears to be one of diligent archiving and critical analysis, aiming to preserve and disseminate information on these subjects. There is a clear interest in documenting historical cases and examining how they are represented in popular culture, while also appreciating artistic expressions that explore cosmic and experimental themes.

This issue of Revista Anomalia, identified as No. 7 and Volume 2, published by Fundación Anomalia, delves into the intersection of ufology and music, with a strong focus on the 1960s and 1970s. The cover prominently features the title "LOS MONSTRUOS DEL TERROR" alongside a striking, grotesque image, signaling a key article on the film of the same name and its connection to the Ummo phenomenon.

Article: "LOS MONSTRUOS DEL TERROR" - Una visión ummológica

This section, authored by Luis R. González Manso and José Juan Montejo Aguilera, examines the 1969 Spanish-Italian-German film "Los monstruos del terror." The film is analyzed not just as a piece of genre cinema but through a ufological lens, particularly its ties to the Ummo case. The article notes the film's provisional title, "El hombre que vino de Ummo," and its eventual commercial title, possibly to capitalize on waning public interest in the Ummo affair. Michael Rennie, known for "The Day the Earth Stood Still," plays the alien Dr. Odo Varnoff. The review critiques the film's technical aspects, such as makeup and special effects, but focuses on its narrative elements that echo Ummo lore, including the planet Ummo's impending doom and the aliens' plan to conquer Earth. The plot involves Varnoff establishing a laboratory in Transylvania to resurrect classic monsters (vampire, werewolf, mummy) to sow confusion and facilitate invasion. The article draws parallels to Ed Wood's "Plan 9 from Outer Space" and discusses the Ummites' ability to reincarnate and their eventual struggle with human emotions. It also touches upon the film's release date and potential publicity stunts, referencing letters sent by Ummites to Spanish contacts.

Music Features

The magazine dedicates significant space to the music of the late 1960s and 1970s, exploring various influential bands and genres:

Soft Machine and Pink Floyd

An article traces the origins of Soft Machine and Pink Floyd, emerging in the "gray future" of their parents' generation. It highlights 1966-1967 as years of self-exploration leading to musical revolutions. Soft Machine, originating from Canterbury, is described as having a jazz base, with early members including Robert Wyatt, Kevin Ayers, Mike Ratledge, and Daevid Allen. They performed at venues like UFO and Roundhouse, developing a sound deeply rooted in jazz improvisation. Daevid Allen left in 1968, and the band toured the US with Jimi Hendrix. Pink Floyd's formation is presented as less turbulent, with their core intentions remaining consistent. The article mentions Syd Barrett's role in their early hits like "Arnold Layne" and "See Emily Play." Roger Waters is quoted stating their music is more deliberate and controlled, with visuals specifically related to the music.

The Moody Blues

The Moody Blues' journey from their 1964 beginnings and the hit "Go Now" is detailed. They adopted the Mellotron to create more melodic tracks, leading to their concept album "Days of Future Passed," which influenced other bands to record "symphonic" rock. Initially labeled esoteric, their subsequent albums were critically acclaimed for their emotional experience and spatial sound, achieved through a determination to create an atmospheric album.

Miles Davis and Jazz Fusion

Miles Davis is presented as the true creator of jazz fusion, with his music aiming for an emotional and cosmic response, contrasting with modern jazz's intellectual appeal. His quote, "Rock? Jazz? Those are words invented by white people. I don't play Jazz or Rock: I play my music," sets the tone for this section.

Exploratory Music and Guitarists

The article discusses the electric guitar as a key instrument for exploratory and inner-world music. John McLaughlin and Jerry Garcia are highlighted as guitarists with immense intellectual and emotional depth, viewing their music as a path to enlightenment. McLaughlin's spiritual connection to Sri Chinmoy is mentioned, viewing God as the Supreme Musician.

John McLaughlin and Mahavishnu Orchestra

John McLaughlin's musical roots in late 1950s jazz are explored, along with his work with bands like Graham Bond Organisation and his collaboration with Tony Williams in Lifetime. He later formed the Mahavishnu Orchestra, whose albums are noted for being dominated by his spiritual beliefs and inclinations.

Jerry Garcia and Grateful Dead

Jerry Garcia's pantheistic worldview and his roots in American blues and country music are discussed. Grateful Dead is described as a prototype rock band with an essentially improvisational, esoteric, and asymmetrical base. Garcia's quote, "Music is for getting high," reflects the band's impact on their audience.

King Crimson and Progressive Rock

King Crimson is lauded as an innovative and revolutionary progressive band. Their debut album, "In The Court Of Crimson King," is considered a landmark in progressive rock, pioneering experimentation and innovative musical exploration. The album's melancholic passages, acoustic guitar, and symphonic Mellotron sounds, particularly in tracks like "Epitaph" and "21st Schizoid Man," are noted for their influence on 1970s progressive rock. The album's thematic elements, including apocalyptic imagery, medieval mysticism, and gothic art, are also highlighted.

Henry Cow and Rock in Opposition

In 1968, Henry Cow emerged from Cambridge University, led by Fred Frith and Chris Cutler. They are credited with a cosmic revolution in progressive rock, creating influential albums that explored new musical universes. The article also touches upon "Rock de Cámara" (Chamber Rock) in Belgium and France, influenced by composers like Satie and Stockhausen, and drawing from Magma, Frank Zappa, and King Crimson.

Magma and Zeuhl Music

Magma, a French band, is introduced with their unique "Zeuhl Music." Christian Vander, the band's mentor, invented the Kobaïa language and created an esoteric conception that defines Magma's music and symbology. Inspired by John Coltrane, Miles Davis, King Crimson, and Frank Zappa, Magma is described as a stimulating and profound band.

Tangerine Dream and Cosmic Rock

German Krautrock is explored, with Tangerine Dream highlighted as a key exponent. The article notes their use of electronic keyboards as primary instruments, creating lyrical-spatial dreams and abstract, intellectual music. Albums like "Zeit" and "Phaedra" are mentioned for their meditative qualities.

"Música del Espacio" Tracklist

A curated list of 15 tracks titled "Música del Espacio" (Space Music) is provided, featuring artists like Karlheinz Stockhausen, Moondog, Rashan Roland Kirk, Varèse, Frank Zappa, Hawkwind, Soft Machine, Pink Floyd, Miles Davis, Mahavishnu Orchestra, Grateful Dead, King Crimson, Univers Zero, Magma, and Tangerine Dream, with track durations.

Recurring Themes and Editorial Stance

The issue consistently explores the boundaries of music and its relationship with consciousness, spirituality, and the cosmos. There's a clear emphasis on experimental, progressive, and avant-garde music, often linked to themes of space, mysticism, and philosophical inquiry. The film review section highlights a similar interest in the unconventional, particularly the intersection of science fiction, horror, and unexplained phenomena like the Ummo case. The editorial stance appears to be one of deep engagement with counter-cultural movements and artistic innovation, particularly from the 1960s and 70s, presenting a rich tapestry of music and speculative ideas.

This issue of Anomalia magazine, dated July 2018, features a lead article titled "Los monstruos del terror, de simple película a expediente ummita" (The Monsters of Terror, from Simple Film to Ummo File). The magazine is published by Fundacion Anomalia and is in Spanish.

"Los monstruos del terror, de simple película a expediente ummita"

The article meticulously investigates the Spanish film "Los monstruos del terror," exploring its convoluted production history, multiple titles, and its alleged connection to the mysterious Ummo phenomenon. The author recounts their research journey, beginning in 1989 at the Biblioteca Nacional, where they discovered the original script titled "El hombre que vino de Ummo" (The Man Who Came from Ummo) by Jacinto Molina, dated 1969.

Upon examining the script, the author found that the title "Ummo" had been altered, and the text itself contained no direct references to Ummo or the 14 light-years distance often associated with the phenomenon. This led to the suspicion that "Ummo" might have been an addition. Further investigation into the film's production revealed that it was initially planned as "Operación Terror" (Operation Terror), with Michael Rennie slated to star. The film's production was fraught with financial difficulties, leading to changes in directors and delays. The shooting began in July 1968 and concluded in December 1968, with Antonio Isasi Isasmendi taking over as director and editor.

The article highlights the coincidental timing of the film's production with the UFO wave of 1968 and specific sightings reported in the press. It also notes the actor Michael Rennie's portrayal of an "extraterrestrial invader" persona, which may have contributed to the film's association with UFO themes.

A significant part of the investigation involves the screenwriter, Paul Naschy (Jacinto Molina). Naschy recounted an encounter with a mysterious individual named "Paco," who claimed to be connected to the Ummo messages. Paco allegedly provided Naschy with a synopsis and suggested script modifications, even handing over two sealed envelopes of information about Ummo, with instructions not to open them for five years. Naschy never opened them and later gave them to parapsychologist Carole Ramis.

However, when the author contacted Carole Ramis, she denied receiving any envelopes from Naschy, casting doubt on his account. The article also mentions that the film's title change to "Los monstruos del terror" was an imposition by the distributor, as "Ummo" was not considered a marketable title.

The research also touches upon the film's premiere dates and potential connections to Ummo letters, specifically a letter dated August 6, 1971, concerning the "Mano cortada" (Cut Hand) case. The film was released in Spain in August and November 1971.

Further investigation into the film's production involved contacting other professionals, including director A. Isasi Isasmendi and actor Manuel de Blas. The article also addresses a confusion where Naschy was mistakenly identified as the film's producer. When directly asked about "Paco," Naschy denied ever knowing him or hearing of him, and also denied that anyone had proposed script modifications.

The article concludes that while the film "Los monstruos del terror" may have been influenced by the Ummo phenomenon, the exact nature of this connection remains enigmatic. It also briefly explores other UFO-related topics, including the Fermi paradox and recent exoplanet discoveries.

Fermi y los nuevos mundos (Fermi and the New Worlds)

This section discusses the Fermi paradox, which questions the contradiction between the high probability of extraterrestrial civilizations and the lack of evidence for them. It references a study by Rasmus Bjørk suggesting that it would take billions of years for an alien civilization to explore even a small fraction of the galaxy, implying that they may not have had the chance to visit us yet.

The article then shifts to recent astronomical discoveries, focusing on the Gliese 581 star system, located about 20 light-years away. Researchers have identified several exoplanets orbiting this red dwarf star, including one in the "habitable zone" that could potentially harbor liquid water. The article details the methods used to detect these planets, such as observing stellar "wobbles" and changes in luminosity.

It highlights the discovery of a potentially Earth-like planet with a radius 50% larger than Earth's and five times its mass, with a year lasting only 13 days. The same team also found a gas giant similar to Neptune and evidence of a third planet in the system. The article notes that the temperature on the potentially rocky planet could range between 0 and 40 degrees Celsius, making it more hospitable than Venus or Mars.

Furthermore, the discovery of water vapor in the atmosphere of another exoplanet, HD209458b, is mentioned, emphasizing the growing dedication to exoplanetary research by government agencies and scientific associations.

El Sur (The South)

This section, written by José Ruesga Montiel, discusses the current state of ufological interest in Spain. It mentions various initiatives, including the Andalusian Congress on UFO Phenomena and the electronic magazine "Misterios." The author praises José Manuel García Bautista's work on the "Benacazón case," highlighting his recognition as one of the best investigators of 2006. The article reflects on the challenges of investigating UFO cases in the past due to limitations in accessing information and technology, contrasting it with the present, where a consolidated democracy allows for easier access to historical archives.

Recurring Themes and Editorial Stance

The magazine consistently explores themes related to UFOs, extraterrestrial phenomena, and the intersection of these topics with popular culture, particularly cinema. The editorial stance appears to be one of critical inquiry, delving into the mysteries and controversies surrounding these subjects while maintaining a grounded approach to research and investigation. The articles often combine historical research, interviews, and scientific findings to provide a comprehensive overview of the topics discussed.

This issue of 'Revista Anomalia' (Issue 7, Volume 2) features an in-depth article titled "LA VERDAD SOBRE EL MISTERIO DE BAIAN KARA ULA" (The Truth About the Baian Kara Ula Mystery) by Chris Aubeck. The magazine, published by Fundación Anomalía, delves into the origins and veracity of a popular UFO legend.

The Baian Kara Ula Mystery: Legend vs. Reality

The article begins by introducing the Baian Kara Ula legend, which claims that in 1938, an expedition in the border region between China and Tibet discovered a cave containing tombs. Inside, they allegedly found the remains of small beings with large skulls and thin bones, alongside hundreds of mysterious gray discs marked with hieroglyphics. The author notes that this story has been a subject of speculation since its publication in 1962, elevating it to legendary status in ufology.

The Origin of the Legend

Chris Aubeck meticulously traces the origin of the story, revealing that the primary source was a German journalist named Reinhardt Wegemann, purportedly a correspondent for the DINA news agency in Tokyo. However, Aubeck expresses skepticism, as Wegemann's name and the existence of DINA are unverified, and the story appeared in esoteric magazines rather than official news outlets. The article was first published in the German magazine 'Das vegetarische Universum' in July 1962 and later reprinted in the German ufological magazine 'UFO-Nachrichten' two years later. The legend gained wider traction when it was published in French and Belgian ufological circles, then translated into Russian and discussed by Soviet ufologist Dr. Vyatcheslav Zaitzev in 'Sputnik' magazine. This Russian publication led many to mistakenly believe it was the original source. The story reached the United States in 1967, with a journalist from the 'Los Angeles Herald-Examiner' comparing the cave drawings to Betty Hill's star map, omitting any mention of Wegemann.

Doubts and Discrepancies

As the story evolved, details became distorted, and names like 'dropa' were altered. Serious investigators began to express skepticism. In 1973, Gordon Creighton, director of 'Flying Saucer Review', investigated the incident and found no evidence of an archaeological expedition to Baian Kara Ula in 1938. He also noted that the mountains are more commonly known as 'Bayan Khara Ula' (meaning 'good black mountains' in Mongolian) and could not find any record of the supposed expedition leader, archaeologist Chi Pu Tei. Furthermore, the name of the professor who allegedly translated the disc symbols, Tsum Um Nui, sounds like a fabricated mixture of Chinese and Japanese, and no record of him or his report exists, suggesting he was also fictional.

Escalating Confusion

The confusion surrounding the case intensified in the 1970s. In 1974, Austrian engineer Ernst Wegener photographed four blurry discs at the Banpo Museum in Xian, which lacked the described hieroglyphics. In 1979, David Agamon published 'Sungods in Exile,' presented as the posthumous work of scientist Karyl Robin-Evans, detailing an expedition to Baian Kara Ula in 1947. Agamon later admitted that Robin-Evans and the story were his own invention, and the photographs of the discs were of a homemade fake. More recently, a 1995 report of increased birth defects in China due to water contamination was misinterpreted as the discovery of the 'dropa,' further muddying the waters.

The Real Dropa and Kham

The article clarifies that 'dropa' (more accurately 'drokpa') is a real term for Tibetan nomads, who are Buddhist but maintain animistic traditions. They are not aliens but people with Indo-Aryan features who have lived in the Tibetan Plateau for thousands of years, traditionally raising animals and engaging in trade. Their way of life has been severely impacted by the Chinese "Democratic Reform" and subsequent policies. The region of 'Kham' is also real, a large area of Tibet inhabited by the Khamba people, known for their ferocity and deep religious devotion.

Categorizing the Legend

Aubeck places the Baian Kara Ula story within a genre of ancient alien visitation narratives. He cites earlier examples, such as Daniel DeFoe's novel about lunar inhabitants influencing Chinese culture and Henri de Parville's 1864 article about an extraterrestrial mummy found in a Colorado meteorite. The choice of Tibet as a setting is attributed to the Western world's fascination with Tibetan mysticism and magic in the mid-20th century, fueled by figures like Helena Blavatsky and books like 'The Tibetan Book of the Dead.'

Bibliography

The issue includes a bibliography listing several books related to monsters and aliens, including:

• "A FIELD GUIDE TO MONSTERS" by Dave Elliott
• "ALIENÍGENAS" by John F. Moffitt
• "ALIEN THEORY: The alien as archetype in the science fiction short story" by Patricia Monk
• "ANTÁRTIDA 1947 - La guerra que nunca existió" by J. Felipe Botaya
• "CHASING THE ROSWELL ALIEN" by Glenn Marcel
• "CONSPIRACY OF SILENCE: UFOs IN IRELAND" by Dermot Butler & Carl Nally
• "TRANSFORMATION OF A COMMON MAN" by James E. Frazier
• "EL ENIGMA TUNGUSKA" by Antonio Las Heras
• "WHO ARE THEY?" by Margaret-Ellen Fry
• "DALLA TERRA ALLE STELLE: Tre secoli di Fantascienza e Utopie italianne" by Various authors
• "VINIERON DEL ESPACIO - Alienígenas de cine" by José Manuel y Francisco Javier González-Fierro Santos
• "THE MARTIAN FACTOR" by Keith Flitcroft
• "COLLECTING..." by AA.VV.

Reviews

Two books are reviewed:

• "A FIELD GUIDE TO MONSTERS" by Dave Elliott: This guide categorizes 150 movie and TV monsters, providing details on their history, behavior, and weaknesses, with accompanying photos. The reviewer notes it includes a few aliens, possibly hinting at a future "A Field Guide to Aliens."

• "ALIENÍGENAS" by John F. Moffitt: The reviewer finds this book skeptical but flawed, possibly a translation of an earlier work. Criticisms include the author's elitist tone, insults towards science fiction fans and films, and numerous factual errors regarding UFO cases and historical influences. Specific points of contention include the author's claims about H.G. Wells' 'The War of the Worlds' and Eric von Däniken's influence on the 'ancient astronauts' theory. The review also points out the author's misinterpretation of an Iberian statuette as an alien and his dismissal of the six-fingered alien autopsy evidence. Despite its flaws, the review acknowledges the book's potential value in highlighting the influence of cinema and the 'terror and entertainment' mix on modern culture, and suggesting possible links between the legalization of the contraceptive pill and the 'monster baby' fear related to thalidomide.

Premio Cuadernos de Ufología 2007

This section details the bases for the "Premio Cuadernos de Ufología 2007" (Ufology Notebooks Award 2007). The award, endowed with a diploma, aims to recognize individuals or entities that have excelled in disseminating the influence of science and technology on popular culture, scientific anomalies, and societal responses. Candidates must have a significant track record and be nominated by research centers or collectives. Proposals must be submitted by September 30th to Fundación Anomalía in Santander, Spain. The award will be decided by December 31st, and the recipient announced in January of the following year.

Recurring Themes and Editorial Stance

The magazine consistently adopts a critical and investigative stance towards UFO phenomena. The main article on the Baian Kara Ula mystery exemplifies this by meticulously debunking the legend, tracing its fabricated origins, and distinguishing between myth and reality. The book reviews also highlight a preference for skeptical analysis, even when critiquing works that adopt a more critical or dismissive tone. The inclusion of the "Premio Cuadernos de Ufología" suggests an ongoing commitment to promoting serious study and discussion within the field, while the bibliography indicates a broad interest in ufology and related subjects.

This issue of ALIEN THEORY (Volume 2, Issue 7, dated July 2018) is a Spanish-language publication from Anomalia, focusing on ufology and related topics. The issue primarily consists of book reviews, all commented upon by Luis R. González Manso, offering critical perspectives on works concerning aliens, science fiction, and historical mysteries.

Book Reviews

Alien Theory: The alien as archetype in the science fiction short story by Patricia Monk

Luis R. González Manso reviews Patricia Monk's book, noting that while some parts were dense with psychological and post-modernist jargon, the work is recommended for its interesting classifications and disquisitions on the alien archetype in science fiction. Monk's thesis is that the portrayal of aliens helps humanity understand its place in the universe. The book is divided into three parts: a historical overview of the concept of the 'Other,' an examination of alien forms, psychology, and sociology in science fiction, and an analysis of how this fiction models alterity. The reviewer highlights the scarcity of discussion on alien psychology in early science fiction and points to Robert Freitas's 1984 article 'Xenopsychology' as a significant early attempt. The book includes an extensive 45-page bibliography. The review also touches upon historical debates about the plurality of inhabited worlds, mentioning Alfred Russell Wallace's denial in 1907 and a 'second xenological revolution' in the early sixties. Monk categorizes aliens into 'homologous,' 'analogous,' 'heterologous,' and 'completely exotic,' and classifies fictional alien contact into 'first contact,' 'established contact,' 'hypothetical contact,' and 'contact in ignorance.' The review also notes classifications of literary aliens such as 'Bug Eyed Monsters' (B.E.M.), 'humanoids,' and 'little green men,' and a matrix of alien-human interaction.

Antártida 1947: La guerra que nunca existió by Felipe Botaya

This review by Luis R. González Manso describes Felipe Botaya's novel as strange, blending historical fiction set after WWII with elements of urology and alternative history. The novel posits a Nazi Fourth Reich in Antarctica, with flying saucers as a Nazi invention. However, the reviewer deems the novel a failure due to its excessive focus on minor details, lack of character depth, pro-Nazi apologism, and editorial errors. The reviewer suggests the novel might be the first in a trilogy, following Botaya's 'Operación Hagen.' The review recommends W.A. Harbinson's tetralogy as a better example of a urological novel about Nazi secret weapons.

Chasing the Roswell Alien by Glenn Marcel

Luis R. González Manso reviews Glenn Marcel's second novel, which features Melissa Vaughn, a reporter for 'Weird Magazine.' The novel tackles the Roswell incident of 1947 and the disappearance of Amelia Earhart. The reviewer notes that Glenn Marcel is the nephew of Jesse Marcel, who was involved in the Roswell incident. The first part of the novel focuses on the 1947 events, with the reviewer speculating that Jesse Marcel might have provided his nephew with unknown details. While the novel is considered entertaining and capable of surprising the reader, it is criticized for containing superfluous scenes and incidents seemingly intended to pad the page count.

Conspiracy of Silence: UFOs in Ireland by Dermot Butler & Carl Nally

This review by Luis R. González Manso addresses the book's focus on UFO sightings in Ireland, noting that while sightings were common in Great Britain, they were less so in Ireland, particularly in the Protestant areas. The book offers testimonies from Ireland, but the reviewer finds the authors, who are relatively new to the field, to be insufficient despite valuable documentation. A major criticism is that the authors are believers, leading to a lack of skeptical analysis and instances of ridicule, such as positively mentioning the falsified films of contactees like George Adamski and Tibor Nagy. The review also mentions the authors presenting an abduction by a meteor as a possibility, contrasting it with the more common explanation of a meteor entering the atmosphere.

El Enigma Tunguska by Antonio Las Heras

Luis R. González Manso critically reviews Antonio Las Heras's book, which updates his previous work on the Tunguska explosion. Las Heras theorizes that the Tunguska event was deliberately caused by intelligent extraterrestrial entities (EEI) as an atomic test, drawing parallels to ancient atomic explosions on Earth and other celestial bodies. The reviewer dismisses Las Heras's arguments, including his discussion of Venus and coincidental proximity to Earth, and his dismissal of a crashed alien spacecraft in favor of an atomic propulsion theory. The review highlights the irony of Las Heras presenting 72 hypotheses for the Tunguska explosion in his epilogue, including Jacques Bergier's theory about political prisoners creating a nuclear bomb. The book is deemed 'completely dispensable.'

Recurring Themes and Editorial Stance

The recurring themes in this issue revolve around the interpretation of unexplained phenomena, particularly UFOs and alien encounters, through the lens of literature, history, and speculative theories. The editorial stance, as reflected in the reviews, is generally critical and skeptical, favoring rigorous analysis and questioning unsubstantiated claims, even when discussing topics within the realm of ufology and science fiction. The reviewer, Luis R. González Manso, consistently applies a discerning eye, evaluating the credibility, methodology, and potential biases of the authors and their works.

This issue of Revista Anomalia, dated July 6, 2018, focuses on the "Transformation of a Common Man - The Brian Scott Story" as its main feature. The magazine is published by Fundación Anomalia and is in Spanish.

The Brian Scott Story

The article begins by referencing Kottmeyer's summary of the Brian Scott case, which is often considered a fraud that spurred early investigations by Alvin Lawson. However, the story is presented as more complex, with Scott's experiences evolving over four years. Initially described as extraterrestrial, the phenomenon later incorporated demonic possessions, coinciding with the release of 'The Exorcist,' and contactee messages. Scott, a technical draftsman, allegedly secured funding to visit Tiahuanaco, where he claimed to have been elevated to a higher consciousness level (level 8 out of 10), gaining the ability to bend spoons like Uri Geller. This was purportedly at the cost of millions of extraterrestrials protecting him from the 'Secondary World.' His protectors, initially described as tall clones resembling 'The Thing' from Fantastic Four, could transform into beautiful red-haired extraterrestrials. The book Scott's story is based on mentions figures like Hynek, Vallée, and Duncan Lunan, as well as anonymous researchers, painting a picture of the North American ufological scene. Scott's contactee aspects were peculiar as he never developed a sect.

The author's own conversion and the evidence he received are also detailed, including predicted meteor falls, fossils in unexpected places, and materialized cream cakes in Peru when they ran out of money. The original intention was to build a pyramid in Tiahuanaco by 2011. Brian Scott, or his alien alter-ego Voltar, also apparently created a documentary featuring Americans complaining to the government, which was presented to President Jimmy Carter. He also constructed a Neural-Optical Responder (NOR) device, intended to aid human consciousness evolution, but after twelve years, it reportedly only improved the auditory discrimination skills of deaf children.

According to the author, the story concluded on March 22, 1980, with Voltar and his people departing. Brian continued his life as a technical draftsman in the military and aerospace industry, with Voltar's continued advice on designs. The article questions why the book was published twenty-five years later.

A final detail connects the story to the television series 'Taken,' produced by Steven Spielberg. It notes that the main debunker of the UFO phenomenon in the series is the brother of the hybrid extraterrestrial protagonist. The article reveals that the author of the Brian Scott book, and an essential collaborator in Scott's odyssey, is the brother of Kendrick Frazier, the current editor of Skeptical Inquirer magazine.

Bibliographical Reviews

'Who Are They?' by Margaret-Ellen Fry

This review by Luis R. González Manso discusses 'Who Are They?', a book by Margaret-Ellen Fry, president of the Welsh Federation of Independent Ufologists. The book includes a foreword by Desmond Leslie. Fry, born in India and educated in the Himalayas, had her own UFO sighting in Kent, UK, on July 17, 1955, involving a disc-shaped craft that stalled her car. This event sparked her interest in ufology, leading her to join BUFORA and publish articles in 'Flying Saucer Review.' The book focuses on her investigations into abductions and paranormal events since the late 1970s. It notes that witnesses describe typical 'Grays' as well as more benevolent aliens from 'other dimensions.' The review highlights peculiar details, such as the 'Ummo' symbol appearing on different parts of UFOs and absurd excuses for lack of evidence, like a witness claiming to have been operated on in their astral body. The reviewer concludes that the book is more interesting for what it reveals about ufologists than for the cases they investigated.

'Dalla Terra alle Stelle' (From Earth to the Stars)

This review covers 'Dalla Terra alle Stelle,' a work by various authors from the 'Fundación Biblioteca di via Senato' in Milan, Italy. The 223-page book, with abundant color illustrations, reviews three centuries of Italian science fiction and utopias. It is divided into five sections: Utopias and imaginary journeys, Extravagant inventions and imaginary science, Space travel, Inhabitants of other worlds, and The war of the future. It also includes a brief note on Italian science fiction cinema and an index of illustrations. The review points out interesting illustrations, such as a 1938 fantasy story cover depicting a being with a large head that resembles later 'Gray' alien descriptions, and a 1946 children's novel illustration of a medical examination of an abductee by smiling, big-headed beings. It also mentions a 1955 'Urania' magazine cover and a story by L.R. Johannis about the possibility of human evolution being due to extraterrestrial visitors, predating von Däniken.

'Vinieron del Espacio' (They Came from Space)

This review by Luis R. González Manso discusses 'Vinieron del Espacio,' a book by José Manuel and Francisco Javier González-Fierro Santos. The 287-page book, published by Arkadin Ediciones, is a chronological survey of alien-themed cinema from the silent era to the 21st century. It provides plot descriptions, anecdotes about actors and directors, and explores the cultural context of each era. The review notes that the authors are familiar with ufology and occasionally incorporate relevant considerations. The book includes sections on alien films from behind the Iron Curtain and comedy alien films, as well as a dedicated section on 'Iberian aliens,' mentioning titles like 'Pánico en el Transiberiano' and 'Platillos volantes,' but surprisingly omitting 'La lupa.' The reviewer concludes that it is an essential title for any ufologist's library.

'The Martian Factor' by Keith Flitcroft

Luis R. González Manso reviews 'The Martian Factor,' a 140-page book from Poseidon Books (Australia) by Keith Flitcroft, a former RAAF pilot who claims to have helped organize George Adamski's tour in Australasia in 1959. The book is presented as a novel about 'Don,' a young Martian with a human appearance, who visits Australia to investigate the impact of UFO experiences. The reviewer criticizes the novelistic approach, stating it serves as an excuse to visit various locations and comment on UFO cases without detailed investigation or proof. The narrative includes absurd elucubrations, such as the author's defense that all planets in the Solar System are inhabited by perfectly human beings with telepathic powers, and that governments conspire to hide this reality using recovered alien technology. The reviewer finds the book to be a poorly written and boring work, despite the author's claim that it opens new paths.

Collecting Guides

This section reviews three large-format, color-illustrated guides for collectors: 'Collecting Monster Toys' by John Marshall, 'Collecting the Space Race' by Stuart Schneider, and 'Collecting Star Wars Toys' by Jeffrey B. Snyder. The reviewer notes that the products are accompanied by market price indications. 'Collecting Monster Toys' covers classic monsters and ufological themes, including references to the 'Laguna Negra' creature and Zanfretta's case. It also mentions Japanese monsters and the 'Outer Space Men' collection, which mixes Greek mythology and ufology. 'Collecting the Space Race' and 'Collecting Star Wars Toys' are also presented as useful guides for collectors.

Recurring Themes and Editorial Stance

The magazine consistently reviews books and cases related to ufology, extraterrestrial encounters, and science fiction. The reviews, primarily by Luis R. González Manso, are often critical, evaluating the quality of research, the plausibility of claims, and the literary merit of the works. There is a recurring skepticism towards unsubstantiated claims and a focus on the socio-anthropological aspects of the UFO phenomenon. The editorial stance appears to favor critical analysis and a discerning approach to ufological literature and cases.

This document is an excerpt from issue number 7 of the magazine "Anomalia", published by Fundación Anomalia, likely in 2007. The content focuses on collecting and features reviews of two books related to popular culture and ufology. The original language is Spanish.

Collecting the Space Race (Coleccionando la carrera espacial)

This section reviews the book "Collecting the Space Race," described as a fascinating read even for those already interested in the theme. It highlights the immense quantity of space-race-related products produced by American entrepreneurs. The review notes the wide variety of items available, including piggy banks, puzzles, tin and remote-controlled toys, salt shakers, fairground attractions, and even magic items, suggesting that someone should establish a museum for all these collectibles. The price for these books is stated to be only 10-12 dollars.

Collecting Star Wars Toys (1977-Present): An Unauthorized Practical Guide With Prices

This part of the document reviews the book "Collecting Star Wars Toys (1977-Present): An Unauthorized Practical Guide With Prices." It acknowledges that "Star Wars" was a pioneering film franchise in leveraging merchandising. The review suggests that the merchandise and related products have proven to be significantly more profitable than the films themselves. The book offers a guided tour of this extensive range of merchandise. It also draws intriguing connections between Star Wars elements and ufology. For instance, the Jawas and Tuskens are compared to the "little men" from the Turís case. Additionally, members of the Mos Eisley cantina band are mentioned in relation to a famous abduction case investigated by CUFOS. The review also points out the presence of "flying triangles," described as the quintessential Imperial cruisers of the villain Darth Vader.

Recurring Themes and Editorial Stance

The recurring themes in this excerpt are collecting, popular culture merchandising (specifically related to the Space Race and Star Wars), and the intersection of these with ufology. The editorial stance appears to be one of appreciating and cataloging these cultural artifacts, while also exploring potential connections to unexplained phenomena. The tone is informative and engaging, aiming to inform readers about valuable collecting guides and interesting parallels between fiction and alleged real-world mysteries.